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            <titleStmt>
                <title>Oh Boy!</title>
            </titleStmt>
            <publicationStmt>
                <publisher>New York Public Library for the Performing Arts</publisher>
                <pubPlace>New York City</pubPlace>
            </publicationStmt>
            <sourceDesc>
                <bibl>
                    <title>Oh Boy!</title>
                    <author>Bolton, Guy</author>
                    <author>Wodehouse, P.G.</author>
                     <author>Kern, Jerome.</author>
                </bibl>
            </sourceDesc>
        </fileDesc>
    </teiHeader>
    <text>
        <front>
            <titlePage>
                <titlePart>
                    <title>OH,-BOY</title>
                 </titlePart>
                 <docAuthor>   
				
by Guy Bolton and P.G. Wodehouse<lb/>
Lyrics by Guy Bolton and P.G. Wodehouse<lb/>
Music by Jerome Kern<lb/>
</docAuthor>
<docDate>
Produced at the Premier Theatre, N.Y., 20736, 1907<lb/>
</docDate>
</titlePage>






<pb/>
<div type="characters">
<head>
OH BOY !.
</head>
<castList>
<castItem>BRIGGS----GEO BUDDS VALET-----------------CHARACTER COMEDY</castItem>
<castItem>POLLY ANDRUS---FRIEND OF JIM MARVIN-------FLAPPER TYPE</castItem>
<castItem>JIM MARVIN----ROUNDER---------------------JUVENILE</castItem>
<castItem>GEORGE BUDD----YOUNG CLUBMAN--------------LEAD</castItem>
<castItem>LOU ELLE CARTER----BUDD&#39;S FIANCEE----------LEAD</castItem>
<castItem>JACKIE SAMPSON------A FUN LOVER-----------INGUENUE</castItem>
<castItem>CONSTABLE SIMMS------THE TOWN LAW---------RUBE COMEDY</castItem>
<castItem>MISS PENELOPE BUDD---A QUAKER SPINSTER----CHARACTER COMEDY</castItem>
<castItem>JUDGE DANIELS CARTER---AN OLD DEVIL-------CHARACTER</castItem>
<castItem>MRS. CARTER-------------------------------GRANDE DAME</castItem>
<castItem>WAITER------------------------------------BIT</castItem>
</castList>
</div>
<div type="scenes">
<list>
<item>
----------ACT ONE----------<lb/>
BACHELOR APARTMENT OF GEORGE BUDD AT SMALL VILLAGE NEAR TOWN.<lb/>
TIME: EIGHT.
</item>
<item>
----------ACT TWO-----------<lb/>
THE MEADOWSIDES COUNTRY CLUB.<lb/>
TIME:  NEXT AFTERNOON<lb/>

</item>
</list>
</div></front>
<body>
<pb/>

<div type="act" n="1">
<stage>
Note-- Curtain rises to music of &quot;Old Fashioned Wife&quot;. Briggs is standing
R. of C. with back to audience. Door bell rings off L. Briggs goes to
door, as he crosses boys and girls are seen out of window on fire escape.
They watch Briggs sign for telegram, and as he turns, they hide. Briggs
picks up fly swatter and starts to chase fly. Boys and girls hide as he
starts to exit R 2. Then two boys step in window R. and L. and help girls
in... Girls go R and L peering in and out. Then come down. Boys enter
and dress back of stage.
</stage>
<stage>
OPENING ENSEMBLE.
</stage>
<sp><speaker>Jim</speaker>
<stage>(ENTER AFTER OPENING WITH POLLY)</stage><p> Hello Boys and girls.</p></sp>

<sp><speaker>Girls</speaker>
<p>Hello Jim.. Jim.. Jim <stage>(AD LIB)</stage></p></sp>

<sp><speaker>Jim</speaker>
<p>Have you routed him out yet?</p></sp>

<sp><speaker>Girls</speaker>
<p>Haven&#39;t looked yet.</p></sp>

<sp><speaker>Jim</speaker>
<p>We&#39;ll find him in his little downy bed. George is one of those quiet
chaps ... Very unsophisticated-- Never goes out. Fast asleep every night
at ten.</p></sp>

<sp><speaker>Polly</speaker>
<p>Oh surely not after the night his pal Jim Marvin led the Elks debating
team to victory.</p></sp>

<sp><speaker>Jim</speaker>
<p>
It means nothing in George&#39;s young life that we won to-night. Now keep
quiet, we are going to give the old boy the surprise of his young life.
Yonder in his chaste white bed room. Now when I count to three call him.</p> <stage>(X
SWITCH R.)</stage> <p>One two three.</p></sp>

<sp><speaker>All</speaker>
<p>George! <stage>(LIGHTS UP)</stage></p></sp>

<sp><speaker>Jim</speaker>
<stage>(OPENS DOOR PEEKS IN. GETS RID OF HAT WHILE HE DOES SO)</stage> <p>What do you
know about that? He isn&#39;t here.</p></sp>

<sp><speaker>All</speaker>
<stage>(DISGUSTED)</stage><p> Oh--h--h</p></sp>

<sp><speaker>Jim</speaker>
<p>But that&#39;s all right we&#39;ll go into the dining room and pop open a few
quarts of the best.</p></sp>

<sp><speaker>Polly</speaker>
<p>Are you sure George won&#39;t mind?</p></sp>

<sp><speaker>Jim</speaker>
<p>
Mind? Why George would share his last wife with me. You know I saved
his life once. </p><stage>(OFFERS ARM TO POLLY STARTS R. ALL FOLLOW SINGING STRAIN OF
OPENING OR &quot;HE&#39;S A JOLLY GOOD FELLOW&quot; AND EXIT R. CLOSING DOOR)</stage></sp>

<sp><speaker>Lou</speaker>
<stage>(ENTER L 2. SHE IS SMILING HAPPILY... PAUSES LOOKS AROUND AND THEN
CROSSES R.C.)</stage></sp>

<pb/>

<sp><speaker>George</speaker>
<stage>(ENTERS AFTER SHE CROSSES. DROPS HER BAG BY TABLE AND PLACES HAT ON TABLE
LE... THEN RUSHES TO HER EMBRACE)</stage><p> My Lambkin!</p></sp>

<sp><speaker>Lou</speaker>
<p>Oh George!</p></sp>

<sp><speaker>Geo.</speaker>
<p>I wonder did-- did anyone see us come in here?</p></sp>

<sp><speaker>Lou</speaker>
<p>Not a soul. Don&#39;t be so nervous dear.</p></sp>

<sp><speaker>Geo.</speaker>
<p>I was all right until I heard the minister say &quot;WILT THOU GEORGE&quot; and I
did.</p></sp>

<sp><speaker>Lou.</speaker>
<p>Did what?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Wilted.</p></sp>

<sp><speaker>Lou.</speaker>
<p>Oh! How thrilling it is to elope. I&#39;d like to do it every day.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Lou Ellen!</p></sp>

<sp><speaker>Lou</speaker>
<p>I mean with you dear. <stage>(EMBRACE)</stage> My great big cave man.</p></sp>

<sp><speaker>Geo.</speaker>
<p>My little squaw.</p></sp>

<sp><speaker>Lou.</speaker>
<p>George I read in the papers this morning that a man from Boreneo can buy
a wife for three dollars. Isn&#39;t that awful?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh I don&#39;t know--- I think a really good wife is worth three dollars.</p></sp>

<sp><speaker>Lou</speaker>
<p>Why George!</p></sp>

<sp><speaker>Geo.</speaker>
<p>I don&#39;t mean you. You&#39;re worth your weight in gold. </p><stage>(TAKES HER FACE IN
HANDS AND KISSES HER ON TOP OF HEAD)</stage></sp>

<sp><speaker>Lou</speaker>
<stage>(PULLS AWAY)</stage><p> Silly old George. Now I&#39;ve got powder all over your shoulder.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(BRUSHING IT OFF)</stage><p> That&#39;s all right. Powder always brushes off easily.</p></sp>

<sp><speaker>Lou</speaker>
<p>George -----How do you know it will?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Well I took the Chemisty course at college.</p></sp>

<pb/>

<sp><speaker>Lou</speaker>
<p>Oh I just can&#39;t help worrying about your past.</p></sp>

<sp><speaker>Geo.</speaker>
<p>I&#39;m afraid my past was a very dark one.</p></sp>

<sp><speaker>Lou</speaker>
<p>George!</p></sp>

<sp><speaker>Geo.</speaker>
<p>Because you weren&#39;t there to brighten it, Lou.</p></sp>

<sp><speaker>Lou.</speaker>
<p>Oh George. <stage>(CROSS AND PUT HAT ON TABLE)</stage></p></sp>

<sp><speaker>Geo.</speaker><p>
Come Dear I want to show you the apartment.</p> <stage>(EXIT)</stage>
<stage>
------------------------------<lb/>
Double &quot;You never knew about me&quot;<lb/>
------------------------------<lb/>
</stage>
<stage>(After Double phone rings.. Off stage all call Ad Lib... Jim answers the
phone. Jim enters R crosses to phone)</stage><p>... Hello... Who? Oh the Landlord.
No this isn&#39;t Mr. Budd. Mr. Budd is out. A lot of girls? You bet there
are. Regular Himdingers.. Won&#39;t you come up and join us.
</p></sp>
<sp><speaker>Briggs</speaker>
<stage>(Enters R 2.)</stage></sp>

<sp><speaker>Jim.</speaker>
<p>Oh naughty naughty. That&#39;s not a pretty way to talk. Take that.</p> <stage>(HANGS
UP RECEIVER WITH A BANG AND SITS BY TABLE L....SEES BRIGGS)</stage> <p>The landlord
Briggs, Phoning from downstairs.</p></sp>

<stage>
OFFSTAGE<lb/>
(SINGING RAIN NO MORE)</stage>

<sp><speaker>Briggs</speaker>
<p>What&#39;s all this going on in the dining room Mr. Marvin?</p></sp>

<sp><speaker>Jim.</speaker>
<p>Just a gay little party. We&#39;re celebrating the golfing victory.</p></sp>

<sp><speaker>Briggs</speaker>
<p>But the landlord will never stand for it sir. He&#39;ll jolly well call
the blooming Police sir.</p></sp>

<sp><speaker>Jim</speaker>
<p>Yes. That&#39;s what he just told me.</p></sp>

<sp><speaker>Polly.</speaker>
<stage>(ENTER R.)</stage><p> Oh Jim. Have you anything that will open a can of sardines?</p></sp>

<sp>
<stage>
OFFSTAGE
</stage>
<p>Never mind Polly. I found a razor that opens them very nicely.</p>
</sp>

<sp><speaker>Briggs</speaker>
<p>Oh----- the Master&#39;s Razor!</p></sp>

<sp><speaker>Jim</speaker>
<p>Isn&#39;t it jolly to see the little dears having such a good time, Briggs?</p></sp>

<pb/>

<sp><speaker>Briggs.</speaker>
<p>Well--- I can&#39;t say as I gets much kick out of it sir.</p></sp>

<sp><speaker>Jim</speaker>
<p>Nonsense. What you and Mr. Budd both need is a little wholesome feminine
society.</p></sp>

<sp><speaker>Briggs</speaker>
<p>No thanks. I&#39;ve had enough of girls. I&#39;ve been dodging them ever since I
was a blue eyed boy.</p></sp>

<sp><speaker>Polly</speaker>
<p>Perhaps you have never met the right one.</p></sp>

<sp><speaker>Briggs</speaker>
<p>They&#39;re all alike. When nature makes a bloomer she sticks to it. <stage>(EXIT L)</stage></p></sp>

<sp><speaker>Jim</speaker>
<p>Nature&#39;s mistake is not making enough girls.</p></sp>

<sp><speaker>Polly</speaker>
<p>I see. You wish they grew on trees.</p></sp>

<sp><speaker>Jim</speaker>
<p>
That&#39;s the idea. I want a garden where I can gather a whole bunch of
American beauties, before breakfast every morning. </p><stage>(EXIT WITH POLLY R.
CLOSE DOOR LOUD TALK OFF STAGE)</stage></sp>

<sp><speaker>Lou.</speaker>
<stage>(ENTER X TO DESK)</stage> <p>While you are packing your bag I&#39;ll write a note to Father
and Mother telling them what we&#39;ve done.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(OVER L. BY TABLE)</stage><p> What we&#39;ve not done?</p></sp>

<sp><speaker>Lou</speaker>
<stage>(CROSSING TOWARD HIM)</stage><p> About our elopement I mean <stage>(SEES TELEGRAM)</stage> Oh Darling
there&#39;s a telegram for you.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(LOOKING AROUND)</stage><p> Where?</p></sp>

<sp><speaker>Lou</speaker>
<p>Don&#39;t you see, stuck on that statue.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(STARTS FOR WIRE)</stage></sp>

<sp><speaker>Lou</speaker>
<p>No Dear. Let me take it off. I don&#39;t quiet approve of you having a statue
like that in your room.</p></sp>

<sp><speaker>Geo</speaker>
<stage>(HANGS HAT ON STATUE TO COVER IT AND STANDS BACK OF TABLE)</stage></sp>

<sp><speaker>Lou</speaker>
<p>That&#39;s better.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(HOLDING OUT HAND FOR WIRE)</stage><p> But Darling---</p></sp>

<sp><speaker>Lou</speaker>
<p>No dear I&#39;ll open it. Mother told me if I ever get married to be sure to 
<pb/>
open all my husband&#39;s telegrams. She said it&#39;s the only safe way.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(MEEKLY)</stage><p> Yes Dear.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(READING)</stage><p> Your letters fill me with dismay. Commit no rash act until you
have seen me. Arrive at thy home to-morrow morning. Love Aunt Penelope.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(Coming down L of table.. Takes wire)</stage><p> Good Lord.</p></sp>

<sp><speaker>Lou</speaker>
<p>What does this mean?</p></sp>

<sp><speaker>Geo</speaker>
<p>Aunt Penelope is my Guardian <stage>(X R)</stage> I wrote her and told her that I had
met the one girl in the world <stage>(PLACE ARM AROUND HER)</stage> and was trying to
get up courage enough to ask her to marry me.</p></sp>

<sp><speaker>Lou</speaker>
<p>That&#39;s what she means by rash deed?</p></sp>

<sp><speaker>Geo.</speaker>
<p>If she called getting engaged a rash deed what will she call getting
married.</p></sp>

<sp><speaker>Lou</speaker>
<p>George as much as I hate to say it we will have to postpone our Honey-
Moon.</p> <stage>(X L)</stage></sp>

<sp><speaker>Geo.</speaker>
<p>Oh no.</p></sp>

<sp><speaker>Lou</speaker>
<p>Oh yes. She will never forgive you if you aren&#39;t here to receive her.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh I can&#39;t help that.</p></sp>

<sp><speaker>Lou</speaker>
<p>Didn&#39;t you tell me that she had charge of your family estate?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes -- But she can cut me off with my allowance if she wants to. The
deuce with Aunt Penelope and our money...... This is our bridal night.</p></sp>
<stage>(KISS HER)</stage>

<sp><speaker>Lou</speaker>
<stage>(STARTS TO CRY)</stage><p> No George. You must be brave and take me home.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Must I?</p></sp>

<sp><speaker>Lou</speaker>
<p>Yes. Where is my bag?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh leave your bag here sweetie. Then we can get away at a minute&#39;s notice.</p></sp>

<pb/>

<sp><speaker>Lou</speaker><p>
All right. <stage>(X TO BELOW TABLE)</stage> First I am going to take out the picture
of my dear George. I am going to sleep with your dear face right beside me
to-night. <stage>(TAKES OUT PICTURE AND KISSES IT)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<p>Don&#39;t Darling.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(TAKES OUT FANCY BLUE SUIT OF PAJAMAS.. LAYS THEM ACROSS ARM NEAREST HIM)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(BUS)</stage><p> Oh... OH...</p></sp>

<sp><speaker>Lou</speaker>
<stage>(HOLDING THEM TOWARD HIM)</stage><p> They&#39;re pretty aren&#39;t they?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(TAKES THEM)</stage> <p>Beautiful oh... My lamb. </p><stage>(THEY UNROLL AND SLIPPERS FALL OUT)</stage>
<p>Your dear little slippers. </p><stage>(GETS TO KNEES AND PLACES THEM SIDE BY SIDE)</stage>
<p>Resting beside mine... Oh my darling. </p><stage>(RISES AND STARTS TOWARD HER)</stage></sp>

