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  <teiHeader>
    <fileDesc>
      <titleStmt>
        <title>&quot;KATINKA&quot; in Three Acts</title>
        <respStmt><resp>Books and Lyrics By</resp><name>Otto Harbach</name></respStmt><respStmt><resp>Music by</resp><name>Rudolf Friml</name></respStmt>
      </titleStmt>
      <publicationStmt>
        <p>Publication Information</p>
      </publicationStmt>
      <sourceDesc>
        <p>Information about the source</p>
      </sourceDesc>
    </fileDesc>
  </teiHeader>
  <text>
    <front>
     <titlePage>
       <titlePart>
            <title>"KATINKA"<lb/>
              <lb/> in<lb/>
              <lb/> Three Acts<lb/></title>
              </titlePart>
            <lb/>
            <byline>Music by<lb/>
              <lb/> Rudolf Friml<lb/>
              <lb/> Book and Lyrics<lb/> by<lb/> Otto Harbach<lb/></byline>
      </titlePage>
            <castList>
              <head>CAST OF CHARACTERS</head>
              <lb/>
              <castItem><role>VARENKA,</role><roleDesc>Katinka's
                maid</roleDesc>............................Nina Napier</castItem>
              <lb/>
              <castItem><role>PETROV,</role>
                <roleDesc>an old servant to Boris</roleDesc>....................Albert
                Sackett</castItem>
              <lb/>
              <castItem><role>BORIS STROGOFF,</role>
                <roleDesc>Russian ambassador to Austria</roleDesc>......Count Lorrie
                Grimaldi</castItem>
              <lb/>
              <castItem><role>KATINKA</role>
                <roleDesc>- his bride</roleDesc>................................May
                Naudain</castItem>
              <lb/>
              <castItem><role>TATIANA,</role>
                <roleDesc>Katinka's mother</roleDesc>..........................Norma
                Mendoza</castItem>
              <lb/>
              <castItem><role>IVAN DIMITRI,</role>
                <roleDesc>(Katinka's sweetheart)</roleDesc>...............Samuel Ash<lb/>
                <roleDesc>an attache to the Russian ambassador</roleDesc></castItem>
              <lb/>
              <castItem><role>THADDEUS HOPPER,</role>
                <roleDesc>a wealthy American</roleDesc>................Franklin Ardell</castItem>
              <lb/>
              <castItem><role>RUSSIAN DANCERS</role>....................................Edmund
                Makalif, May Thompson</castItem>
              <lb/>
              <castItem><role>HALIL,</role>
                <roleDesc>a Circassian slave-trader</roleDesc>..................A. Robins</castItem>
              <lb/>
              <castItem><role>KNOPF,</role>
                <roleDesc>manager Cafe-Turkeis-in-Vienna</roleDesc>..............W.J.
                McCarthy</castItem>
              <lb/>
              <castItem><role>ABDUL,</role>
                <roleDesc>a harem assistant</roleDesc>...........................Daniel
                Baker</castItem>
              <lb/>
              <castItem><role>ARIF REY,</role><roleDesc>A warden of Izzet Pasha's
                harem</roleDesc>............Ed. Durand</castItem>
              <lb/>
              <castItem><role>OLGA (NASHAN),</role>
                <roleDesc>first wife to Boris</roleDesc>.................Edith Decker</castItem>
              <lb/>
              <castItem><role>Mrs. HELEN HOPPER,</role>
                <roleDesc>Thaddeus Hopper's wife</roleDesc>..........Adele Rowland</castItem>
              <lb/>
              <castItem><role>A SPY</role>..............................................Harry
                Cinton</castItem>
              <lb/>
              <castItem><role>M. PIERRE,</role>
                <roleDesc>porter at Hotel Riche, Constantinople</roleDesc>...Gustav
                Schultz</castItem>
              <lb/>
              <castItem><role>DANCER</role>.............................................Helen
                Kroner</castItem>
              <lb/>
              <castItem>Guests, travelers, visitors, Austrian and Russian officers,<lb/> Vienna
                dancers, American and Turkish girls, bridesmaids,<lb/> flower-girls, slave-girls,
                barmaids, serving-maids, flunkies,<lb/> waiters, etc. etc.</castItem>
            </castList>
          <div>
            <head><hi rend="ul">KATINKA</hi><lb/>
              <lb/>
              <hi rend="ul">MUSICAL NUMBERS</hi></head>
            <lb/>
            <lb/>
            <div>
              <head rend="ul">ACT I</head>
              <lb/>
              <lb/>
              <list>
                <item>1. Opening Chorus...............................Varenka and Chorus</item>
                <lb/>
                <item>2. Vienna Girls.................................Ivan and Chorus</item>
                <lb/>
                <item>3. THE BRIDE....................................Boris, Katinka, Tatiana and
                  Chorus.</item>
                <lb/>
                <item>4. ONE WHO WILL UNDERSTAND......................Katinka and Chorus</item>
                <lb/>
                <item>5. KATINKA......................................Male Quartette</item>
                <lb/>
                <item>6. IN A HURRY...................................Thaddeus Hopper and
                  Chorus</item>
                <lb/>
                <item>7. 'TIS THE END.................................Ivan and Katinka</item>
                <lb/>
                <item>8. RUSSIAN DANCE................................May Thompson and Edmund
                  Makalif</item>
                <lb/>
                <item>9. FINALE.......................................Ensemble.</item>
              </list>
            </div>
            <div>
              <head>ACT II</head>
              <list>
                <item>10. OPENING CHORUS.............................Olga and Chorus</item>
                <lb/>
                <item>11. CHARMS ARE FAIREST WHEN THEY'RE HIDDEN.....Olga and Chorus</item>
                <lb/>
                <item>12. YOUR PHOTO.................................Mrs. Hopper and Boys</item>
                <lb/>
                <item>13. ALLAH'S HOLIDAY............................Olga and Chorus</item>
                <lb/>
                <item>14. THE WEEKLY WEDDING.........................Mr. &amp; Mrs. Hopper</item>
                <lb/>
                <item>15. I WANT ALL THE WORLD TO KNOW...............Ivan</item>
                <lb/>
                <item>16. CIRCASSIAN DANCE...........................</item>
                <lb/>
                <item>17. RACKETY COO!...............................Katinka and Chorus</item>
                <lb/>
                <item>18. FINALE.....................................Ensemble.</item>
              </list>
            </div>
            <div>
              <head rend="ul">ACT III</head>
              <lb/>
              <lb/>
              <list>
                <item>19. OPENING CHORUS: VIENNA GIRLS.</item>
                <lb/>
                <item>20. MY PARADISE................................Ivan</item>
                <lb/>
                <item>21. BALLET DIVERTISSEMENT......................May Thompson</item>
                <lb/>
                <item> 22. MIGNONETTE.................................Kroner and Makalif.</item>
                <lb/>
                <item>23. I WANT TO MARRY A MALE QUARTETTE...........Mrs. Hopper and Boys</item>
                <lb/>
                <item>24. SKIDIKISCATCH..............................Hopper, Katinka, Ivan,<lb/>
                  Knopf, Arif and Olga.</item>
                <lb/>
                <item>25. I CAN TELL BY THE WAY YOU DANCE DEAR.......Mrs. Hopper and Girls</item>
                <lb/>
                <item>26. FINALE.....................................ENSEMBLE.</item>
              </list>
              <lb/>
            </div>
            <pb/>
          </div>
          <div>
            <head><hi rend="ul">PROPERTY DEPARTMENT</hi></head>
            <lb/>
            <lb/>
            <div>
              <head rend="ul">ACT I (House)</head>
              <list>
                <item>2 baskets of wine</item>
                <lb/>
                <item>6 bottles to basket</item>
                <lb/>
                <item>Wedding cake on Gold Tray</item>
                <lb/>
                <item>Garlands</item>
                <lb/>
                <item>White riding whip</item>
                <lb/>
                <item>White silk pillow</item>
                <lb/>
                <item>Gold Tray</item>
                <lb/>
                <item>Cloth</item>
                <lb/>
                <item>Gold knife</item>
                <lb/>
                <item>Gold salt box</item>
                <lb/>
                <item>Black bread</item>
                <lb/>
                <item>8 Long Handled flower baskets</item>
                <lb/>
                <item>Artificial flowers with stems</item>
                <lb/>
                <item>Artificial flowers to throw away</item>
                <lb/>
                <item>Flower boxes around top of balcony</item>
                <lb/>
                <item>Flower boxes around base of house</item>
                <lb/>
                <item>Stone bench C.</item>
                <lb/>
                <item>Stone bench eash side of gate C.</item>
                <lb/>
                <item>(Room of House K.)</item>
                <lb/>
                <item>Carpet</item>
                <lb/>
                <item>Ladies Dressing Table</item>
                <lb/>
                <item>Chair</item>
                <lb/>
                <item>Settes</item>
                <lb/>
                <item>Curtains all windows</item>
                <lb/>
                <item>Drapery for dressing table</item>
                <lb/>
                <item>(Arch R.)</item>
                <lb/>
                <item>Arbor table R.</item>
                <lb/>
                <item>Cloth</item>
                <lb/>
                <item>7 plates, knives and forks</item>
                <lb/>
                <item>2 dishes of fruit</item>
                <lb/>
                <item>Napkins</item>
                <lb/>
                <item>Silver tray with fives glasses of wine</item>
                <lb/>
                <item>(Off R.U.E.)</item>
                <lb/>
                <item>8 staffs with shower bouquets</item>
                <lb/>
                <item>8 bouquets of flowers</item>
                <lb/>
                <item>Organ and stool</item>
                <lb/>
                <item>Chimes and mallet R.1.E.</item>
                <lb/>
                <item>Russian Drosky R.U.E.</item>
                <lb/>
                <item>2 White Pigeons</item>
                <lb/>
                <item>Napkin (Hopper)</item>
                <lb/>
                <item>Passport (Hopper)</item>
                <lb/>
                <item>Ground Cloth</item>
                <lb/>
                <item>Rosin Beards</item>
              </list>
              <pb/>
            </div>
            <div><head>PROPERTY DEPARTMENT</head>
            <div>
              <head>ACT II</head>
              <list>
                <item>Knocker on door L</item>
                <lb/>
                <item>Well C</item>
                <lb/>
                <item>Rope</item>
                <lb/>
                <item>Bucket</item>
                <lb/>
                <item>2 Green Tables</item>
                <lb/>
                <item>4 Chairs</item>
                <lb/>
                <item>Stone bench</item>
                <lb/>
                <item>Rug in Harem window L.</item>
                <lb/>
                <item>Flower boxes, balcony House R</item>
                <lb/>
                <item>Ladies Traveling Bag</item>
                <lb/>
                <item>Small Suit Case</item>
                <lb/>
                <item>Traveling Rug and strap</item>
                <lb/>
                <item>Package (Petrov)</item>
                <lb/>
                <item>Bazaar canopy (Turkish Store R.U.E)</item>
                <lb/>
                <item>Turkish instruments</item>
                <lb/>
                <item>Rugs and Turkish hanging pieces</item>
                <lb/>
                <item>4 Brass Urns</item>
                <lb/>
                <item>Ground cloth</item>
                <lb/>
                <item>Note for hell boy</item>
                <lb/>
                <item>2 Old Turkish Guns</item>
                <lb/>
                <item>Incense Pot</item>
                <lb/>
                <item>Chair in Turkish store</item>
                <lb/>
                <item>Turkish Fan</item>
                <lb/>
                <item>Brass Armlets</item>
                <lb/>
                <item>Parrot (Halil)</item>
                <lb/>
                <item>Turkish Coins (Hopper)</item>
                <lb/>
                <item>Check book (Hopper)</item>
                <lb/>
                <item>Order book (Porter)</item>
                <lb/>
                <item>Old Painting Store</item>
                <lb/>
                <item>Inlaid mahogany shelf (Store)</item>
                <lb/>
                <item>2 Scimitars (Harem L.)</item>
                <lb/>
                <item>Turkish Market Basket (C.L.)</item>
                <lb/>
                <item>Brass water pitcher (C.L.)</item>
                <lb/>
                <item>Turkish instruments (Halil)</item>
                <lb/>
                <item>Necklace and Locket (Mrs. Hopper)</item>
                <lb/>
                <item>Portrait, Ivory (Katinka).</item>
              </list>
              </div>
            </div>
            <div>
              <head><hi rend="ul">PROPERTY DEPARTMENT</hi></head>
              <lb/>
              <lb/>
              <div><head><hi rend="ul">ACT III</hi></head>
              <lb/>
              <lb/>
              <list>
                <item>2 large papier mache Urns</item>
                <lb/>
                <item>2 Pedestals</item>
                <lb/>
                <item>12 Gold chairs</item>
                <lb/>
                <item>4 Gold Tables</item>
                <lb/>
                <item>Green tables and Chairs from Act II</item>
                <lb/>
                <item>4 Champagne Buckets</item>
                <lb/>
                <item>Four Flower Baskets with Flowers</item>
                <lb/>
                <item>Two Silver Trays</item>
                <lb/>
                <item>12 Champagne glasses</item>
                <lb/>
                <item>Match and Ash Trays on each table</item>
                <lb/>
                <item>Cigarettes</item>
                <lb/>
                <item>2 Baskets of Ferns (Arches)</item>
                <lb/>
                <item>Long Curtains (Arch R. and L.)</item>
                <lb/>
                <item>Small Curtains (Small Arches)</item>
                <lb/>
                <item>Baton (Mrs. Hopper)</item>
                <lb/>
                <item>Whistle (Hopper)</item>
                <lb/>
                <item>Ground Cloth</item>
                <lb/>
                <item>Carpet on Stairs and platform.</item>
              </list>
              <lb/>
              <pb/>
              </div>
            </div>
          </div>
          <div>
            <div>
              <head><hi rend="ul">ELECTRICAL DEPARTMENT</hi></head>
              <div>
              <head><hi rend="ul">ACT I</hi></head>
              <lb/>
              <lb/>
              <list>
                <item>Foots all white</item>
                <lb/>
                <item>1-2-3-4 Borders white and blue</item>
                <lb/>
                <item>3-4 Borders have Amber</item>
                <lb/>
                <item>Companies Borders</item>
                <lb/>
                <item>Bridge Lamps R.L. White</item>
                <lb/>
                <item>White Bunch R.2.E.</item>
                <lb/>
                <item>Amber Bunch Arch R.</item>
                <lb/>
                <item>2 White Bunches R.U.E.</item>
                <lb/>
                <item>1 White R.U.U.</item>
                <lb/>
                <item>2 White strips back of drop</item>
                <lb/>
                <item>White Bunch, in Room house L.</item>
                <lb/>
                <item>Strips over windows down stairs of House L.</item>
                <lb/>
                <item>Side Lamps in Room on Wall</item>
                <lb/>
                <item>Strips over door. Up stairs of house L.</item>
                <lb/>
                <item>White Bunch L.U.E.</item>
                <lb/>
                <item>2 White Bunches above wall</item>
                <lb/>
                <item>2 floods (White) front</item>
                <lb/>
                <item>2 White Spots front</item>
                <lb/>
                <item>Lense Lamp with Amber from door house L.</item>
              </list>
              <lb/>
              <lb/>
              </div>
              <div>
              <head rend="ul">OPENING OF ACT</head>
              <lb/>
              <lb/>
              <p>Everything White but Arch R. Amber is used here. Bunch and<lb/> strips are on in
                House R. until after Church Song. Then off.<lb/> 1st Change.</p>
              <lb/>
              <lb/>
              <list><item>KATINKA Cue -"There they are now" (Two pigeons appear on gate C.)</item><item> Start
                everything to AMBER. White Foots and Borders 2/3 down.</item><item> Right and Left to C. of
                Stage. AMBER floods - AMBER bunches.</item><item> White spot on Ivan and Katinka. AMBER
                REMAINS ON BRIDGES ALL</item><item> OTHER LAMPS CONTINUE ON INTO BLUE. WHITE foots 2/3 down
                FINALE.</item><item> When Katinka appears on Balcony L. AMBER spot (Head) from</item><item> Bridge
                R.</item><item> Cue - Last note of Harp Solo -lights on in room of house L.</item><item> Cue - When
                3 girls exit - Lights OFF.</item><item> Second Curtain lights on in room of House L.</item><item>
                Cue</item><item> White Spot on Katinka Carriage C.</item></list>
              <lb/>
              <pb/>
            </div>
            <div>
              <head><hi rend="ul">ELECTRICAL DEPARTMENT</hi></head>
              <lb/>
              <lb/>
              <div>
              <head><hi rend="ul">ACT II</hi></head>
              <lb/>
              <lb/>
              <list><item>Opening foots 2/3 down</item><item> Bridges R.L. Blue</item><item> Companies border Blue</item><item> All
                but Fourth Border Blue</item><item> Amber in Fourth Border UP FULL.</item><item> 2 Amber Bunches R.
                and L. Behind Wall</item><item> Blue floods front</item><item> Small Blue SPOT (head) from Bridge R.
                to harem window L.</item><item> Magenta in harem window and Upper Half of lower door</item><item>
                Blue lense Lamp from harem door below Magenta Color</item><item> Amber Strips in Hotel over
                doors and windows</item><item> Magenta in Turkish Store R.U.E.</item><item> Cue -</item><item> The Woman in
                Harem starts to sing - Start everything up slowly</item><item> to WHITE. Be up by finish of
                song.</item><item> Change</item><item> Mr. Hopper and Helen in "Weekly Wedding" Number. Second
                Encore</item><item> everything OUT. Lobster-scope FRONT BLUE.</item><item> Second change</item><item> Cue --
                Dancing Girls enter and sit in semi-circle.</item><item> Foots 2/3 down Blue Borders - Blue
                Bridge lights - Blue Spots</item><item> Blue Floods- Magenta and Blue in harem</item><item> Magenta
                in Turkish store</item><item> Two bunches off R. above wall (blue)</item></list>
              <lb/>
              <lb/>
              </div>
              <div>
              <head rend="ul">ACT III</head>
              <lb/>
              <lb/>
              <list><item>Opening</item><item> 3 Large Chandeliers on</item><item> Four Bracket Bunches on</item><item> Electric
                Piece L. arch on</item><item> Foots 2; 3 down</item><item> Amber spot on singer</item><item> When Dancer
                enters WHITE or Straw Spot</item><item> AFTER DANCE -- ALL incandescents WHITE</item><item> Straw
                Bunches L.</item><item> Lake Blue Arches C.</item><item> Lake Blue Arch R.</item><item> LAKE BLUE
                R.U.E.</item><item> Change</item><item> Encore Mrs. Hopper's Number "Dance With Him"</item><item> Cue</item><item>
                When Knopf spins off Arch R. CRASH in Orchestra</item><item> Everythign out but TWO Blue
                Bridge spots FOLLOW DANCERS AT</item><item> FINISH OF DANCE</item><item> PINK spot on C. Arch for
                Katinka. Keep this on for "Rackety!</item><item> Coo." Also for Tenor's SOLO. The TWO BLUE
                BRIDGE spots also</item><item> remaining on.</item><item> After Number - Everything up full.</item></list>
              <lb/>
              <pb/>
            </div>
          </div>
          <div>
            <head>SYNOPSIS OF SCENES</head>
            <div>
            <head>ACT I</head>
            <stage>Villa of Boris Strogoff at Yalta, Russia, on the Black Sea. Late afternoon and
              evening of a summer day.</stage>
            <lb/>
            <stage>TIME: Just before the WAR Intermission - Ten Minutes.</stage>
            <lb/>
            </div>
            <div>
            <head rend="ul">ACT II</head>
            <lb/>
            <lb/>
            <stage>A street in Old Stamboul, Turkey (or Street in Old Anzali Peraia)</stage>
            <lb/>
            <lb/>
            <stage>Intermission - Ten Minutes.</stage>
            <lb/>
            <lb/>
            </div>
            <div>
            <head rend="ul">ACT III</head>
            <lb/>
            <lb/>
            <stage>Herr Knopf's Cafe, Turkoise -- In Vienna, Austria (or Cafe Parisienne,
              Paris)</stage>
            <lb/>
            <lb/>
            <stage>Three Weeks Later.</stage>
            </div>
          </div><lb/>
          <pb/>
          <div>
            <head><hi rend="ul">MUSICAL NUMBERS</hi></head>
            <byline>Orchestra Conducted by John McGhie</byline>
            <lb/>
            <lb/>
            <div>
            <head rend="ul">ACT I</head>
            <lb/>
            <list>
              <item>Opening Chorus..................-Varenka and Chorus</item>
              <lb/>
              <item>"In Vienna"............................-Ivan and Chorus</item>
              <lb/>
              <item>"Russian Wedding March"...............-Boris, Katinka, Tatiana &amp; Chorus</item>
              <lb/>
              <item>"One Who Will Understand"...........-Katinka and Chorus</item>
              <lb/>
              <item>"Katinka".............................-Ivan and Male Chorus</item>
              <lb/>
              <item>"In a Hurry".........................Hopper and Chorus</item>
              <lb/>
              <item>"Racketty Coo".......................Katinka and Ivan</item>
              <lb/>
              <item>"Russian Dance"......................-Russian Dancers</item>
              <lb/>
              <item>Finale................................Company.</item></list>
              </div>
              <div>
              <list>
              <head rend="ul">ACT II</head>
              <lb/>
              <item>"Allah Holliday"......................Olga and Chorus</item>
              <lb/>
              <item>"Your Photo"..........................Mrs. Hopper and Boys.</item>
              <lb/>
              <item>"The Weekly Wedding"..................Mrs. Hopper &amp; Thaddeus</item>
              <lb/>
              <item>Carcassian Dance......................Dancers</item>
              <lb/>
              <item>"The Walking Music Store".............-Halil</item>
              <lb/>
              <item>Finale................................Company.</item>
              </list>
              </div>
              <div>
              <list>
              <head rend="ul">ACT III</head>
              <lb/>
              <item>"My Paradise".............................-Katinka</item>
              <lb/>
              <item>"I Can Tell By The Way They Dance Dear"...-Mrs. Hopper</item>
              <lb/>
              <item>"I Want All the World to Know".............Ivan</item>
              <lb/>
              <item>"Skidaskiscrach"...........................Hopper and Knopf</item>
              <lb/>
              <item>"I want to Marry a Male Quartette".........Mrs. Hopper and Boys</item>
              <lb/>
              <item>Finale.......................................Company</item>
            </list>
            </div>
            <div>
            <lb/>
            <lb/>
            <div><ab>Guests Travelers American Girls Bridesmaids Visitors Turkish Girls Flower Girls
              Barmaids Serving maids -Slave Girls- Vienna Dancers</ab></div>
            <lb/>
            <lb/>
            <div><ab>Guests American Men Waiters Flunkie Austrian Officers Servants Russian
              Officers</ab></div>
            <lb/>
            <lb/>
            </div>
            <div>
              <list>
                <item>Scenery Act I and II built by Theodore Reisig</item>
                <lb/>
                <item>Scenery Act III built by Hanna &amp; Lennon</item>
                <lb/>
                <item>Scenery painted by Sundquist Properties by Gebhardt</item>
                <lb/>
                <item>Costumes by Paul Arlington Co. Inc.</item>
                <lb/>
                <item>Mens clothes by Brooks Uniform Co.</item>
                <lb/>
                <item>Shoes by Sinatra</item>
                <lb/>
                <item>Artificial flowers by Armstrong &amp; Mackie.</item>
              </list>
            </div>
            <lb/>
            <pb/>
          </div></div></div></front><body>
          <div type="act" n="1"><head>KATINKA ACT I</head>
            <pb/>
            <div type="song">
                    <stage>Opening Song inside Church -- "Give them your Tokens" Church right, above wall.
