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<fileDesc xml:id="FLOR-2">
<titleStmt xml:id="FLOR-3">
<title xml:id="FLOR-4">Florodora</title>
</titleStmt>
<publicationStmt xml:id="FLOR-5">
 <publisher xml:id="FLOR-6">New York Public Library for the Performing Arts</publisher>
 <pubPlace xml:id="FLOR-7">New York City</pubPlace>
</publicationStmt>
<sourceDesc xml:id="FLOR-8">
<bibl xml:id="FLOR-9">
<title xml:id="FLOR-10">Florodora</title>
<author xml:id="FLOR-11">Owen Hall</author>
<author xml:id="FLOR-12">E. Boyd Jones</author>
<author xml:id="FLOR-13">Paul Rubens</author>
<date xml:id="FLOR-14">1900</date>
</bibl>
</sourceDesc>
</fileDesc>
</teiHeader>
<text>
<front xml:id="FLOR-16">
<titlePage xml:id="FLOR-17">
<titlePart xml:id="FLOR-18">
<title xml:id="FLOR-19">
Florodora
</title>
</titlePart>
<lb xml:id="FLOR-20"/>
<docAuthor xml:id="FLOR-21">
Book by Owen Hall,<lb xml:id="FLOR-22"/>
Lyrics by E. Boyd Jones and Paul Rubens<lb xml:id="FLOR-23"/>
Music by LESLIE STUART<lb xml:id="FLOR-24"/>
<note xml:id="FLOR-25">
Produced 10 November 1900 at the Casino Theater in New York<lb xml:id="FLOR-26"/>
</note>
</docAuthor>
<pb xml:id="FLOR-27"/>
</titlePage>
<castList xml:id="FLOR-28">
<head xml:id="FLOR-29">FLORODORA</head>
<head xml:id="FLOR-30">CAST OF CHARACTERS</head>
<castItem xml:id="FLOR-31">
CYRUS W. GILFAIN:  Proprietor of the Island and of the 
				  world-renowned Florodora</castItem><lb xml:id="FLOR-32"/>
<castItem xml:id="FLOR-33">
FRANK ABERCOED:   Confidential clerk to Gilfain, and 
				manager of the whole business on the 
				Island.</castItem><lb xml:id="FLOR-34"/>
<castItem xml:id="FLOR-35">
LEANDRO: 		Overseer of the farm</castItem><lb xml:id="FLOR-36"/>
<castGroup xml:id="FLOR-37">
<castItem xml:id="FLOR-38">ERNEST PYM		   }</castItem><lb xml:id="FLOR-39"/>
<castItem xml:id="FLOR-40">REGINALD LANGDALE  }</castItem><lb xml:id="FLOR-41"/>
<castItem xml:id="FLOR-42">TENNYSON SYMS      }	Clerks of Gilfain's.</castItem><lb xml:id="FLOR-43"/>
<castItem xml:id="FLOR-44">FRANK AEFELBAUM   }  </castItem><lb xml:id="FLOR-45"/>
<castItem xml:id="FLOR-46">JOHN SCOTT		   }</castItem><lb xml:id="FLOR-47"/>
<castItem xml:id="FLOR-48">WILLIAM GROGAN     }</castItem><lb xml:id="FLOR-49"/>
</castGroup>
<castItem xml:id="FLOR-50">
CAPTAIN ARTHUR DONEGAL:  Of the 4th Royal LIfe Guards.
					     Lady Holyrood's brother.
</castItem><lb xml:id="FLOR-51"/><castItem xml:id="FLOR-52">
ANTHONY TWEEDLEPUNCH:	Showman, hypnotist, palmist and
						phrenologist.
</castItem><lb xml:id="FLOR-53"/><castItem xml:id="FLOR-54">
DOLORES:				A girl on Gilfain's farm.
</castItem><lb xml:id="FLOR-55"/><castItem xml:id="FLOR-56">
ANGELA GILFAIN
</castItem><lb xml:id="FLOR-57"/><castItem xml:id="FLOR-58">
LADY HOLYROOD:			A widow, Arthur Donegal's sister.
</castItem><lb xml:id="FLOR-59"/><castGroup xml:id="FLOR-60">
<castItem xml:id="FLOR-61">CALISTA		}</castItem><lb xml:id="FLOR-62"/>
<castItem xml:id="FLOR-63">JOSE		}</castItem><lb xml:id="FLOR-64"/>
<castItem xml:id="FLOR-65">INEZ		}			Spanish Girls, Heads of the various farms,</castItem>
<castItem xml:id="FLOR-66">JUANITA		}			</castItem><lb xml:id="FLOR-67"/>
<castItem xml:id="FLOR-68">VIOLANTHE	}</castItem><lb xml:id="FLOR-69"/>
<castItem xml:id="FLOR-70">VALLEDA		}</castItem><lb xml:id="FLOR-71"/>
</castGroup>
<castGroup xml:id="FLOR-72">
<castItem xml:id="FLOR-73">JOSIE LING			}</castItem><lb xml:id="FLOR-74"/>
<castItem xml:id="FLOR-75">MAMIE ROWE			}</castItem><lb xml:id="FLOR-76"/>
<castItem xml:id="FLOR-77">DAISY CHAIN			}	English Girls, friends of Angela's.</castItem><lb xml:id="FLOR-78"/>
<castItem xml:id="FLOR-79">LOTTA CHALMERS		}</castItem><lb xml:id="FLOR-80"/>
<castItem xml:id="FLOR-81">CYNTHIA BELMONT		}</castItem><lb xml:id="FLOR-82"/>
<castItem xml:id="FLOR-83">CLAIRE FITZCLARENCE	}</castItem><lb xml:id="FLOR-84"/>
</castGroup>
<castGroup xml:id="FLOR-85">
<castItem xml:id="FLOR-86">Spanish Bred Farm Laborers, </castItem><castItem xml:id="FLOR-87">Flower Girls,</castItem><castItem xml:id="FLOR-88"> Porters,</castItem><lb xml:id="FLOR-89"/>
<castItem xml:id="FLOR-90">And A Couple of Negroes.</castItem><lb xml:id="FLOR-91"/>
</castGroup>
</castList>
</front>
<body xml:id="FLOR-92">
<pb xml:id="FLOR-93"/>
<div type="Act" n="1" xml:id="FLOR-94">
<div type="Scene" n="1" xml:id="FLOR-95">
<stage xml:id="FLOR-96">ACT I</stage>
<stage xml:id="FLOR-97"><p xml:id="FLOR-98">SCENE:	A small Island of the Phillippine
		group.  Down stage R. are the offices
		and warehouses of Cyrus Gilfain,
		manufacturer of Florodora, a famous
		perfume.  His private laboratory is
		down stage L.  Rear drop shows a 
		flower farm with hydrangea blossoms
		palms, etc.