<sp><speaker>Jim</speaker>
<stage>(OFF STAGE SINGING WITH BUNCH)</stage><p> Won&#39;t go home until morning... </p><stage>(CLAPPING
HANDS AND ETC.)</stage></sp>

<sp><speaker>Lou</speaker>
<stage>(CLUTCHES HIM)</stage> <p>What&#39;s that! </p><stage>(PICKS UP PAJAMAS AND SLIPPERS AND PUTS THEM
IN BAG)</stage></sp>

<sp><speaker>Geo.</speaker>
<p>Some people in the dining room. <stage>(CROSSES R. PEEKS CAUTIOUSLY COMES BACK)</stage>
It&#39;s that idiot Jim Marvin. He&#39;s giving a party in my rooms...Quick. I
think he saw me. Go into the bedroom dear.</p></sp>

<sp><speaker>Lou</speaker>
<p>Bedroom?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(OPENS DOOR L.3.)</stage><p> Yes. Here.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(EX. L.3.)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(STANDS IN FRONT OF DOOR)</stage></sp>

<sp><speaker>Jim</speaker>
<stage>(ENTER R.2.)</stage><p> Ah there you are old Tortoise.</p></sp>

<sp><speaker>Geo.</speaker>
<p>What does this mean Jim?</p></sp>

<sp><speaker>Jim</speaker>
<p>A little surprise party. <stage>(JIM IS RATHER BOILED)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<stage>(COMING C.)</stage><p> Now Jim I......</p></sp>

<sp><speaker>Jim</speaker>
<p>Don&#39;t thank me.</p></sp>

<sp><speaker>Geo.</speaker>
<p>I wasn&#39;t going to.</p></sp>

<sp><speaker>Jim</speaker>
<p>We were out celebrating the great golfing vic. and I... I thought of you
all alone here.... And I said &quot;let&#39;s share our fun with old George&quot; and here
we are.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(SARCASTIC)</stage><p> It&#39;s damn nice of you.</p></sp>

<sp><speaker>Jim.</speaker>
<p>You&#39;re welk... Entirely Welk... <stage>(BUS)</stage> Those darn girls have entirely mussed
up my marcel wave. <stage>(STARTS TO BEDROOM)</stage> Have you got a brush in your bedroom?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(STARTS UP IN FRONT OF HIM)</stage><p> No I don&#39;t use a brush.</p></sp>

<pb/>

<sp><speaker>Jim</speaker>
<p>A comb then.</p></sp>

<sp><speaker>Geo.</speaker>
<p>I comb my fingers through my hair... It&#39;s better for the scalp.</p></sp>

<sp><speaker>Jim</speaker>
<p>George you ain&#39;t well.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(WATCHING DOOR NERVOUSLY)</stage><p> I... I feel perfectly well.</p></sp>

<sp><speaker>Jim</speaker>
<p>He.. He.. You&#39;re as nervous as a bride groom.</p></sp>

<sp>
<stage>(OFF STAGE)</stage>
<p>(OH JIM YOU&#39;RE SPOILING THE PARTY. COME ON BACK)</p></sp>


<sp><speaker>Jim</speaker>
<stage>(STARTS R. TURNING)</stage><p> By the way whom were you talking to just now?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh I was talking to myself... I often do.</p></sp>

<sp><speaker>Jim</speaker>
<p>Gosh you&#39;re in worse shape than I thought. <stage>(POINTS TO BENCH)</stage> Sit down.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(SITS)</stage><p> I&#39;m all right really.</p></sp>

<sp><speaker>Jim</speaker>
<p>You don&#39;t want to wake up some morning and find yourself in the nut factory.
Do you? Have you any other symptoms? Acid taste in the mouth? Cold
feet...... Do you see floating spots? Show me your tongue.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(RISING IMPATIENTLY TALKING)</stage> <p>I wish you&#39;d go away and leave me alone.</p>
<stage>(GOES R. AS IF TO OPEN DOOR FOR JIM)</stage></sp>

<sp><speaker>Jim</speaker>
<stage>(FOLLOWING)</stage> <p>Oh don&#39;t be ridiculous.....Come in and join the party and be
our little ray of sunshine.... These are <hi rend="underline">nice</hi> girls!</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(LOU STICKS HEAD OUT OF DOOR. GEO. SEES HER. STARTS SINGING)</stage> <p>Go back...
Go back.... Into your ponk cocoon.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(EXITS)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(PANTOMINE BUS)</stage></sp>

<sp><speaker>Jim</speaker>
<p>Hey what&#39;s the idea?</p></sp>

<sp><speaker>Geo.</speaker>
<p>What idea?</p></sp>

<sp><speaker>Jim</speaker>
<p>The outburst of song.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Was I singing... Unconscious... Quiet unconscious.</p></sp>

<sp><speaker>Jim</speaker>
<p>You are going to have a nervous breakdown. You&#39;re on the verge of neurea-
Thenia.</p></sp>

<sp><speaker>Polly</speaker>
<stage>(ENTERS WITH GIRLS.)</stage><p> Oh Jim. Why didn&#39;t you come back? <stage>(GIRLS EXIT)</stage></p></sp>

<sp><speaker>Jim</speaker>
<p>Ladies allow me to introduce Mr. Geo. Budd, the human sunbeam. Miss Polly
Andrews and her gang. <stage>(ASIDE TO GIRLS)</stage> Nervous wreck. Very melancholy.
<pb/>
Cheer him up. Make a fuss over him.</p></sp>

<sp><speaker>Girls</speaker>
<stage>(GATHERING AROUND GEO.)</stage><p> How do you do Mr. Budd? We&#39;ve heard so much about you.</p>
<stage>(AD LIB)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(BUS LOOKING AT DOOR. BREAKS AWAY FROM GIRLS TO JIM)</stage></sp>

<sp><speaker>Jim</speaker>
<stage>(TRIES TO SHAKE HANDS)</stage></sp>

<sp><speaker>Geo.</speaker>
<p>I&#39;ve met you haven&#39;t I?</p></sp>

<stage>(GIRLS GO UP TO WINDOW)</stage>

<sp><speaker>Polly</speaker>
<stage>(X&#39;S TO BRIGGS)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(TO JIM)</stage><p> Now look what a mess you&#39;ve got me into.</p></sp>

<sp><speaker>Jim</speaker>
<p>Oh, cheer up, little one. I&#39;ll go with you and interview this money
grabber. The honeyed word.. the beaming smile. Just leave it to me.</p></sp>
<stage>(EXIT WITH GEO. L.2.)</stage>

<sp><speaker>Polly</speaker>
<stage>(OVER TO WINDOW..HOLDING HAND OUT)</stage><p> Oh, look it&#39;s started raining.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(PEEPS OUT DOOR. HAS COAT AND HAT IN HAND. TRIES TO STEAL OUT DOOR.)</stage></sp>

<sp><speaker>Polly</speaker>
<stage>(SEES LOU.)</stage><p> Why, who&#39;s the little girl? <stage>(GETS HOLD &amp; BRINGS LOU D.C.)</stage></p></sp>

<sp><speaker>Lou</speaker>
<p>Oh, excuse me.</p></sp>

<sp><speaker>Polly</speaker>
<p>Did you come to the party?</p></sp>

<sp><speaker>Lou</speaker>
<p>Ye..yes.</p></sp>

<sp><speaker>Polly</speaker>
<stage>(R. OF LOU)</stage><p> Well, you&#39;re too late. I&#39;m afraid it&#39;s all over.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(STARTS FOR DOOR AGAIN)</stage><p> Well, then I guess I may as well go home.</p></sp>

<sp><speaker>Polly</speaker>
<p>Oh, no, we&#39;ll go back to the Cherry Tree Inn Cabaret as soon as Mr. Marving
comes back.</p></sp>

<sp><speaker>Lou</speaker>
<p>I never go to Cabarets.</p></sp>

<sp><speaker>Polly</speaker>
<p>No. Why not?</p></sp>

<sp><speaker>Lou</speaker>
<p>My..my husband wouldn&#39;t like it.</p></sp>

<pb/>

<sp><speaker>Polly</speaker>
<p>O...h, you&#39;re married?</p></sp>

<sp><speaker>Lou</speaker>
<p>Yes, I&#39;m married.</p></sp>

<sp><speaker>Polly</speaker>
<p>Well, cheer up. Don&#39;t let it make you morbid. Love, honor, and be
gay is the vow the modern wife takes.</p></sp>

<sp><speaker>Lou</speaker>
<p>But I&#39;m an old fashioned wife. I promised to obey my husband.</p></sp>

<sp><speaker>Girls</speaker>
<p>How perfectly foolish.</p></sp>

<sp><speaker>Polly</speaker>
<stage>(SEATS LOU AND STANDS BEHIND HER.)</stage>
<stage>
-----------------------------
POLLY&#39;S NUMBER
&quot;AN OLD FASHIONED WIFE&quot;
ALL EXIT
-----------------------------
</stage>
</sp>

<sp><speaker>George</speaker>
<stage>(EN. L.2. FOLLOWED BY JIM.)</stage><p> Now, Jim you&#39;ve got to clear those girls
out in five minutes. You heard what I said.</p>
</sp>
<sp><speaker>Jim</speaker>
<stage>(CROSSING R.C.)</stage><p> All right--<hi rend="underline">all right</hi>.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(CENTER)</stage><p> And tell them to go down the kitchen stairs. I&#39;m going
out in a few minutes myself, and I don&#39;t want to meet them.</p></sp>

<sp><speaker>Jim</speaker>
<p>You&#39;re a fine host...I&#39;ll have to square it with them some way.
I know...we&#39;ll take them to the country club tomorrow. That will
make them forget being thrown out of here tonight.</p></sp>

<sp><speaker>Geo.</speaker>
<p>I&#39;m not going to the country club.</p></sp>

<sp><speaker>Jim</speaker>
<p>Oh yes you are. I&#39;m going to be presented with an Elks&#39; head for
winning the Debate, and, besides, a prominent Judge is going to make
the presentation speech.</p></sp>

<sp><speaker>Geo.</speaker>
<p>I hate speeches.</p></sp>

<sp><speaker>Jim</speaker>
<p>But this old Johnny is in a class by himself. He always winds up by
saying &quot;Waiter, give me the check&quot;.</p></sp>

<sp><speaker>Boys</speaker><stage> Off Stage</stage>
<p>Oh, Jim, come on.</p></sp>

<sp><speaker>Jim</speaker>
<stage>(STARTS TO EXIT R.2.)</stage></sp>

<pb/>

<sp><speaker>Geo.</speaker>
<stage>(FOLLOWING OVER)</stage><p> But, Jim........</p></sp>

<sp><speaker>Jim</speaker>
<p>Some other time. <stage>(EXITS.)</stage></p></sp>

<sp><speaker>Lou</speaker>
<stage>(ENTER FROM BEDROOM WITH HAT ON)</stage><p> George, has that man gone?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes, now&#39;s our chance to get away.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(COMING C. TO HIM)</stage><p> George. I&#39;m not sure that I liked the way that you
hid me in that room.</p></sp>

<sp><speaker>Geo.</speaker>
<p>But, Petty, it was the only thing to do.</p></sp>

<sp><speaker>Lou</speaker><p>
But, you did it so naturally. Just as if you&#39;d had lots of practice.</p></sp>
<stage>(X R. TO USE MIRROR.)</stage>

<sp><speaker>Geo.</speaker>
<p>We must hurry, dearest.</p></sp>

<sp><speaker>Lou</speaker>
<p>Just a second, George, there&#39;s a mouse in that room.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes? <stage>(X L.)</stage></p></sp>

<sp><speaker>Lou</speaker>
<p>Just a moment, dear, have you any cheese?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Cheese? Are you hungry?</p></sp>

<sp><speaker>Lou</speaker>
<p>No, for the mouse. You ought to set a trap. </p><stage>(BUSY WITH PERSONAL
APPEARANCE.)</stage></sp>

<sp><speaker>Geo.</speaker>
<p>I must get you home. Aren&#39;t you ready now, darling?</p></sp>

<sp><speaker>Lou</speaker>
<p>Dearest, haven&#39;t I been telling you for the last five minutes that
I would be ready in a second?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Just think...parted like this on our bridal night.</p></sp>

<sp><speaker>Lou</speaker>
<p>Oh, you make me cry.</p></sp>

<sp><speaker>Geo.</speaker>
<p>But it won&#39;t be long.</p></sp>

<sp><speaker>Lou</speaker>
<p>I hope not.</p></sp>

<pb/>
<stage>
------------------------------------<lb/>
(MUSIC) &quot;WANT TO BE A GOOD LITTLE WIFE&quot;<lb/>
GEO. &amp; LOU EXIT L.2.2<lb/>
NUMBER THREE.<lb/>
------------------------------------<lb/>
</stage>
<stage>(AFTER NUMBER....LOUD GLASS CRASH...HUB BUB OF TALK OFF R.U.
JACKEY APPEARS AT WINDOW L. ENTERS DRESSED IN HANDSOME EVENING
GOWN AND OPERA COAT........SHE CROSSES AND STARTS TO OPEN DOOR R.
JIM IS HEARD TELLING GIRLS GOOD NIGHT.)</stage>

<sp><speaker>Jim</speaker>
<p>We&#39;ll meet about half past nine. That&#39;s all right.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(HEARS VOICES...HIDES BEHIND CURTAIN R.C.)</stage></sp>

<sp><speaker>Jim.</speaker>
<stage>(ENTER R.2. CLOSING DOOR AFTER HIM)</stage><p> Briggs</p> <stage>(SEES OPEN WINDOW...
EXITS UP TO IT TALKING MEANWHILE)</stage><p> Huh, window wide open and
burglars could come right in...then what would old Geo. say?</p>
<stage>(CLOSES WINDOW AND TURNS TO FIND HIMSELF COVERED WITH JACKEY&#39;S
REVOLVER.)</stage></sp>

<sp><speaker>Jackey</speaker>
<stage>(WATCHES JIM AS SOON AS BACK IS TURNED AND WHEN HE CLOSES WINDOW...
STEPS OUT AND COVERS HIM.)</stage> <p>Don&#39;t make any noise or cry out...I
am a desperate woman.</p></sp>

<sp><speaker>Jim</speaker>
<p>Great Scott!</p></sp>

<sp><speaker>Jackey</speaker>
<p>I think you&#39;d bet...better hold up your hands.</p></sp>

<sp><speaker>Jim</speaker>
<p>Anything to be obliging. <stage>(PUTS UP HANDS)</stage> Say, you&#39;re all gotten up
to kill, aren&#39;t you?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Now, don&#39;t kid me, or I&#39;ll cry.</p></sp>

<stage>
OFF STAGE<lb/>
(DOOR SLAMS OR LOUD KNOCK)</stage>

<sp><speaker>Jackey</speaker>
<stage>(FRIGHTENED..DROPS REVOLVER.)</stage><p> What&#39;s that?</p></sp>

<sp><speaker>Jim</speaker>
<stage>(PICKS UP REVOLVER)</stage><p> Pardon, is this yours?</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(TAKES REVOLVER..POINTS IT AT JIM)</stage></sp>

<sp><speaker>Jim</speaker>
<stage>(PUTS UP HANDS AGAIN)</stage></sp>

<sp><speaker>Jackey</speaker>
<p>Thank you.</p></sp>

<sp><speaker>Jim</speaker>
<p>Don&#39;t mention it.</p></sp>

<sp><speaker>Jackey</speaker>
<pb/>
<p>I&#39;m so frightened...What shall I do? </p><stage>(Xs TO DESK.)</stage></sp>

<sp><speaker>Jim</speaker>
<p>Do? Go right ahead...take everything that isn&#39;t nailed down. It
doesn&#39;t belong to me.</p></sp>

<sp><speaker>Jackey</speaker>
<p>You don&#39;t think that I am a burglar?</p></sp>

<sp><speaker>Jim</speaker>
<p>No, oh no, of course not, I rather fancied that you dropped in for
tea.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I&#39;m trying to escape from the police.</p></sp>

<sp><speaker>Jim</speaker>
<p>What has the police force got against you?</p></sp>

<sp><speaker>Jackey</speaker>
<p>I hit him in the eye.</p></sp>

<sp><speaker>Jim</speaker>
<p>Oh I say....don&#39;t you think that was a little injudish?</p></sp>