              PETROV R.C. VARENKA L.C.</stage>
            <sp>
              <lg>
                <l>Give them your tokens, tender and true</l>
                <l>Let no man dare to sever</l>
                </lg>
                   <stage>(The above is taken by BORIS - IVAN - TATIANA - BRIDESMAIDS - MEDIUMS with
                  ORGAN SERVANTS &amp; GUESTS)</stage>
               <lg>
                <l>So they are man and wife Married for life!</l>
                <l>Boris is swelling with pride</l>
                <l>Tearful and trembling there</l>
                <l>Charming Katrina fair</l>
              </lg>
              <lb/>
              <lg>
                <l>Tries all her blushes to hide!</l>
                <l>For she's now the bride!</l>
                <l>Spread then the festive board</l>
                <l>For her new Lord!</l>
                <l>--Ring forth the rosy red wine,</l>
                <l>Bring in the wedding cake</l>
                <l>And for Katrina's sake</l>
                <l>Garlands of flowers we'll twine</l>
                <l>For Cupid's shrine!</l>
              </lg>
              <lb/>
              <stage>(Looking off R.)</stage>
              <lg>
                <l>Now to the Church doors outward swing</l>
                <l>While pretty bridesmaids sing</l>
                <l>And like notes form an angels choir</l>
                <l>High in the gilded spire</l>
                <l>Wedding bells gaily ring.</l>
              </lg>
              </sp>
              <sp><speaker>Varenka</speaker>
                <stage> (R.C.)</stage>
                <p>The ceremony is almost over.</p>
                <stage>(Goes to table R. - Xes to L.1.E.)</stage>
                <p>They're married.</p></sp>
              <lb/>
              <sp>
              <speaker>Others</speaker>
              <lg>
                <l>Ring! Ring!</l>
                <l>Ring out your tidings</l>
                <l>Dear old bells!</l>
                <l>Ring! Ring!</l>
                <l>Ring for your chidings</l>
                <l>True love spells!</l>
                <l>Fling! Fling!</l>
                <l> Fling out your golden</l>
                <l>Notes so clear</l>
              </lg>
              <pb/>
              <lb/>
              <lg>
                <l>Cling! Cling! Cling to our</l>
                <l>golden motto dear</l>
                <l>For to honor, love and obey</l>
                <l>Is far better than wasting away!</l>
                <l>Swing! Swing!</l>
                <l>Swing out your lay</l>
                <l>Wedding bells</l>
                <l>Wedding bells.</l>
              </lg></sp>
            </div>
            <lb/>
            <div type="dialogue">
              <sp>
                <speaker>Medium</speaker>
                <stage>(Up to the girls)</stage>
                <p>Look, the people are pouring out of the church. See there are the
                  bridesmaids.</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <stage>(To Maids)</stage>
                <p>Is everything ready?</p>
              </sp>
              <sp>
                <speaker>Girls</speaker>
                <p>Yes.</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <p>Boris is not one to forgive mistakes anywhere, much less at his own wedding, eh,
                  Petrov?</p>
              </sp>
              <sp>
                <speaker>Petrov</speaker>
                <stage>(L.C.)</stage>
                <p>Don't I remember poor Olga. She was young and pretty, too. Just like a little
                  Katinka is now. Little Katinka, I hope she'll be happier than the first Madam
                  Strogoff.</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <p>Shame on you, to be talking like an old raven.</p>
              </sp>
              <sp>
                <speaker>Petrov</speaker>
                <p>Say what you will, the old Russian proverb is right.</p>
              </sp>
              <sp>
                <speaker>Chorus</speaker>
                <p>Proverb?</p>
              </sp>
              <sp>
                <speaker>Petrov</speaker>
                <p>When December marries May, the love birds fly away.</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <p>How can you look in the face of Katinka and say she's not happy!</p>
              </sp>
              <sp>
                <speaker>Petrov</speaker>
                <p>Will she be able to look in the face of Ivan and say she is happy?</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <p>Ivan! Why she's forgotten him.</p>
              </sp>
              <pb/>
              <sp>
                <speaker>Petrov</speaker>
                <p>Forgotten him?</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <p> Well, from what we hear of Ivan's life in Vienna, he'll be the last to care.</p>
              </sp>
              <sp>
                <speaker>Girl</speaker>
                <stage>(On the wall L. of gate)</stage>
                <p>Look, look, it is Ivan Dimitri.</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <stage>(R)</stage>
                <p>Ivan coming to the wedding? The insolence!</p>
                <stage>(Down R.C.)</stage>
                <stage>(Enter IVAN gate C. from R.)</stage>
                <p>Were you at the church?</p>
              </sp>
              <sp>
                <speaker>Girl</speaker>
                <p>A charming bride.</p>
              </sp>
              <sp>
                <speaker>Ivan</speaker>
                <stage>(Down)</stage>
                <p>You are right. Boris Strogoff has picked the sweetest flower in Yalta. I wish him
                  joy.</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <p>It doesn't seem as though his heart is breaking.</p>
              </sp>
              <sp>
                <speaker>Petrov</speaker>
                <p>The open laugh oft drowns the secret sob. I admire his pluck.</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <p>I admire his nerve. He should have stayed away.</p>
              </sp>
              <lb/>
              <stage>(Petrov exits L.1.E.)</stage>
              <lb/>
              <sp>
                <speaker>Ivan</speaker>
                <p>Hello, Varenka! Scowling, and on a night when everyone should smile.</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <p>You seem to find it easy.</p>
              </sp>
              <sp>
                <speaker>Ivan</speaker>
                <p>And why not? They tell me Katimka makes a most happy bride so let the world be
                  gay.</p>
              </sp>
              <sp>
                <speaker>Varenka</speaker>
                <p>Gaiety seems to be the principal thing you brought home with you from Paris.</p>
              </sp>
              <stage>(Xes L.)</stage>
              <pb/>
              <sp>
                <speaker>Ivan</speaker>
                <p>Do you think so?</p>
                <stage>(Exit Varenka L.1.E.)</stage>
              </sp>
              <sp>
                <speaker>Girl</speaker>
                <stage>(Coming Down)</stage>
                <p>Are the Vienna ladies then, so much dearer than we?</p>
              </sp>
              <sp>
                <speaker>Ivan</speaker>
                <p>Well not eactly dearer; rather, I may say, nearer.</p>
                <stage>(Places arm around girl)</stage>
              </sp>
              <sp>
                <speaker>2nd Girl</speaker>
                <stage>(R)</stage>
                <p>Nearer!</p>
              </sp>
              <sp>
                <speaker>Ivan</speaker>
                <p>I mean they know just how to keep cool without being chilly.</p>
              </sp>
              <sp>
                <speaker>Girl</speaker>
                <stage>(R)</stage>
                <p>Just what do you mean by that?</p>
              </sp>
              <sp>
                <speaker>Girl</speaker>
                <stage>(L)</stage>
                <p>I wish you'd explain yourself.</p>
              </sp>
              <sp>
                <speaker>Ivan</speaker>
                <p>Very well.</p>
              </sp>
                   <lb/> 
                            <stage>(Number)</stage>
            </div>
              <lb/>
                  <div type="song">
              <head><hi rend="ul">"VIENNA GIRLS"</hi></head>
              <lg>
                <l>If one is looking for the right girl,</l>
                <l>One who knows the art</l>
                <l>Of soothing head and heart</l>
                <l>For she must be both day and night girl</l>
                <l>With pretty witty ways</l>
                <l>That brighten days;</l>
                <l>And that light</l>
                <l>In her eyes when it's night</l>
                <l>That's the kind</l>
                <l>You'll be surest to find.</l>
              </lg>
              <stage><hi rend="ul">Refrain</hi></stage>
              <lg>
                <l>In Vienna</l>
                <l>In Vienna</l>
                <l>Girls are the brightest</l>
                <l>Their hearts are lightest</l>
                <l>Their eyes are ever fair</l>
                <l>When they smile their lips uncover pearls the whitest</l>
                <l>And their laughter rings like music everywhere.</l>
              </lg>
              <pb/>
              <lg>
                <l>In Vienna</l>
                <l>In Vienna</l>
                <l>Girls are sprightly</l>
                <l>They caper nightly</l>
                <l>In sweet seductive swirls</l>
                </lg>
                <stage>(Enter ponies)</stage>
                <lg>
                <l>And they love it when you dare to hold them</l>
                <l>Slightly</l>
                <l>Tightly</l>
                <l>For they are Vienna girls.</l>
              </lg>
              <stage>II</stage>
              <lg>
                <l>If one is looking for a shy girl</l>
                <l>Who loves to stay at home</l>
                <l>All drowsy and alone</l>
                <l>A little never-tell-a-lie-girl</l>
                <l>A girl who thinks it's guile</l>
                <l>To learn to smile</l>
                <l>Who would swoon</l>
                <l>If you asked her to spoon</l>
                <l>She's the kind</l>
                <l>That you won't ever find</l>
                <l>(R.2.E)</l>
              </lg>
            </div>
            <lb/>
            <div type="dialogue">
            <stage>(Enter Varenka, from house L., crosses to gate C.
            then Xes R.C.)</stage>
            <lb/>
            <sp><speaker>Varenka</speaker>
            <stage>(Five girls extra bridesmaids)</stage>
            <p>The Wedding Party approaches.</p></sp>
            <lb/>
            <stage>(Music. VARENKA goes down R., serving maids dance around--
            One serving MAID enters house, comes forth with gold tray,
            and cover - with black bread, gold knife, gold salt cellar-
            takes it down R. --FOUR LITTLE GIRLS hold it in air, while
            the girl who brought it dances between them. Four little
            girls take tray up to gate C. and lead wedding march)</stage><lb/>
            <lb/>
            <stage>(Enter gate C from R. KATINKA, BORIS followed by TATIANA,
            BRIDESMAIDS, BOYS and GIRLS)</stage>
            <lb/></div>
                        <div type="song">
            <head>The Bride</head><lb/>
            <lb/>
            <lg><l>Welcome the bride with song</l>
            <l>And anthems of golden cheer</l>
            <l>With anthem ringing clear</l>
            <l>Dispelling doubt and fear</l>
            <l>And may their happieness be long</l>
            <l>And may the bonds be strong</l>
            <l>Sealed with a love most dear!</l></lg>
            <pb/>
            <lg><l>And welcome the lucky man,</l>
            <l>Who stands by her tender side,</l>
            <l>His smiles be e'er upon her</l>
            <l>Tender and true - tender and true!</l></lg>
            <lg><l>Duty, love and honor be his guide</l>
            <l>Love be his guide</l>
            <l>For she's his bride</l></lg>
            <lb/>
            <stage>(BORIS breaks small bit of bread, salts it, presents it
            to Katinka. She touches it to her lips)</stage>
            <lb/>
            <lg><l>So once again with song and anthem</l>
            <l>We greet the bride and the lucky man</l>
            <l>Who walks by her side</l>
            <l>May the bloom of their love abide!</l>
            <l>May love abide!</l></lg> </div>
            <lb/>
            <div type="dialogue"><stage>(SERVING MAID enters from house L. with small white
            whip on pillow - goes down to L. of Katinka - Katinka
            takes whip in right hand and kneels before Boris C.)</stage>
            <lb/>
            <sp><speaker>Katinka</speaker>
            <p>My gracious master, according to the custom of my forefathers
            I give into your hands the symbol of your power and token of
            my obedience to your slightest wish.</p>
            <stage>(Boris accepts whip)</stage></sp>
            <sp><speaker>Boris</speaker>
           <p>The obedience you do offer, thus</p>
            <stage>(Touches her on shoulder with whip)</stage>
            <p>do I deign to accept.</p></sp>
            <sp><speaker>Katinka</speaker>
            <stage>(Rises L.C.)</stage>
            <p>What would you have me do?</p></sp>
            <sp><speaker>Boris</speaker>
            <stage>(To all)</stage>
            <p>What favor shall I ask?</p></sp>
            <sp><speaker>Girls</speaker>
           <p>A kiss.</p></sp>
            <sp><speaker>Girl</speaker>
            <p>A dance.</p></sp>
            <sp><speaker>Chorus</speaker>
            <p>A song.</p></sp>
            <sp><speaker>Boris</speaker>
            <p>Katinka, sing.</p><pb/>
            <stage>(Touches her on shoulder with whip)</stage></sp>
            <stage>(Ivan enters from R.1.E. KATINKA song - down stage)</stage></div>
             <lb/>
            <div type="song"><head><hi rend="ul">"ONE WHO WILL UNDERSTAND"</hi></head>
            <lb/>
            <sp>
            <lg><l>I will breathe all the joys of my heart</l>
            <l>In a song, just a simple song</l>
            <l>Would its notes could but impart</l>
            <l>Thoughts that here, within me throng</l>
            <l>I will teach its refrain to the breeze</l>
            <l>Where 'twill live, or 'twill die</l>
            <l>Or maybe someone, somewhere, please</l>
            <l>And rob a soul of a sigh.</l></lg></sp>
            <sp>
            <speaker>Chorus</speaker>          
            <lg><l>In the heart of a song</l>
            <l>I have hidden my heart and its burning</l>
            <l>To its measures belongs</l>
           <l>All my soul's eager yearning</l>
            <l>Its refrain may yet reign</l>
            <l>Over sea and land</l>
            <l>Thousands yet may hear it</l>
            <l>Many who will cheer it</l>
            <l>One who will understand</l></lg>
            <stage>(Looks at Ivan)</stage>
            <lb/></sp>
            <stage>(Katinka retires to mother and places her head on
            Mother's breast. Down stage again for encore)</stage></div>
            <lb/>
           <div type="song"><stage>(At finish of song Boris takes Katinka's hand and
            leads her around stage)</stage>
            <stage>(Katinka exits, house L. - the above is done to the
            following)</stage>
            <lg><l>So once again with song and anthem</l>
            <l>We greet the bride and the lucky man</l>
            <l>Who walks by her side</l>
            <l>May the bloom of their love abide</l>
            <l>May love abide.</l></lg></div>
            <lb/>
            <div type="dialogue"><stage>(Exit KATINKA and BRIDESMAIDS into house. Ivan crosses R.
            to Petrov. Girls chatter and cross L. to Tatiana)</stage>
            <lb/>
            <sp><speaker>Girl</speaker>
            <p>Wasn't she beautiful?</p></sp>
            <sp><speaker>Tatiana</speaker>
            <p>My daughter, isn't she beautiful?</p></sp>
            <sp><speaker>Girl</speaker>
            <p>Well, for my part, I don't like the ceremony of the whip.</p></sp><pb/>
            <sp><speaker>Girl</speaker>
            <p>Neither do I.</p></sp>
            <sp><speaker>Tatiana</speaker>
            <p>Well you see, it is an old custom that used to symbolize the true
            meaning of marriage. Now, in our time Boris!</p></sp>
            <sp><speaker>Boris</speaker>
            <p>In our time, you mean in your time, mama.</p>
            <stage>(R.C.)</stage></sp>
            <sp><speaker>Tatiana</speaker>
            <p>Mama? I like that.</p></sp>
            <sp><speaker>Boris</speaker>
            <p>Well, as they say in Russia, you have lost
            a daughter, but you have gained a son.</p></sp>
            <sp><speaker>Ivan</speaker>
            <stage>(R.)</stage>
            <p>Fair exchange is sometimes robbery.</p></sp>
            <sp><speaker>Boris</speaker>
            <p>What is it?</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>I said fair exchange is no robbery.</p></sp>
            <sp><speaker>Boris</speaker>
            <p>And now, the beautiful mama, what were you saying?</p></sp>
           <sp><speaker>Tatiana</speaker>
            <p>I said in my time we took a man to be our lord and master; a
            husband took that for granted.</p></sp>
           <sp><speaker>Girl</speaker>
            <p>They take it for granted yet.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>You're right, the things we take for granted are the things
            we soonest lose.</p></sp>
            <sp><speaker>Boris</speaker>
            <p>And you Ivan, I did not see you at the church, and as a
            punishment you must toast my bride.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Why certainly, with pleasure.</p></sp>
            <sp><speaker>Boris</speaker>
            <p>Varenka, some wine.</p></sp><pb/>
            <lb/>
            <stage>(Enter VARENKA from an arch R. with tray of wine)</stage></div>
            <lb/>
            <div type="song"><head><hi rend="ul">"KATINKA"</hi></head>
            <sp><speaker>Boris</speaker>
            <l>In this ruby cup of wine, Katinka.</l>
             </sp>
             <sp>
            <speaker>Chorus</speaker>
            <l>Where the bubbles shine, Katinka.</l>
             </sp><sp>
            <speaker>Boris</speaker>
            <l>They have caught the pretty the pretty grace of your smile.</l>
                </sp><sp>
            <speaker>Ivan</speaker>
            <l>Captive for awhile</l>
            <l>And the sparkle of your eyes, Katinka</l>
            <l>Weaned from April skies, Katinka</l>
              </sp><sp>
            <speaker>Boris</speaker>
            <l>In the goblet's crystal depths brightly gleams,</l>
               </sp><sp>
            <speaker>Ivan</speaker>
            <l>Like a star seen in dreams</l>
            <l>And although her pretty charms</l>
            <l>May never be mine.</l>
              </sp><sp>
            <speaker>Chorus</speaker>
            <l>Pretty charms may ne'er be mine.</l>
              </sp><sp>
           <speaker>Ivan</speaker>
            <l>Still I hold them in my arms,</l>
            <l>In this chalice divine.</l>
              </sp><sp>
            <speaker>Chorus</speaker>
            <l>In this chalice, divine.</l>
            <stage>(KATINKA appears on balcony)</stage>
            <lg><l>Sweet Katinka, sweet Katinka,</l>
            <l>You are like a rose, Katinka,</l>
            <l>Just as fair dear, just as rare dear,</l>
            <l>And I love you, heaven knows</l>
            <l>Even angels seem to worship you,</l>
            <l>For they sent you the charms from the blue</l>
            <l>Oh, the joy dear, 'twere divine</l>
            <l>If you were only mine.</l></lg></sp>
            <lb/>
            <stage>(Exit Tatiana L.)</stage><lb/>
              <lb/>
            <stage>(Exit Chorus)</stage></div>
            <pb/>
           <div type="dialogue"><stage> (Katinka exits from balcony. Boris crosses laughing with Girl and
            exits arch R.)</stage>
            <sp><speaker>Petrov</speaker>
            <p>Boris Strogoff seems a happy man.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>No one should know better than I how happy he should be, but
            as they say in America, "Laugh, and the world laughs with you"--</p></sp>
            <sp><speaker>Petrov</speaker>
            <p>Snore and they won't let you sleep.</p></sp>
            <stage>(CHORUS outside, laugh)</stage><lb/>
            <lb/>
            <sp><speaker>Ivan</speaker>
            <p>Are you sure that is the exact quotation?</p></sp>
            <sp><speaker>Petrov</speaker>
            <p>Certainly, I had it from an American himself.</p></sp>
            <sp><speaker>Chorus</speaker>
            <stage>(Ponies)</stage>
            <stage>(Enter laughing)</stage>
            <p>An American?</p></sp>
            <sp><speaker>Petrov</speaker>
           <p>Yes, the gentleman we met in Vienna. His name is Hopper.</p></sp>
            <sp><speaker>Chorus</speaker>
            <p>Hopper?</p></sp>
           <sp><speaker>Ivan</speaker>
            <p>Yes, Thaddeus T. Hopper, most genial, and so wholesome.</p></sp>
            <sp><speaker>Petrov</speaker>
           <p> And so fresh.</p></sp>
            <sp><speaker>Chorus</speaker>
            <p>Fresh?</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>As an ocean breeze. By the way, Petrov, you have an eye open
            for him.</p></sp>
            <sp><speaker>Varenka</speaker>
            <p>He's coming to the wedding?</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Yes.</p></sp>
            <sp><speaker>Girl</speaker>
            <p>Think of it, an American.</p></sp>
            <pb/>
            <sp><speaker>Girl</speaker>
            <p>That means he's rich.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Very.</p></sp>
            <sp><speaker>Girl</speaker>
            <p>I must polish up my vocabulary.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>You needn't, he'll do all the talking. But he's charming, and
            his wife ---</p></sp>
            <sp><speaker>Girl</speaker>
           <p>He's married then?</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Yes. Oh, don't let that worry you, these Americans have very
            large hearts. Petrov, look out for him.</p></sp>
            <sp><speaker>Petrov</speaker>
            <p>I will.</p>
            <stage>(Exits R.3.E. arch)</stage></sp>
            <sp><speaker>Varenka</speaker>
            <p>Where did you meet him?</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>I meet him at the Cafe in Vienna.</p>
            <stage>(Exit Varenka)</stage>
            <stage>(Music. Enter HOPPER gate C. from R. down to Ivan L.)</stage> 
            <p>Ah, Hopper! I'm glad you've come.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Just a minute, look at all the pretty girls - give me room.</p>
            <stage>(Looks around)</stage>
            <p>Say, where did I get the idea that Russia was only famous for
            its caviar. Well, introduce me.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>I beg your pardon.</p>
            <stage>(Crosses C.)</stage>
            <p>Ladies and gentlemen, allow me to introduce my dear friend from
            America, Mr. Thaddeus T. Hopper.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>B'n swan--whatever that means.</p></sp>
            <sp><speaker>Little Girls</speaker>
            <p>Charmed.</p></sp>
            <sp><speaker>Girl</speaker>
            <p>Charmed.</p></sp>
            <pb/>
           <sp><speaker>Hopper</speaker>
            <stage>(Turns to girls behind him)</stage>
            <p>Charmed over here, too. Well is the big show over?</p></sp>
           <sp><speaker>All</speaker>
            <p>Show?</p></sp>
           <sp><speaker>Hopper</speaker>
            <p>I mean am I too late for the ceremony?</p></sp>
           <sp><speaker>Girl</speaker>
            <p>You've just missed something most interesting.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Yes, what was it?</p></sp>
           <sp><speaker>Girl</speaker>
            <p>The ceremony of the whip.</p></sp>
           <sp><speaker>Hopper</speaker>
            <p>The whip?</p></sp>
            <sp><speaker>Girl</speaker>
            <p>Yes.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Why they don't use the whip in our country until two years
            after the wedding.</p></sp>
            <sp><speaker>Girls</speaker>
            <p>Two years afterwards?</p></sp>
           <sp><speaker>Hopper</speaker>
            <p>Or at least just before the divorce.</p></sp>
            <sp><speaker>Girl</speaker>
            <p>Well, for my part Mr. Hopper, I'll never say love, honor and
            obey to any man.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>That's quite possible. Say listen, girls. Opportunities come
            when least expected.</p></sp>
            <sp><speaker>Girl</speaker>
            <p>I am afraid you are somewhat of a joker, Mr. Hopper.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Joker?</p></sp>
            <sp><speaker>Girl</speaker>
            <p>Yes.</p></sp>
            <pb/>
            <sp><speaker>Hopper</speaker>
            <p>Well, I wouldn't mind being a joker running wild in a deck
            like this, if someone would only keep shuffling the cards.</p></sp>
           <sp><speaker>Ivan</speaker>
            <p>Ha, ha, ha!</p>
            <stage>(Exits R.1.E)</stage></sp>
           <sp><speaker>Hopper</speaker>
            <p>Who said that? But what's the use of shuffling, when every
            card's a queen. That means you --</p>
            <stage>(Crosses R.)</stage>
            <p>That means you alone.</p></sp>
            <sp><speaker>Girls</speaker>
            <p>Mr. Hopper, are you really married?</p></sp>
            <sp><speaker>Hopper</speaker>
            <stage>(Looking around)</stage>
            <p>Well, I'm on my vacation.</p>
            <stage>(Business)</stage></sp>
            <sp><speaker>Girl</speaker>
            <p>I'm afraid Ivan told the truth about you.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>No. What did he say?</p></sp>
            <sp><speaker>Girl</speaker>
            <p>He said, you were so bright and so fresh.</p></sp>
            <sp><speaker>Hopper</speaker>
           <p>Oh, he told you that, did he?</p></sp>
            <sp><speaker>Girl</speaker>
            <p>Yes, now we know what one means, when one speaks of you windy
            Americans.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Windy?</p></sp>
            <sp><speaker>Girls</speaker>
            <p>No, no. Breezy.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Breezy that's better.</p></sp>
            <sp><speaker>Girl</speaker>
            <p>Is it true, that you Americans are always in a hurry?</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Oh, no. Oh no! You see sometimes we pass ourselves, then
            have to wait until we catch up to ourselves.....</p>
            <pb/>
            <stage>(Girls go R.L.)</stage>
            <p>and in the meantime, we rest.</p></sp></div>
           <div type="song"><head><hi rend="ul">NUMBER: "IN A HURRY"</hi></head><lb/>
            <lb/>
           <lg><l>Every real old Yankee's in a hurry</l>
            <l>No matter why or where he is, or what he has to do</l>
            <l>He simply cannot live without his flurry</l>
            <l>Before he starts to do a thing he's nearly half way through</l>
            <l>Often when he has to take a journey</l>
            <l>He's up and gone and home again before you've time to pack</l>
            <l>And when he's on the road at any turn,</l>
            <l>He will meet himself already coming back.</l></lg>
            <stage><hi rend="ul">REFRAIN</hi></stage>
            <lb/>
            <lg><l>He's in a hurry</l>
            <l>A hurry</l>
            <l>At noon and night time</l>
            <l>All time is flight time</l>
            <l>Believe me!</l>
            <l>No time for him is slow time</l>
            <l>Believe me!</l>
            <l>No time for him is slow time</l>
            <l>It's always hustle, rustle, bustle, tussle</l>
            <l>Hustle, rustle, bustle</l>
            <l>In a hurry</l>
           <l>A hurry</l>
            <l>In spring or winter</l>
            <l>He is a sprinter</l>
            <l>Believe me!</l>
            <l>He's some hiker</l>
            <l>He's no piker</l>
            <l>Meets a girl on Sunday</l>
            <l>They are married Monday</l>
            <l>No matter what he has to do</l>
            <l>He's always in a hurry.</l></lg>
            <stage>(Exits R.1.E)</stage>
            <stage>(Exit Girls)</stage></div>
            <div type="dialogue">
              <stage>(Encore -- Enter from R.1.E. Walk around bench C.