<sp><speaker>Jackey</speaker>
<p>What?</p></sp>

<sp><speaker>Jim</speaker>
<p>Striking an officer means a year in the penitentiery.</p></sp>

<sp><speaker>Jackey</speaker>
<p>It was all Tootles&#39; fault.</p></sp>

<sp><speaker>Jim</speaker>
<p>Tootle? What kind of a drink is Tootle? <stage>(X TO HER.)</stage></p></sp>

<sp><speaker>Jackey</speaker>
<p>I was up at the Cherrytree Inn having supper. <stage>(POINTS GUN...
JIM&#39;S HANDS GO UP.)</stage> At a nearby table was a party of old gentlemen.
One of them kept talking to me and asked me to call him
Tootles....pet name you know.</p></sp>

<sp><speaker>Jim</speaker>
<p>I imagine that Tootles had been taking a long lingering look at
the wine when it was red.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Yes, he had. <stage>(GUN ON HIM.)</stage> He stood on a table and insisted on reading
a speech that he said he was going to deliver at some affair
tomorrow. He had just started when the policeman came in and told
him he would have to keep quiet.</p></sp>

<sp><speaker>Jim</speaker>
<p>And that made Tootles sore?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Did it? He turned that policeman around and kicked him. </p><stage>(TURNS
AND ILLUSTRATES IT.)</stage></sp>

<sp><speaker>Jim</speaker>
<p>And that made the policeman sore?</p></sp>

<pb/>

<sp><speaker>Jackey</speaker><p>
Well, it must have bruised him. Oh it was terrible. The policeman
grabbed me, and I ......hit him. Then I got away and the policeman
after me.. I ran and ran...Then I saw the fire escape and that
window open....so I came in. <stage>(TURNS AWAY BUS.)</stage></p></sp>

<sp><speaker>Jim</speaker>
<p>Bully for you.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(STARTS UP TO WINDOW.)</stage></sp>

<sp><speaker>Jim</speaker>
<p>Please don&#39;t go. And tell me, why the Big Bertha?</p></sp>

<sp><speaker>Jackey</speaker>
<p>
This? <stage>(GUN)</stage> Oh I picked it up when the policeman dropped it during
the excitement....though I hardly remember doing it.
</p></sp>

<sp><speaker>Jim</speaker>
<p>
Better give it to me. <stage>(SHE DOES)</stage> You don&#39;t need to hold a gun on
me. <stage>(HE TURNS...HER HANDS GO UP)</stage> Any scrape you get into <stage>(PUTS
GUN INTO POCKET)</stage> you can count on my co-op.</p></sp>

<sp><speaker>Jackey</speaker>
<p>That&#39;s awfully kind of you, Mr. Mr.........</p></sp>

<sp><speaker>Jim</speaker>
<p>Marvin....Jim Marvin is my name.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Mine is Jackey Sampson.</p></sp>

<sp><speaker>Jim</speaker>
<p>Howdedo, Jackey.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Hello, Jim.</p></sp>

<sp><speaker>Jim</speaker>
<p>Jackie Sampson? Sounds familiar.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I suppose. I&#39;m in that Morality play at the Lyceum this week.
<stage>(TAKES OFF COAT AND PUTS IT DOWN ON BENCH L...ALSO BLUE SCARF..
DOING SO TURNS BACK TO AUDIENCE AND SHOWS MOLE ON NECK.)</stage> I
play Modesty.</p></sp>

<sp><speaker>Jim</speaker>
<p>Must be a darn fine actress.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I beg your pardon.</p></sp>

<sp><speaker>Simms</speaker>
<stage>(KNOCK OFF STAGE)</stage></sp>

<sp><speaker>Jackey</speaker>
<stage>(JUMPING TO C.)</stage><p> Oh, what&#39;s that?</p></sp>

<pb/>

<sp><speaker>Simms</speaker>
<p>Open this yere door.</p></sp>

<sp><speaker>Jackey</speaker>
<p>It&#39;s the policeman.</p></sp>

<sp><speaker>Simms</speaker>
<stage>(RINGS BELL INTERMITTENTLY)</stage></sp>

<sp><speaker>Jim</speaker>
<p>I can handle him...Don&#39;t be nervous. Come back, Jackey, be a man.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I...I&#39;ll try. <stage>(CROSSES TO DOOR R.)</stage></p></sp>

<sp><speaker>Simms</speaker>
<p>Wake up and open this yere door.</p></sp>

<sp><speaker>Jim</speaker>
<p>Let me talk to him. You know the honeyed word...the beaming smile,
but I think you&#39;d better hide.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(EXIT IN DOOR. TAKES COAT BUT LEAVES SCARF.)</stage></sp>

<sp><speaker>Jim</speaker>
<stage>(VERY BRAVE...WHISTLES AND TAKES TIME..CROSSES L. AND OPENS DOOR)</stage></sp>

<sp><speaker>Simms</speaker>
<stage>(GLARES AT JIM.)</stage></sp>

<sp><speaker>Jim</speaker>
<stage>(CATCHES LOOK AND GOES UPSTAGE)</stage><p> Have a chair.</p></sp>

<sp><speaker>Simms</speaker>
<p>I&#39;m looking for a woman that assaulted me that that woman was
seen entering this window. <stage>(GOING UP TO WINDOW)</stage></p></sp>

<sp><speaker>Jim</speaker>
<stage>(MOVING OVER R.2.)</stage><p> Nonsense old dear, nonsense.</p></sp>

<sp><speaker>Simms</speaker>
<p>I tell you she did. <stage>(START SNOOPING AROUND ROOM...PICKS UP JACKEY&#39;S
SCARF.)</stage> AH...HA....What&#39;s this?</p></sp>

<sp><speaker>Jim</speaker>
<p>What old thing?</p></sp>

<sp><speaker>Simms</speaker>
<p>This here <stage>(SMELLS IT)</stage> IS A WOMAN&#39;S SCARF.</p></sp>

<sp><speaker>Jim</speaker>
<p>Why so it is......I...</p></sp>

<sp><speaker>Simms</speaker>
<stage>(LOOKING HIM IN THE EYE.)</stage><p> Yi....Yi....Yi.......</p></sp>

<sp><speaker>Jim</speaker>
<stage>(ASIDE)</stage><p> Oh, damn...<stage>(TO SIMMS)</stage> Well.</p></sp>

<sp><speaker>Simms</speaker>
<p>So there&#39;s a woman here. Who is she? </p><stage>(CROSSES L. OF JIM. THROWS
SCARF ON BENCH.)</stage></sp>

<pb/>

<sp><speaker>Jim</speaker>
<p>This is Mr. George Budd&#39;s home. Where else would you expect his wife
to be?</p></sp>

<sp><speaker>Simms</speaker>
<p>I never knowed Mr. Budd was married.</p></sp>

<sp><speaker>Jim</speaker>
<p>I admit he doesn&#39;t give that impression.</p></sp>

<sp><speaker>Simms</speaker>
<p>I want to look at this Mrs. Budd.</p></sp>

<sp><speaker>Jim</speaker>
<p>No use, Constable, she loves her husband.</p></sp>

<sp><speaker>Simms</speaker>
<p>Now here--now here---don&#39;t try to elucidate me, I got to see her.</p>
<stage>(STARTS)</stage>
</sp>

<sp><speaker>Jim</speaker>
<stage>(HOLDING UP HAND TO STOP HIM.)</stage></sp>

<sp><speaker>Simms</speaker>
<p>Young man, you are obstructin the law. </p><stage>(TURNS UP VEST AT BOTTOM
SHOWING BADGE.)</stage></sp>

<sp><speaker>Jim</speaker>
<p>I didn&#39;t get it the first time, may I have another flash?</p></sp>

<sp><speaker>Simms</speaker>
<stage>(SHOWS BADGE AGAIN)</stage></sp>

<sp><speaker>Jim</speaker>
<p>Mr. Budd is not home.</p></sp>

<sp><speaker>Simms</speaker><p>Hain&#39;t eh. Well, I got too much to do to stand around waiting for
him. But I won&#39;t have much trouble tracking that female as assaulted
me.</p> <stage>(GOES L)</stage></sp>

<sp><speaker>Jim</speaker>
<p>Why, have you got her description?</p></sp>

<sp><speaker>Simms</speaker>
<p>No, but I got her bag.</p></sp>

<sp><speaker>Jim</speaker>
<p>Her name is in it?</p></sp>

<sp><speaker>Simms</speaker>
<p>No.</p></sp>

<sp><speaker>Jim</speaker>
<p>Do you know what she looks like?</p></sp>

<sp><speaker>Simms</speaker>
<p>Well, no......I ain&#39;t very sure. You know, I always take my specks off
before I mix it in a rough house, so I&#39;m kinder uncertain bout both
them criminiles.</p></sp>

<pb/>

<sp><speaker>Jim</speaker>
<p>That&#39;s tough.</p></sp>

<sp><speaker>Simms</speaker>
<p>Well, I&#39;ll be steppin&#39;. <stage>(SCRATCHES CHIN.)</stage> Mebbe I&#39;ll be back later.</p></sp>
<stage>(UP TO DOOR.)</stage>

<sp><speaker>Jim</speaker>
<p>Take my advice and give the eye a little beefsteak party.</p></sp>

<sp><speaker>Simms</speaker>
<p>Uh....huh....Say how did Mr. Budd ever fix it with his wife so he
could stay out so late? My old woman wouldn&#39;t stand for it.</p></sp>

<sp><speaker>Jim</speaker>
<p>I didn&#39;t know you were married.</p></sp>

<sp><speaker>Simms</speaker><p>
Oh, I&#39;m one of those close mouthed fellows. I keep my troubles
to myself.</p> <stage>(EXIT L.2.)</stage></sp>

<sp><speaker>Jim</speaker>
<p>I&#39;ll see you out, Constable. </p><stage>(EXIT AFTER SIMMS.)</stage>
<stage>
------------------------------------<lb/>
NUMBER<lb/>
------------------------------------<lb/>
</stage>
</sp>
<sp><speaker>Jim</speaker>
<stage>(ENTER L.2. AFTER NUMBER.)</stage></sp>

<sp><speaker>Jackey</speaker>
<stage>(ENTER R.)</stage><p> My bag...he has my bag.</p></sp>

<sp><speaker>Jim</speaker>
<p>I suppose so.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Oh, what shall I do now?</p></sp>

<sp><speaker>Jim</speaker>
<p>Was there anything much in your bag?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Anything much? Five hundred dollars, two diamond stuffed garters,
vanity case, 200 cigar coupons, and a copy of &quot;WHAT A YOUNG
GIRL OUT TO KNOW.&quot; But worst of all....a rabbit&#39;s foot.</p></sp>

<sp><speaker>Jim</speaker>
<p>A rabbit&#39;s foot?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Off a rabbit that was shot at full moon in a graveyard.</p></sp>

<sp><speaker>Jim</speaker>
<p>Great scott! <stage>(LAUGHS)</stage> Are you supertish?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Why you abreviate your words?</p></sp>

<sp><speaker>Jim</speaker>
<p>Oh, just a hab.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Oh, I hate to lose that rabbit&#39;s foot.</p></sp>

<pb/>

<sp><speaker>Jim</speaker>
<p>Don&#39;t worry, I&#39;ll get it back for you. Now see here, if we could
only get old Tootles to come forward and tell the truth, he can
clear you.</p></sp>

<sp><speaker>Jackey</speaker>
<p>You&#39;re just wonderful to go to all this trouble for a person you
don&#39;t even know!</p></sp>

<sp><speaker>Jim</speaker>
<p>I feel like I&#39;ve known you always.</p></sp>

<sp><speaker>Jackey</speaker>
<p>That&#39;s funny, I do, too.</p></sp>

<sp><speaker>Jim</speaker>
<p>Perhaps we&#39;ve met before.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Perhaps. When I was Queen of Babylon, and you were a Christian slave.</p></sp>

<sp><speaker>Jim</speaker>
<stage>(LAUGHING)</stage><p> Well we&#39;ve met this time and we&#39;re going to be pals.</p></sp>

<sp><speaker>Jackey</speaker>
<p>That&#39;s it...pals.</p> <stage>(JACKEY OFFERS HAND WHICH HE TAKES)</stage>
<stage>
------------------------------------<lb/>
DOUBLE &quot;PAL LIKE YOU&quot;<lb/>
------------------------------------<lb/>
</stage>
</sp>
<sp><speaker>Briggs</speaker>
<stage>(ENTER FROM R.U.)</stage> <p>Well, I&#39;m blowed.</p> <stage>(SEES JACKEY&#39;S SCARF.)</stage> <p>Those
gay young parties still hanging around?</p> <stage>(WINDS CLOCK. GOES UP TO
BEDROOM DOOR....KNOCK...PAUSE...KNOCK AGAIN.)</stage> <p>Mr. Budd, I&#39;m
going home. I set the alarm for nine o&#39;clock. </p><stage>(TO L.2.
GRUMBLING)</stage> <p>Might as well talk to a bloomin&#39; Hegyptian Spink.</p>
<stage>(EXIT L.2.)</stage></sp>

<sp><speaker>Jim</speaker>
<stage>(ENTER WITH JACKEY.)</stage></sp>

<sp><speaker>Jackey</speaker>
<p>Who was that knocking?</p></sp>

<sp><speaker>Jim</speaker>
<p>George&#39;s man, Briggs, he only comes in for the day.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Are you going to hunt for Tootles now?</p></sp>

<sp><speaker>Jim</speaker>
<stage>(R. OF HER)</stage><p> Yes, I am off to find Tootles.</p></sp>

<sp><speaker>Jackey</speaker>
<p>What shall I do?</p></sp>

<sp><speaker>Jim</speaker>
<p>You stay right here.</p></sp>

<pb/>

<sp><speaker>Jackey</speaker>
<p>How long?</p></sp>

<sp><speaker>Jim</speaker>
<p>All night. It&#39;s terrible sloppy outside, besides Simms is snooping
around and would be very suspish if you went out now.</p></sp>

<sp><speaker>Jackey</speaker>
<p>But where shall I sleep? <stage>(X L.)</stage></p></sp>

<sp><speaker>Jim</speaker>
<p>In George&#39;s room.</p></sp>

<sp><speaker>Jackey</speaker>
<p>In George&#39;s room?............<hi rend="underline">and where is George?</hi></p></sp>

<sp><speaker>Jim</speaker>
<p>Went out to avoid some girls I had up here. Hates girls....George
does.</p></sp>

<sp><speaker>Jackey</speaker>
<p>You mean he&#39;s coming back?</p></sp>

<sp><speaker>Jim</speaker><p>
Of course he is, but you must explain that he is to come over and
sleep on the sofa at my place. </p><stage>(EXIT TO DOOR R.)</stage>
</sp>
<sp><speaker>Jackey</speaker>
<stage>(FOLLOWING)</stage><p> Oh I see. He won&#39;t object.</p></sp>

<sp><speaker>Jim</speaker>
<p>Not a bit...George will do anything for me. You see, I saved his
life once. By the way are you hungry?</p></sp>

<sp><speaker>Jackey</speaker>
<p>No, but I&#39;m dreadfully tired.</p></sp>

<sp><speaker>Jim</speaker>
<p>Well, turn in and make yourself comfy. George may be very late.</p></sp>

<sp><speaker>Jackey</speaker>
<p>All right. You had better leave me now or the Inn will be closed.</p></sp>

<sp><speaker>Jim</speaker>
<p>You&#39;re right. I&#39;ll pop around in the morning and report any success.
I&#39;m on my search for Tootles.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Thank you.</p></sp>

<sp><speaker>Jim</speaker>
<stage>(STARTS FOR DOOR...TURNS AND WHISPERS LOUDLY)</stage><p> I&#39;m going down the back
way, so Simms won&#39;t see me.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(APING HIM)</stage><p> All right.</p></sp>

<sp><speaker>Jim</speaker>
<p>Good night.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Good night.</p></sp>

<pb/>

<sp><speaker>Jim</speaker>
<stage>(EXIT CLOSING DOOR SOFTLY)</stage></sp>

<sp><speaker>Jackey</speaker>
<stage>(OPENS DOOR TO BEDROOM...PEEPS IN THEN TURNS AND STARTS FOR SCARF...
SEES LOU&#39;S BAG....OPENS IT.....TAKES OUT PAJAMAS AND HOLDS THEM UP)</stage>
<p>So George hates girls...Oh, boy.</p> <stage>(LIGHTS...THROWS PAJAMAS ACROSS
ARM..PICKS UP ELECTRIC CANDLESTICK AND EXITS TO DOOR)</stage> <p>>Well, they&#39;re
better than nothing. </p><stage>(EXITS IN BEDROOM CLOSES DOOR.)</stage></sp>
<stage>
------------------------------------<lb/>
NUMBER<lb/>
------------------------------------<lb/>
</stage>