            twice -- second time you find TATIANA standing C.)</stage>
            <sp><speaker>Hopper</speaker>
            <p>Hello!</p></sp>
            <sp><speaker>Tatiana</speaker>
            <p>Well?</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Excuse me, I'm in a hurry.</p>
            <stage>(Starts R.U.E.)</stage></sp>
            <sp><speaker>Tatiana</speaker>
            <p>The idea.</p></sp>
            <pb/>
            <sp><speaker>Hopper</speaker>
            <stage>(Returning)</stage>
            <p>It's a good thing you called me back, I'm an American, my
            card.</p>
            <stage>(He hands playing card, sees his mistake. Offers
            calling card. Tatiana takes card and drops it to 
            floor)</stage>
            <p>Now that we are acquainted, my name is Hopper.</p>
            <stage>(Tatiana looks at him, he backs away)</stage>
            <stage>(IVAN enters R.1.E.)</stage>
              <p>You life saver, introduce me.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Certainly, Countess Verenoff, may I present my friend Mr.
            Thaddeus T. Hopper.</p></sp>
            <sp><speaker>Tatiana</speaker>
            <stage>(Frigidly)</stage>
            <p>Mr. Hopper.</p></sp>
           <sp><speaker>Hopper</speaker>
           <p>Countess -- I -- I am charmed.</p>
           <stage>(Fans himself with hat)</stage>
           <p>There's a cool breeze blowing.</p></sp>
           <sp><speaker>Ivan</speaker>
           <p>Yes, that's from the Black Sea yonder.</p></sp>
           <sp><speaker>Hopper</speaker>
           <p>Well, well, isn't it blue, the Black Sea? I thought it was
           the Arctic Ocean.</p>
           <stage>(Tatiana looks at him in amazement)</stage>
           <p>I'm always mixed up in my georgraphy, when I'm travelling.</p></sp>
           <sp><speaker>Tatiana</speaker>
           <stage>(Crossing to R.C.)</stage>
           <p>Yes, perhaps you will be able to find your bearings in the
           garden. They are serving refreshments there. Bon soir,
           Signore.</p></sp>
           <sp><speaker>Hopper</speaker>
           <p>San Diego, Nellie.</p></sp>
           <sp><speaker>Tatiana</speaker>
           <p>I said they are serving refreshments in the garden.</p>
           <stage>(Looks at him and exits house)</stage></sp>
           <sp><speaker>Hopper</speaker>
           <p>I think I will go home and finish my packing.</p>
           <stage>(Crosses R.C.)</stage></sp>
            <pb/>
            <sp><speaker>Ivan</speaker>
            <p>Yes, I move we go.</p>
            <stage>(Starts C.)</stage></sp>
            <sp><speaker>Hopper</speaker>
            <p>Another thing I move.</p>
            <stage>(Starts C. KATINKA enters from house L.)</stage>
            <p>Motion-over-ruled.</p>
            <stage>(Down stage)</stage></sp>
            <sp><speaker>Katinka</speaker>
            <stage>(Coming down L. of C.)</stage>
            <p>Ivan, you're not going without introducing your friend to me.</p></sp>
            <sp><speaker>Ivan</speaker>
            <stage>(Coming down R.)</stage>
            <p>We're in a hurry.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Don't you believe him. I'm never in a hurry.</p>
            <stage>(To Ivan)</stage>
            <p>She's much warmer than the other.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Madame Strogoff.</p></sp>
            <sp><speaker>Hopper</speaker>
            <stage>(Amazed)</stage>
            <p>Madame!</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>May I present my friend from America, Mr. Thaddeus Hopper?</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Am I to understand then, that this is the bride?</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Yes, this is the bride.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Accept my very best wishes for many happy re- that is I mean
            to say -- I'm charmed. Do you know -- I'd like to meet your
            husband!</p></sp>
            <sp><speaker>Katinka</speaker>
            <p>Yes?</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>I have a great curiosity to see the man selected by Heaven to own such
            happiness.</p></sp>
            <pb/>
            <sp><speaker>Katinka</speaker>
            <p>That's a very pretty speech.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>I have a very pretty subject.</p>
            <stage>(Business with Ivan, pulls his coat. To Ivan)</stage>
            <p>Go, my boy! Of course Ivan warned me I was to see the loveliest bride 
            in Yalta.</p></sp>
            <sp><speaker>Katinka</speaker>
            <p>Oh he said that, did he?</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Yes, yes. We had a saying "Follow Ivan and you can't go 
            wrong," and they did. Married women and all.</p></sp>
            <sp><speaker>Katinka</speaker>
            <p>That isn't the way I heard it.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>No?</p></sp>
            <sp><speaker>Katinka</speaker>
            <p>Follow Ivan and you're sure to go wrong.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Oh, a lot of unfounded gossip.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>I don't know my boy, you did show me a few regular nights.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Yes, but that was afterwards.</p></sp>
            <sp><speaker>Katinka</speaker>
            <p>Afterwards?</p>
            <stage>(Surprised)</stage></sp>
            <sp><speaker>Ivan</speaker>
            <p>After I knew that a woman's word can be as easily broken as
            the paper upon which it is written.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Oh, I remember, he did get a jolt from some fair Russian honey 
            bee.</p></sp>
            <sp><speaker>Katinka</speaker>
            <p>I thought I knew pretty well all about Ivan's love affairs.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Oh, there was some little girl who promised to marry him and 
            then at the last moment sent all his presents back and married 
            <pb/> 
            someone else. That's better than they do in my country, they 
            generally forget to the return the presents. </p>
            <stage>(Hopper walks up stage R.C.)</stage></sp>
            <sp><speaker>Katinka</speaker>
            <p>I know Russian girls pretty well -- I'm afraid Ivan deserved 
            it.</p></sp> 
            <sp><speaker>Ivan</speaker>
            <p>Deserved no answer to letters for months and months. No
            explanation of any kind. Nothing but a curt note from her
            mother announcing her engagement to another man.</p></sp>
            <sp><speaker>Katinka</speaker>
            <p>Ivan, what are you saying?</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>I'm telling you the truth. I wrote you letter after letter
            begging for an explanation of your silence.</p></sp>
            <sp><speaker>Katinka</speaker>
            <p>I never got them, and I wrote you week after week, and never
            a reply.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Then we've been duped, cheated.</p></sp>
            <sp><speaker>Hopper</speaker>
            <stage>(Coming down R.C.)</stage>
            <p>Ivan -- is this the little girl you wanted to drown yourself 
            for?</p></sp>
            <sp><speaker>Katinka</speaker> 
            <p>Drown himself?</p></sp> 
            <sp><speaker>Hopper</speaker>
            <p>He was strong for the river, but I convinced him that wine 
            was in much better taste, which I had to pay for, I'm sorry 
            if I started something that you can't finish -- but I'm 
            afraid that in cases of this kind, two heads are better than 
            three.</p> 
            <stage>(Crosses R.)</stage> 
            <p>Remember Ivan, our boat sails in half an hour. So Madam, as 
            you would say in your beautiful language, Goodnight owich
            -- Goodbye ovich!</p> 
            <stage>(Exits into Garden)</stage></sp>
            <sp><speaker>Katinka</speaker> 
            <p>Oh, Ivan, have I permitted to think ill of you and you 
              of me unjustly?</p></sp> 
            <pb/> 
            <sp><speaker>Ivan</speaker> 
            <p>Little girl you know I've never had a serious thought for 
            any woman in the world but you.</p></sp> 
            <sp><speaker>Katinka</speaker> 
            <p>I see how they schemed it all, your appointment to Vienna,
            your letters which Varenka never brought me, my letters to 
            you which Varenka never posted. Oh, Ivan -</p> 
            <stage>(BORIS and GIRLS laugh in garden R.)</stage></sp> 
            <stage>(4 GIRLS enter R. and sit at table in arch up C. 
            KATINKA crosses R. and listens)</stage> 
            <sp><speaker>Ivan</speaker>
            <p>Katinka!</p></sp> 
            <sp><speaker>Katinka</speaker> 
            <p>What shall we do?</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>There's nothing to do, nothing to say, but goodbye.</p></sp> 
            <sp><speaker>Katinka</speaker> 
            <p>No, not yet.</p> 
            <stage>(Sits C.)</stage> 
            <p>I must talk to you for just a little while. I want you to know 
            that never for one moment have I forgotten you. Why, the day
            I gave all your pretty presents to mother to return, I thought 
            I should die of crying-- I ---</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>And the day I received them I thought I should go mad.</p></sp> 
            <sp><speaker>Katinka </speaker>
            <p>I sent them all, all but the little white pigeons you gave 
            me last Easter, I just couldn't give them up.</p> 
            <stage>(Rises)</stage> 
            <p>And Ivan, what do you think -- she's found a mate.</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>She has?</p></sp>
            <sp><speaker>Katinka</speaker> 
            <p>Yes, a big handsome fellow, every day he comes from somewhere 
            and tells her how he loves her. You should see them.</p> 
            <stage>(Two white pigeons appear on posts of gate C.)</stage> 
            <p>Why there they are now!</p></sp>
            <lb/>
            <stage>(NUMBER)</stage><lb/> 
            </div>
            <div type="song">
            <pb/>
            <head><hi rend="ul">"RACKETTY COO"</hi></head> 
            <stage>(KATE L.C.) (4 down too)</stage><lb/> 
            <sp>
            <lb/>
            <lg><l>Just beneath the eaves,</l>
            <l>'Midst ivy leaves A little pigeon dwells</l> 
            <l>She's very circumspect,</l> 
            <l>Au-fait and quite select</l> 
            <l>As every neighbor tells</l> 
            <l>Quiet and alone,</l> 
            <l>As still as stone,</l> 
            <l>She sits the whole day long,</l> 
            <l>But when the sun shows day is done,</l> 
            <l>It's quite a different song.</l></lg> 
            <stage><hi rend="ul">REFRAIN</hi></stage> 
           <lg><l>Every night I hear her sing, "Tweet, tweet"</l> 
            <l>My little pigeon true</l> 
            <l>Then hesitate Until her mate</l> 
            <l>Says "Racketty Coo, coo, coo, coo"</l> 
            <l>Then again she'll answer "Tweet, tweet, tweet"</l> 
            <l>Which means that she'd say</l> 
            <l>I'm all alone dear</l> 
            <l>Come on, now why stay away?</l> 
            </lg>
            <stage>(Back to L.)</stage><lb/> 
            <lg>
            <l>Ah, how I wish that I need only say</l> 
            <l>"Tweet tweet" whenever I am blue,</l> 
            <l>And hear an echo answer</l> 
            <l>"Racketty Coo, coo, Racketty coo."</l> 
            <l>And know that Racketty Coo means you.</l></lg> 
            <lg><l>When dear Mr. Dove</l> 
            <l>Has told his love</l> 
            <l>As gallant pigeons do</l> 
            <l>He gives his little Miss</l> 
            <l>A pretty pigeon kiss,</l> 
            <l>And coos a fond adieu,</l> 
            <l>Then away he'll fly.</l> 
            <l>As tho' he'd try,</l> 
            <l>To test her love and yet</l> 
            <l>She can't be sure a sound</l> 
            <l>But some hope he's around</l>
            <l>To make a love duet.</l></lg> 
            <stage>(Repeat chorus)</stage>
            </sp>
            <pb/> 
            <stage>(Katinka and Ivan exit L.1.E.)</stage></div><lb/> 
            <lb/>
            <div type="dialogue"><stage>(After finish of Number IVAN returns. PETROV enters 
            R.U.E.)</stage> 
            <sp><speaker>Petrov</speaker> 
            <p>Then after all you still love her.</p>
            <stage>(Crosses to Ivan L.)</stage></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>Why, of course I love her, how can I ever bear this!</p></sp> 
            <sp><speaker>Petrov</speaker>
            <p>Courage, my boy, courage!</p></sp>
            <lb/>
            <stage>(Enter HOPPER from arch R.3.E., turns to girls at 
            table)</stage><lb/>
            <lb/>
            <sp><speaker>Hopper</speaker> 
            <p>Girls, don't eat my pie.</p> 
            <stage>(Crossing to Ivan L. who is in pain)</stage> 
            <p>Ivan, I'm nine courses ahead of you. What's wrong, got a 
            headache? A moment ago you were as gay as a summer widower 
            and now you look like the father of twins. What's wrong, eh?</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>It's Katinka.</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Katinka! Oh, the bride.</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>Yes.</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>I thought I'd forgotten, but seeing her again and knowing 
            that she still loves me --</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <stage>(Laughs)</stage> 
            <p>What? On her wedding night she tells you that she loves you?</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>Here where I stand.</p></sp> 
            <sp><speaker>Hopper</speaker>
            <p>That's going some. In America we wait at least until 
            the honeymoon.</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>Don't say that word to me. The thought of it kills me. I 
            think I shall go mad!</p></sp> 
            <pb/> 
            <sp><speaker>Hopper</speaker> 
            <stage>(Looks R.)</stage>
            <p>Yes, he does look a bit of a bear. I must confess boys, it's 
            an awkward situation. But are they really married?</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>Yes, in the church, didn't you hear the bells, those awful
            bells?</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Yes, no wedding bell rings, without it sounds the knell of 
            some poor old also-ran.</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>But can't something be done? You are an American, you can 
            think quickly; help me save her, is there no way out?</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>There's no quick way out of marrage, boy, except strychnine, 
            or a pair of white wings, and either way it's a bit risky.</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>Is there no way out?</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Not a ghost of a chance.</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>Yes! There's one <hi rend="ul">ghost</hi> of a chance.</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>What do you mean?</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>Olga!</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>Boris Strogoff's first wife?</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>Yes.</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>But she's dead.</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>Yes, but I've seen her <hi rend="ul">ghost</hi>.</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Come over here, Hamlet.</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>I was the servant in the Strogoff family when he married pretty 
            Olga Andranovia ten years ago. She ran away, and in Circassia 
            <pb/> 
            where we followed her, they told us she had died and so we 
            all believed, until three years ago I saw her in Constantinople. 
            She made me swear never to betray her secret, for she preferred 
            the life of a slave in Izzet Pasha's Harem to a life with Boris.</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Then if she's still alive this marriage is illegal.</p></sp> 
            <sp><speaker>Ivan</speaker>
            <p>Then Katinka can be saved.</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Not unless we can prove that Olga is not dead.</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>Petrov will swear to it.</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>All he can swear to is that she was alive three years ago.</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>Then we must search and find her.</p> 
            <stage>(Up stage)</stage></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Yes, and if she is still alive and living in Izzet -- what's- 
            his-name's palace, how long will it take for you to establish 
            that fact?</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>In one short week. I ---</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>In one short nothing. Whatever is to be done to save the 
            situation must be done now and tonight.</p></sp> 
            <stage>(Ivan coming down L.)</stage><lb/> 
            <lb/>
            <sp><speaker>Ivan</speaker>
            <p>Yes, now and tonight.</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Hold the towel.</p> 
            <stage>(Gives Petrov the napkin he has entered with)</stage> 
            <p>Gather around me, children, now let me think. I have it, 
            we'll hide Katinka.</p></sp> 
            <sp><speaker>Ivan</speaker>
            <p>You know nothing of Russia and her police or you wouldn't talk 
            of hiding her.</p></sp> 
            <sp><speaker>Hopper</speaker>
            <p>That's right. I've got to think again. Let me see.</p> 
            <pb/> 
            <stage>(Rests his arm on Petrov's shoulder, as if in thought)</stage> 
            <p>I've got it. Do your friends know that I am married?</p></sp> 
            <sp><speaker>Ivan</speaker>
            <p>Yes.</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Do they know if my wife is here in Russia with me or not?</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>No.</p></sp> 
            <sp><speaker>Hopper</speaker>
            <p>Then I'll take Katinka out of Russia.</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>Without a passport?</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>I have a passport.</p></sp>
            <sp><speaker>Ivan and Petrov</speaker> 
            <p>A passport?</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>For my wife and myself.</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>Do you mean that Katinka will go with you as Mrs. ----</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Yes, as Mrs. Thaddeus Hopper. Quick boy -- Look boy-</p> 
            <stage>(To Petrov R.)</stage>
            <p>You go and secure some extra accomodations.</p></sp>
            <sp><speaker>Petrov</speaker> 
            <stage>(R.C.)</stage> 
            <p>For Ivan and myself?</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>No, you must take the rival boat which leaves an hour later and 
            we'll all meet in Constantinople.</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>But do you realize you are asking to travel, with a young 
            lady---</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>What's the matter with you, you old fluff, I love my wife.</p></sp> 
            <pb/> 
            <sp><speaker>Ivan</speaker> 
            <p>Hopper, your scheme is great, if ---</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>If what?</p></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>If Katinka will consent.</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>I will find a chance to ask her.</p> 
            <stage>(Crosses R.1.E.)</stage></sp>
            <sp><speaker>Hopper</speaker> 
            <p>Listen, here are the plans. She's to enter her chamber, put 
            on her travelling dress, slip from the house, get into the 
            carriage which you will have waiting, and call for me here 
            as my wife.</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>Very well.</p> 
            <stage>(exits L.1.E.)</stage></sp> 
            <sp><speaker>Ivan</speaker> 
            <p>Hopper, you're a wonder!</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>No, only an American. There's only a few of us left.</p> 
            <stage>(HOPPER and IVAN cross R. EXIT HOPPER and IVAN)</stage></sp> 
            <sp><speaker>Girls</speaker>
            <p>The Dancers!</p></sp> 
            <stage>(Enter BOYS and GIRLS all laughing and talking. Enter 
            RUSSIAN DANCERS from house L.)</stage><lb/>
              <lb/>
            <stage>(BORIS enters R.1.E. arch and watches Dancers. PETROV 
            enters L.2.E.)</stage><lb/>
            <lb/>
            <stage>(After DANCERS exit, PETROV comes down R)</stage><lb/> 
            <lb/>
            <sp><speaker>Ivan</speaker>
            <stage>(ENTERS R)</stage> 
            <p>Will she consent?</p></sp> 
            <sp><speaker>Petrov</speaker> 
            <p>Yes, she consents.</p>
            <stage>(Exits L.1.E.)</stage> 
            <stage>(HOPPER enters down R.2.)</stage></sp> 
            <sp><speaker>Boris</speaker>
            <stage>(Coming down R.C. from R.1.E.)</stage> 
            <p>Ah, Mr. Hopper, I did not see you among the diners. I 
            trust you are not bored?</p></sp> 
            <pb/> 
            <sp><speaker>Hopper</speaker> 
            <stage>(R.C.)</stage> 
            <p>Bored! I'm having the time of my life.</p></sp> 
            <sp><speaker>Boris</speaker> 
            <p>Will you join me in a glass of wine?</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Why certainly!</p></sp> 
            <stage>(ENTER VARENKA from arch R.U.E. with wine)</stage><lb/> 
            <stage>(ENTER KATINKA and TATIANA on balcony house L.)</stage><lb/> 
            <lb/>
            <sp><speaker>Boris</speaker> 
            <p>Here's to Katinka, the sweetest flower in Yalta.</p> 
            <stage>(ALL enter)</stage></sp> 
            <sp><speaker>Hopper</speaker> 
            <stage>(Xes R.C.)</stage> 
            <p>And to the lucky man who shall wear her beauty near his 
            heart.</p> 
            <stage>(Looks at Ivan, winks C)</stage> 
            <p>Here's hoping!</p>
            <stage>(GIRLS and BOYS applaud)</stage></sp> 
            <stage>(KATINKA throws bouquet to the crowd, below. KATINKA 
            on balcony L. HOPPER exits R)</stage></div><lb/> 
            <lb/>
            <div type="song"><head><hi rend="ul">FINALE</hi></head><lb/>
            <stage><hi rend="ul">BLUE LIGHTS</hi></stage><lb/> 
            <lb/>
            <sp>
            <lg><l>Good night! Good night!</l>
            <l>The shadows draw their velvet shawl</l> 
            <l>About love's sweet retreat</l> 
            <l>The stars have lit their candles tall</l> 
            <l>To guide young Cupid's feet.</l> 
            <l>To Hymen's hall, to Hymen's hall!</l> 
            <l>May love's fair dreams be sweet---</l>
            <l>Good-night--Good-night!</l></lg> 
            </sp>
            <stage>(KATINKA and TATIANA exit)</stage><lb/> 
            <lb/>
            <sp>
            <speaker>Ivan</speaker> 
            <l>And now a toast to Boris</l>
            <l>Happy owner of Heaven's fairest star.</l> 
            </sp><sp>
            <speaker>Chorus</speaker> 
            <l>To Boris! to Boris!</l> 
            </sp>
            <sp>
            <speaker>Boris and Chorus</speaker> 
            <stage>(Half drunk)</stage>
            <lg><l>I thank you friends both new and old</l> 
            <pb/> 
            <l>For wishes so benign</l> 
            <l>I only hope that soon you'll hold</l> 
            <l>The bliss that now is mine.</l> </lg>
            <stage>(Spills wine)</stage> 
            <lg>
            <l>And as I spill this liquid fire</l> 
            <l>A gift to Gods above</l> 
            <l>May they pour blessings and inspire</l> 
            <l>My heart's mate with true love.</l></lg> 
            </sp>
            <stage>(EXIT BORIS)</stage><lb/> 
            <lb/>
            <stage>(Katinka's trio in her bedchamber where VARENKA and 
            MAIDS disrobe her.)</stage><lb/> 
            <lb/>
            <stage>(KATINKA at window)</stage><lb/> 
            <lb/>
            <sp>
            <lg><l>Long life of bliss they live</l>
            <l>With blessings that Heaven may give </l>
            <l>And may their worries cease</l> 
            <l>And only joys increase</l> 
            <l>And on this happy new made home</l>
            <l>May never shade or shame of sorrow ever come.</l></lg> 
            <lg><l>So once again with song and anthem</l>
            <l>We greet the bride, and the lucky man</l>
            <l>Who walks by her side,</l>
            <l>May the bloom of their love abide,</l> 
            <l>May love abide.</l></lg> 
            </sp></div>
            <div type="dialogue">
            <stage>(While chorus and BORIS are singing PETROV enters L.1.E. 
            KATINKA in travelling dress opens window, steps out and 
            away with Petrov L.1.E. Goes around up above wall where 
            carriage is waiting.)</stage><lb/> 
            <lb/>
            <stage>(Music for Hopper's entrance R. arch)</stage><lb/> 
            <lb/>
            <sp><speaker>Hopper</speaker>
            <p>It's getting late--I'll have to go. My wife I fear is slow.</p></sp>
            <sp><speaker>Petrov</speaker>
            <stage>(Up C)</stage>
            <p>No, she's here.</p></sp> 
            <sp><speaker>Hopper</speaker> 
            <p>Then I'll go!</p></sp> 
            <stage>(Last half of "Hurry" for Curtain)</stage><lb/>
            <lb/>
            <stage>(Hopper shakes hands with Ivan and girls. Runs up C. 
            Gets in carriage)</stage> 
            <pb/> 
            <stage>(BORIS enters room in house. Does not find Katinka, 
            sees window open, comes out, looking for her)</stage><lb/> 
            <lb/>
            <stage>(Second curtain picture BORIS--bewildered)</stage>
            <stage><hi rend="ul">CURTAIN.</hi></stage></div></div>
          <div type="act" n="2">
            <head><hi rend="ul">KATINKA</hi><lb/>
          <hi rend="ul">ACT II</hi>
          <pb/>
          <hi rend="ul">ACT II</hi><lb/></head>
            <lb/>
             <div type="song">
          <stage><hi rend="ul">SCENE:</hi> 
            Opening NASHAN discovered in window 
            in Harem L. PORTER at well C. 
            AMERICAN BOYS and GIRLS, TURKISH 
            BOYS and GIRLS. TURKISH SOLDIERS, 
            BEGGARS, GENDARMES, RUG-MAKER, 
            LETTER-WRITER, BELL-BOY, STORE-
            KEEPER, HAREM GIRLS.</stage><lb/>
            <lb/>
              <stage>Curtain goes up on harp solo.</stage><lb/>
            <lb/>
            <stage>NASHAN sings.</stage>
            <lb/>
                 <sp>
            <speaker>Nashan</speaker>
            <lg><l>There 'neath the shades</l> 
            <l>Of rose panoplied walls,</l> 
            <l>Where moon-eyes maids woo,</l> 
            <l>Day dreams tender thralls,</l> 
            <l>There I too learned to play</l> 
            <l>In Allah's holiday,</l> 
            <l>Ah, might it but last Alway:</l></lg> 
            <lg><l>Bring your silver cymbal</l>
            <l>Tambourine and tymbal</l>
          <l>Strike with fingers nimble</l> 
          <l>Some pretty lay!</l> 
          <l>While the tones are tinkling</l> 
          <l>Rose breath I'll be sprinkling,</l> 
          <l>Where your feet are twinkling,</l> 
          <l>Allah's Holiday</l> 
          <l>Ah could it but last</l> 
          <l>Could it last alway.</l></lg></sp></div> 
          <div type="dialogue"><stage>(PORTER enters from hotel R. KNOPF enters from L. 
          through C., goes down to Porter by well C)</stage> 
          <sp><speaker>Knopf</speaker>
          <stage>(R.C.)</stage>
          <p>Pardon, but is this Izzet Pasha's harem?</p></sp>
          <sp><speaker>Porter</speaker>
          <stage>(R)</stage>
          <p>What?</p></sp>
          <pb/>
            <sp><speaker>Knopf</speaker> 
            <p>The Harem of Izzet Pasha, is it?</p></sp>
            <sp><speaker>Porter</speaker>
            <p>Yes, Izzet's.</p></sp>
            <stage>(KNOPF Xes to harem L. and uses knocker on door. 
            Harem door opens, two slaves, with scymitars, appear. 
            KNOPF backs C. laughing. ARIF enters, goes C. ABDUL 
            enters and stands in doorway between two slaves)</stage><lb/> 
            <lb/>
            <sp><speaker>Arif</speaker>
            <p>Well, well! You wish to see me?</p></sp> 
            <sp><speaker>Knopf</speaker>
            <p>Yes, it is about some girls. They must sing and dance, a 
            specialty for my new Cafe.</p></sp> 
            <sp><speaker>Arif</speaker> 
            <stage>(L.C.)</stage>
            <p>I see, I see. Abdul, send Nashan.</p>
          <stage>(ABDUL exits into harem)</stage></sp>
          <sp><speaker>Knopf</speaker>
          <stage>(R.C.)</stage>
          <p>Nashan! Who is she?</p></sp>
          <sp><speaker>Arif</speaker>
          <p>She has charge of the girls. She speaks many languages, 
          French, English, Russian, Italian---</p></sp> 
          <sp><speaker>Knopf</speaker>
          <p>For a woman one tongue is a plenty.</p>
          <stage>(Enter Nashan from harem L.2.E.)</stage></sp>
          <sp><speaker>Arif</speaker>
          <p>Ah, Nashan! Meet my friend Signor Knopf, from Paris.</p></sp>
          <sp><speaker>Nashan</speaker>
          <stage>(Salaams)</stage>
          <p>Charmed.</p></sp>
          <sp><speaker>Knopf</speaker>
          <stage>(Bows)</stage>
          <p>I'm over-powered.</p></sp>
          <sp><speaker>Arif</speaker>
          <p>He wishes to hire some dancing girls; we can spare some?</p></sp>
          <sp><speaker>Nashan</speaker>
          <p>No. We haven't any at present, but we are expected some from 
          Circassia.</p></sp> 
            <pb/>
            <sp><speaker>Knopf</speaker>
            <stage>(Looks at Nashan, lets out a yell. Arif laughs)</stage>
            <p>Are they all as pretty as that one?</p></sp>
            <sp><speaker>Arif</speaker>
            <p>I have nothing but beauties.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>That's nice. If nobody else I take her absitively.</p></sp>
          <sp><speaker>Arif</speaker>
            <p>Nashan, you may go.</p></sp>
          <stage>(Nashan starts for harem L; looks at Knopf, goes to 
          door, looks again, and throws Knopf a kiss, exits)</stage><lb/>
          <lb/>
          <stage>(Knopf laughs)</stage><lb/>
          <lb/>
          <stage>(Enter HALIL C., going down R. to rug-maker)</stage><lb/>
          <lb/>
          <sp><speaker>Knopf</speaker>
          <p>Who's the Billiken?</p></sp>
          <sp><speaker>Arif</speaker>
          <p>That is Halil. It is he who secures for us the prettiest
          girls from Circassia. Halil, meet my friend Herr Knopf.</p></sp>
          <sp><speaker>Halil</speaker>
          <stage>(Laughs)</stage>
          <p>How do you do?</p></sp> 
          <sp><speaker>Arif</speaker>
          <p>Nashan tells me you are expecting some girls from Circassia.</p></sp>
          <sp><speaker>Halil</speaker>
          <stage>(Laughs)</stage>
          <p>Yes, there is a boat due today. I'm going to get them.</p>
          <stage>(Xes r., laughs, exits R.1.E.)</stage></sp>
          <sp><speaker>Knopf</speaker>
          <p>He is the funniest fellow I ever saw.</p></sp>
          <sp><speaker>Arif</speaker>
          <p>He's the life of Stamboul.</p>
          <p>(Xes to harem L., stands with folded arms looking 
          at audience)</p></sp>
          <sp><speaker>Knopf</speaker>
          <stage>(To L.)</stage>
          <p>Well, well, boys, I'm glad to see you, but when did you leave 
          Vienna?</p></sp> 
            <pb/> 
            <sp><speaker>Boy</speaker>
            <p>The day before yesterday. We only arrived this morning.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>And where are you staying?</p></sp>
          <sp><speaker>Boy</speaker>
          <p>Two streets over, at the Hotel Pera.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>But the rest of the party, Mr. and Mrs. Hopper?</p></sp>
          <sp><speaker>Boy</speaker>
          <p>Mrs. Hopper's here, we're expecting Mr. Hopper today.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>Didn't they come together?</p></sp>
          <sp><speaker>Boy</speaker>
          <p>No, he went to Yalta with a young Russian he met at your 
          hotel, named Dimitri.</p></sp> 
          <sp><speaker>Knopf</speaker>
          <p>Ivan Dimitri.</p></sp>
          <sp><speaker>Boy</speaker>
          <p>Yes, he was to join us here at Stamboul. His boat is due
          today.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>But where is Mrs. Hopper?</p></sp>
          <sp><speaker>Boy</speaker>
          <p>Here's Mrs. Hopper now.</p></sp>
          <stage>(MRS. HOPPER enters from R. through gate C.)</stage><lb/>
          <lb/>
          <sp><speaker>Knopf</speaker>
          <stage>(R.C.)</stage>
          <p>Ah, Madam Hopper, how are you? I'm glad to see you.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>What are you doing so far from Vienna?</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>Business, pure business.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Pure business?</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>Well, you see, business with me means business. But why didn't 
          you come to this hotel?</p></sp>
            <pb/>
            <sp><speaker>Helen</speaker>
            <p>My husband arranged that I should stop at the Pera.</p></sp>
            <sp><speaker>Knopf</speaker>
            <p>Ah, but this is ever so much better. You will find everything
            modern here, just like my place in Vienna, and besides, this 
            is right in the heart of Stamboul. There, for instance, is a 
            genuine Turkish harem.</p> 
              <stage>(Points L.)</stage></sp> 
            <stage>(ARIF is standing quiet)</stage><lb/>
            <lb/>
          <sp><speaker>Helen</speaker> 
          <p>Oh, a real live gracious to goodness- - -</p> 
          <stage>(Sees Arif)</stage> 
          <p>The <hi rend="ul">exterior</hi> decorations are pretty.</p></sp>
            <sp><speaker>Knopf</speaker>
            <p>Allow me, Mrs. Hopper, to introduce Arif Bey.</p></sp>
            <sp><speaker>Arif</speaker>
            <p>Sap-al lar summe, sus stelby, un a fende, salaam.</p>
            <stage>(He salaams)</stage></sp>
            <sp><speaker>Helen</speaker>
            <p>I second the motion.</p></sp>
            <sp><speaker>Knopf</speaker>
            <p>Mrs. Hopper is from America.</p></sp>
            <sp><speaker>Arif</speaker>
            <p>America? The land of beautiful ladies.</p>
          <stage>(Xes L.C., bows)</stage>
          <p>I am in ecstasy.</p></sp>
          <sp><speaker>Knopf</speaker>
          <stage>(R.C.)</stage>
          <p>This gentleman is the keeper of Izzet Pasha's harem.</p></sp>
          <sp><speaker>Helen</speaker>
          <stage>(C)</stage>
          <p>Oh, the harem! I'm just crazy to see the inside of a harem.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>Maybe we can arrange it.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Can you?</p></sp> 
          <sp><speaker>Arif</speaker>
          <p>For eyes like yours, I could arrange anything.</p>
          <stage>(About to embrace her)</stage></sp>
            <pb/>
            <sp><speaker>Helen</speaker>
            <p>Never mind, never mind.</p></sp>
            <sp><speaker>Arif</speaker>
            <p>But to go on the inside of a harem, that is a forbidden fruit.</p>
            <stage>(He Xes L.)</stage></sp>
            <sp><speaker>Helen</speaker>
            <p>But I thought that was your long suit?</p></sp>
           <sp><speaker>Arif</speaker>
            <p>What?</p></sp>
            <sp><speaker>Helen</speaker>
            <p>Serving forbidden fruit. How, couldn't you, sort of, fix it?</p></sp>
            <sp><speaker>Arif</speaker>
            <stage>(Flirts)</stage>
            <p>Maybe, we shall see.</p></sp>
            <sp><speaker>Helen</speaker>
            <stage>(C)</stage>
            <p>Maybe?</p></sp>
            <sp><speaker>Arif</speaker>
            <p>In the meantime, trust in Allah.</p></sp>
            <sp><speaker>Helen</speaker>
            <p>I wouldn't do it.</p></sp>
            <sp><speaker>Arif</speaker>
            <p>Oh!</p>
            <stage>(Walks two steps to entrance L.)</stage>
            <p>Oh!</p>
            <stage>(Repeats bus.)</stage>
            <p>Oh!</p>
            <stage>(Repeats bus.)</stage>
            <p>Praised be Allah!</p>
            <stage>(Exits L.1.E.)</stage></sp>
            <sp><speaker>Helen</speaker>
            <stage>(Xes R.C.)</stage>
            <p>Isn't he nervous?</p>
            </sp>
            <sp><speaker>Knopf</speaker>
            <p>That's a Turkish emotion.</p></sp>
            <sp><speaker>Helen</speaker>
           <p>I thought it was a Turkish Delight. What is this "Trust in
            Allah?"</p></sp>
            <pb/>
            <sp><speaker>Knopf</speaker>
            <p>I'd rather trust Allah than trust him.</p></sp>
            <sp><speaker>Helen</speaker>
            <p>So would I. Just the same, if he can arrange it, I'm going 
            into the harem.</p> 
            <stage>(Xes L.)</stage></sp>
            <sp><speaker>Knopf</speaker>
            <p>Ah, but your husband wouldn't like it.</p></sp>
            <sp><speaker>Helen</speaker>
            <p>But my husband isn't here.</p></sp>
            <sp><speaker>Knopf</speaker>
            <stage>(R.C.)</stage>
            <p>The boys were just telling me he was in Russia.</p></sp>
            <sp><speaker>Helen</speaker>
            <p>Yes, he's been away from me for three weeks. It's the first 
            time we've been seperated since we were married.</p> 
            <stage>(Xes L.C.)</stage></sp> 
            <sp><speaker>Knopf</speaker>
            <stage>(Follows her)</stage>
          <p>Poor fellow.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Poor fellow?</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>I mean, how lonesome he must have been.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>He's written and cabled me every day, bless his little heart.
          Isn't that good of him?</p>
          <stage>(Shows photo)</stage></sp>
          <sp><speaker>Knopf</speaker>
          <p>It's just like him all but the face.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>But to think of him ill and lonesome on that old boat with no 
          one to look after him.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>No one to look after him? You don't know these Russian girls!</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Oh, I could trust him anywhere, and besides, when we're on 
          shipboard he's always terribly ill and sticks to his cabin.</p></sp>
              <pb/>
              <sp><speaker>Knopf</speaker>
              <p>How sweet of him!</p></sp>
              <sp><speaker>Helen</speaker>
              <p>Bet your life it's sweet.</p></sp>
              <sp><speaker>Knopf</speaker>
              <p>Ach du lieber!</p>
              <stage>(Xes to hotel R)</stage></sp>
              <sp><speaker>Helen</speaker>
          <p>Are you leaving me?</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>Nothing bores a man so much as to hear a woman tell him how
          much she loves her husband. Good-bye!</p>
          <stage>(Falls up steps, exits hotel R)</stage></sp>
          <sp><speaker>Helen</speaker>
          <stage>(C)</stage>
          <p>At that he's right. Many a man has lost a perfectly good
          wife by allowing her to bore his friends too long. Hubby 
          dear, I think you'd better hurry home.</p></sp></div>
            <div type="song"><head><hi rend="ul">SONG: "YOUR PHOTO"</hi></head>
            <sp>
          <lg><l>I've a picture I keep always near me,</l>
          <l>Yes, always near me, and en-tre-nous</l>
          <l>All the day and night I keep holding it tight</l>
          <l>Just to cheer me, for it's you!</l>
          <l>And here, where all my heart beats true</l>
          <l>Is our own secret re-de-vous!</l></lg></sp>
          <stage>(Enter CHORUS)</stage>
          <sp>
          <speaker>CHORUS</speaker>
              <lg><l>On my heart I am wearing your photo,</l>
          <l>Because my heart dear, is your heart in toto,</l>
          <l>And so I hold you pressed,</l>
          <l>Upon my longing breast,</l>
          <l>But I'll give you this slight intimation</l>
          <l>Altho' your photo's a fair illustration</l>
          <l>Of tender lips I have known</l>
          <l>And the love that's my own,</l>
          <l>Still at best it's a chilly imitation</l>
          <l>I think you'd better hurry home.</l></lg>
          <lg><l>Tho' you smile back at me when I'm kissing</l>
          <l>When I'm kissing - your dear lips there</l>
          <l>Tho' the look in your eye I can quite recognize</l>
          <l>Something's missing, I declare.</l>
          <l>And tho' it be your counter-part,</l>
          <l>I cannot love you a la carte.</l></lg></sp>
          <stage>(Exits)</stage><lb/>
          <stage>(Repeat chorus)</stage>
            <pb/></div>
            <div type="dialogue"><stage>(After number CHORUS GIRLS enter C. from R. and 
            exit hotel R. DETECTIVE enters, goes L.)</stage><lb/>
            <stage>(Enter KATINKA and HOPPER from R. through C.