<sp><speaker>Geo.</speaker>
<stage>(ENTER L. HAS TOP COAT AND HAT...BUS AS IF SHAKING RAIN FROM THEM
AS HE REMOVES THEM....CROSSED TO DESK...PANTOMINE WRITING NOTE.)</stage></sp>

<sp><speaker>Jackey</speaker>
<stage>(AS GEORGE WRITES SHE ENTERS AND STANDS WATCHING HIM...HAS ON
PAJAMAS......WHEN HE SEALS NOTE)</stage><p> Are you Mr. Budd? How do you
do. I&#39;m your wife.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Jim was right in having a nervous breakdown.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I was afraid it would be a rather shock to you, but Mr. Marvin
said you wouldn&#39;t mind.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Are you real? <stage>(RISES)</stage></p></sp>

<sp><speaker>Jackey</speaker>
<p>Why, of course.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(LIGHTS)</stage> <p>Well, just to make sure, would you mind if I pinched you?</p>
<stage>(COMES DOWN R. OF HER)</stage></sp>

<sp><speaker>Jackey</speaker>
<p>Indeed I would. You see, I climbed into your rooms to save myself
from the police.</p></sp>

<sp><speaker>Geo.</speaker>
<p>The police?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Yes, I was mixed up in a fight. Not my fault.....and Mr. Marvin
thought it was safer for me to stay here all night.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh, he did?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Yes, and he said you were to sleep at his house.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh, that nice comfortable sofa...horse hair...with three broken
springs, I suppose.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I believe he did mention a sofa.</p></sp>

<sp><speaker>Geo.</speaker>
<pb/>
<p>Tell me. Who did you say you were when you came in?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Your wife. That was Mr. Marvin&#39;s inspiration also when the police
insisted on searching the place.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Great scott!</p></sp>

<sp><speaker>Jackey</speaker>
<p>You&#39;re not angry?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Not with you, but I&#39;d like to wring Jim Marvin&#39;s infernal neck.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I hope you don&#39;t mind me wearing your pajamas?</p></sp>

<sp><speaker>Geo.</speaker>
<p>My pajamas?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Yes, aren&#39;t they yours?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Well...in sort of a way.....they&#39;re mine.</p></sp>

<sp><speaker>Jackey</speaker>
<p>In a <hi rend="underline">sort</hi> of way.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Well----er---you see, I don&#39;t wear them myself.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(TEASINGLY)</stage> <p>OH Geo........I&#39;m afraid Jim doesn&#39;t know you as well
as he thinks he does.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Why....nothing of the sort...Why, really you don&#39;t understand.</p></sp>

<sp><speaker>Simms</speaker>
<stage>(ENTER THROUGH C.D. WEARING RAINCOAT)</stage></sp>

<sp><speaker>Jackey</speaker>
<stage>(SEES SIMMS AND JUMPS DOWN STAGE BELOW DESK.)</stage></sp>

<sp><speaker>Simms</speaker>
<p>Good evenin&#39; hope I ain&#39;t buttin&#39; in. <stage>(COMES C.)</stage></p></sp>

<sp><speaker>Jackey</speaker>
<p>Oh!</p></sp>

<sp><speaker>Simms</speaker>
<p>Gave you a start, didn&#39;t I, Missy? You seem kinder scared.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Well, it naturally frightened me seeing a strange man walk in like
that. Ask him what he means by intruding on our privacy, darling?</p></sp>

<pb/>

<sp><speaker>Geo.</speaker>
<p>What?</p></sp>

<sp><speaker>Simms</speaker>
<p>You, Mr. Budd?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes.</p></sp>

<sp><speaker>Simms</speaker>
<p>This Mrs. Budd?</p></sp>

<sp><speaker>Jackey</speaker><p>
Why, of course, I&#39;m Mrs. Budd. <stage>(TO GEORGE)</stage> Surely, Sweetheart, this
man hasn&#39;t the right to break into our little nest like this?</p></sp>

<sp><speaker>Simms</speaker><p>
I ain&#39;t interferin&#39; with your nest, so come off your perch.
<stage>(MOTION FOR HER TO EXIT L.)</stage> I want you to answer me
trueful....Is this Mrs. Budd?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Why....ye....yes.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(COMING R. OF SIMMS)</stage><p> Didn&#39;t I just tell you I was Mrs. Budd?</p></sp>

<sp><speaker>Simms</speaker>
<p>Well, I thought maybe you was lying.</p></sp>

<sp><speaker>Jackey</speaker>
<p>George, are you going to stand there and let this man insult your wife?</p></sp>

<sp><speaker>Geo.</speaker>
<p>MY wife wouldn&#39;t lie, Constable.</p></sp>

<sp><speaker>Simms</speaker>
<p>No?</p></sp>

<sp><speaker>Geo.</speaker>
<p>No, she has too much honor.</p></sp>

<sp><speaker>Simms</speaker>
<p>Too much on her? If she had on much less I&#39;d pinch her.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Will you kindly go?</p></sp>

<sp><speaker>Simms</speaker>
<p>Just one question...Has she got a mole on her back?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(LAUGHING)</stage><p> I don&#39;t know.</p></sp>

<sp><speaker>Simms</speaker>
<p>Don&#39;t know?</p></sp>

<sp><speaker>George</speaker>
<p>Well, we haven&#39;t been married long.</p></sp>

<pb/>

<sp><speaker>Simms</speaker><p>
Oh...oh. <stage>(L. OF GEORGE TURNS TO JACKEY)</stage> I&#39;m looking for a woman with
a mole where her middle dress button ought to be. I ain&#39;t got much of
an idea of what she looks like otherwise, but I did get some good view of
the geography of her back.</p></sp>

<sp><speaker>Geo.</speaker>
<p>What do you want the woman for?</p></sp>

<sp><speaker>Simms</speaker>
<p>For assaulting me. I got a warrant for her arrest.</p></sp>

<sp><speaker>Geo.</speaker>
<p>But surely, you don&#39;t think this...er...my wife insulted you?</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(X AND LEAN ON GEO.)</stage></sp>

<sp><speaker>Simms</speaker><p>
Not if she <hi rend="underline">is</hi> your wife. Feller down stairs told me you were a
bachelor.</p></sp>

<sp><speaker>Geo.</speaker>
<p>He&#39;s right...I was.</p></sp>

<sp><speaker>Simms</speaker>
<p>When did you go wrong?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Today.</p></sp>

<sp><speaker>Simms</speaker>
<p>Today? I&#39;m telling you straight, young man, I don&#39;t believe you.</p></sp>

<sp><speaker>Geo.</speaker>
<p>You don&#39;t? Wait....Here&#39;s my Marriage Certificate. <stage>(TAKES OUT PAPER
AND HANDS IT TO SIMMS)</stage></p></sp>

<sp><speaker>Simms</speaker>
<stage>(TAKES PAPER...LOOKS AT IT)</stage><p> Marriage Certificate....That&#39;s right....
That&#39;s the Union Label...Doggone it..That settles it.... I
apologize. I am sure buttin in </p><stage>(EXIT TO DOOR L.2. TURN)</stage> <p>Say the
pajamas of yours certainly are becoming. Think I&#39;ll have to get
some for my old woman.</p> <stage>(EXIT L.2.)</stage></sp>

<sp><speaker>Jackey</speaker>
<p>
What a splendid idea....always carry a Marriage Certificate in your
pocket. You never can tell when it will come in handy, can you?
I&#39;m so grateful....I don&#39;t know how I can ever repay you.</p> <stage>(STARTS
TO HIM.)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(RETREATS A LITTLE)</stage><p> I&#39;d better be going now....<stage>(RAIN)</stage></p></sp>

<sp><speaker>Jackey</speaker>
<p>You&#39;ve been so good to me...and after turning you out of your room,
too. It doesn&#39;t seem fair.</p></sp>

<pb/>

<sp><speaker>Geo.</speaker>
<p>That&#39;s all right...don&#39;t mention it again.</p></sp>

<sp><speaker>Jackey</speaker>
<p>
Thank you all the same.</p>
<stage>
---------------------------------<lb/>
RAIN EFFECT HERE. INTRO. &quot;CLOUDS ROLL BY&quot;<lb/>
CLOSE IN AFTER FINALE.<lb/>
---------------------------------<lb/>
</stage>
<stage>(PULL AWAY...ROOM IS FLOODED WITH SUNSHINE..BRIGGS IS ENTERED
L.2. GOES TO BEDROOM DOOR AND KNOCKS)</stage> <p>Nine o&#39;clock, Mr. Budd. </p>
<stage>(RING AT DOORBELL...BRIGGS STARTS ACROSS TO DOOR)</stage> <p>Nice time to be
wallowing in bed. </p><stage>(OPENS DOOR)</stage></sp>

<sp><speaker>Carter</speaker>
<stage>(ENTER)</stage><p> Good morning.</p></sp>

<sp><speaker>Briggs</speaker>
<p>Lovely, sir.</p></sp>

<sp><speaker>Carter</speaker>
<p>I want to see Mr. Budd.</p></sp>

<sp><speaker>Briggs</speaker>
<p>What name?</p></sp>

<sp><speaker>Carter</speaker>
<p>Carter. Judge Carter.</p></sp>

<sp><speaker>Briggs</speaker>
<p>I&#39;m afraid sir he&#39;s still in the arms of Morpheus.</p></sp>

<sp><speaker>Carter</speaker>
<p>Get him out of them right away.</p></sp>

<sp><speaker>Briggs</speaker>
<p>Yes Sir <stage>(X AND KNOCK)</stage> excuse me there is a gentleman out here who
would rather like to see you. </p><stage>(KNOCKS AGAIN.)</stage></sp>

<sp><speaker>Carter</speaker>
<p>Who insists on seeing him.</p></sp>

<sp><speaker>Briggs</speaker>
<p>Who insists on seeing you. Do you wish the gentleman to come in?</p></sp>

<sp><speaker>Carter</speaker>
<p>He&#39;s a mighty sound sleeper.</p></sp>

<sp><speaker>Briggs</speaker>
<p>If he is sleeping.</p></sp>

<sp><speaker>Carter</speaker>
<p>What do you mean?</p></sp>

<sp><speaker>Briggs</speaker>
<stage>(LOOKING IN KEY HOLE)</stage><p> The key hole isn&#39;t stopped up any way <stage>(SNIFF)</stage>
I can smell no gas.</p></sp>

<sp><speaker>Carter</speaker>
<p>GOOD HEAVENS! You surely don&#39;t think.......</p></sp>

<sp><speaker>Briggs</speaker>
<p>Acted very strangely last night he did. Had a look about him like

<pb/>
Poor Uncle Joe&#39;s &#39;ad the day he swallowed Rat Poison.</p></sp>

<sp><speaker>Carter</speaker>
<p>But he has just become engaged to my daughter.</p></sp>

<sp><speaker>Briggs</speaker>
<p>Ah, that may account for it. I was afraid he might have done something
rash. <stage>(PEEP IN KEYHOLE AGAIN.)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<stage>(ENTER R.2....COAT ON ARM...HAT IN HAND)</stage> <p>What are you doing there,
Briggs?</p></sp>

<sp><speaker>Briggs &amp; Carter</speaker>
<stage>(BOTH TURN SHARPLY)</stage></sp>

<sp><speaker>Carter</speaker>
<p>Are you Mr. Budd?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes.</p></sp>

<sp><speaker>Carter</speaker>
<p>I am Judge Carter.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(NERVOUSLY)</stage> <p>Judge Carter? I am glad to meet you </p><stage>(TO BRIGGS)</stage><p> That
will do, Briggs.</p></sp>

<sp><speaker>Briggs</speaker>
<p>Yes, sir. <stage>(EXIT R.U.)</stage></p></sp>

<sp><speaker>Carter</speaker>
<p>Mr. Budd, my daughter Lou Ellen informed me early this morning that
you and she were engaged, and I dropped in to meet you.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Do you think this is an auspicious moment?</p></sp>

<sp><speaker>Carter</speaker>
<p>Not very. I&#39;ve been out all night with some old class mates and
only had an hour of sleep. I want to ask you a few questions right
now.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Suppose we take a spin in your motor? The fresh air will do your
headache good.</p></sp>

<sp><speaker>Carter</speaker>
<p>What do you mean, my headache?</p></sp>

<sp><speaker>Geo.</speaker>
<p>I beg your pardon, I mean my headache.</p></sp>

<sp><speaker>Carter</speaker>
<p>Well, why not my headache, I&#39;m sure it&#39;s a damn site more of a headache
than yours.</p></sp>

<sp><speaker>Geo.</speaker>
<p>My headache begins at the soles of my feet and gets worse all the
way up.</p></sp>

<pb/>

<sp><speaker>Carter</speaker>
<p>Get your coat and come along.</p></sp>

<sp><speaker>Geo.</speaker>
<p>All right. <stage>(STARTS UP C.....STOPS)</stage> I forgot....I can&#39;t get my coat.</p></sp>

<sp><speaker>Carter</speaker>
<p>Why not?</p></sp>

<sp><speaker>Geo.</speaker>
<p>It&#39;s in my bedroom, and I can&#39;t go in there.</p></sp>

<sp><speaker>Carter</speaker>
<p>Can&#39;t go in your own bedroom? <stage>(ASIDE)</stage> Must have a hangover.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Well you see...er...no...</p></sp>

<sp><speaker>Carter</speaker>
<p>Young man, what have you got in your bedroom?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(DOWN TO CARTER)</stage><p> Why...er....chemicals.</p></sp>

<sp><speaker>Carter</speaker>
<p>What? Tell me....are you going to keep explosives in your bedroom
after you are married?</p></sp>

<sp><speaker>Geo.</speaker>
<p>I hope it won&#39;t be necessary.</p></sp>

<sp><speaker>Carter</speaker>
<p>Is it dangerous to go in there?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Very. It&#39;s filtering through. Mustn&#39;t be jarred..even walking across
the floor might cause a catastrophe.</p></sp>

<sp><speaker>Carter</speaker>
<p>Young man, I think we will meet at some other place later on.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Anywhere you like, sir.</p></sp>

<sp><speaker>Carter</speaker>
<stage>(STARTS L. AND STOPS)</stage><p>By the way..Lou Ellen informed me she was
bringing her mother here a little later on.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Bringing her here?</p></sp>

<sp><speaker>Carter</speaker>
<p>But I shall head them off.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes...do...it wouldn&#39;t be safe for them here.</p></sp>

<stage>
<hi rend="underline">DOOR BELL RINGS.</hi>
</stage>

<sp><speaker>Geo.</speaker>
<p>Come in.</p></sp>

<pb/>

<sp><speaker>Polly</speaker>
<stage>(ENTER WITH SIX GIRLS)</stage></sp>

<sp><speaker>Carter</speaker>
<stage>(GOES UP R. OF TABLE)</stage></sp>

<sp><speaker>Polly</speaker>
<p>Hello, George, are we early?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Very early.</p></sp>

<sp><speaker>Polly</speaker>
<p>Jim said you had invited us to the Country Club for luncheon. <stage>(X.C.)</stage></p></sp>

<sp><speaker>Carter</speaker>
<stage>(BUS.....PRIMPING.....X.L.C.)</stage></sp>

<sp><speaker>Geo.</speaker>
<p>To the Country Club? Did I?</p></sp>

<sp><speaker>Girls</speaker>
<p>Of course, you did...yes....sure.</p></sp>

<sp><speaker>Polly</speaker>
<stage>(CONFIDENTIALLY)</stage><p> George, introduce me to the man with the India
Rubber Face.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Ladies, this is Judge Carter.</p></sp>

<sp><speaker>Polly &amp; Girls</speaker>
<p>Hello, Judge, glad to know you......ad lib.</p></sp>

<sp><speaker>Carter</speaker>
<stage>(BOWING)</stage><p> Ladies, <stage>(TO GEO.)</stage> I beg your pardon, but I feel out of place
in this whirl of gayety....see you later at the Inn. Ladies, good
morning. <stage>(EXIT L.2.)</stage></p></sp>