              Katinka down L., Hopper C.)</stage>
            <sp><speaker>Hopper</speaker>
            <stage>(R.C.)</stage>
            <p>Here we are, in the land of Mecca cigarettes. We can't do
            anything until Petrov and Ivan come. Their boat was landing 
            just behind us. In the meantime, you had better take a room 
            at the hotel, and I'll register under some fake name and 
            we'll fool them.</p></sp> 
            <sp><speaker>Katinka</speaker>
            <stage>(L.C.)</stage>
            <p>Oh no! That won't do! We must keep the name on the passport.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Oh no! Oh no! This is as far as you can go on my name!</p></sp>
            <sp><speaker>Katinka</speaker>
          <stage>(Pointing L.)</stage>
          <p>You see that man over there?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Yes.</p></sp>
          <sp><speaker>Katinka</speaker>
          <p>Russian Secret Service.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Serves him right.</p></sp>
          <sp><speaker>Katinka</speaker>
          <p>He saw our passports as we left the boat. If I drop the
          name now, I'm lost.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>But, Katinka, I've a wife who's liable to come here.</p></sp>
          <stage>(Enter PORTER hotel R.)</stage>
          <sp><speaker>Porter</speaker>
          <p>Your reservations, you have not made yet?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>We want -- --</p></sp>
          <sp><speaker>Katinka</speaker>
          <stage>(Xes R.C.)</stage>
          <p>A suite of two rooms.</p></sp>
              <pb/>
              <sp><speaker>Hopper</speaker>
              <p>Yes, two sweet little rooms.</p></sp>
          <sp><speaker>Porter</speaker>
          <p>Two rooms, and the name?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>The name is - - -</p></sp>
          <sp><speaker>Katinka</speaker>
          <p>Hopper.</p></sp>
          <stage>(Exits SPY hotel R. He sneaks up back and into hotel)</stage>
          <sp><speaker>Porter</speaker>
          <p>Two rooms for Mr. and Mrs. - - - -</p></sp>
          <sp><speaker>Katinka</speaker>
          <p>Thaddeus T. Hopper.</p></sp>
          <sp><speaker>Porter</speaker>
          <p>Thaddeus T. Hopper.</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(L.C.)</stage>
          <p>The T stands for trouble.</p>
          <stage>(Exit Porter hotel R.)</stage>
          <p>You didn't miss a thing, did you? Not even my middle initial.</p></sp>
          <sp><speaker>Katinka</speaker>
          <stage>(R.C.)</stage>
          <p>Neither did the spy. Did you see how he listened? Whatever 
          we do about Olga must be done at once.</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(On well C.)</stage>
          <p>You're right. We are living on the crater of a volcano and 
          if my wife ever drops in on us--</p>
          <stage>(Bus.)</stage>
          <p>it will be all over but the lava.</p></sp>
          <sp><speaker>Katinka</speaker>
          <p>But you can explain to her.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>I can explain? Oh no! <hi rend="ul">You</hi> shall explain!</p></sp>
              <sp><speaker>Katinka</speaker>
              <p>She will be proud of you!</p></sp>
              <pb/>
              <sp><speaker>Hopper</speaker>
              <p>Oh, she'll be proud of me all right.</p>
              <stage>(Rises, Xes L.C.)</stage></sp>
              <sp><speaker>Katinka</speaker>
              <p>You're a hero!</p></sp>
             <sp><speaker>Hopper</speaker>
              <p>I'm a hero, but I'll be just as well satisfied if she never 
                learns just how much of a hero I am.</p></sp> 
              <stage>(Enter PORTER hotel R)</stage>
         <sp><speaker>Porter</speaker>
         <p>Number 13 is now ready.</p></sp>
         <sp><speaker>Hopper</speaker>
         <p>You picked a lucky one, didn't you?</p></sp>
         <sp><speaker>Porter</speaker>
         <p>Will you be shown to your rooms?</p></sp>
         <sp><speaker>Katinka</speaker>
         <p>What?</p></sp>
         <sp><speaker>Hopper</speaker>
         <p>Yes. Don't be frightened.</p></sp>
         <sp><speaker>Katinka</speaker>
         <p>You won't be long?</p>
         <stage>(Xes R., stands on steps)</stage></sp>
         <sp><speaker>Hopper</speaker>
         <p>No, I'll be up in a little while and bring the trunks with me.</p></sp>
         <sp><speaker>Porter</speaker>
         <p>Don't worry. I shall keep your secret.</p></sp>
         <sp><speaker>Hopper</speaker>
         <p>You know it then?</p></sp>
          <sp><speaker>Porter</speaker>
          <p>You've all the symptoms.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>What?</p></sp>
          <sp><speaker>Porter</speaker>
          <p>Just married.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Oh, yes, yes, yes --married! That's right, you're wrong 
          again, you big hunk.</p>
          <stage>(Xes L.)</stage></sp>
              <pb/>
              <sp><speaker>Porter</speaker>
              <p>But you can rely on me to help you.</p>
              <stage>(Holds out hand for tip)</stage></sp>
              <sp><speaker>Hopper</speaker>
              <p>Yes, I see your helping hand. Here's an Asiatic nickel for 
              you. Now for this, you will keep our secret? If anyone should 
              ask you, say you know we've been married for ages.</p></sp>
              <sp><speaker>Porter</speaker>
              <p>You will, of course, have your dinner served in your room?</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>Oh yes, of course.</p></sp>
              <sp><speaker>Porter</speaker>
              <p>And the twin beds------</p></sp>
              <sp><speaker>Katinka</speaker>
              <p>Oh!</p>
                <stage>(Exits into hotel R.)</stage></sp>
              <sp><speaker>Porter</speaker>
              <p>Oh, then I'll have them removed.</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>No! Leave one for her, - one little one.</p></sp>
              <sp><speaker>Porter</speaker>
              <p>Don't worry. I'll keep your secret. Newlyweds, ha, ha, ha!</p>
              <stage>(He exits into hotel R.)</stage></sp>
              <sp><speaker>Hopper</speaker>
              <p>That fellow has a face like a fish.</p>
              <stage>(Starts to hotel)</stage></sp>
              <stage>(IVAN enters C. from R. down L.)</stage>
              <sp><speaker>Ivan</speaker>
              <stage>(R.C.)</stage>
              <p>Hopper! Wait a minute.</p></sp>
              <sp><speaker>Hopper</speaker>
              <stage>(R.)</stage>
              <p>Ivan! I'm glad to see you -- you and your little blue jacket.
          We've got to work fast; there's Izzet Pasha's harem over there.</p></sp>
          <sp><speaker>Ivan</speaker>
          <p>Then all we've got to do is see if Olga's still there.</p></sp>
              <pb/>
              <sp><speaker>Hopper</speaker>
              <p>That's all we've got to do, but how are we going to do it?</p></sp>
              <sp><speaker>Ivan</speaker>
              <p>Suppose you just go in there.</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>Stand back!</p>
              <stage>(Stretches himself, grows important, fixes his hat)</stage>
              <p>I'm not going to let a little thing like a harem frighten me.</p>
              <stage>(Whistles "Yankee Doodle" softly and Xes to harem L. 
              Does a break with iron knocker on harem door. Stands 
              back and looks wise)</stage>
              <p>Maybe the girls are out. What'll I say?</p></sp>
              <sp><speaker>Ivan</speaker>
              <p>Can you say something in Turkish?</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>Can I talk Turkish? Easy! Mogulio, Fatima, Turkish towelio.</p>
              <stage>(Knocks, no response)</stage>
              <p>Maybe the girls are not home.</p>
              <stage>(Knocks, then goes to Ivan C. Doors open immediately. 
              HOPPER strolls in. GIRLS scream in harem, negro slaves 
              chase Hopper out; he runs to extreme L.C., gets behind 
              Ivan)</stage>
              <p>Whoa whoa, you harem scarems. My, how the gold dust twins have 
              grown. The one with the mustache is turning pale. The future
          looks very dark. I know their weakness. Shoot a nickel!</p></sp> 
          <stage>(SLAVES laugh, run for nickel and exit into harem)</stage>
          <stage>(Hopper laughs, Ivan laughs)</stage>
          <sp><speaker>Ivan</speaker>
          <p>But is there no way out?</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(R.C.)</stage>
          <p>Didn't you see me come out? First we must find some way in.</p></sp>
          <sp><speaker>Ivan</speaker>
          <stage>(Xes L.)</stage>
          <p>But I must find Olga!</p></sp>
          <stage>(PETROV enters R.U.E.)</stage>
          <sp><speaker>Petrov</speaker>
          <p>Ivan -- Ivan -- Abdul tells me there is a girl still in the 
          harem who answers Olga's description!</p></sp>
              <pb/>
              <sp><speaker>Ivan</speaker>
              <stage>(L.)</stage>
              <p>Then we'll stay here. Some time she's bound to come out!</p></sp>
              <sp><speaker>Petrov</speaker>
              <p>No! Whatever we do must be done at once. I have learned that 
              Boris has followed on his yacht, and he may land any minute.</p></sp>
              <sp><speaker>Hopper</speaker>
          <stage>(L.C.)</stage>
          <p>If he lands, he'll land on me, and Katinka's registered here 
          as my -- Oh, my Lord!</p>
          <stage>(Up stage)</stage></sp>
          <sp><speaker>Petrov</speaker>
          <p>Now, none of us can ever hope to go in there.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>In where?</p></sp>
          <sp><speaker>Petrov</speaker>
          <p>In there!</p>
          <stage>(Points to harem L.)</stage></sp>
          <sp><speaker>Hopper</speaker>
          <p>In the harem?</p>
          <stage>(Grows chesty)</stage>
          <p>Tell him!</p></sp>
          <sp><speaker>Ivan</speaker>
          <stage>(Laughs)</stage>
          <p>He was in.</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(Walks up stage, jumps around as if someone is behind him)</stage>
          <p>Not only was I in, but I cam out! I saw both of them! 
          Gillettes that long. But I drove them back again.</p></sp>
          <sp><speaker>Petrov</speaker>
          <p>But Katinka can go in.</p></sp>
          <sp><speaker>Hopper and Ivan</speaker>
          <p>Yes! How?</p></sp>
          <sp><speaker>Petrov</speaker>
          <stage>(R.C.)</stage>
          <p>Abdul tells me they are now landing some Circassian Dancing 
          Girls for the harem. We'll let Katinka pose as a Circassian 
          Dancing Girl.</p></sp> 
          <sp><speaker>Ivan </speaker>
          <p>Why?</p></sp>
              <pb/>
              <sp><speaker>Petrov</speaker>
              <p>So she can go with the others into the harem.</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>Fine!</p></sp>
              <stage>(Enter KATINKA on porch)</stage>
              <sp><speaker>Petrov</speaker>
              <stage>(R.)</stage>
              <p>With the photograph I have given her, she will easily recognize 
              Olga, if she's there. Now here's a Circassian dress I bought 
              for her.</p></sp> 
              <sp><speaker>Katinka </speaker>
              <p>Ivan!</p></sp> 
              <sp><speaker>Ivan</speaker>
              <stage>(Steps across to look up)</stage>
              <p>Katinka!</p>
          <stage>(Xes R.)</stage></sp>
          <stage>(PETROV Xes L.C.)</stage><lb/>
          <lb/>
          <sp><speaker>Hopper</speaker>
          <stage>(L.C.)</stage>
          <p>Tell her our plans. Be careful now, remember she's married.</p></sp>
          <sp><speaker>Ivan</speaker>
          <p>She shall be married to me.</p>
          <stage>(Goes to fourth R.)</stage></sp>
          <sp><speaker>Hopper</speaker>
          <p>That'll make three.</p></sp>
          <sp><speaker>Petrov</speaker>
          <stage>(R.C.)</stage>
          <p>Three?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Boris, Ivan, and me.</p></sp>
          <sp><speaker>Petrov</speaker>
          <p>You?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Oh yes! She's registered here as Mrs. Hopper.</p></sp>
          <sp><speaker>Petrov</speaker>
          <stage>(Up L.C.)</stage>
          <p>Ah, that is well.</p></sp>
         <sp><speaker>Hopper</speaker>
          <p>Well enough for her, but I'm getting heart failure.</p>
              <pb/>
              <stage>(Petrov exits R.U.E. Ivan on balcony)</stage><lb/>
              <lb/>
              <stage>(Enter PORTER from hotel to R.U.E.)</stage>
              <p>Porter, front! Stop! Whoa! Is there an American bar anywhere
              around here?</p></sp>
          <sp><speaker>Porter</speaker>
          <p>Over there, around the corner, I'll show you.</p>
          <stage>(Toward Hotel R.U.E.)</stage></sp>
          <sp><speaker>Hopper</speaker>
          <p>A cup of Turkish coffee might help.</p></sp>
          <stage>(Enter ABDUL L.3.E.)</stage><lb/>
          <lb/>
          <sp><speaker>Porter</speaker>
          <p>To bridgegrooms I always recommend-----</p>
          <stage>(Exits)</stage></sp>
          <sp><speaker>Hopper</speaker>
          <p>Oh -- behave yourself.</p>
          <stage>(Exit above R.U.E.)</stage></sp>
          <stage>(Enter NASHAN)</stage><lb/>
          <lb/>
          <sp><speaker>Petrov</speaker>
          <stage>(Off)</stage>
          <p>Abdul! Abdul!</p>
          <stage>(Enters L.U.E.)</stage>
          <p>Now, remember, the young lady is to be taken to join Halil and
          his dancing girls.</p></sp>
          <sp><speaker>Abdul</speaker>
          <stage>(L.)</stage>
          <p>But can she dance?</p></sp>
          <sp><speaker>Petrov</speaker>
          <p>No, but she can sing.</p></sp>
          <sp><speaker>Abdul</speaker>
          <p>But if she is not beautiful, Halil will not consent.</p></sp>
          <sp><speaker>Petrov</speaker>
          <p>She's there.</p>
          <stage>(Points to Katinka on balcony)</stage></sp>
          <sp><speaker>Abdul</speaker>
          <p>Allah! An angel! But does she consent?</p></sp>
          <sp><speaker>Petrov</speaker>
          <stage>(Xes R.C. to Ivan on balcony)</stage>
          <p>Ivan, will she join the Circassian Dancing Girls?</p></sp>
          <sp><speaker>Katinka</speaker>
          <p>Yes, I will do it.</p></sp>
              <pb/>
              <sp><speaker>Petrov</speaker>
              <p>You hear?</p>
              <stage>(He exits hotel R. with package)</stage></sp>
          <sp><speaker>Nashan</speaker>
          <stage>(In window)</stage>
          <p>So up to your old tricks again?</p></sp>
          <sp><speaker>Abdul</speaker>
          <stage>(L.C.)</stage>
          <p>You've been eavesdropping!</p></sp>
          <sp><speaker>Nashan</speaker>
          <p>I have not---only listening!</p></sp>
          <sp><speaker>Abdul</speaker>
          <p>Then you know of the new bird of Paradise?</p></sp>
          <sp><speaker>Nashan</speaker>
          <p>Who is she?</p></sp>
          <stage>(Enter PORTER Hotel R.U.E.)</stage>
          <stage>(KATINKA and IVAN business all this time, exit)</stage>
          <sp><speaker>Abdul</speaker>
          <p>Tell me, who is that angel?</p>
          <stage>(Points to balcony)</stage></sp>
          <sp><speaker>Porter</speaker>
          <p>That is the bride of a rich American.</p></sp>
          <sp><speaker>Nashan</speaker>
          <p>An American?</p></sp>
          <sp><speaker>Porter</speaker>
          <p>His name is Hopper--newly married.</p>
          <p>(He exits hotel R.U.E.)</p></sp>
          <sp><speaker>Nashan</speaker>
          <p>And yet he wants to get rid of her.</p></sp>
          <sp><speaker>Abdul</speaker>
          <p>Poor little thing!</p></sp>
          <sp><speaker>Nashan</speaker>
          <p>We won't pity her until we've seen her husband.</p>
          <stage>(Enter ARIF R., coming C.)</stage></sp>
          <sp><speaker>Abdul</speaker>
          <p>Nashan!</p></sp>
              <pb/>
              <sp><speaker>Arif</speaker>
              <stage>(R.C.)</stage>
              <p>By the sacred beard of Mahomet's prophet, what are you two
          gabbing about?</p></sp>
          <sp><speaker>Adbul</speaker>
          <stage>(Down L.C.)</stage>
          <p>A pretty wife!</p></sp>
          <sp><speaker>Nashan</speaker>
          <p>Of a rich American.</p></sp>
          <sp><speaker>Arif</speaker>
          <p>Well, what of it?</p></sp>
          <sp><speaker>Abdul</speaker>
          <stage>(L.C., down)</stage>
          <p>He wants to get rid of her.</p></sp>
          <sp><speaker>Arif</speaker>
          <stage>(L.C.)</stage>
          <p>She must be homely.</p></sp>
          <sp><speaker>Abdul</speaker>
          <stage>(R.C.)</stage>
          <p>Homely? She's a pippinette!</p></sp>
          <sp><speaker>Arif</speaker>
          <p>You interest me. What's her name?</p></sp>
          <sp><speaker>Abdul</speaker>
          <p>Hopper.</p></sp>
          <sp><speaker>Arif</speaker>
          <stage>(C.)</stage>
          <p>Hopper, Hopper. That's the name -- I met her.</p></sp>
          <sp><speaker>Abdul</speaker>
          <p>You saw her?</p></sp>
          <sp><speaker>Arif</speaker>
          <stage>(Down C.)</stage>
          <p>I was introduced to her right here. The lady was looking for 
          forbidden fruit, and she expressed a most peculiar desire to see 
          the inside of a harem. I have an idea. Go find this man Hopper, 
          Abdul-- bring him here to me.</p></sp>
          <sp><speaker>Abdul</speaker>
          <p>I run with the feet of a camel.</p>
          <stage>(Exits R.3.E.)</stage></sp>
              <pb/>
              <sp><speaker>Arif</speaker>
              <p>Nashan, go prepare a room for the lady. And another thing, 
              it is quite possible that Media will take some girls on the five 
              o'clock train; if so, it is well that you should go to guard 
              them.</p></sp> 
              <sp><speaker>Nashan</speaker>
              <p>Oh, please don't send me away from here.</p></sp> 
              <sp><speaker>Arif</speaker>
              <p>Bosh, nonsense! The word of Arif Bey must not be questioned. 