<sp><speaker>Briggs</speaker>
<stage>(ENTER R.)</stage><p> Bless my soul if ere isn&#39;t them little Parties again.</p></sp>

<sp><speaker>Geo.</speaker><p>
What&#39;s that, Briggs? </p><stage>(AS BRIGGS TALKS TRIES TO STOP
HIM)</stage></sp>

<sp><speaker>Briggs</speaker>
<p>Your breakfast is laid out in the Dining Room, Sir.</p></sp>

<sp><speaker>Polly</speaker>
<p>I&#39;m so hungry.</p></sp>

<sp><speaker>Geo.</speaker>
<p>You&#39;re always hungry.</p></sp>

<sp><speaker>Briggs</speaker>
<p>There&#39;s quite a good sized omelette, sir.</p></sp>

<sp><speaker>Polly</speaker>
<p>Good for you, Jiggs....<stage>(GRABS GEO.)</stage> Come on, Georgie...let&#39;s eat,
girls.</p></sp>
<stage>(EXIT IN DINING ROOM)</stage>

<pb/>

<sp><speaker>Briggs</speaker>
<p>
My eye! What is the Master coming to? </p><stage>(EXIT AFTER THEM)</stage>
<stage>
---------------------------------<lb/>
NUMBER<lb/>
---------------------------------<lb/>
</stage>
</sp>
<sp><speaker>Briggs</speaker>
<stage>(ENTER CARRYING NAPKIN)</stage> <p>My eyes never saw such gluttons hin hall my
life.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(ENTER)</stage><p> Briggs, are you good at entertaining ladies?</p></sp>

<sp><speaker>Briggs</speaker>
<p>Well, sir in my wicked days I was known as &quot;Wicked Willie With the
Winning Wink&quot;. I was rather a dog among the fair sex.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(POINTING)</stage><p> Well go in there and be a dog among them now. Snap at
&#39;em----------bite &#39;em.</p></sp>

<sp><speaker>Briggs</speaker>
<stage>(HORRIFIED)</stage><p> BITE! Eh? Me, sir? <stage>(TO DINING ROOM DOOR AND PEER IN.)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<stage>(TO BEDROOM DOOR AND KNOCK)</stage><p> Tell me are you all dressed?</p></sp>

<sp><speaker>Briggs</speaker>
<p>Well hi ope to tell you hi ham, sir. <stage>(BUS)</stage> Woy&#39;s missin?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(COMES L. PICKS UP CUSHION)</stage> <p>I wasn&#39;t talking to you. I was speaking
to a lady in my bedroom.</p></sp>

<sp><speaker>Briggs</speaker>
<p>My eye! A young lady in your bedroom?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes......have you any objections?</p></sp>

<sp><speaker>Briggs</speaker>
<p>Yes, sir, I was raised respectable.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(ENTER...WEARING A BERBINED PETTICOAT THAT LOOKS LIKE A SKIRT.....
AND LOU&#39;S BREAKFAST JACKET)</stage><p> Good morning, George.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Good morning.</p></sp>

<sp><speaker>Jackey</speaker>
<p>You wonderful man, I found this lovely breakfast jacket in your room
--you seem to have everything.....enough to equip a bride in that
little bag of yours.</p></sp>

<sp><speaker>Briggs</speaker>
<p>
<hi rend="underline">My eye.</hi></p></sp>

<sp><speaker>Geo.</speaker>
<stage>(STERNLY)</stage><p> That will do, Briggs.</p></sp>

<pb/>

<sp><speaker>Briggs</speaker>
<p>Yes, sir. <stage>(EXIT R.2.)</stage></p></sp>

<sp><speaker>Jim</speaker>
<stage>(ENTER L.2. CARRIES SUITBOX WRAPPED.)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(X WITH JACKEY AND PEEPS IN DOOR WHERE GIRLS MADE EXIT)</stage> <p>Compared
to Jim Solomon was a woman hater.</p></sp>

<sp><speaker>Jim</speaker>
<p>So that&#39;s the idea....trying to queer me and boost your own stock.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Mornin, Jim.</p></sp>

<sp><speaker>Jim</speaker>
<p>Mornin, Jackey, here is a gown for you. I figured you&#39;d want something
besides that evening gown.</p></sp>

<sp><speaker>Geo.</speaker>
<p>How thoughtful.</p></sp>

<sp><speaker>Jim</speaker>
<p>Sure, and I&#39;ve got a clue who Tootles is <stage>(TAKES OUT PAPER)</stage> This
was found on the floor at the Inn after the battle.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(TAKES PAPER AND READS)</stage><p> And what, my friends does the stars and
stripes stand for? It stands for....why this is Tootle&#39;s speech.</p></sp>

<sp><speaker>Jim</speaker>
<p>Those are the papers. With them I am prepared to face the sneaking
villain.</p></sp>

<sp><speaker>Jackey</speaker>
<p>How will you find him?</p></sp>

<sp><speaker>Jim</speaker>
<p>Elementary...my dear Watson....the honeyed word.....the beaming
smile....Leave it to your Uncle Sherlock. <stage>(X.L. EXIT.)</stage></p></sp>

<sp><speaker>Briggs</speaker>
<stage>(ENTER R.2.)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(LOOKING AT WATCH)</stage> <p>Briggs, go to the station and watch. If you
see an elderly lady get off the train, hold her there. Tell
her this place is being fumigated or something.</p></sp>

<sp><speaker>Briggs</speaker>
<stage>(SNIFFING)</stage><p> It could stand fumigating, too......if you ask me.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(OFF L.)</stage><p> Here we are, Mother dear. This is George&#39;s apartment.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(ALL EXCITED)</stage><p> Wait a minute </p><stage>(PUSHES JACKEY IN BEDROOM...THROWS HIM&#39;S
BOX AFTER HER.....CLOSES DOOR....GETS BOX....LIES ON BENCH,
APPARENTLY DEEPLY INTERESTED)</stage> <p>All right.</p></sp>

<sp><speaker>Briggs</speaker>
<stage>(X...OPENS DOOR...STANDS ASIDE OF IT.)</stage></sp>

<pb/>

<sp><speaker>Mrs. Carter</speaker>
<stage>(ENTERS .....LONGETTE IN HAND)</stage><p> Is Mr. Budd in?</p></sp>

<sp><speaker>Briggs</speaker>
<p>Yes, ma&#39;am.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(ENTERS)</stage><p> There he is, Mother...hard at work...George</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(LOOKING UP ASTONISHED..SPRINGS TO FEET)</stage><p> Oh, it&#39;s you, dear.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(CROSSES R.C.)</stage><p> George, this is Mother.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(NERVOUSLY...COMES ACROSS...SHAKES HAND WITH MRS. CARTER)</stage> <p>How do
you do Mother.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>Good morning <stage>(VERY COLD)</stage> Mr. Budd.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Briggs, shut that window, it&#39;s rather chilly here.</p></sp>

<sp><speaker>Briggs</speaker>
<stage>(STARTS FOR WINDOW...STOPS AND LOOKS AT GEORGE)</stage><p> My eye. <stage>(EXIT R.U.)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<stage>(TO MRS. CARTER)</stage><p> Won&#39;t you sit down?</p></sp>

<sp><speaker>Lou</speaker>
<p>I told Mother and Father about our engagement.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<stage>(SITS MAJESTICALLY)</stage><p> Tell me, young man, can you support a family?</p></sp>

<sp><speaker>Geo.</speaker>
<p>How many of you are there?</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>Perhaps I should have begun with the question of Mr. Budd&#39;s
morals.</p></sp>

<sp><speaker>Geo.</speaker>
<p>My mor....my what did you say?</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>MORALS...M..O..R..A..L..S..MORALS. I presume you at least know
what they are. <stage>(X R.)</stage></p></sp>


<sp><speaker>Geo.</speaker>
<p>I was brought up by a Quaker Aunt, and I try to live according to
the rules laid down by the Quakers.</p></sp>

<sp><speaker>Polly</speaker>
<stage>(ENTERS WITH GIRLS MAKING LOT OF NOISE)</stage> <p>Oh, George, where are the
rest of those delightful sandwiches we had last night.</p></sp>


<sp><speaker>Mrs. Carter</speaker>
<stage>(RISES AND COMES A STEP DOWN...LOU RISES)</stage><p> Who...may I ask are these?</p></sp>

<pb/>

<sp><speaker>Geo.</speaker>
<p>These ah, these. They are some friends of Jim Marvin&#39;s. Where is Jim?</p></sp>

<sp><speaker>Jim</speaker>
<p>Hey Geo. <stage>(ENTER...L.2.)</stage> Isn&#39;t it time we started?</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>What are you doing with those persons in your apartment, Mr. George
Budd?</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(SCREAMS LOUDLY IN BEDROOM.)</stage></sp>

<sp><speaker>Lou</speaker>
<p>What&#39;s that?</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(RUNS FROM ROOM)</stage><p> George, there&#39;s a mouse in your room. </p><stage>(THROWS ARMS
AROUND GEORGE&#39;S NECK.....ALL GIRLS LEAP ON AVAILABLE FURNITURE
HOLDING SKIRTS.)</stage></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>Mr. Budd, there seems to be ladies in every nook and corner of your
apartment. What does this mean?</p></sp>

<sp><speaker>Jackey</speaker>
<p>And to think I slept with it all night!</p></sp>

<sp><speaker>All</speaker>
<p>All night?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Stop <stage>(BRACING UP)</stage> .....This <stage>(JACKEY)</stage> is my aunt.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>Your what?</p></sp>

<sp><speaker>Geo.</speaker>
<p>My aunt......my quaker aunt.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<stage>(TO LOU)</stage><p> Very funny.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes, we often laugh about it, don&#39;t we, auntie, ha...ha..</p><stage>(POKES
JACKEY IN RIBS.)</stage></sp>

<sp><speaker>Jackey</speaker>
<stage>(LOOKING STUPIDLY AT WINDOW)</stage><p> Yes...often...ha..ha..ha..</p></sp>

<sp><speaker>Lou</speaker>
<p>Oh, George, your aunt is so different from what I imagined.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Thought I was an old fluff with a cap and horn rimmed windshields,
I suppose.</p></sp>

<sp><speaker>Lou</speaker>
<pb/>
<stage>(SHOWS SURPRISE)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(CLOSE UP TO JACKEY)</stage><p> Quaker! Quaker!</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(TO LOU)</stage><p> Hast thou seen much of Quakers, child.</p></sp>

<sp><speaker>Lou</speaker>
<p>Only one or two, but very different from you.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Oh, well, they belong to the old part, I am a 1927 model.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>Come, Lou, we are merely inviting contamination here. It is time we
left.</p> <stage>(X TO DOOR.)</stage>
</sp>

<sp><speaker>Lou</speaker>
<stage>(GOING OVER TO JACKEY)</stage> <p>Won&#39;t you come with us to the Country Club,
Miss Budd?</p></sp>

<sp><speaker>Girls</speaker>
<stage>(AD LIB.)</stage><p> Yes, please come.</p></sp>

<sp><speaker>Men</speaker>
<p>Please do.</p></sp>

<sp><speaker>Judge</speaker>
<stage>(RINGS DOORBELL OFF L.)</stage></sp>

<sp><speaker>Geo.</speaker>
<p>Come in.</p></sp>

<sp><speaker>Carter</speaker>
<stage>(ENTER L.2.)</stage><p> Ah, there you are, my dear, I missed you.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(COMING DOWN)</stage><p> I want to present my aunt, Miss Budd.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(TURNS SEES CARTER)</stage><p> <hi rend="underline">Tootles</hi>!</p></sp>

<sp><speaker>All</speaker>
<p>Tootles?</p></sp>

<sp><speaker>Carter</speaker>
<p>I beg your pardon but----------</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<stage>(COMING L. OF JUDGE)</stage><p> What do you mean by Tootles?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Tootles is quaker for....HOW DO YOU DO.</p></sp>

<sp><speaker>Carter</speaker>
<stage>(TO JACKEY)</stage><p> Are you a quaker?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Yea, bo!</p></sp>

<pb/>

<sp><speaker>Carter</speaker><p>
I must be going. I have to read an address at a meeting this afternoon.</p></sp>
<stage>(STARTS L.2.)</stage>

<sp><speaker>Jackey</speaker>
<p>Please don&#39;t go. I wish to converse with thee.</p></sp>

<sp><speaker>Carter</speaker>
<p>I&#39;m sorry, but I must prepare my speech. <stage>(Exits L.2.)</stage></p></sp>

<sp><speaker>Jackey</speaker>
<stage>(STARTS TO FOLLOW..MEETS MRS. CARTER)</stage> <p>I do so want to know thy judge
better.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>Oh, do you? And I should like to know you better....much better.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(R. of C.)</stage> <p>Yes, I must tell you all about auntie as soon as we have
time.</p></sp>

<stage>
INTRO. &quot;YOU NEVER KNEW ABOUT ME.&quot;
</stage>

<sp><speaker>Jackey</speaker>
<stage>(SINGING TO MRS. CARTER)</stage> <p>Thee never heard about me, friend, and I
never heard about thee.</p></sp>

<sp><speaker>Geo.</speaker>
<p>I&#39;d have some explanation in the court of conservation, but it slipped
from my mind as things do.</p></sp>

<sp><speaker>Girls</speaker>
<p>How peculiar.</p></sp>

<sp><speaker>Geo.</speaker>
<p>My memory is awful...it&#39;s true.</p></sp>

<sp><speaker>Girls</speaker>
<p>Not a doubt of it.</p></sp>

<sp><speaker>Lou</speaker>
<p>Well, never mind..now&#39;s the time.</p></sp>

<sp><speaker>All</speaker>
<p>My, of course it is.</p></sp>

<sp><speaker>Lou</speaker>
<p>To show hospitality.</p></sp>

<sp><speaker>All</speaker>
<p>To show hospitality. Yes, we will show you round town today. We&#39;ll
all be gay during your stay.</p></sp>

<sp><speaker>Lou</speaker>
<p>Or if you&#39;d rather chat with Father, that is just for you to say.</p></sp>

<sp><speaker>All</speaker>
<p>So if you&#39;d rather talk to Father, or would he be in the way?</p>
<lg>
<l>WE&#39;LL SHOW YOU ROUND THE TOWN.</l>
<l>ALL ROUND AND UP AND DOWN.</l>
<l>IF YOU&#39;LL ONLY WAIT.</l>
<l>WE NEVER HOPED TO FIND....</l>
<l>YOU WERE THE SPORTING KIND.</l>
</lg>

<pb/>
<lg>
<l>THIS IS SIMPLY GREAT</l>
<l>WE&#39;LL TAKE YOU EVERYWHERE....</l>
<l>FAR AND NEAR..WE&#39;LL TAKE YOU EVERYWHERE</l>
<l>DON&#39;T YOU FEAR. LEAVE IT ALL TO US.</l>
<l>WE KNOW WHERE TO GO. WE&#39;LL ARRANGE IT SO</l>
<l>THERE&#39;S NOTHING TO DISCUSS</l>
<l>WE&#39;LL MAKE A DAY OF IT</l>
<l>WE&#39;LL MAKE A DAY OF IT.</l>
<l>NOW!</l>
</lg></sp>
<stage>(ALL EXIT BUT GEO. AND JACKEY)</stage>

<sp><speaker>Jackey</speaker>
<p>Goodbye <stage>(AFTER ENSEMBLE)</stage> Come on, George.</p></sp>

<sp><speaker>Geo.</speaker>
<p>You&#39;re not going?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Yes, I am. If Tootles is Judge Carter, he can square me with the
police. <stage>(STARTS FOR L.2.)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<p>But in those clothes?</p></sp>

<sp><speaker>Jackey</speaker>
<p>You&#39;ll have to dodge into my hotel and get me a dress.</p></sp>

<sp><speaker>Geo.</speaker>
<p>But where will you put it on?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Aren&#39;t there any woods between here and the courthouse?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes, then you won&#39;t need me.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Oh, yes, I do. I need you to hook me up.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(JAMS HAT ON HEAD)</stage><p> Then come on. </p><stage>(TAKES HER ARM AND EXITS AS CURTAIN
FALLS.)</stage></sp>
</div>
<div type="act" n="2">
<head>
ACT TWO
</head>
<stage>(OPENING) &quot;LAND WHERE THE GOOD SONGS GO.&quot;</stage>

<sp><speaker>Briggs</speaker>
<stage>(AFTER OPENING ENTER R.U. CROSSES L.C.)</stage></sp>

<sp><speaker>Simms</speaker>
<stage>(ENTER AFTER BRIGGS)</stage> <p>Hey, one minute. Can&#39;t come in here without a
ticket I tell you.</p></sp>

<sp><speaker>Briggs</speaker>
<p>I&#39;ve got to.</p></sp>

<sp><speaker>Simms</speaker><p>
Say, if you&#39;re trying to invite trouble, just say R.S.V.P.</p> <stage>(RAISES
VEST FLAPS AND SHOWS BADGE.)</stage></sp>


<pb/>

<sp><speaker>Briggs</speaker>
<p>No thanks, I&#39;ve had enough fightin for one day.</p></sp>

<sp><speaker>Simms</speaker>
<p>Been fightin, have you?</p></sp>

<sp><speaker>Briggs</speaker>
<p>A woman hit me in the eye. Now I must tell Mr. Budd she escaped.</p></sp>

<sp><speaker>Simms</speaker>
<p>Escaped? You talk like she was a tiger.</p></sp>

<sp><speaker>Briggs</speaker>
<p>That&#39;s wot she was. Any time the dentist wants a plan of her teeth,
he&#39;ll find it on my arm.</p></sp>

<sp><speaker>Simms</speaker><p>
Maybe it&#39;s the same woman I&#39;m looking for. Give me her description.</p></sp>
<stage>(TAKES OUT BOOK AND PENCIL.)</stage>

<sp><speaker>Briggs</speaker>
<p>Rather pretty eyes.</p></sp>

<sp><speaker>Simms</speaker>
<p>What color?</p></sp>

<sp><speaker>Briggs</speaker>
<p>Same as mine.</p></sp>

<sp><speaker>Simms</speaker>
<stage>(BUS)</stage><p> Eyes...A watery blue. Ears?</p></sp>

<sp><speaker>Briggs</speaker>
<p>Same as mine.</p></sp>

<sp><speaker>Simms</speaker>
<p>Aeroplane ears. Color of hair?</p></sp>

<sp><speaker>Briggs</speaker>
<p>Same as yours.</p></sp>

<sp><speaker>Simms</speaker>
<p>Hair a beautiful brown.</p></sp>

<sp><speaker>Briggs</speaker>
<p>My eye! I&#39;ll talk to you afterwards. <stage>(STARTS UP L.)</stage></p></sp>

<sp><speaker>Simms</speaker>
<p>You won&#39;t find Mr. Budd in there.</p></sp>

<sp><speaker>Briggs</speaker>
<p>No?</p></sp>

<sp><speaker>Simms</speaker>
<p>No. That&#39;s the ladies&#39; swimming pool.</p></sp>

<sp><speaker>Briggs</speaker>
<p>The ladies&#39; swimming pool? Don&#39;t you think I&#39;d better take a peek
to make sure?</p></sp>

<pb/>

<sp><speaker>Simms</speaker>
<p>Come here.</p></sp>

<sp><speaker>Briggs</speaker>
<stage>(COMES L. OF HIM)</stage><p> Something tells me it&#39;s my duty to look.</p></sp>

<sp><speaker>Simms</speaker>
<p>Tain&#39;t no use. The swimming pool ain&#39;t in use today. I just looked.</p></sp>
<stage>(X.R.)</stage>

<sp><speaker>Geo.</speaker>
<stage>(ENTER WITH JACKEY R.U. TALKING)</stage></sp>

<sp><speaker>Simms</speaker>
<p>Here you...tickets....where are your tickets?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(STARTS LOOKING IN POCKETS.)</stage></sp>

<sp><speaker>Simms</speaker>
<p>Oh, it&#39;s Mr. &amp; Mrs. budd.</p></sp>

<sp><speaker>Geo.</speaker>
<p>SH.....SH.</p></sp>

<sp><speaker>Simms</speaker>
<p>How are you, Mrs. Budd?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Splendid, thank you. What are you doing here?</p></sp>

<sp><speaker>Simms</speaker>
<p>I&#39;m here to keep an eye on those silver cups and prizes.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(X.L. OF SIMMS)</stage><p> Oh, of course.</p></sp>

<sp><speaker>Simms</speaker>
<stage>(DROPPING DOWN TO HER)</stage><p> Mrs. Budd...I&#39;ve been thinking a lot about them
pyjamas of yours.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(X. GOES TO SIMMS)</stage><p> Constable...<hi rend="underline">please</hi>!</p></sp>

<sp><speaker>Simms</speaker>
<p>That&#39;s all right...we&#39;re all married folks, ain&#39;t we? Took my eye .....
them pyjamas did...told Mrs. Simms about &#39;em....She says she&#39;d like to
have the pattern.</p></sp>

<sp><speaker>Jackey</speaker>
<p>All right, you shall have it. <stage>(TO GEO.)</stage> Can&#39;t you find those tickets,
Duskie?</p></sp>

<sp><speaker>Geo.</speaker>
<p>I can&#39;t remember where I put them, <hi rend="underline">Love</hi>. <stage>(PULLS OUT BUNCH OF TICKETS)</stage>
Ah, here they are. <stage>(HANDS THEM TO SIMMS.)</stage></p></sp>

<sp><speaker>Jackey</speaker>
<p>How many are there?</p></sp>

<sp><speaker>Simms</speaker>
<p>I don&#39;t know...Let&#39;s see. <stage>(TOPPLES TICKETS BESIDE EAR)</stage> Thirty four.</p></sp>

<pb/>

<sp><speaker>Geo.</speaker>
<stage>(LAUGHING)</stage><p> Have you caught the woman who assaulted you yet, Constable?</p></sp>

<sp><speaker>Simms</speaker>
<p>No, but I will. <stage>(X. to R.U.)</stage> Don&#39;t forget that pyjama pattern, Mrs.
Budd. <stage>(EXIT)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<p>Great Scott! If anyone hears him calling you Mrs. Budd, we&#39;re sunk.</p></sp>

<sp><speaker>Jackey</speaker>
<p>You did the silliest thing when you introduced me as your aunt. You
should have stuck to Jim&#39;s story.</p></sp>

<sp><speaker>Jim</speaker>
<p>Good heavens what are you two turtle doves doing here?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh it&#39;s you.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I&#39;ve found Tootles.</p></sp>

<sp><speaker>Jim</speaker>
<p>Where is he?</p></sp>

<sp><speaker>Jackey</speaker>
<p>He&#39;s somewhere in the clubhouse. He&#39;s here with his wife and daughter.</p></sp>

<sp><speaker>Jim</speaker><p>
Isn&#39;t that great? <stage>(SLAPS GEO. ON SHOULDER)</stage> Now we can clear Jackey
and she will be all right.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes she&#39;ll be all right..I was thinking of myself. <stage>(X.R.)</stage></p></sp>

<sp><speaker>Jim</speaker>
<p>Don&#39;t worry if your luck is bad it&#39;s bound to turn.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh yes my luck turns and bites me. <stage>(X R.C.)</stage></p></sp>

<sp><speaker>Jim</speaker>
<p>The original gloom.</p></sp>

<sp><speaker>Jackey</speaker>
<p>And you&#39;re sunny Jim I suppose?</p></sp>

<sp><speaker>Jim</speaker>
<p>That&#39;s it Jackey and we&#39;ll go through life on the joy wagon. If you&#39;ll
marry me.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I&#39;ll think about it.</p></sp>

<sp><speaker>Jim</speaker>
<p>Oh say..Why think..You&#39;ve been slinging me all kinds of encouragement.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Isn&#39;t it funny? Give a man a smile and he thinks it gives him a right
to murder every other male creature on your visiting list.</p></sp>

<pb/>
<stage>
----------<lb/>
SPECIALTY<lb/>
----------<lb/>
</stage>

<sp><speaker>Carter</speaker>
<stage>(AFTER SPECIALTY ENTER WITH MANUSCRIPT OF SPEECH R.2. SIT R. OF TABLE..
RINGS TAP BELL WITHOUT LOOKING AROUND.)</stage></sp>

<sp><speaker>Mrs. Carter</speaker>
<stage>(ENTER L.U.)</stage><p> Oh here you are James I&#39;ve been looking everywhere for you.</p></sp>

<sp><speaker>Carter</speaker>
<p>Well I&#39;ve been in there.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>What&#39;s that? <stage>(WAITER ENTER L.2. WITH TRAY COMES R. OF C.)</stage></p></sp>

<sp><speaker>Carter</speaker>
<stage>(ANSWERING MRS)</stage><p> Oh nothing.</p></sp>

<sp><speaker>Waiter</speaker>
<p>Nothing.</p></sp>

<sp><speaker>Carter</speaker>
<p>Nothing.</p></sp>

<sp><speaker>Waiter</speaker>
<p>Nothing. <stage>(EXIT L.2.)</stage></p></sp>

<sp><speaker>Mrs. Carter</speaker><p>
Now see here, James. <stage>(X. AND SITS L. OF TABLE.)</stage> This man Budd is
engaged to our daughter is nothing but a libertine.</p></sp>

<sp><speaker>Carter</speaker>
<stage>(BUSY WITH MANUSCRIPT)</stage><p> Oh, nonsense.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>I tell you he is. Why he seizes upon this golfing vistory as an 
excuse for a rowdy party.</p></sp>

<sp><speaker>Carter</speaker>
<p>I haven&#39;t time to discuss now. I must finish this speech.</p></sp>

<sp><speaker>Mrs. Carter</speaker><p>
I tell you, James Carter. <stage>(BANGS TABLE ...RINGS BELL....PUSHES
IT AWAY FROM HER.)</stage> That speech means nothing compared to your
daughter&#39;s future.</p></sp>

<sp><speaker>Carter</speaker>
<p>I wish you were going to make it. You have an endless flow of
chatter.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>What do you mean?</p></sp>

<sp><speaker>Waiter</speaker>
<stage>(ENTER L.)</stage></sp>

<sp><speaker>Carter</speaker>
<p>Nothing.</p></sp>

<pb/>

<sp><speaker>Waiter</speaker>
<p>Nothing?</p></sp>

<sp><speaker>Carter</speaker>
<p>Nothing.</p></sp>

<sp><speaker>Waiter</speaker>
<p>Nothing. <stage>(EXIT L.)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<stage>(ENTER R.)</stage> <p>Oh, hello Judge, there is a young lady in the next
room who wishes to see you again.</p></sp>

<sp><speaker>Carter</speaker>
<p>Cut the young lady stuff. <stage>(UP TO HIM.)</stage></p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>And who is this young lady who is anxious to see my husband
again?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Just an admiree of his speeches. <stage>(TO CAR.)</stage> By the way, she has
one of your speeches now.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<stage>(X.C.)</stage> <p>I trust she will be able to enjoy the one he is to
make this afternoon.</p></sp>

<sp><speaker>Carter</speaker>
<stage>(RISE AND MOVE L.)</stage><p> I doubt if I shall speak today. My headache
is getting steadily worse.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(EN. C.)</stage><p> Hello, Georgie.....where is that cute aunt of yours?</p></sp>

<sp><speaker>Geo.</speaker>
<p>At home she is very modest and retiring.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>She hasn&#39;t evidently spent much time in your society.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh, but she has...I used to say my prayers on her knee.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>I understood you to say she was younger than yourself.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh...ah...well, a woman seems so much older than a man.</p></sp>

<sp><speaker>Carter</speaker>
<stage>(DROPPING ON SETTEE)</stage><p> Save the women first.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<stage>(ANGRY AD LIB.)</stage><p> Is that so? I hadn&#39;t noticed it.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(TO GEO.)</stage><p> Let&#39;s go out and watch Miss Wills at tennis, dear, come.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<pb/>
<stage>(X.C.)</stage> <p>Mr. Budd, we have decided that you are not a fit companion
for Lou Ellen. In the future you will refrain from addressing her.
Should she be so unfortunate as to meet you. Any other communication
you wish to have with her shall be through her father or myself.
I am now going to retire to the tea room; I feel the need of
a little refreshment.</p></sp>

<sp><speaker>Carter</speaker>
<stage>(RINGS BELL)</stage><p> Me, too.</p></sp>

<sp><speaker>Waiter</speaker>
<stage>(ENTERS L....STANDS AND LOOKS AT CAR. WHO DOES NOT SEE HIM.)</stage></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>You understand, Mr. Budd?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes ma&#39;am.</p></sp>

<sp><speaker>Waiter</speaker>
<p>Nothing. <stage>(EXIT L.)</stage></p></sp>

<sp><speaker>Mrs. Carter</speaker>
<stage>(EXITS L.)</stage></sp>

<sp><speaker>Lou</speaker>
<p>Daddy..........</p></sp>

<sp><speaker>Carter</speaker>
<p>Go to your mother.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(X. R.....TURNS...LOOKS AT GEO.....THROWS KISS...EXIT R.)</stage></sp>

<sp><speaker>Geo.</speaker>
<p>Judge Carter, I wish that you&#39;d tell Lou Ellen that I shall wait
&#39;till the final blast of Gabriel&#39;s trumpet for her. My love
shall never die. <stage>(EXIT C.)</stage></p></sp>

<sp><speaker>Carter</speaker>
<p>Oh damn! <stage>(RINGS BELL...PICKS UP SPEECH.)</stage></p></sp>

<sp><speaker>Waiter</speaker>
<stage>(ENTER L.)</stage></sp>

<sp><speaker>Carter</speaker>
<p>Well?</p></sp>

<sp><speaker>Waiter</speaker>
<p>Nothing. <stage>(EXIT L.)</stage></p></sp>

<sp><speaker>Carter</speaker>
<stage>(LOOKS UP IN TIME TO SEE HIM EXIT)</stage> <p>Hey come back here.....confound
that boy. <stage>(X.L.)</stage> Waiter...Oh what&#39;s the use?</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(ENTER R.)</stage><p> <stage>(SEES CARTER)</stage> Tootles, dear.</p></sp>

<sp><speaker>Carter</speaker>
<p>Good heavens!</p></sp>

<sp><speaker>Jackey</speaker>
<pb/>
<p>How&#39;s the old bean?</p></sp>

<sp><speaker>Carter</speaker>
<p>Bean?</p></sp>

<sp><speaker>Jackey</speaker>
<p>What with two quarts of wine and the bang it got in the scrimmage I
sadly fear <stage>(X. TO HIM)</stage> today&#39;s speech will not be up to standards.
<stage>(PACE)</stage> And what, my friends, does the stars and stripes stand for?</p></sp>

<sp><speaker>Carter</speaker>
<p>You have my speech. Give it to me.</p></sp>

<sp><speaker>Jackey</speaker>
<p>What? Give up my wonderful souvenier of that wonderful evening.
Oh, no.</p></sp>

<sp><speaker>Carter</speaker>
<stage>(HAND IN POCKET)</stage><p> How much?</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(C.)</stage><p> $500.00....two diamond studded garters...a vanity case...200
cigar coupons.</p></sp>

<sp><speaker>Carter</speaker>
<p>Say when...say when.</p></sp>

<sp><speaker>Jackey</speaker>
<p>A rabbit&#39;s foot and a copy of &quot;WHAT A YOUNG GIRL OUGHT TO KNOW.&quot;</p></sp>

<sp><speaker>Carter</speaker>
<p>Where shall I get those things?</p></sp>

<sp><speaker>Jackey</speaker>
<p>The policeman I helped you tackle grabbed my bag. In it are the
articles mentioned.</p></sp>

<sp><speaker>Carter</speaker>
<p>You mean you will exchange my speech for your bag? <stage>(RISING.)</stage></p></sp>

<sp><speaker>Jackey</speaker>
<stage>(MOCKINGLY)</stage><p> You have grasped the scenario of the drummer.</p></sp>

<sp><speaker>Carter</speaker>
<stage>(OVER TO HER.)</stage><p> But, my dear...it would be better if you should return
the speech first thereby relieving my mind from anxiety, and
I would be better able to wrestle with the problem of recovering
your lost bag and its contents.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Of course, I could trust you?</p></sp>

<sp><speaker>Carter</speaker>
<p>I have but one fault.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Yes. So has a dime with a hole in it.</p></sp>

<pb/>

<sp><speaker>Carter</speaker>
<stage>(TAKES HER HAND.)</stage><p> I am honest in this, my dear.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Good. If you&#39;re trying to find out what size gloves I wear, they&#39;re
sixes.</p></sp>