              Go!</p></sp>
          <stage>(Exit NASHAN and ARIF harem L.)</stage><lb/>
          <lb/>
          <stage>(Enter TATIANA, VARENKA, BORIS, SPY R.U.E.)</stage><lb/>
          <lb/>
          <stage>(SPY R. Points to hotel R.)</stage><lb/>
          <lb/>
          <stage>(Enter Porter from hotel.)</stage><lb/>
          <lb/>
          <sp><speaker>Boris</speaker>
          <stage>(L.C.)</stage>
          <p>Porter, did you have a Mr. Hopper registered here?</p></sp>
          <sp><speaker>Porter</speaker>
          <p>Yes.</p></sp>
          <sp><speaker>Boris</speaker>
          <p>This morning?</p></sp>
          <sp><speaker>Porter</speaker>
          <stage>(R.)</stage>
          <p>Their luggage came on the boat from Yalta.</p></sp>
          <sp><speaker>Varenka</speaker>
          <p>You see!</p></sp>
          <sp><speaker>Boris</speaker>
          <stage>(C.)</stage>
          <p>Who was with him?</p></sp>
          <sp><speaker>Porter</speaker>
          <p>His wife.</p></sp>
          <sp><speaker>Tatiana</speaker>
          <stage>(R.C.)</stage>
          <p>Can you swear to that?</p></sp>
          <sp><speaker>Porter</speaker>
          <stage>(Bus.)</stage>
          <p>Madam, you ask too much!</p></sp>
              <pb/>
              <sp><speaker>Boris</speaker>
              <p>Did he act natural or nervous?</p></sp>
              <sp><speaker>Porter</speaker>
              <p>Naturally nervous. I think it was bride and groom.</p></sp>
              <sp><speaker>Boris</speaker>
          <stage>(R.)</stage>
          <p>I will see this bride and groom.</p></sp>
          <sp><speaker>Porter</speaker>
          <p>You wait in the reception room and I will find them for you.</p></sp>
          <stage>(Exit TATIANA, VARENKA, BORIS, SPY, hotel R.)</stage>
          <stage>(Enter HOPPER and ABDUL R.3.E.)</stage>
          <sp><speaker>Hopper</speaker>
          <stage>(R.C.)</stage>
          <p>Where are you taking me?</p></sp>
          <sp><speaker>Abdul</speaker>
          <p>Into the harem.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Go right ahead.</p>
          <stage>(Enter ABDUL into harem L. doors slam in 
          Hopper's face)</stage>
          <p>It's harder to get in there than the Martha Washington hotel.</p>
          <stage>(Up C.)</stage></sp>
          <stage>(Enter HELEN and KNOPF hotel)</stage><lb/>
          <lb/>
          <sp><speaker>Knopf</speaker>
          <p>I'll go and see about other rooms.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>But I couldn't think of moving here until my husband comes.</p></sp>
          <stage>(HOPPER sees Helen)</stage><lb/>
          <lb/>
          <sp><speaker>Knopf</speaker>
          <p>Nonsense! I'll go and see about the room -- I'll be right
          back!</p>
          <stage>(Exits into hotel R.U.E.)</stage></sp>
          <stage>(MR. and MRS. HOPPER see each other)</stage><lb/>
          <lb/>
          <sp><speaker>Hopper</speaker>
          <p>Helen!</p></sp>
          <sp><speaker>Helen</speaker>
          <stage>(R.C.)</stage>
          <p>Thad! Darl---where have you been?</p></sp>
              <pb/>
              <sp><speaker>Hopper</speaker>
              <p>I have been lonesome, Helen. Look at me---I've been awfully
              lonesome.</p>
              <stage>(Holds her in his arms and looks at balcony R.)</stage></sp>
              <sp><speaker>Helen</speaker>
              <stage>(Moving away)</stage>
              <p>Did she roll much?</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>How should I know?</p></sp>
              <sp><speaker>Helen</speaker>
              <p>How should you know? Well, if you don't, it's the first time 
              in your life.</p></sp> 
              <sp><speaker>Hopper</speaker> 
              <p>Helen!</p></sp> 
              <sp><speaker>Helen</speaker>
              <p>Every trip we've ever made you've turned turtle on the slightest
              roll of the sea.</p></sp> 
              <sp><speaker>Hopper</speaker>
              <p>Oh, the sea!</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Why, of course! What did you think I was talking about?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>I thought you were talking about the ocean.</p>
          <stage>(Laughs, Xes L.)</stage></sp>
          <sp><speaker>Helen</speaker>
          <p>Thaddeus T. Hopper, come here!</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Don't strike me, Helen.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>I don't think you're well.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Oh, Helen, it was an awfully rough voyage.</p>
          <stage>(Cries. Arms bus.)</stage></sp>
          <sp><speaker>Helen</speaker>
          <p>I think you had better lie down a while.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Yes, I'll lie down, in your rooms, Helen, in your rooms.</p></sp>
              <pb/>
              <sp><speaker>Helen</speaker>
              <p>Of course in my rooms--where did you expect?</p></sp>
              <stage>(Enter KNOPF from hotel R. Turn her around)</stage><lb/>
              <lb/>
              <sp><speaker>Knopf</speaker>
          <p>Isn't that nice, Mrs. Hopper, your husband has already engaged 
          rooms here.</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(Up to well)</stage>
          <p>Oh, oh! Police! Helen, I'm sick, I'm sick, Helen.</p>
          <stage>(Water)</stage></sp>
          <sp><speaker>Helen</speaker>
          <p>What did you do that for?</p></sp> 
          <sp><speaker>Hopper</speaker>
          <p>I shall explain it to you.</p>
          <stage>(He kicks at Knopf behind Helen. She does not understand)</stage>
          <p>You see, dear, when I went over to the Pera and I found you 
          were not in, I came over here to look for you and when I saw 
          the place over here, the well in the yard,and the little dog 
          with the cane---</p>
          <stage>(KNOPF looks under the chair, then sits)</stage>
          <p>I liked it ever so much better than the Pera, so I said to 
          myself said I, "I'll get some good rooms for my little Helen -- 
          as it were, and when you take a room as it were, you are taking 
          some room.</p>
          <stage>(Laughs)</stage>
          <stage>(KNOPF laughs. HOPPER yells at him. KNOPF 
          falls back in chair.)</stage>
          <p>Stop! Helen, look at the rugs, but don't buy any.</p></sp>
          <stage>(HELEN retires up as KNOPF Xes to Hopper)</stage><lb/>
          <lb/>
          <sp><speaker>Knopf</speaker>
          <p>I knew you'd like it better here than the Pera.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>STOP! Who are you?</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>Who I are?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Yes, who are you?</p></sp>
          <sp><speaker>Knopf</speaker> 
          <p>I'm Knopf!</p>
          <stage>(Puff)</stage></sp>
              <pb/>
              <sp><speaker>Hopper</speaker>
              <stage>(Turns away, puts up his coat collar, stands 
              with head far above Knopf)</stage>
              <p>Now, who are you?</p></sp>
              <sp><speaker>Knopf</speaker>
              <p>I am Herr Knopf from the Cafe Turkois in Vienna. My card.</p>
              <stage>(2 cards)</stage></sp>
              <sp><speaker>Hopper</speaker>
              <stage>(Returns one card)</stage>
              <p>I don't want to know you twice. Well, I'm an American--my 
              name is Hopper -- here's my card.</p>
              <stage>(He does a little trick with the card, it disappears)</stage></sp>
              <sp><speaker>Knopf</speaker>
              <stage>(Is fooled and insists upon looking for the card)</stage>
              <p>Where's the card?</p></sp>
              <sp><speaker>Hopper</speaker>
              <stage>(Backs him across the stage R.)</stage>
              <p>You, you shrimp!</p></sp>
              <sp><speaker>Knopf</speaker>
              <p>Step your watch -- step your watch!</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>What do you mean "Step your watch?"</p></sp>
              <sp><speaker>Knopf</speaker>
              <p>Watch your step. I've been trying all morning to get your wife 
              to come over here.</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>Oh, you have, have you?</p>
              <stage>(Smiles)</stage>
              <p>That's very nice of you, but you see I beat you to it.</p>
              <stage>(Stamps on Knopf's foot)</stage></sp>
              <sp><speaker>Knopf</speaker>
              <p>Oh -- oh -- oh ----</p>
              <stage>(Yells and hops around, sits on chair R., nurses 
              foot)</stage></sp>
              <stage>(HELEN down L.C.)</stage><lb/>
              <lb/>
          <sp><speaker>Hopper</speaker>
          <p>It's all right, Helen, let him laugh.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>Laugh!</p></sp>
              <pb/>
              <sp><speaker>Hopper</speaker>
              <stage>(R.C.)</stage>
              <p>Anything my wife wants done, I'm the little boy that's going 
              to do it.</p></sp>
              <sp><speaker>Helen</speaker>
              <p>You're a dear, sweet, thoughtful boy!</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>I've been doing more thnking in the last half hour than most 
              men do in a lifetime.</p></sp>
              <stage>(Enter PORTER from hotel R.)</stage><lb/>
              <lb/>
              <sp><speaker>Porter</speaker>
              <p>Ah, Monsier Hopper, there is a gentleman in the waiting room 
              and he is impatient to see you.</p></sp> 
              <sp><speaker>Hopper</speaker>
              <stage>(R.C.)</stage>
              <p>A gentleman to see me --- just a minute dear. It's just a 
              little business. What's his name?</p></sp>
              <sp><speaker>Porter</speaker>
          <p>His name is Strogoff.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>What?</p></sp>
          <sp><speaker>Porter</speaker>
          <p>Boris Strogoff!</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Oh-o-o-o-</p>
          <stage>(His knees begin to wobble)</stage>
          <p>It's all right, it's all right -- it's my sea legs, the ocean,
          you know.</p>
          <stage>(Takes Knopf's cane and walks as if with a crutch)</stage>
          <p>Tell him I'll be there in a little while.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>In the meantime, Porter, send someone to the Hotel Pera for my 
          trunks, and have them put in my husband's room.</p></sp>
          <stage>(HOPPER waves his hand to the Porter; the Porter 
          doesn't understand, looks stupidly at him)</stage><lb/>
          <lb/>
          <sp><speaker>Porter</speaker>
          <p>Your husband's rooms?</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Yes, Mr. Hopper's rooms.</p></sp>
              <pb/>
              <stage>(HOPPER changes his actions to the Porter to an 
              exercise movement as HELEN looks around)</stage><lb/>
              <lb/>
              <sp><speaker>Helen</speaker>
              <stage>(To Knopf)</stage> 
              <p>Whatever is the matter with you?</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>Oh, it is a awfully rough voyage.</p></sp>
              <sp><speaker>Knopf</speaker>
              <stage>(To Porter)</stage>
              <p>Why do you stand there like an imbecile? Do what the lady 
              want you to do.</p></sp> 
              <sp><speaker>Porter</speaker>
              <p>Yes, yes, of course, but-but----</p></sp>
              <sp><speaker>Helen</speaker>
              <p>I'll just take a run up and have a look at my rooms!</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>No, no, Helen--not yet! He has to take out the twins.</p></sp> 
              <sp><speaker>Helen</speaker>
              <stage>(L.C.)</stage>
              <p>What?</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>The beds--the beds!</p></sp>
              <sp><speaker>Helen</speaker>
              <p>What are you talking about?</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>Well, you see dear, I had the rooms re-arranged with flowers, and
          buds, and roses, and the wall paper with string beans----</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Ah, then you didn't forget it was our anniversary!</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(R.C.)</stage>
          <p>Oh, no! I didn't want you to see them until you could get 
          the full effects.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>You haven't been so sweet to me since we had our honeymoon.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>I intend to be sweeter, Helen.</p></sp>
              <pb/>
              <sp><speaker>Knopf</speaker>
              <p>By golly, I bet he was some honeymooner.</p></sp>
              <stage>(HOPPER rises)</stage><lb/>
              <lb/>
              <sp><speaker>Porter</speaker>
              <p>He is yet.</p></sp>
              <stage>(KNOPF and PORTER exit hotel R)</stage><lb/>
              <lb/>
              <sp><speaker>Hopper</speaker>
          <p>Oh, I'm still there with that sentimental stuff.</p></sp><lb/>
            <lb/>
            </div>
            <div type="song"><head><hi rend="ul">"THE WEEKLY WEDDING"</hi></head><lb/>
            <sp>
          <speaker>Helen</speaker>
          <l>Some folks, some quiet, glum folks</l>
          <l>Get married once in all their life.</l>
          </sp><sp>
          <speaker>Hopper</speaker>
          <l>This day to them is bliss day</l>
          <l>But all the rest are storms and strife.</l>
                  </sp><sp>
          <speaker>Helen</speaker>
          <l>Then there are other men rare</l>
          <l>Who think of wooden weddings, too.</l>
                  </sp><sp>
          <speaker>Hopper</speaker>
          <l>And the China wedding olden,</l>
          <l>The silver and the golden.</l>
                  </sp><sp>
          <speaker>Helen</speaker>
          <l>But these for me won't do.</l>
                  </sp><sp>
          <stage>(Enter CHORUS)</stage><lb/>
          <lb/>
          <lg><l>On every Sunday,</l>
          <l>Or maybe Monday,</l>
          <l>We pick out one day on which we'll play</l>
          <l>At weekly wedding, then gaily treading,</l>
          <l>We'll dance through Tuesday, Wednesday</l>
          <l>Thursday and through Saturday</l>
          <l>To tune, dear</l>
          <l>Of honeymoon, dear</l>
          <l>On all the way</l>
          <l>For you and I dear</l>
          <l>That's if we try dear,</l>
          <l>Can keep our wedding bells a-jingling every day.</l></lg>
          </sp>
          <stage>(Dance and exit R.I.E.)</stage><pb/></div>
            <div type="dialogue"><sp><speaker>Ivan</speaker> 
            <stage>(Enters R.U.E.)</stage> 
            <p>Katinka, is she ready?</p></sp>
            <sp><speaker>Petrov</speaker>
            <stage>(Enters hotel R)</stage> 
            <p>Yes, she's here.</p></sp>
            <stage>(Enter KATINKA from hotel R)</stage><lb/>
            <lb/>
            <sp><speaker>Katinka</speaker>
            <stage>(Xes R.C.)</stage>
            <p>Here I am! Do I look like a Circassian dancing girl?</p></sp>
            <sp><speaker>Ivan</speaker>
            <stage>(L.C.)</stage>
            <p>You look like a Circassian angel. Here are the plans. 
            You are to join Halil and his dancing girls and go with them 
            into the harem. Have you Olga's photograph?</p></sp> 
            <sp><speaker>Katinka</speaker>
            <p>Yes, and if I ever get in, I will easily recognize her by that.</p></sp>
            <sp><speaker>Ivan</speaker>
            <p>Then we must hurry.</p></sp>
            <stage>(IVAN and KATINKA exit C to R)</stage><lb/>
            <lb/>
            <stage>(Enter ABDUL from harem, goes C and peeks out)</stage><lb/>
            <lb/>
            <stage>(Enter HOPPER from R.I.E., runs up behind Abdul, 
            strikes him on the back. Then HOPPER goes down C. 
            and sits on well)</stage><lb/>
            <lb/>
            <stage>(Enter ARIF from harem)</stage><lb/>
            <lb/>
            <sp><speaker>Abdul</speaker>
            <p>His Highness, Arif Bey.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>I've seen you before, in the window in a Greek restaurant.</p>
            <stage>(He does bus. of turning cakes, then uses hat
          for dish, takes cakes to table R and serves)</stage>
          <p>No thanks, no more butter - - -</p></sp>
          <sp><speaker>Arif</speaker>
          <p>Bosh! Who is this gentleman?</p></sp>
          <sp><speaker>Abdul</speaker>
          <p>Mr. Hopper.</p></sp>
            <pb/>
            <sp><speaker>Arif</speaker>
            <p>Ah! Mr. Hopper! So harem-salam - salame.</p>
            <stage>(Salaams)</stage></sp>
            <sp><speaker>Hopper</speaker>
            <p>Right back at him. Delicattessen! You want to see me?</p></sp>
            <sp><speaker>Arif</speaker>
            <p>Yes, about that little affair with your wife.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>My wife?</p>
            <stage>(To Abdul, who is up listening. ABDUL goes L. 
            and stamps his foot. Places Fez tassel on Arif's cap over shoulder)</stage>
            <p>Oh, that wife!</p></sp>
            <sp><speaker>Arif</speaker>
            <p>What?</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>I mean that's what you mean.</p></sp>
            <sp><speaker>Arif</speaker>
            <p>Is it true what I have been told? You wish to lose this 
            little wife of yours?</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Nothing would give me more pleasure.</p></sp>
            <sp><speaker>Arif</speaker>
            <p>It has occurred to you that it is a bit of a risk?</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Oh, she's willing.</p></sp>
            <sp><speaker>Arif</speaker>
            <p>To be sure, but it also takes some trouble, and Americans are 
            always willing to pay for little troubles.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Not willing, we have to pay. I got you stevedore. How much?</p> 
            <stage>(Takes out a check book and pen)</stage></sp> 
            <sp><speaker>Arif</speaker> 
            <p>Well, just a small item. I don't care to talk about it.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Small as that--fifty cents--twenty-five cents? Check book 
            for a nickel, fountain pen for a dime. Look out -- I'll walk 
            out on you in a minute.</p></sp>
            <sp><speaker>Arif</speaker>
          <p>Well, we'll say in American money--a thousand dollars.</p></sp>
              <pb/>
              <sp><speaker>Hopper</speaker>
              <p>A thousand dollars? In our country it is so much for so much, 
              but I see in Turkey it is so much for so little.</p></sp>
              <sp><speaker>Arif</speaker>
              <p>To get rid of a wife you do not want? It is a trifle!</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>I suppose so. Come over in the office. A friend of mine will 
              see that she joins the girls at the wharf. What's the name?</p></sp>
              <sp><speaker>Arif</speaker>
              <p>Arif Bey. It is not necessary, we have made other arrangements.
              And permit me to say, Mr. Hopper, your wife is charming.</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>Thank you, Mr. Turkey. You Thanksgiving kid.</p></sp>
              <sp><speaker>Arif</speaker>
              <p>The wife of an American in my harem, it will be for my Pasha 
              a sensation. Ha, ha, ha, ha.</p>
              <stage>(Xes L. to exit.)</stage></sp>
              <sp><speaker>Abdul</speaker>
              <stage>(Follows)</stage>
              <p>Ha, ha, ha, ha!</p></sp>
              <sp><speaker>Arif</speaker>
              <stage>(Stamps foot)</stage>
              <p>Hosh a lema!</p></sp>
              <stage>(ABDUL salaams)</stage><lb/>
              <lb/>
              <stage>(ARIF exits into harem)</stage><lb/>
              <lb/>
              <sp><speaker>Hopper</speaker>
              <p>Serves you right -- I hope he fires you!</p>
              <stage>(MUSIC)</stage>
              <stage>(GIRLS X the bridge R to L. Halil)</stage>
              <p>What's that?</p></sp>
              <sp><speaker>Abdul</speaker>
              <p>That's Halil and his Circassian dancing girls.</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>Where are they going?</p></sp>
              <sp><speaker>Abdul</speaker>
              <p>He's bringing them here to the harem fountain.</p></sp>
              <stage>(HOPPER starts for bridge C.)</stage><lb/>
              <lb/>
              <stage>(HELEN enters R.I.E.)</stage>
              <pb/>
          <sp><speaker>Helen</speaker>
          <stage>(R.)</stage>
          <p>Thaddeus, where are you going?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>I'm going to get a bathing suit.</p>
          <stage>(Exits C.)</stage></sp>
          <stage>(ABDUL exits into harem L)</stage><lb/>
          <lb/>
          <stage>(GIRLS enter from hotel and on veranda)</stage><lb/>
          <lb/>
          <stage>(ARIF enters from house, L.C.)</stage><lb/>
          <sp><speaker>Arif</speaker>
          <p>It is warm?</p></sp>
          <sp><speaker>Helen</speaker>
          <stage>(R.C.)</stage>
          <p>Terribly!</p></sp>
          <sp><speaker>Arif</speaker>
          <p>Ah, but there beneath Allah's sparkling fountain, it is cool.
            It is Fairyland!</p></sp>
          <sp><speaker>Helen</speaker>
          <p>I wish we had some of it out here. You know, you more than 
          half way promised I should see this fairyland.</p>
          <stage>(Up C.)</stage></sp>
          <sp><speaker>Arif</speaker>
          <p>I haven't forgotten my promise. All has been arranged.</p></sp>
          <sp><speaker>Helen</speaker>
          <stage>(Sits by well, C.)</stage>
          <p>Arranged?</p></sp>
          <sp><speaker>Arif</speaker>
          <p>With your husband.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>You know him?</p></sp>
          <sp><speaker>Arif</speaker>
          <p>As a special favor to him, I promised that you should see 
          beyond that wall.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>When?</p></sp>
          <sp><speaker>Arif</speaker>
          <p>Now!</p></sp>
              <pb/>
              <sp><speaker>Helen</speaker>
              <stage>(Jumps down)</stage>
              <p>Now?</p>
          <stage>(Xes L)</stage>
          <p>Just a peek!</p>
          <stage>(Exits into harem L.)</stage></sp>
          <sp><speaker>Arif</speaker>
          <p>Just a peek!</p>
          <stage>(Doors slam)</stage>
          <p>She's mine!</p></sp>
          <stage>(Enter CIRCASSIAN DANCERS and HALIL and form 
          picture for the Oriental dance. BOY appears 
          from harem, dances with principal and both 
          exit into harem)</stage><lb/>
          <lb/>
          <stage>(IVAN L.)</stage><lb/>
          <lb/>
          <sp><speaker>Knopf</speaker>
          <stage>(R.C.)</stage>
          <p>Who's next?</p>
          <stage>(To Halil)</stage>
          <p>Tell me, can all the girls do something?</p></sp>
          <sp><speaker>Halil</speaker>
          <stage>(Laughs)</stage>
          <p>Sure, anyone.</p></sp>
          <sp><speaker>Knopf</speaker>
          <stage>(Pointing to KATINKA, who has followed the Dancing 
          Girls on, and is standing by well C.)</stage>
          <p>That little yellow one?</p></sp>
          <sp><speaker>Halil</speaker>
          <stage>(Laughs. L. Gets Katinka and leads her down 
          C. where she sings second verse of</stage></sp></div>
          <div type="song"><head>"RACKETTY COO"</head>
          <lg><l>When dear Mr. Dove</l>
          <l>Has told his love</l>
          <l>As gallant pigeons do</l>
          <l>He gives his little Miss</l>
          <l>A pretty pigeon kiss,</l>
          <l>And coos a fond adieu,</l>
          <l>Then away he'll fly.</l>
          <l>As tho' he'd try,</l>
          <l>To test her love and yet</l>
          <l>She can't be sure a sound</l>
          <l>But some hope he's around</l>
          <l>To make a love duet.</l></lg>
            <pb/>
            <stage>(IVAN on R.C.)</stage><lb/>
            <lb/>
            <stage>REFRAIN</stage>
            <lg><l>Every night I hear her sing,</l>
            <l>"Tweet, tweet," - etc.</l></lg></div>
            <div type="dialogue">
             <sp><speaker>Knopf</speaker>
            <stage>(After song-R.)</stage>
            <p>I'll take the whole show.</p></sp>
            <stage>(HOPPER enters from hotel R.C. on last encore)</stage>
            <sp><speaker>Ivan</speaker>
            <stage>(R.C., to Hopper)</stage>
            <p>What does he mean?</p></sp>
            <stage>(Exit DANCING GIRLS into harem L, also HALIL)</stage><lb/>
            <lb/>
            <stage>(KATINKA runs and exits into harem L)</stage><lb/>
            <lb/>
            <sp><speaker>Hopper</speaker>
            <p>She's in!</p></sp>
            <stage>(PORTER enters from hotel R)</stage><lb/>
            <lb/>
            <sp><speaker>Porter</speaker>
            <stage>(On porch)</stage>
            <p>Monsieur Hopper, the gentleman refuses to wait any longer, 
            he must see your wife.</p></sp> 
            <sp><speaker>Hopper</speaker>
            <p>Send him out -- I'll talk to him.</p></sp>
          <sp><speaker>Ivan</speaker>
          <stage>(Up C)</stage>
          <p>How's he going to see your wife, when she's in there?</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(R.C.)</stage>
          <p>I'll introduce him to my regular wife!</p></sp>
          <sp><speaker>Ivan</speaker>
          <p>She's here?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>She's been here all the time!</p></sp>
          <stage>(Enter BORIS, TATIANA, VARENKA from hotel R. 