<sp><speaker>Jim</speaker>
<stage>(ENTER R.C.)</stage></sp>

<sp><speaker>Carter</speaker>
<p>May I have it now, little girl?</p></sp>

<sp><speaker>Jim</speaker>
<stage>(COMING DOWN)</stage><p> Ah...ha...<stage>(BUS.)</stage> I seem to be intruding, so you love
this old man?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Jim...this is Tootles.</p></sp>

<sp><speaker>Carter</speaker>
<p>Since you insist, I shall find the Constable and see if I can get
around him. I shall ply him with refreshments....liquid refreshments.
I have little hope...still a drowning man will clutch at
a straw.</p></sp>

<sp><speaker>Jim</speaker>
<p>Especially when he&#39;s drowning his troubles.</p></sp>

<sp><speaker>Carter</speaker>
<p>No use...troubles like my own can swim. <stage>(EXIT L.2.)</stage></p></sp>

<sp><speaker>Jim</speaker>
<stage>(GOING TO HER)</stage><p> Why did you let that old mugwump hold your paw?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Repugnant as it was to my modest girlish nature, I endured his
caresses that I might win his help in my dire predicament. <stage>(WITH
MOCK SENTIMENT)</stage> Oh what we girls suffer!</p></sp>

<sp><speaker>Jim</speaker>
<p>Then let us flee from this scene of degradation to some happier,
sunnier clime.</p></sp>

<sp><speaker>Jackie</speaker>
<p>Stop, Jim, stop. Remember I have a romantic, trusting nature,
and you are carrying me away.</p></sp>

<sp><speaker>Jim</speaker>
<p>To Florida...where the orange trees are in bloom...where upon a
grassy knoll we can lie and watch the evening star rising above...
It&#39;s celestial.</p></sp>

<pb/>

<sp><speaker>Jackey</speaker>
<p>And...the orange petals...tell me of the orange petals...and.</p></sp>

<sp><speaker>Jim</speaker>
<p>Yes. Cleopat.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(PUSHES JIM OVER)</stage><p> Tell me about the orange blossoms.</p></sp>

<sp><speaker>Jim</speaker>
<p>We&#39;re not married yet.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Yah...us...ah.</p></sp>

<sp><speaker>Jim</speaker>
<p>Between us.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Yah...us...ah.</p></sp>

<sp><speaker>Jim</speaker>
<p>Whadda ya mean &quot;Yah...us...ah&quot;? Between us would lie the green-
and......</p></sp>

<sp><speaker>Jackey</speaker>
<p>Oh, Jim why do you want a sword between us?</p></sp>

<sp><speaker>Jim</speaker>
<p>Jackey...</p></sp>

<sp><speaker>Jackey</speaker>
<p>The young bride dreamed of resting on the orange scented slopes
of Florida, but alas, wakes up to find herself hitting the hay
in Boulder.</p></sp>

<stage>DOUBLE &quot;NESTING TIME IN FLATBUSH&quot;</stage>

<sp><speaker>Geo.</speaker>
<stage>(ENTER C. AFTER DOUBLE FOLLOWED BY BRIGGS...GEO..L.C.....BRIGGS
R.C.)</stage> <p>Didn&#39;t you understand what I told you about? I said
&quot;Keep my aunt there at any cost.&quot;</p></sp>

<sp><speaker>Briggs</speaker>
<p>My eye! I did, sir, at an awful cost.</p></sp>

<sp><speaker>Geo.</speaker>
<p>I told you to act crazy if necessary.</p></sp>

<sp><speaker>Briggs</speaker>
<p>Well, sir, I called her names...made faces...did monkey tricks..
but she kept calling out..&quot;He&#39;s a maniac....he&#39;s a maniac.&quot;</p></sp>

<sp><speaker>Geo.</speaker>
<p>Why didn&#39;t you lock her in the kitchen?</p></sp>

<sp><speaker>Briggs</speaker>
<p>That&#39;s just where I left her, sir. Just as she picked up the flat
iron.</p></sp>

<pb/>

<sp><speaker>Geo.</speaker>
<p>Now, don&#39;t tell me she tried to hit you with it.</p></sp>

<sp><speaker>Briggs</speaker>
<p>Oh, no, sir, I fancy she only wanted to smooth things over.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(ENTER C. STARTS L.2.)</stage></sp>

<sp><speaker>Geo.</speaker>
<p>If she comes here, I&#39;m lost. <stage>(SEES LOU...START)</stage> Lou Ellen.</p></sp>

<sp><speaker>Lou</speaker>
<p>So, George, you mustn&#39;t speak to me. You promised Mother you
know...And you always said your promise was sacred.</p></sp>

<sp><speaker>Geo.</speaker>
<p>That true, Briggs?</p></sp>

<sp><speaker>Briggs</speaker>
<p>Sir?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Will you ask Miss Carter is she is aware there is a new moon this
evening?</p></sp>

<sp><speaker>Lou</speaker>
<p>Please tell Mr. Budd I am.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Will you suggest to Miss Budd that she make a wish on the new
moon.</p></sp>

<sp><speaker>Briggs</speaker>
<p>Wish for wot, sir?</p></sp>

<sp><speaker>Geo.</speaker>
<p>She knows what to wish for.</p></sp>

<sp><speaker>Briggs</speaker>
<p>Mr. Budd suggests that you make a wish on the new moon, Miss.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(WITH LOUD SIGH)</stage><p> Tell Mr. Budd I will. <stage>(WITH A LITTLE SQUEAK,)</stage></p></sp>

<sp><speaker>Briggs</speaker>
<stage>(MIMICKING HER)</stage><p> The lady says &quot;I will.&quot;</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(ASIDE DREAMILY)</stage><p> &quot;I will&quot; how sweet those words from those dear
lips.</p></sp>

<sp><speaker>Briggs</speaker>
<p>Oh, thank you, sir.</p></sp>

<sp><speaker>Lou &amp; Geo.</speaker>
<stage>(BOTH TURN TO BRIGGS ANGRILY.)</stage>
</sp>
<pb/>

<sp><speaker>Briggs</speaker>
<stage>(REALIZES MISTAKE AND EXITS HURRIEDLY R.2.)</stage></sp>

<sp><speaker>Jackey</speaker>
<stage>(ENTER C.)</stage><p> Oh, George.</p></sp>

<sp><speaker>Lou</speaker>
<p>Oh Miss Budd <stage>(GUSHINGLY)</stage> I am so glad to see you.</p></sp>

<sp><speaker>Jackey</speaker>
<p>How are you, Miss Carter?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(OVER TO R. OF JACKEY)</stage><p> Quaker! Quaker!</p></sp>

<sp><speaker>Jackey</speaker>
<p>Hast thou been enjoying thyself?</p></sp>

<sp><speaker>Lou</speaker>
<p>Not a bit. Mother won&#39;t let me speak to George.</p></sp>

<sp><speaker>Jackey</speaker>
<p>What have they got against the poor gink?</p></sp>

<sp><speaker>Lou</speaker>
<p>Gink?</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(GEO. POKES JACKEY)</stage><p> A Quaker word........poor lad I should say.</p></sp>

<sp><speaker>Simms</speaker>
<stage>(ENTER L.2.)</stage><p> How about the pajama pattern?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(DISMAYED)</stage><p> It&#39;s coming....it&#39;s coming.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(IN WONDER)</stage><p> Pajama pattern?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Thou shall have it, good man, I promise thee.</p></sp>

<sp><speaker>Simms</speaker>
<p>How&#39;s that?</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(CROSSING TO SIMMS)</stage> <p>I will even give thy good wife mine if thee
will only beat it.</p></sp>

<sp><speaker>Simms</speaker>
<p>Thee. Why do you call me thee?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Yes, friend, of course. I called thee...thee. What should thee
expect me to call thee but thee.</p></sp>

<sp><speaker>Simms</speaker>
<p>Wonder what Judge Carter put in them drinks he gave me? Oh, Mr.
Budd, you remember that mole I was asking you about?</p></sp>

<pb/>

<sp><speaker>Lou</speaker>
<p>A...mole...dear?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes. A little animal that burrows under lawns. Have you caught
it yet, Simms?</p></sp>

<sp><speaker>Simms</speaker>
<p>No....no...I asked you if she had a mole on her back.</p> <stage>(POINTS
TO JACKEY)</stage></sp>

<sp><speaker>Geo.</speaker>
<p>I never heard of any. <stage>(LOU SHOWS ANGER.)</stage></p></sp>

<sp><speaker>Simms</speaker>
<p>Never heard? You don&#39;t find mole by listening for &#39;em...I mean
a dark pimple.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(X. QUICKLY TO LOU)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(OVER TO SIMMS)</stage> <p>Come with me, Simms. you need something to pull
you together.</p> <stage>(TAKES SIMMS ARM..LEADS HIM OFF L. AD LIBBING.)</stage></sp>

<sp><speaker>Lou</speaker>
<p>What&#39;s the matter with him?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Gone lame above the neck. <stage>(X. TO L. CALLS)</stage> Nephew...oh Nephew...
send in two Bronx cocktails for me, please.</p></sp>

<sp><speaker>Lou</speaker>
<p>Do Quakers drink?</p></sp>

<sp><speaker>Jackey</speaker>
<p>It is permitted in case of illness. I suffer terribly with a
REFLEX SURGASTRINORIUM. <stage>(ASIDE)</stage> I&#39;m going to leave this.
<stage>(TO LOU)</stage> When the drinks come, send them out on the porch.</p></sp>

<sp><speaker>Lou</speaker>
<p>Since you are feeling badly, I will see that you get a comfortable
chair.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I thank thee, my child. Thee shall get a star in thy crown for this.</p></sp>
<stage>(BOTH EXIT C.)</stage>

<stage>
NUMBER
</stage>

<sp><speaker>PEN</speaker>
<stage>(ENTER C. AFTER NUMBER....LOOKS AROUND MEEKLY...SITS L.)</stage></sp>

<sp><speaker>Simms</speaker>
<stage>(OFF L.)</stage><p> I don&#39;t want it I tell you. I&#39;ve had enough. </p><stage>(ENTER
SEES PEN...STOPS AND STARES.)</stage></sp>

<sp><speaker>PEN</speaker>
<p>What ails thee, friend? Why are thou staring at me?</p></sp>

<sp><speaker>Simms</speaker>
<pb/><p>Gosh, I&#39;ve got &#39;em.</p></sp>

<sp><speaker>Pen</speaker>
<p>Thou acts very strangely.</p></sp>

<sp><speaker>Simms</speaker>
<p>Don&#39;t act that way...can&#39;t stand it.</p></sp>

<sp><speaker>Pen</speaker>
<p>Hast thou a list of people at this gathering?</p></sp>

<sp><speaker>Simms</speaker>
<p>Why dost thou ask..Damn it, you&#39;ve got me talking that way now.</p></sp>

<sp><speaker>Pen</speaker>
<p>Hush, thou must not swear. That is the same wicked word that poor
creature used when I struck him.</p></sp>

<sp><speaker>Simms</speaker>
<stage>(STRAIGHTENING UP)</stage> <p>Struck him? Tell me..have you got a mole on
your back?</p></sp>

<sp><speaker>Pen</speaker>
<p>Sir?</p> <stage>(RISING X.C.)</stage></sp>

<sp><speaker>Simms</speaker>
<stage>(SHOWS BADGE)</stage><p> You better answer...or painful as the duty will be.</p></sp>

<sp><speaker>Pen</speaker>
<p>If thou dares to try it.</p> <stage>(STARTS AT HIM.)</stage></sp>

<sp><speaker>Simms</speaker>
<stage>(BRACING UP)</stage> <p>No..no it couldn&#39;t have been you. It was a young
one.</p></sp>

<sp><speaker>Pen</speaker>
<p>And to think how close I came to striking thee. It shows that
there is still a lot of the old spirit in me.</p> <stage>(X.C.)</stage></sp>

<sp><speaker>Simms</speaker>
<stage>(COMING FORWARD)</stage><p> Spirits? Lots of spirits in you?</p></sp>

<sp><speaker>Pen</speaker>
<p>Sir, I am a total abstainer. I cam hither to find my nephew.</p></sp>

<sp><speaker>Simms</speaker>
<p>What is your nephew&#39;s name?</p></sp>

<sp><speaker>Pen</speaker>
<p>George Budd.</p></sp>

<sp><speaker>Simms</speaker>
<p><hi rend="underline">GEORGE BUDD.</hi></p></sp>

<sp><speaker>Pen</speaker>
<p>Yes, is he here?</p></sp>

<sp><speaker>Simms</speaker>
<p>Yes, he&#39;s in there with his wife.</p></sp>

<sp><speaker>Pen</speaker>
<p>Thee can&#39;t mean he&#39;s married?</p></sp>

<pb/>

<sp><speaker>Simms</speaker>
<p>I was introduced to his wife last night.</p></sp>

<sp><speaker>Pen</speaker>
<p>Surely thee must be mistaken.</p></sp>

<sp><speaker>Simms</speaker>
<p>Well, if I am, it&#39;s a pretty bad mistake. She was a sittin in
his room in a pair of blue pyjamas.</p></sp>

<sp><speaker>Pen</speaker>
<stage>(TURNS BACK)</stage> <p>Pajamas? Oh, this is terrible...my little Geo.....
go send him quickly.</p></sp>

<sp><speaker>Simms</speaker>
<p>Yessum. <stage>(STARTS)</stage></p></sp>

<sp><speaker>Pen</speaker>
<p>And if thee will bring in a glass of water. I am quite overcome.</p></sp>

<sp><speaker>Simms</speaker>
<p>I&#39;ll send you out some lemonade.</p></sp>

<sp><speaker>Pen</speaker>
<p>I thank thee. Tell Mr. Budd his aunt....Penelope Budd.</p></sp>

<sp><speaker>Simms</speaker>
<p>Miss Envelopy Budd </p><stage>(STARTS TO EXIT L. STEPS ASIDE FOR POLLY)</stage>
<p>Gee, that&#39;s something nice in spring clothes. </p><stage>(EXIT.)</stage></sp>

<sp><speaker>Polly</speaker>
<stage>(LOOKING AFTER HIM.)</stage><p> I never could understand what cooks seen
in policemen. <stage>(SIT R. OF TABLE.)</stage></p></sp>

<sp><speaker>Pen</speaker>
<p>My child, what has he done to thee?</p></sp>

<sp><speaker>Polly</speaker>
<p>Oh, the clumsy thing let my dog bite him once.</p></sp>

<sp><speaker>Pen</speaker>
<p>How terrible!</p></sp>

<sp><speaker>Polly</speaker>
<p>Wasn&#39;t it? He&#39;s been follish every since.</p></sp>

<sp><speaker>Pen</speaker>
<p>Poor policeman.</p></sp>

<sp><speaker>Polly</speaker>
<p>Not the policeman; my dog.</p></sp>

<sp><speaker>Waiter</speaker>
<stage>(ENTER L. WITH 3 COCKTAILS ON TRAY...TO POLLY)</stage><p> Miss Penelope Budd?</p></sp>

<sp><speaker>Pen</speaker>
<p>Here.</p></sp>

<pb/>

<sp><speaker>Waiter</speaker>
<stage>(X.L. OF HER.)</stage><p> Mr. Budd ordered these for you.</p></sp>

<sp><speaker>Pen</speaker>
<p>Oh, how quick thou hast been. <stage>(TAKES ONE GLASS)</stage> What small glasses
of lemonade. <stage>(DRINKS RAPIDLY.)</stage></p></sp>

<sp><speaker>Polly</speaker>
<stage>(BUS WITH LIPSTICK, POWDER PUFF ETC.)</stage></sp>

<sp><speaker>Pen</speaker>
<stage>(PUTS FIRST GLASS ON TRAY..WIPES MOUTH.)</stage></sp>

<sp><speaker>Polly</speaker>
<stage>(LOOKS UP IN TIME TO SEE BUS.)</stage><p> Lemonade..that&#39;s good!</p></sp>

<sp><speaker>Pen</speaker>
<p>Yes, very. Will thee have more? <stage>(DRINKS SECOND.)</stage></p></sp>

<sp><speaker>Polly</speaker>
<p>No, thanks, I prefer a Willie&#39;s dream.</p></sp>

<sp><speaker>Waiter</speaker>
<p>Yes&#39;m.</p></sp>

<sp><speaker>Polly</speaker>
<p>And not too much gin it it, little sun burst.</p></sp>