          ARIF on L)</stage><lb/>
          <lb/>
          <sp><speaker>Boris</speaker>
          <p>This wife of yours, you promised I should meet her.</p></sp>
              <pb/>
              <sp><speaker>Hopper</speaker>
              <p>Yes, of course. My wife -- Helen -- Mrs. Hopper.</p></sp>
              <sp><speaker>Knopf</speaker>
              <stage>(R.C.)</stage>
              <p>I saw her talking to Arif a little while ago.</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>Did you see which way she went?</p></sp>
              <sp><speaker>Arif</speaker>
              <stage>(Points R)</stage></sp>
              <sp><speaker>Hopper</speaker>
              <p>Knopf, see if she's in the hotel.</p>
              <stage>(Exit KNOPF)</stage>
          <p>I'm looking for Mrs. Hopper--have any of you seen her?</p></sp>
          <sp><speaker>All</speaker>
          <p>She was here a moment ago.</p></sp>
          <sp><speaker>Arif</speaker>
          <stage>(Xes L.C.)</stage>
          <p>Keep it up, keep it up -- you're doing nobly!</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(Xes R.C.)</stage>
          <p>Nobly? What do you mean?</p></sp>
          <sp><speaker>Arif</speaker>
          <p>You're a wonder.</p></sp>
          <sp><speaker>Hopper</speaker> 
          <p>I really believe you know where she is.</p></sp>
          <sp><speaker>Arif</speaker>
          <p>I? Oh, no! You sly dog, she's safe in there!</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>I don't mean that one!</p></sp>
          <sp><speaker>Arif</speaker>
          <p>By Allah, how many have you?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>I mean my real wife!</p></sp>
          <sp><speaker>Knopf</speaker>
          <stage>(Has entered)</stage>
          <p>The lady I introduced to you a moment ago.</p></sp>
              <pb/>
              <sp><speaker>Arif</speaker>
              <stage>(L)</stage>
              <p>That's the one I mean!</p></sp>
              <sp><speaker>Hopper</speaker>
              <p>You poor shadow of a Saracen simp, you have my wife locked up 
              in that harem!</p>
              <stage>(Chokes Arif and goes up to harem door)</stage></sp>
              <sp><speaker>Arif</speaker>
              <p>This dog of a Christian hires me to hide his wife, his bride 
              of a day!</p></sp>
              <sp><speaker>Boris</speaker>
              <p>Then it was Katinka! I demand you to bring her out to me!</p></sp>
        <stage>(Enter CHORUS)</stage><lb/>
          <lb/></div>
            <div type="song">
          <head>FINALE</head><lb/>
            <lb/>
            <sp>
          <speaker>Boris</speaker>
          <stage>(R.C.)</stage>
          <l>Why stand you staring like a thing of stone</l>
          <l>He tells you he's declaring the truth and truth alone.</l>
          </sp><lb/>
          <sp><speaker>Ivan</speaker>
          <stage>(L. of Hopper)</stage>
          <l>It means our ruin!</l></sp>
          <lb/>
          <sp>
          <speaker>Hopper</speaker>
          <stage>(L.C.)</stage>
          <l>Nothing doing!</l>
          <lb/></sp><sp>
          <speaker>Chorus</speaker>
          <l>Why stand you staring like a thing of stone</l>
          <l>He tells you he's declaring the truth and truth alone.</l>
          <l>Boris I swear by Nirvannah, and all the gods above,</l>
          <l>This villain Americano he has robbed him of his love!</l>
          </sp>
          <lb/>
          <sp>
          <speaker>Tatiana</speaker>
          <stage>(R.C.)</stage>
          <l>He stole her from her legal lord and master</l> 
          <l>And there behind these gloomy walls he's cast her!</l>
        </sp>
          <stage>(BORIS Xes to Tatiana)</stage><lb/>
          <lb/>
          <sp>
          <speaker>Chorus</speaker>
          <l>He stole her from her legal lord and master</l>
          <l>And there behind these gloomy walls he's cast her!</l>
            </sp>
            <pb/>
            <sp>
            <speaker>Boris</speaker>
            <stage>(Down R.)</stage>
            <l>And now we've waited long enough, where is she?</l>
         </sp>
          <stage>(Enter ARIF and HELEN from harem)</stage><lb/>
          <sp>
          <speaker>Arif</speaker>
          <l>She's here.</l>
          </sp><sp>
          <speaker>Helen</speaker>
          <stage>(Spoken)</stage>
          <p>Yes, what's the idea?</p><lb/>
           </sp><sp>
          <speaker>Boris</speaker>
          <stage>(Spoken)</stage>
          <p>This is not my wife. There's been a mistake.</p><lb/>
             </sp><sp>
          <speaker>Tatiana</speaker>
          <l>Why, no!</l>
           </sp><sp>
          <speaker>Hopper</speaker>
          <stage>(Spoken, comes C)</stage>
          <p>She's my wife ---- I love my wife!</p><lb/>
            </sp><sp>
          <speaker>Boris</speaker>
          <stage>(Sing)</stage>
          <l>I was wrong to have accused you!</l>
             </sp><sp>
          <speaker>Helen</speaker>
          <l>Accused him of what?</l>
              </sp><sp>
          <speaker>Hopper</speaker>
          <stage>(C.)</stage>
          <l>Oh, nothing at all!</l>
              </sp><sp>
          <speaker>Boris</speaker>
          <stage>(R.C.)</stage>
          <l>I'm sorry that I abused him</l>
             </sp><sp>
          <speaker>Helen</speaker>
          <stage>(L.C.)</stage>
          <l>Abused him, but why?</l>
              </sp><sp>
          <speaker>Hopper</speaker>
          <stage>(C. aside to Ivan)</stage>
          <l>Say, come help us stall.</l>
            </sp><sp>
          <speaker>Ivan</speaker>
          <stage>(R.)</stage>
          <l>Yes, it looks like a squall.</l>
              </sp><sp>
          <speaker>Hopper</speaker>
          <stage>(Xes L.C.)</stage>
            <pb/>
          <l>You see, dear, it was just this way,</l>
          <l>I'm telling you straight and true;</l>
          <l>He thought I'd stolen his bride of a day</l>
          <l>And hidden her here in this harem queer.</l>
            </sp><sp>
          <speaker>Arif</speaker>
          <stage>(Comes down L. of HELEN, who is L.C.)</stage>
          <l>But you see it was only you.</l>
            </sp><sp>
          <speaker>Helen</speaker>
          <l>He sold me?</l>
             </sp><sp>
          <speaker>Hopper</speaker>
          <l>I - - -</l>
         <stage>(Enter HALIL, KATINKA, and DANCING GIRLS from 
         harem L. followed by NASHAN. HOPPER turns and sees
          Katinka)</stage>
          <l>Where are they taking you to?</l>
          </sp>
          <stage>(KATINKA places finger to lips - silence. He 
          starts toward Boris, followed by GIRLS. HOPPER 
          goes to Helen)</stage>
        <sp>
          <speaker>Boris</speaker>
          <stage>(Taking stage R.C.)</stage>
          <l>Stop! Who are these girls, and where are they going?</l>
            </sp><sp>
          <speaker>Arif</speaker>
          <l>They are Circassian Dancing Girls!</l>
             </sp><sp>
          <speaker>Knopf</speaker>
          <l>I am taking them to my Cafe Turkish in Paris.</l>
           </sp><sp>
          <speaker>Boris</speaker>
          <l>You are, are you? Well, they may go!</l>
            </sp>
          <stage>(Exit KATINKA and GIRLS R.U.E. NASHAN 
          starts to pass Boris, sees him, starts back 
          toward harem. Gains courage and follows 
          dancing girls off R.U.E.)</stage>
          <sp>
          <speaker>Helen</speaker>
          <stage>(L.C.)</stage>
          <lg><l>'Tis the end, so farewell</l>
          <l>'Tis the end, so good-bye</l>
          <l>When we wake from this spell</l>
          <l>We'll be strangers at last, you and I</l>
          </lg>
          <stage>(Exit SLAVES)</stage>
         <lg>
          <l>All the joys we have known</l>
          <l>Will be withered and flown,</l>
          <l>Like the leaves that die</l> 
          <l>'Neath a gray autumn sky.</l></lg></sp>
            <pb/>
            <stage>(Enter KATINKA and DANCING GIRLS followed by NASHAN 
            across bridge up C from R)</stage>
            <sp>
            <speaker>KATINKA</speaker>
            <l>Tweet, tweet.</l>
                </sp><sp>
            <speaker>Ivan</speaker>
            <l>And hear an echo answer.</l>
               </sp><sp>
            <speaker>Katinka</speaker>
            <l>Racketty Coo.</l>
               </sp><sp>
            <speaker>Chorus</speaker>
            <l>Racketty Coo, and know that Rackey Coo means you.</l>
            </sp>
          <stage>(HELEN takes string of pearls from her neck, hands 
          them to Hopper, starts to hotel R. with KNOPF)</stage><lb/>
          <lb/>
          <stage>(SECOND PICTURE: HOPPER bus. with pearls)</stage><lb/>
            <lb/>
            <stage><hi rend="ul">CURTAIN</hi></stage><lb/>
            <lb/>
            <stage>Second curtain--They exit.</stage><lb/>
            <lb/>
            <stage>Calls for the Company.</stage>
            <pb/>
          </div></div>
     
          <div type="act" n="3">
            <head><hi rend="ul">"KATINKA"</hi><lb/>
              <lb/>
          <hi rend="ul">ACT III</hi></head>
          <pb/>
          <stage><hi rend="ul">ACT III</hi></stage><lb/>
            <lb/>
            <div type="song">
          <head><hi rend="ul">OPENING CHORUS</hi></head>
          <sp>
            <lg><l>In Vienna, in Vienna, girls are brightest,</l>
            <l>Their hearts are lightest,</l>
            <l>Their eyes are ever fair!</l>
            <l>When they smile their lips uncover pearls the whitest,</l>
            <l>And their laughter rings like music ev'rywhere.</l>
            <l>In Vienna, in Vienna, girls are sprightly,</l>
            <l>They caper nightly,</l>
            <l>In sweet, seductive swirls,</l>
            <l>And they love it when you dare to hold them slightly tightly</l>
            <l>For they are Vienna girls!</l></lg>
            </sp>
            <stage>(Into "My Paradise".)</stage></div>
            <pb/>
            </div>
          <div type="act"><head><hi rend="ul">ACT III</hi></head><lb/>
			<div>
            <lb/>
            <stage>Red flood lights.</stage><lb/>
            <lb/>
            <stage>KATINKA C.</stage><lb/>
            <lb/>
            <stage>LADIES and GENTLEMEN -- FLUNKIES - WAITERS - FLOWER GIRLS - MAIDS -</stage><lb/> 
            <lb/>
            </div>
                <div type="song">
            <head><hi rend="ul">"MY PARADISE"</hi></head><lb/>
            <lb/>
            <sp>
            <lg><l>Your eyes that once gazed into mine,</l>
            <l>Kindling sweet passion there,</l>
            <l>Who 'neath their power divine,</l>
          <l>Now bathes in their love-light rare?</l>
          <l>Who feels the glow of your cheeks</l>
          <l>Who hears the love-thoughts you speak?</l>
          <l>With lips that once I pressed,</l>
          <l>Dear lips, I once caressed!</l>
          <l>I wonder!</l></lg>
          <stage>REFRAIN</stage><lb/>
          <lb/>
          <lg><l>Oh, tender charms that were mine,</l>
          <l>Who worships now at your shrine?</l> 
          <l>Who feels your heart-beats, pure as prayer?</l>
          <l>Who feels the fire that slumbers there?</l>
          <l>Ah, memories that still burn,</l>
          <l>I love, yet try to spurn,</l>
          <l>You are my cross on which I agonize</l>
          <l>And yet, My Paradise!</l></lg>
          <lg><l>Your hands that I clasped in mine own</l>
          <l>Pressed like fair snow to my brow,</l>
          <l>Fingers of fire I have known,</l>
          <l>Ah, who feels their warm touch now?</l>
          <l>Who feels the thrill of your arm,</l>
          <l>So strong, yet so trembling and warm?</l>
          <l>Who now upon your breast</l>
          <l>Knows sweet Elysian rest?</l>
          <l>I wonder!</l></lg>
          </sp>
          <stage>(Katinka exits Arch R.E.)</stage></div>
          <div type="dialogue"><stage>(Enter KNOPF Arch L.E. Enter DANCER C.)</stage>
            <pb/>
            <sp><speaker>Knopf</speaker>
            <p>The spirit of Youth!</p>
             <stage>(Dance and exit R.1.E)</stage>
             <p>Fine, fine!</p>
             <stage>(To Waiter)</stage>
          <p>Waiter!</p>
          <stage>(WAITER - PORTER of Act II)</stage>
          <p>Let nothing go wrong tonight. I'm expecting two famous
          guests. The Russian Ambassador Boris Strogoff.</p></sp>
          <sp><speaker>Waiter</speaker>
          <p>I met him in Constantinople.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>And the beautiful American lady, whom all Europe is talking 
          about, Mrs. Hopper.</p></sp>
          <sp><speaker>Waiter</speaker>
          <p>Yes, her husband sold her to a Turk.</p></sp>
          <stage>(Enter MRS. HOPPER from L. exit)</stage><lb/>
          <lb/>
          <sp><speaker>Knopf</speaker>
          <stage>(L.C)</stage>
          <p>Ah, Mrs. Hopper, how do you do?</p></sp>
          <sp><speaker>Helen</speaker>
          <stage>(R.C.)</stage>
          <p>How do you do.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>I'm so sorry to hear about the trouble you've been having with 
          your husband.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Oh, that's nothing. I merely found out that the real road to 
          love was the rocky road to troublin'.</p></sp>
          <sp><speaker>Girl</speaker>
          <p>Helen if only before marriage there was some way of recognizing 
          one's soul mate.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>There is.</p></sp>
          <sp><speaker>Chorus</speaker>
          <p>What is it?</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Dance with him.</p></sp>
            <pb/>
            <sp><speaker>Chorus</speaker>
            <p>Dance with him?</p></sp>
            <sp><speaker>Helen</speaker>
            <p>Have you never watched an unhappily married couple trying to 
            dance?</p></sp>
            <sp><speaker>Knopf</speaker>
            <p>No!</p>
            <stage>(Exit L.)</stage></sp>
            <sp><speaker>Helen</speaker>
            <p>You've missed something.</p></sp>
          </div> 
            <div type="song"><head><hi rend="ul">"I CAN TELL BY THE WAY THAT YOU DANCE, DEAR"</hi></head>
            <lg><l>If you would know whom to marry,</l>
            <l>Take my advice and be wary,</l>
            <l>If you go blindly, you'll rue it.</l>
            <l>Taboo it, don't do it!</l>
            <l>Here is a rule that is surest,</l>
            <l>Safest and sanest and purest,</l>
            <l>Dance to this lay,</l>
            <l>And see if you both can truly say.</l></lg>
            <stage>REFRAIN</stage>
            <lg><l>I can tell by the way that you dance, dear.</l>
            <l>You have a thrill in your sway,</l>
            <l>Love with eternal romance, dear,</l>
            <l>All of your movements betray.</l>
            <l>And you put all my mind in a trance, dear.<stage>(EXIT STARTS)</stage></l> 
            <l>Sort of a soul jubilee.</l>
            <l>I can tell by the way that you dance, dear,</l>
            <l>That you were meant for me.</l></lg>
            <stage>(DANCE)</stage><lb/>
            <lb/>
          <stage>(All exit after dance)</stage><lb/>
          <lb/>
          <stage>(On encore all GIRLS exit. BOYS exit when Helen 
          chooses dancer. DANCER appears and Helen and he 
          dance. After Helen and Dancer encore, NASHAN and 
          KATINKA from R.2.E)</stage></div>
          <div type="dialogue"><sp><speaker>Nashan</speaker>
          <stage>(Katinka stands C.)</stage>
          <p>Ivan!</p>
            <pb/>
            <stage>(She looks R. Bus.)</stage></sp>
            <sp><speaker>Nashan</speaker>
            <p>Ivan!</p>
            <stage>(Looks L. Business.)</stage>
            <p>He was here a moment ago. Katinka, you look that way and I'll 
            look this.</p>
          <stage>(Nashan exits L.E.)</stage></sp></div>
          <div type="song"><stage>("Racketty Coo" music starts - Katinka runs R. and then 
          L. Answers "Tweet Tweet". It is taken up by IVAN off arch R.)</stage><lb/>
          <lb/>
          <stage>(IVAN enters - Katinka goes to him and they finish song 
          together.)</stage><lb/>
          <lb/><sp>
          <speaker>Katinka</speaker>
          <l>Tweet, tweet.</l>
        </sp><sp>
          <speaker>Ivan</speaker>
          <stage>(R.E. Off stage)</stage>
          <l>Racketty Coo, coo, coo, coo.</l>
              </sp><sp>
          <speaker>Katinka</speaker>
          <l>Ah, how I wish that I could only say "Tweet, tweet," whenever I am blue.</l>
               </sp>
          <stage>(IVAN enters Arch R.)</stage><lb/>
          <lb/>
          <sp>
          <speaker>Ivan</speaker>
          <l>And hear an echo answer "Racketty Coo", coo, Racketty Coo,</l>
          <l>And know that Racketty Coo means you.</l>
          </sp>
          <stage>(They kiss)</stage>
          <lb/>
          <stage>(Katinka goes L. to chair. Ivan goes up R. They 
          both come down stage together for Ivan's solo. Sits L. table)</stage><lb/>
            <lb/>
            </div><div type="song">
            <head><hi rend="ul">"I WANT ALL THE WORLD TO KNOW"</hi></head>
            <sp>
            <speaker>Ivan</speaker>
            <lg><l>No one's near,</l>
            <l>I am waiting alone, dear.</l>
            <l>Come have no fear,</l>
            <l>For the hour is our own, dear.</l>
            <l>Moments of gold, we are wasting, Behold,</l>
            <l>Come to me, come to me.</l>
            <l>But let nobody dare to see.</l></lg></sp>
            <pb/>
            <sp>
            <speaker>Chorus</speaker>
            <lg><l>For no one must know the meaning,</l>
            <l>Of our secret, sweet and true.</l>
            <l>So I dare but whisper softly</l>
            <l>What my heart would call to you,</l>
            <l>So listen and you shall hear it,</l>
            <l>Dear, I love you, love you so.</l>
          <l>Our secret it is, yet somehow, dear,</l>
          <l>I want all the world to know.</l></lg>
          </sp>
          <stage>2.</stage>
          <sp>
          <speaker>Katinka</speaker>
          <lg><l>Feel my heart,</l>
          <l>How its pulses are beating!</l>
          <l>Somehow I start</l>
          <l>At each shadow so fleeting.</l>
          <l>Fear I've never known,</l>
          <l>I but fear, that I own</l>
          <l>The unrest, sweet unrest,</l>
          <l>Of a love that is unexpressed.</l></lg></sp>
          <stage>(Repeat chorus)</stage>
          <stage>(After encore, IVAN and KATINKA remain on stage C)</stage></div>
          <div type="dialogue"><sp><speaker>Ivan</speaker>
          <p>Sweetheart!</p></sp>
          <sp><speaker>Katinka</speaker>
          <p>Any news of Olga?</p></sp>
          <sp><speaker>Ivan</speaker>
          <p>Petrov wired me that he had left Constantinople with good news. 
          He's due here tonight.</p></sp>
          <sp><speaker>Katinka</speaker>
          <stage>(L)</stage>
          <p>Every night I must sing here and every night I think I see the 
          eyes of Boris staring at me.</p></sp>
          <sp><speaker>Ivan</speaker>
          <stage>(L.C.)</stage>
          <p>Petrov will bring good news, I'm sure.</p></sp>
          <stage>(Enter NASHAN L. arch)</stage><lb/>
          <lb/>
          <sp><speaker>Nashan</speaker>
          <p>Quick, someone is coming!</p>
          <stage>(Exits L.3.E.)</stage></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(Enters C. from L.U.E.)</stage>
          <p>No, no, I'll tip any waiter!</p></sp>
          <sp><speaker>Ivan</speaker>
          <stage>(L.C.)</stage>
          <p>Hopper, you're going to see her again!</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(L.U.)</stage>
          <p>Who, my wife?</p></sp>
          <sp><speaker>Ivan</speaker>
          <p>No, Katinka!</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Oh!</p></sp>
            <pb/>
          <sp><speaker>Katinka</speaker>
          <stage>(L.C.)</stage>
          <p>Oh, Mr. Hopper.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Not that I am not happy for you two, you understand.
          I like you, both of you.</p>
          <stage>(To Katinka X C.)</stage>
          <p>You the most, but I love my wife.</p></sp>
          <sp><speaker>Katinka</speaker>
          <stage>(L.)</stage>
          <p>Haven't you made up yet?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Made up, I haven't even caught up.</p></sp>
          <sp><speaker>Katinka</speaker>
          <p>But Petrov will bring good news, I'm sure.</p></sp>
          <sp><speaker>Ivan</speaker>
          <stage>(R.C.)</stage>
          <p>Yes, he left Constantinople with good news.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Good news from Constantinople, it can't be done.</p></sp>
          <sp><speaker>Ivan</speaker>
          <p>Nevertheless he has learned that Olga is still alive.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Where is she?</p></sp>
          <sp><speaker>Ivan</speaker>
          <p>He doesn't know, but he has learned that she is somewhere here 
          in Vienna.</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(L.C.)</stage>
          <p>Good, if she's......</p></sp>
          <stage>(Enter KNOPF L.)</stage><lb/>
          <lb/>
          <sp><speaker>Knopf</speaker>
          <stage>(L.C.)</stage>
          <p>Ah, Mr. Hopper, how do you do?</p>
          <stage>(Shakes hands)</stage></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(R.C.)</stage>
          <p>Out of my way, you made me lose my wife you pretzel.</p>
          <stage>(X R.C.)</stage></sp>
            <pb/>
            <sp><speaker>Knopf</speaker>
            <p>Your wife isn't lost, she's here.</p></sp>
            <sp><speaker>Hopper</speaker>
          <p>Here?</p></sp>
          <sp><speaker>Knopf</speaker>
          <stage>(R.C.)</stage>
          <p>They call her the American Harem. The most talked of woman 
          in Vienna.</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(R.C.)</stage>
          <p>Stop! Don't mention Harem. Didn't they chase me out of one 
          of them. There's only one way you can square yourself with 
          me.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>What is it?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Introduce me to my wife.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>She's here every night.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>With whom?</p></sp>
          <sp><speaker>Knopf</speaker>
          <stage>(Dramatic)</stage>
          <p>He's never the same.</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(Grabs him by the shoulder - holds picture)</stage>
          <p>He never will be when I get through with him.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>In that case you'll have to fight an army.</p></sp>
          <stage>(Enter BORIS, TATIANA from L.U.E. Xes stage R.)</stage><lb/>
          <lb/>
          <sp><speaker>Boris</speaker>
          <p>It's such a beautiful place.</p></sp>
          <sp><speaker>Tatiana</speaker>
          <p>Oh, the whole place is charming.</p></sp>
          <sp><speaker>Arif</speaker>
          <p>Madam, you must not leave here until you hear that little 
          girl sing.</p></sp>
          <pb/>
            <sp><speaker>Tatiana</speaker>
            <p>I shall be delighted.</p></sp>
            <stage>(Exit Boris, Tatiana and Arif, Arch R.)</stage><lb/>
            <lb/>
            <sp><speaker>Katinka</speaker>
            <stage>(Up L.C.)</stage>
            <p>If I sing I'm lost.</p></sp>
            <sp><speaker>Knopf</speaker>
            <p>She must sing - as never yet.</p>
            <stage>(X R.C.)</stage></sp>
            <sp><speaker>Hopper</speaker>
            <p>She must not tonight.</p></sp>
            <sp><speaker>Knopf</speaker>
            <p>But why, as a friend I ask you why? Double why?</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Boris doesn't like music.</p></sp>
            <sp><speaker>Knopf</speaker>
            <p>But what excuse will I offer, why she won't, can't sing?</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Say anything, say she's ill, say she's sick, say she's lost 
            her voice, but she must not sing tonight.</p></sp>
          <stage>(Enter NASHAN L.3.E., goes to table L.C.)</stage><lb/>
          <lb/>
          <sp><speaker>Knopf</speaker>
          <stage>(Xes L.)</stage>
          <p>You want to ruin me?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Come over here and let me talk to you in a language you understand.</p>
          <stage>(Takes him down R.)</stage></sp>
          <sp><speaker>Knopf</speaker>
          <p>What is it?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>My check book.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>Dat's nice.</p>
          <stage>(Knopf looks at Ivan L.)</stage></sp>
          <sp><speaker>Hopper</speaker>
          <p>How much will you sell me your <hi rend="ul">showfor</hi> tonight?</p></sp>
            <pb/>
            <sp><speaker>Knopf</speaker>
            <p>Chauffeur? I don't want to sell my Chauf---</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Show - show cabarete.</p></sp>
            <sp><speaker>Knopf</speaker>
            <p>Oh, show. We'll say a little something, ten thousand 
            kronens.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>That's thirteen dollars in our money. Hold up the desk.</p>
            <stage>(Knopf holds up Hopper's leg for him to write upon)</stage>
            <p>Now, remember, if she sings I cancel the check.</p></sp>
            <sp><speaker>Knopf</speaker>
            <stage>(R.C.)</stage> 
            <p>Yah, yah. Nashan, she must not sing tonight.</p></sp>
          <sp><speaker>Nashan</speaker>
          <stage>(Up L.)</stage>
          <p>I understand.</p>
          <stage>(Gag)</stage></sp>
          <stage>(Exit Katinka, Nashan and Ivan, Arch L.)</stage></div>
            <div type="song"><head><hi rend="ul">SONG:</hi> <hi rend="ul">"SKIDISKISCATCH"</hi></head>
            <sp><speaker>Hopper</speaker>
            <l>Pay to the order of - how do you spell your name?</l></sp>
            <sp>
            <speaker>Knopf</speaker>
            <l>Make it to cash,</l>
            <l>Wit a dash</l>
            <l>To avoid a clash.</l>
            </sp><sp>
            <speaker>Hopper</speaker>
            <l>Penned it so often my wrist is getting lame!</l>
             </sp><sp>
            <speaker>Knopf</speaker>
            <l>You're doing good</l>
            <l>You're a hero, that's understood.</l>
             </sp><sp>
            <speaker>Hopper</speaker>
            <l>So I am a hero?</l>
         </sp><sp>
            <speaker>Knopf</speaker>
            <l>That is understood.</l>
          </sp><sp>
            <speaker>Hopper</speaker>
            <l>Spelt with a zero?</l>
            </sp><sp>
            <speaker>Knopf</speaker>
            <l>That is understood.</l>
          <pb/>
             </sp><sp>
            <speaker>Hopper</speaker>
            <l>What?</l>
           </sp><sp>
            <speaker>Knopf</speaker>
            <l>Best of living men?</l>
            </sp><sp>
            <speaker>Hopper</speaker>
            <l>Best of living men?</l>
          </sp><sp>
            <speaker>Knopf</speaker>
            <l>You have proved it with your little fountain pen.</l>
            <l>1000 korenens.</l>
            </sp><sp>
            <speaker>Hopper</speaker>
            <stage>(REFRAIN)</stage>
            <lg><l>Skidiskiscatch!</l>
          <l>With his little pen in hand,</l>
          <l>Skidiskiscatch!</l>
          <l>Pay to bearer on demand!</l>
          <l>That's the sound they surely understand.</l>
          <l>In every clime and ev'ry single land.</l>
          <l>Skidiskiscatch! Skidiskiscatch!</l>
          <l>When he signs out his banking name,</l>
          <l>Hands it out to gent or dame!</l>
          <l>Ah, the whole world dances to his composition, when,</l>
          <l>In the check book that he totes,</l>
          <l>He puts down his pretty notes,</l>
          <l>With his little fountain pen.</l></lg>
          <stage>(Rises)</stage>
          <stage>(Hopper hands check to Knopf)</stage>
          <l>Notes with the dollar sign ne'er will be ignored.</l></sp>
       <sp>
          <speaker>Knopf</speaker>
          <l>Yes, but of course,</l>
          <l>You'll indorse!</l>
          <stage>(Showing where to sign)</stage>
          <l>That will give more force.</l>
              </sp>
              <sp>
          <speaker>Hopper</speaker>
          <stage>(Signing the check)</stage>
          <l>By jove, the pen is more mighty than the sword!</l>
            </sp><sp>
          <speaker>Knopf</speaker>
          <l>Yes, and some day</l>
          <l>In my thanks you will get your pay!</l>
         </sp><sp>
          <speaker>Hopper</speaker>
         <l>So I'll get your thanks, eh?</l>
          </sp><sp>
          <speaker>Knopf</speaker>
          <l>Yes, without a doubt.</l>
         </sp><sp>
            <pb/>
            <speaker>Hopper</speaker>
          <l>Cashed at all the banks, eh?</l>
            </sp><sp>
          <speaker>Knopf</speaker>
          <l>Yes, without a doubt.</l>
           </sp><sp>
          <speaker>Hopper</speaker>
          <l>What!</l>
           </sp><sp>
          <speaker>Knopf</speaker>
          <l>You will get it then --</l>
          </sp><sp>
          <speaker>Hopper</speaker>
          <l>I will get it when?</l>
           </sp><sp>
          <speaker>Knopf</speaker>
          <l>You bribe the teller with your little fountain pen.</l>
          <stage>(All enter)</stage>
         </sp><sp>
          <speaker>Hopper and Knopf</speaker>
          <stage>(Refrain. Hopper and Knopf exit L.1.E. Enter Waiter and 
          Petrov, arch R. Dance)</stage></sp></div>
          <div type="dialogue"><lb/>
          <sp><speaker>Petrov</speaker>
          <stage>(Enters)</stage>
          <p>Waiter, are the Circassian dancing girls here now?</p></sp>
          <sp><speaker>Waiter</speaker>
          <p>They give a performance every evening.</p></sp>
          <sp><speaker>Petrov</speaker>
          <p>Thanks.</p>
          <stage>(Exit arch R.3.L.)</stage></sp>
          <stage>(ENTER BORIS, TATIANA, HELEN, arch R.U.E.)</stage>
          <lb/>
          <sp><speaker>Helen</speaker>
          <p>I want to hear the little Circassian sing.</p></sp>
          <stage>(ALL cross to table L. and sit. HOPPER enters arch L. 