<sp><speaker>Pen</speaker>
<p>Gin? <stage>(TRIES TO RISE...BUS WITH KNEES...FINALLY WALKS R.)</stage> If thee
would drink a harmless beverage like this. <stage>(GOES L. JUST REACHES
TRAY...TAKES THIRD GLASS.)</stage> It would be quite sufficient.  Can thee
bring me a pitcher of this, waiter?</p></sp>

<sp><speaker>Waiter</speaker>
<stage>(AMAZED)</stage> <p>A pitcher? Sure.</p> <stage>(X. IN FRONT OF POLLY SINGING &quot;OH MAN
SHE COULD WACKY WOO&quot; EXIT L.)</stage></sp>

<sp><speaker>Pen</speaker>
<p>What are thee doing, my dear?</p></sp>

<sp><speaker>Polly</speaker>
<p>There. Are my lips on straight?</p></sp>

<sp><speaker>Pen</speaker>
<p>Thou art very comely. What a beautiful dress thou hast on. Dost
thou always wear pretty dresses?</p></sp>

<sp><speaker>Polly</speaker>
<p>Not after three in the morning. They tell me that I am all to the
mustard in my pajamas.</p></sp>

<sp><speaker>Pen</speaker>
<p>Do thee wear blue pajamas?</p></sp>

<sp><speaker>Polly</speaker>
<p>I wear blue on Thursdays.</p></sp>

<sp><speaker>Pen</speaker>
<stage>(THICKLY)</stage> <p>Yesterday was Thursday.</p></sp>

<pb/>

<sp><speaker>Polly</speaker>
<p>And they are embroidered with Forget Me Nots.</p></sp>

<sp><speaker>Pen</speaker>
<p>George&#39;s favorite color.</p> <stage>(ABOUT TO CRY.)</stage></sp>

<sp><speaker>Waiter</speaker>
<stage>(ENTER L. WITH PITCHER)</stage> <p>Here&#39;s the handsome waiter, lady.</p> <stage>(X TO
PEN...SHE TAKES PITCHER...WAITER X.L. TO POLLY.)</stage></sp>

<sp><speaker>Polly</speaker>
<p>Waiter take that away from her. She&#39;s half boiled now.</p></sp>

<sp><speaker>Waiter</speaker>
<p>Mr. Budd said, &quot;Give her anything she wanted, Miss.&quot;</p></sp>

<sp><speaker>Polly</speaker>
<p>Oh, well girls will be girls. <stage>(EX. L.)</stage></p></sp>

<sp><speaker>Waiter</speaker>
<p>Yep...just as long as boys are boys. <stage>(EX. AFTER POLLY.)</stage></p></sp>

<sp><speaker>Pen</speaker>
<stage>(WITH PITCHER.)</stage> <p>My poor misguided George. </p><stage>(STARTS R. AND TRIPS
LIGHT.)</stage><p> I can&#39;t believe it. It makes my head swim. </p><stage>(DRINKS
AND ENTER TO TABLE HAS TROUBLE SETTING PITCHER DOWN. LOOKS AROUND.)</stage>
<p>I thought this was a room, but it&#39;s a merry go round. I haven&#39;t
been on one since I was a child. </p><stage>(SERIOUSLY LIFTS FRONT OF [ILLEGIBLE]
AND PULLS IT DOWN AGAIN.)</stage><p> I think I&#39;ll sit on this horse. </p><stage>(GOES
TO [LLEGIBLE] AND STRADDLES IT.. BUS WITH [ILLEGIBLE] AGAIN.)</stage><p> A little 
undignified I suppose. Still you are only young once.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(ENTERS SEES AUNT AND STANDS AGHAST.)</stage></sp>

<sp><speaker>Pen</speaker>
<stage>(SEES GEO. WAVES HANDKERCHIEF)</stage> <p>Hello, Georgie, say I&#39;m going to get
the brass ring. Why don&#39;t you sit on the horse behind me when it
comes round?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(HELPING HER)</stage><p> That&#39;s all right, now you go to the ladies&#39; room and
lie down.</p></sp>

<sp><speaker>Pen</speaker>
<p>Now... I want to lay down right here.</p></sp>

<sp><speaker>Geo.</speaker>
<p>But in there you can pull the shades and make it dark.</p></sp>

<sp><speaker>Pen</speaker>
<p>All ri...shay, George...you haven&#39;t got a pair of blue pajamas I
could borrow? Whoopee! Oh Boy!</p> <stage>(EXIT L.)</stage></sp>

<sp><speaker>Simms</speaker>
<stage>(ENTER L.)</stage><p> Oh, Mr. Budd, about them blue pyjamas....Mrs. Budd
said she&#39;d give my old Lady a pair. But here&#39;s the question...will
they fit?</p></sp>

<sp><speaker>Geo.</speaker>
<p>How on earth should I know?</p></sp>

<sp><speaker>Simms</speaker>
<p>
<pb/>
I would say they weight about the same, but its distributed different.
The old woman is built on the lines of a tadpole. Very much
wasted. I guess I better call her and get her measurements.</p>
<stage>(SEES HANDBAG SITS DOWN...STARTS LOOKING THROUGH HANDBAG.)</stage></sp>

<sp><speaker>Jackey</speaker>
<stage>(ENTER L.)</stage><p> Georgie, they&#39;ve.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Sh... <stage>(POINTS TO CONSTABLE, EX. R.)</stage></p></sp>

<sp><speaker>Jackey</speaker>
<stage>(X.)</stage><p> What have you there, Constable?</p></sp>

<sp><speaker>Simms</speaker>
<p>Bag. Belongs to that female as assaulted me. If I can&#39;t trace
her from this, my name ain&#39;t Ira Simms.</p></sp>

<sp><speaker>Jackey</speaker>
<p>I wonder if you can? <stage>(PICKS UP PIN.)</stage></p></sp>

<sp><speaker>Simms</speaker>
<p>What&#39;s that?</p></sp>

<sp><speaker>Jackey</speaker>
<p>A pin.</p></sp>

<sp><speaker>Simms</speaker>
<p>That&#39;s funny. Here&#39;s a rabbit foot... The woman that owns this
bag is superstitious, too.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Well, I&#39;m not.</p></sp>

<sp><speaker>Simms</speaker>
<p>Why did you pick up that pin?</p></sp>

<sp><speaker>Jackey</speaker>
<p>Pins are worth money. I know a man who makes six dollars a week
picking up pins.</p></sp>

<sp><speaker>Simms</speaker>
<p>Gosh, how can he gather that many?</p></sp>

<sp><speaker>Jackey</speaker>
<p>He works at a bowling alley.</p></sp>

<sp><speaker>Simms</speaker>
<p>Aw, shucks. <stage>(U. TO L.)</stage> Right persnickity ain&#39;t you? <stage>(EX.)</stage></p></sp>

<stage>(GEO. ENTER R. U........JIM ENTERS C.)</stage>

<sp><speaker>Geo.</speaker>
<p>
Jim, the most terrible thing has happened.</p></sp>

<sp><speaker>Jim</speaker>
<p>You are the original Campbell&#39;s soup kid...always getting in hot
water. Now what is it?</p></sp>

<pb/>

<sp><speaker>Geo.</speaker>
<p>My aunt is here.</p></sp>

<sp><speaker>Jim</speaker>
<p>Here in the clubhouse?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Mother, come get your angel child. <stage>(X.U.L.C.)</stage></p></sp>

<sp><speaker>Jim</speaker>
<stage>(DOWN R.)</stage> <p>They are coming over the plate a bit fast, aren&#39;t
they?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Life is too complicated for me. I wish we were back in the Gold
age.</p></sp>

<sp><speaker>Jackey</speaker>
<p>The stone age. I&#39;d be running from you two cavemen now.</p></sp>

<sp><speaker>Lou</speaker>
<stage>(OFF L.)</stage><p> George?</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(TO JACKEY)</stage><p> Outside quick.</p></sp>

<sp><speaker>Jackey</speaker>
<p>It&#39;s getting thicker. <stage>(EX. R.)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes, darling.</p> <stage>(GOES TO HER AS SHE ENTERS ...TRIES TO PLACE ARM
AROUND HER.)</stage></sp>

<sp><speaker>Lou</speaker>
<stage>(REPULSES ARM)</stage><p> I have some questions to ask you.</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(NERVOUSLY)</stage><p> Questions?</p></sp>

<sp><speaker>Lou</speaker>
<p>I went to the Ladies&#39; room just now and sat on the sofa... or
rather I should have sat upon the sofa... instead I sat on a solid
subtance which proved to be a woman&#39;s head.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Terrible! We must notify the police at once.</p></sp>

<sp><speaker>Lou</speaker>
<p>Raising the curtain I found it to be the head of your aunt, Miss
Penelope Budd.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Ha...ha...I understand now. When you say my aunt Penelope...you
mean my other aunt Penelope.</p></sp>

<sp><speaker>Lou</speaker>
<p>Other aunt Penelope?</p></sp>

<pb/>

<sp><speaker>Geo.</speaker>
<p>Yes. You got them mixed. Named after each other. The one you
sat on is my great aunt. Good creature, but a little touched up
here. </p><stage>(HEAD RUB BUS.)</stage></sp>

<sp><speaker>Lou</speaker>
<p>She seemed very level headed to me.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes? Well I never sat on her head myself.</p></sp>

<sp><speaker>Lou</speaker>
<p>Answer me. Who was this woman in the blue pajamas?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Blue pajamas?</p></sp>

<sp><speaker>Lou</speaker>
<stage>(STERNLY)</stage><p> You heard what I said. <hi rend="underline">My pajamas!</hi></p></sp>

<sp><speaker>Geo.</speaker>
<stage>(HE&#39;S TRYING TO TALK..CAN&#39;T.)</stage></sp>

<sp><speaker>Carter</speaker>
<stage>(ENTER C. [ILLEGIBLE] </stage><p>Stop, Mr. Budd, not a word.
Remember you were forbidden to speak to Lou Ellen.</p></sp>

<sp><speaker>Geo.</speaker>
<p>Please tell her all will be explained.</p></sp>

<sp><speaker>Carter</speaker>
<p>When?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Oh...who knows?</p></sp>

<sp><speaker>Lou</speaker>
<p>I&#39;ll go see Mother. My future happiness depends on her. <stage>(EX. L.)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<p>Where&#39;s that speech you were writing?</p></sp>

<sp><speaker>Carter</speaker>
<p>I&#39;ve got ten words written and my brain feels like an over-boiled
cauliflower.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<stage>(ENTER L. WITH LOU)</stage> <p>Now young man, I&#39;m going to ask you  few
questions and I want no falsehoods, do you understand?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Falsehood? Why I don&#39;t even know what the word means.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<p>You don&#39;t? Tell him, James...you know.</p></sp>

<sp><speaker>Simms</speaker>
<stage>(ENTER C. AND COMES D.C.)</stage><p> I got the old woman&#39;s dimensions right
here. Over all 68 inches... hips 44. bust 32. Now tell
me your ladies&#39; bust measure.</p></sp>

<pb/>

<sp><speaker>Mrs. Carter</speaker>
<p>Your ladies&#39; bust measure? <stage>(TO GEO.)</stage></p></sp>

<sp><speaker>Geo.</speaker>
<stage>(SICK)</stage> <p>This is a game you&#39;ve seen those ads covering Annette
Kallerman with Venus De Milo inch by inch.</p></sp>

<sp><speaker>Carter</speaker>
<p>I have often.</p></sp>

<sp><speaker>Mrs. Carter</speaker>
<stage>(WHIRLING)</stage><p> What!</p></sp>

<sp><speaker>Carter</speaker>
<p>[Illegible]</p></sp>

<sp><speaker>Geo.</speaker>
<stage>(TRYING AGAIN)</stage><p> Simms and I had an argument, and we&#39;re taking the
measurements of our ideal woman.</p></sp>

<sp><speaker>Simms</speaker>
<p>These ain&#39;t the measurements of my ideal woman...not by a damn sight.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(ENTER R.)</stage></sp>

<sp><speaker>Lou</speaker>
<p>Mother, ask him who that woman is he calls his aunt.</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(TAKING IT ALL IN IN A GLANCE. TURNS AND STARTS TO HURRY BACK OUT)</stage></sp>

<sp><speaker>Simms</speaker>
<stage>(STARING AFTER JACKEY)</stage><p> Mrs. Budd...one minute please.</p></sp>

<sp><speaker>Lou</speaker>
<p><hi rend="underline">MRS. BUDD.</hi></p></sp>

<sp><speaker>Jackey</speaker>
<p>Simms I fear thee has been looking in the amber cup again.</p></sp>

<sp><speaker>Briggs</speaker>
<stage>(ENTER R. WITH SPEECH USED IN ACT ONE)</stage><p> Is this what you wrote,
Miss?</p></sp>

<sp><speaker>Jackey</speaker>
<stage>(TAKES AND READS)</stage> <p>What does the stars and stripes stand for?
This is it.</p></sp>

<sp><speaker>Car.</speaker>
<p>
Ye, gods! My speech. <stage>(HOLDS OUT HAND.)</stage></p></sp>

<sp><speaker>Pen</speaker>
<stage>(ENTER L.U.)</stage></sp>

<sp><speaker>Simms</speaker>
<p>Something wrong about all this.</p></sp>

<sp><speaker>Pen</speaker>
<stage>(STANDING BY BRIGGS.)</stage> <p>The maniac. There he is.</p></sp>

<pb/>

<sp><speaker>Briggs</speaker>
<stage>(RUNS AROUND TABLE FOLLOWED BY PEN. HE X. R.U.)</stage><p> <hi rend="underline">MY EYE</hi>.</p></sp>

<sp><speaker>Simms</speaker>
<p>So that&#39;s the maniac. Here Judge, hold this. </p><stage>(HANDS CARTER BAG
BELONGING TO JACKEY.)</stage><p> I&#39;ll catch him. </p><stage>(EX. RUNNING AFTER BRIGGS.)</stage></sp>

<sp><speaker>Jackey</speaker>
<p><hi rend="underline">My bag</hi>.</p></sp>

<sp><speaker>Pen</speaker>
<p>Oh, Georgie, has that man frightened me. </p><stage>(OVER TO GEO.)</stage></sp>

<sp><speaker>Geo.</speaker>
<stage>(SOOTHING HER)</stage><p> There. There, Auntie, you&#39;ve had a bad dream.</p></sp>

<sp><speaker>Pen</speaker>
<p>George, thee says I dreamed I was attacked by a maniac. Did I also dream that you are married?</p></sp>

<sp><speaker>Geo.</speaker>
<p>Yes, Auntie...I am married...here&#39;s my wife! <stage>(INDICATING LOU)</stage></p></sp>

<sp><speaker>Simms</speaker>
<stage>(COMING DOWN C.)</stage></sp>

<sp><speaker>All</speaker>
<p>Lou Ellen? You and Lou Ellen married? <stage>(AD LIB.)</stage></p></sp>

<sp><speaker>Mrs. Carter</speaker>
<stage>(FALLS IN CARTER&#39;S ARMS)</stage></sp>

<sp><speaker>Simms</speaker>
<p>You told me this one was your wife. <stage>(INDICATING JACKIE.)</stage></p></sp>

<sp><speaker>Jim</speaker>
<stage>(ENTER R. COMING TO JACKIE.)</stage></sp>

<sp><speaker>Geo.</speaker>
<p>NONSENSE. That&#39;s the wife of Jim Marvin...at least she&#39;s going
to be.</p></sp>

<sp><speaker>Jim</speaker>
<p>That&#39;s the first time Geo. has told the truth today.</p></sp>

<sp><speaker>Jackey</speaker>
<p>Do you know, Jim I&#39;ll bet that boy could eat garlic...then lie
out of it.</p></sp>

<sp><speaker>Lou</speaker>
<p>I see, George, I&#39;ll have to be a little firm with you.</p></sp>

<sp><speaker>Geo.</speaker>
<p>A little firm? Good.....let&#39;s incorporate right now. </p><stage>(KISSES
HER.)</stage></sp>

<sp><speaker>Waiter</speaker>
<stage>(ENTER SEES LONG KISS BUS)</stage><p> <hi rend="underline">OH BOY</hi>!</p></sp>
<stage>
FINALE..&quot;TILL THE CLOUDS ROLL BY.&quot;
</stage>
</div>
</body>
</text>
</TEI>