          followed by Ivan, entering L. arch. Xes R.C. Waiter bus.)</stage>
          <lb/>
          <sp><speaker>Hopper</speaker>
          <p>Ivan, we've got to break up that little tete-a-tete. If
          she ever finds out my wife has never been in Russia, 
          "Gongadin", help us!</p></sp>
          <stage>(ENTER KNOPF L.2.E)</stage>
          <lb/>
          <sp><speaker>Tatiana</speaker>
          <p>I thought you said, Mrs. Hopper, that the Circassians were to 
          perform here this evening.</p></sp>
          <stage>(KNOPF comes down C.)</stage>
            <pb/>
            <sp><speaker>Helen</speaker>
            <p>I did expect it. Ah, Mr. Knopf Media the little Circassian, 
            she will sing for us.</p></sp>
            <sp><speaker>Knopf</speaker>
            <stage>(L.)</stage>
            <p>Sing - I'm very sorry Madam, but she's ill.</p>
            <stage>(X L.C.)</stage></sp>
            <sp><speaker>Helen</speaker>
            <p>Ill? Why only a moment ago I was talking to her.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Check.</p></sp>
            <sp><speaker>Knopf</speaker>
          <stage>(L.C.)</stage>
          <p>Not that kind of illness, something has happened.</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(R.C.)</stage>
          <p>Check - check book.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>I'll prove by her chaperon she's ill.</p>
          <stage>(Ivan enters up R. Enter Arif Arch R.)</stage>
          <p>Arif, call Nashan.</p>
          <stage>(Exit Arif C. to L.)</stage>
          <p>I'm sorry to disappoint your Excellency.</p>
          <stage>(Exits L.3.E.)</stage></sp>
          <sp><speaker>Boris</speaker>
          <stage>(Rise)</stage>
          <p>Oh, it is just as well, I'm afraid I shall not care to hear 
          her.</p></sp>
          <sp><speaker>Tatiana</speaker>
          <p>Always there rings in his ears the song my daughter sang 
          to him on his wedding night.</p></sp>
          <sp><speaker>Boris</speaker>
          <p>How will I ever forget her?</p></sp>
          <sp><speaker>Helen</speaker>
          <p>You seem terribly cut up. Did she die?</p></sp>
          <sp><speaker>Tatiana</speaker>
          <p>No, she was abducted on her wedding night.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Abducted on her wedding night. Some girls are born lucky.</p>
          <stage>(Look up at Hopper. Business. Hopper leads 
          himself half way. Business. Hopper enters 
          immediately.)</stage></sp>
            <pb/>
            <sp><speaker>Boris</speaker>
            <p>If I ever lay my hands on the man who stole her from me.</p></sp>
          <stage>(Ivan exits R.3.)</stage><lb/>
          <lb/>
          <sp><speaker>Hopper</speaker>
          <p>He means me.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Whoever it is, I hope he suffers.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>I'm afraid she's going to get her hope.</p></sp>
          <sp><speaker>Boris</speaker>
          <p>We will join you later.</p>
          <stage>(Exit Boris and Tatiana Arch L.3.E.)</stage> 
          <stage>(Helen rises and bows to them)</stage></sp>
          <sp><speaker>Hopper</speaker>
          <p>Helen! I just came in! Sweetheart! Alone at last. Helen! 
          My darling.</p></sp>
          <sp><speaker>Helen</speaker>
          <stage>(She does not notice him but crosses R. to table.
          Hopper follows her with his eyes)</stage>
          <p>This place if full of strangers.</p>
          <stage>(Enter Knopf L.)</stage></sp>
          <sp><speaker>Hopper</speaker>
          <p>Get out of here. Waiter.</p>
          <stage>(Knopf fans him like a second in a ring)</stage></sp>
          <sp><speaker>Helen</speaker>
          <p>Oh, don't mind him, he's only my husband. We're 
          semi-detached.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>What's that?</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>You're semi-detached.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>If I'm semi-detached, you're skidiskiscatched. That's his
          little game. I'll see my attorney.</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>Get an injunction.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>I'll get an attachment.</p>
          <stage>(Knopf laughs)</stage>
          <p>Laugh -- laugh! Life means nothing to you, there's not 
          enough of you. I want you to understand I love my wife.</p></sp>
            <pb/>
            <sp><speaker>Knopf</speaker>
            <stage>(Weeps)</stage>
            <p>So do I.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>What!</p>
            <stage>(Takes Knopf by the neck)</stage></sp>
            <sp><speaker>Knopf</speaker>
            <p><hi rend="ul">My</hi> wife.</p></sp>
            <sp><speaker>Hopper</speaker>
            <stage>(Throws him off)</stage>
            <p>Who wants to love your wife.</p></sp>
            <sp><speaker>Knopf</speaker>
            <p>And do you really expect to get a divorce?</p></sp>
            <sp><speaker>Helen</speaker>
            <p>Why not. That's better than being locked up in a Harem, 
            isn't it? At that a Harem isn't such a bad idea for the
          one who owns the Harem. As for me, if I ever do marry 
          again--I said if --</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Yes, if --</p>
          <stage>(Laughs)</stage></sp>
          <sp><speaker>Knopf</speaker>
          <p>Yes, we heard you, if --</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Yes, 1 1/2 heard you.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>You know if I do marry again, it will be to a male Quartette.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>What did she say?</p></sp>
          <sp><speaker>Knopf</speaker>
          <p>She's going to marry a male quartette.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Think of the harmony we could live in.</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(Takes Knopf by the arm)</stage>
          <p>Take me to a singing teacher.</p>
          <stage>(They exit Arch L.)</stage></sp>
            <pb/></div>
            <div type="song"><head><hi rend="ul">"I WANT TO MARRY A MALE QUARTETTE"</hi></head>
            <sp>
            <speaker>Helen</speaker>
            <l>They say a woman is a weather vane,</l>
            <l>A fickle weather vane.</l><lb/>
            </sp><sp>
            <speaker>Quartette</speaker>
              <l>Weather vane.</l><lb/>
              </sp><sp>
            <speaker>Helen</speaker>
            <l>She's full of foolish whims you can't explain,</l>
              <l>Whims that you can't explain.</l><lb/>
              </sp><sp>
            <speaker>Quartette</speaker>
              <l>Cannot explain! Cannot explain!</l><lb/>
               </sp><sp>
          <speaker>Helen</speaker>
          <l>She turns from North to South and East to West</l>
              <l>North East to South and West.</l><lb/>
              </sp><sp>
          <speaker>Quartette</speaker>
              <l>North East to South! South East to West.</l><lb/>
             </sp><sp>
          <speaker>Helen</speaker>
          <l>To comfort her in all directions, it would seem 'twere best</l>
          <l>If she could get,</l>
          <l>A chance to net,</l>
              <l>A male quartette.</l><lb/>
              </sp><sp>
          <speaker>Quartette</speaker>
              <l>A male quartette!</l><lb/>
              <lb/>
          <stage>Refrain</stage>
          <lg><l>We'd harmonize, we'd harmonize!</l>
          <l>So sweetly</l>
          <l>And so completely</l>
          <l>In tune and on the key</l>
          <l>We'd harmonize, we'd harmonize!</l>
          <l>In feeling,</l>
          <l>To some appealing</l>
          <l>Sweet melody.</l>
          <l>We'd harmonize, we'd harmonize!</l>
          <l>In tempo</l>
          <l>In some extempo,</l>
          <l>Domestic minuet,</l>
          <l>We'd harmonize, we'd harmonize, we'd harmonize!</l>
              <l>Oh, I want to marry a male quartette.</l></lg>
              <lb/>
              <stage>Second Verse</stage><lb/>
                  </sp><sp>
          <speaker>Helen</speaker>
          <l>I'd have a tenor who could entertain;</l>
              <l>Oh, he could entertain</l><lb/>
               </sp><sp>
          <speaker>Quartette</speaker>
          <l>Entertain.</l>
            <pb/>
                </sp><sp>
            <speaker>Helen</speaker>
            <l>A business baritone for loss and gain</l>
              <l>He'll watch our losses and gains.</l><lb/>
               </sp><sp>
            <speaker>Quartette</speaker>
              <l>Losses and gains, losses and gains!</l><lb/>
            </sp><sp>
            <speaker>Helen</speaker>
            <l>A base cantante just for sympathy,</l>
              <l>He'll be for sympathy.</l><lb/>
              </sp><sp>
            <speaker>Quartette</speaker>
              <l>Yes, he will be for sympathy.</l><lb/>
             </sp><sp>
            <speaker>Helen</speaker>
            <l>And then a bass profundo</l>
            <l>For profound philosophy</l>
            <l>See, I will bet, it's great to fret,</l>
              <l>A male quartette.</l><lb/>
              </sp><sp>
            <speaker>Quartette</speaker>
              <l>A male quartette!</l><lb/>
              </sp>
            <stage>Refrain</stage>
            <stage>(At finish of number all exit L.1.E.)</stage>
          <lb/>
            <stage>(Enter Helen, Boris, Tatiana, Arch L.1.E. Enter 
          Knopf L. He goes L. to meet Nashan who enters C)</stage><lb/>
          </div>
          <div type="dialogue">
          <sp><speaker>Knopf</speaker>
          <p>Ah here's Nashan. She'll explain everything. Why she won't -- 
          can't sing.</p>
          <stage>(Enter Nashan C. coming down R.C.)</stage></sp>    
          <sp><speaker>Helen</speaker>
          <p>Ah Miss. I understand that a person named Hopper has bribed 
          Herr Knopf not to allow the little Circassian to sing. If
          that is true, I will double Mr. Hopper's offer and you and 
          the little girl may divide it. Is she ill?</p></sp>
            <stage>(Enter Hopper L. from L. down R.C.)</stage><lb/>
          <sp><speaker>Nashan</speaker>
          <p>No.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Then she will sing for us?</p></sp>
          <sp><speaker>Nashan</speaker>
          <p>With pleasure.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Thank you.</p></sp>   
          <sp><speaker>Hopper</speaker>
          <p>Check stopped.</p></sp><pb/>
            <sp><speaker>Knopf</speaker>
            <p>Good night.</p>
            <stage>(Exit Nashan C. to L.U.E.)</stage></sp>
            <sp><speaker>Hopper</speaker>
           <p> I'll make one more effort to save my wife. Ah Your 
            Excellency:</p>
            <stage>(He makes an extravagant bow to Boris. He falls)</stage></sp>
            <sp><speaker>Boris</speaker>
            <stage>(Coming C)</stage>
            <p>Ah my friend, I have not seen you since the embarrassing 
            moment in front of Izzet Pasha's Palace.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>Yes you haven't shaved since.</p></sp>
            <sp><speaker>Tatiana</speaker>
            <p>Ah Mr. Hopper I'm so glad you two have come to a better
          understanding.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Yes it is nice.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>But we haven't.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>You see I thought we had. But we haven't. You see she 
          wouldn't even allow me to explain. It was all a mistake.</p>
          <stage>(Enter waiter arch R.U.E.)</stage></sp>
          <sp><speaker>Helen</speaker>
          <p>Remember I saw the check.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>But you were not the one I meant to hide.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>Then who was it?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>It was -- it was --</p></sp>
          <sp><speaker>Boris</speaker>
          <stage>(Stamps foot)</stage>
          <p>Who was it?</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(Chokes)</stage>
          <p>It was -- it was -- it was all a mistake.</p></sp>
          <pb/>
            <sp><speaker>Tatiana</speaker>
            <stage>(To waiter)</stage>
            <p>Why, there is the man that was your porter at the hotel.</p>
            <stage>(Points to waiter)</stage></sp>
            <sp><speaker>Boris</speaker>
            <p>Here waiter.</p>
            <stage>(Waiter comes down)</stage>
            <p>You were porter at the Hotel Reich some three weeks ago.</p></sp>
            <sp><speaker>Waiter</speaker>
            <p>Yes.</p></sp>
            <sp><speaker>Boris</speaker>
            <p>Do you remember the gentleman?</p>
            <stage>(Waiter looks at Hopper, he walks lame, fixes 
            handkerchief like beard)</stage></sp>
            <sp><speaker>Waiter</speaker>
            <p>Yes he was the nervous groom.</p></sp>
            <sp><speaker>Boris</speaker>
          <stage>(To Helen)</stage>
          <p>And this lady, was she his companion?</p></sp>
          <sp><speaker>Waiter</speaker>
          <p>Yes. She arrived later.</p>
          <stage>(Up R.C.)</stage></sp>
          <sp><speaker>Boris</speaker>
          <p>But she did not arrive with him on the boat from Russia.</p></sp>
          <sp><speaker>Helen</speaker>
          <p>I never was in Russia all my life.</p></sp>
          <sp><speaker>Tatiana</speaker>
          <stage>(Xs L.C.)</stage>
          <p>So.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>It's all over.</p></sp>
          <sp><speaker>Tatiana</speaker>
          <p>The woman who called for you on the night of Katinka's 
          wedding was not your wife.</p></sp>
          <sp><speaker>Boris</speaker>
          <p>The woman that boarded that steamer with you was my little 
          Katinka.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>Yes, it was a rough voyage.</p></sp>
          <sp><speaker>Boris</speaker>
          <p>Then you did steal my little Katinka?</p></sp>
            <pb/>
            <sp><speaker>Hopper</speaker>
            <p>Yes. No. Yes. No.</p></sp>
            <sp><speaker>Helen</speaker>
            <p>Mormon.</p></sp>
            <sp><speaker>Hopper</speaker>
            <p>I didn't steal her. I just took her.</p></sp>
            <sp><speaker>Boris</speaker>
            <p>I demand you tell me where you have hidden here, where is 
            she.</p></sp>
            <sp><speaker>Hopper</speaker>
            <stage>(Crosses to Boris)</stage>
            <p>I'll make a clean breast of this whole thing.</p></sp>
            <sp><speaker>Ivan</speaker>
          <stage>(Enters R)</stage>
          <p>Thaddeus.</p>
          <stage>(Enter Arif L.)</stage></sp>
            <stage>(All enter)</stage><lb/>
            <lb/>
          <sp><speaker>Tatiana </speaker>
          <p>Yes. I know quite well for whom he meant to steal her.</p>
          <stage>(Looks at Ivan)</stage></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(To Arif)</stage>
          <p>You are dismissed from my service.</p></sp>
          <sp><speaker>Arif</speaker>
          <p>Then it was not she whom you wanted me hide?</p></sp>
          <sp><speaker>Hopper</speaker>
          <stage>(Arif up R.C.)</stage>
          <p>You persian rug lay down.</p></sp>
          <sp><speaker>Boris</speaker>
          <p>Mr. Hopper, produce her within an hour or you shall give 
          me the satisfaction due one gentleman from another.</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>It's a good thing he apologized.</p></sp>
          <sp><speaker>Boris</speaker>
          <p>What do you mean?</p></sp>
          <sp><speaker>Hopper</speaker>
          <p>I'll show you what I mean.</p>
          <stage>(Starts for Boris. Knopf separates them.)</stage></sp>
            <pb/>
            <stage>(Enter Katinka C.)</stage><lb/>
            <lb/>
            <stage>(Song. Katinka sings first line of the "Heart of Song")</stage><lb/>
            <lb/>
            <stage>(Boris takes off mask from Katinka)</stage><lb/>
            <lb/>
          <sp><speaker>Boris</speaker>
          <p>Katinka. This woman is my runaway wife. She must come with 
          me.</p></sp>
          <sp><speaker>Ivan</speaker>
          <p>No! No!</p>
          <stage>(Katinka runs to him X R.C. He grasps her)</stage>
          <stage>(Enter Petrov R)</stage></sp>
          <sp><speaker>Boris</speaker>
          <p>By the ancient law, she must come to Russia with me her 
          lawful husband.</p>
          <stage>(Enter Nashan C. from L.)</stage>
          <stage>(Enter Chorus)</stage></sp>
          <sp><speaker>Nashan</speaker>
          <stage>(L.C.)</stage>
          <p>Stop.</p>
            <stage>(CHORUS EXCLAIM)</stage><lb/>
            <lb/>
          <p>I have kept silent for years. But rather than see this 
          little girl suffer as did your other wife, I speak.</p></sp>
          <sp><speaker>Boris</speaker>
          <p>Who is this woman?</p></sp>
            <stage>(Nashan removes veil -- looks toward Petrov R.)</stage><lb/>
            <lb/>
          <sp><speaker>Petrov</speaker>
          <p>Olga.</p></sp>          
          <sp><speaker>Boris</speaker>
          <p>My wife.</p></sp>         
          <sp><speaker>Ivan</speaker>
          <p>My sweetheart.</p>
          <stage>(Katinka goes into his arms)</stage></sp>          
          <sp><speaker>Helen</speaker>
          <p>My hero.</p>
          <stage>(X R.C.)</stage></sp>          
          <sp><speaker>Hopper</speaker>
          <p>My God!</p></sp>
            <stage>(Refrain "On My Heart I Am Wearing Your Photo" into Racketty Coo)</stage>
            <pb/>   </div> 
                <div type="song">
          <head><hi rend="ul">FINALE.</hi></head>
          <sp>
            <lg><l>On my heart I am wearing your photo,</l>
            <l>Because my heart, dear, is your heart in toto.</l>
            <l>And so I hold you pressed Upon my longing breast.</l>
            <l>But I'll give you this slight intimation;</l>
            <l>Although your photo's a fair illustration</l>
            <l>Of tender lips I have known,</l>
            <l>And the love that's my own,</l>
            <l>Still at best it's a chilly imitation;</l>
            <l>I think you'd better hurry home.</l></lg>
            <lg><l>Every night I hear her sing "Tweet tweet!"</l>
            <l>In tones so soft and true,</l>
          <l>Then hesitate until her mate</l>
          <l>Says Rackety coo! Coo, coo, coo!</l>
          <l>Then again she'll answer, "Tweet, tweet, tweet!"</l>
          <l>Whenever I am blue,</l>
          <l>And hear an echo answer!</l>
          <l>Rackety coo, coo, rackety coo!</l>
          <l>And know that Racky-coo means you!</l></lg>
            </sp>
            <stage><hi rend="ul">CURTAIN</hi></stage></div></div>
    </body>
  </text>
</TEI>