		</p>
		<p xml:id="FLOR-99">
		There is also the open sea and a small
		creek or a landing stake from which a 
		boat can get away.
	</p>
	<p xml:id="FLOR-100">
DISCOVERED:  Farm Attendants, engaged in packing 
			 blossoms into big baskets.  They are
			 packing cases at the side with the 
			 name of "Florodora, Cyrus Gilfain,
			 Proprietor" printed on.  Gilfain's
			 name is also on the door of his 
			 laboratory
		</p>
		</stage>
		<stage xml:id="FLOR-101">
		OPENING CHORUS
	</stage>
	<sp xml:id="FLOR-102"><lg xml:id="FLOR-103">
<l xml:id="FLOR-104">	Flowers a-bloomish so gay</l>
<l xml:id="FLOR-105">		Roses on every tree</l>
<l xml:id="FLOR-106">	Sweetest words that lovers can say</l>
<l xml:id="FLOR-107">		Fair as the whispering sea.</l>
<l xml:id="FLOR-108">	Roses softly blooming</l>
<l xml:id="FLOR-109">	to your sweet perfuming</l>
<l xml:id="FLOR-110">		Say goodbye.</l>
<l xml:id="FLOR-111">	Fragrance distilling</l>
<l xml:id="FLOR-112">	Willing or unwilling</l>
<l xml:id="FLOR-113">		Ye must die.</l>
	</lg><lg xml:id="FLOR-114">
<l xml:id="FLOR-115">	So should we maidens, too
</l>
<l xml:id="FLOR-116">		Heed the hours, that fly away, away
</l>
<l xml:id="FLOR-117">	For a flower or maid, 'tis true
</l>
<l xml:id="FLOR-118">		That life alas is but a day.
</l>
<l xml:id="FLOR-119">	So should we maidens, too
</l>
<l xml:id="FLOR-120">		Heed the hours that fly away, away
</l>
<l xml:id="FLOR-121">	For a flower or maid tis true
</l>
<l xml:id="FLOR-122">		That life, alas, is but a day.
</l>
	</lg><lg xml:id="FLOR-123">	
<l xml:id="FLOR-124">	And through the day
</l>
<l xml:id="FLOR-125">	'Tis thus we wander dreaming, dreaming
</l>
<l xml:id="FLOR-126">	Mid the flowers
</l>
<l xml:id="FLOR-127">	With visions soaring widely, widely
</l>
<l xml:id="FLOR-128">	To that Fairy Land</l>
	<pb xml:id="FLOR-129"/>
		<l xml:id="FLOR-130">That only maidens discover</l>
	<l xml:id="FLOR-131">Wandering hand in hand.</l>
		<l xml:id="FLOR-132">With Cupid for lover.</l>
	</lg>
	</sp>
	<stage xml:id="FLOR-133">
	<stage xml:id="FLOR-134">(Enter SPANISH GIRLS)</stage>
	</stage>
	<sp xml:id="FLOR-135">
<lg xml:id="FLOR-136">
<l xml:id="FLOR-137">	Flora, Florodora
</l>
<l xml:id="FLOR-138">		Of all perfumes divine
</l>
<l xml:id="FLOR-139">	As Goddess we adore her
</l>
<l xml:id="FLOR-140">		In her flowery shrine
</l>
<l xml:id="FLOR-141">	Her gifts on our Island bestowing
</l>
<l xml:id="FLOR-142">	There lies in each flower gaily blowing
</l>
<l xml:id="FLOR-143">		A fortune ne'er ending
</l>
<l xml:id="FLOR-144">		To maids that are tending
</l>
<l xml:id="FLOR-145">	The shrine of our Saint Florodora.
</l>
<l xml:id="FLOR-146">		Of all perfumes divine
</l>
<l xml:id="FLOR-147">		As Goddess we adore her
</l>
<l xml:id="FLOR-148">		In her flowery shrine
</l>
<l xml:id="FLOR-149">	Her gifts on our Island bestowing
</l>
<l xml:id="FLOR-150">	There lies in each flower gaily blowing
</l>
<l xml:id="FLOR-151">		A fortune ne'er ending
</l>
<l xml:id="FLOR-152">		To maids that are tending
</l>
<l xml:id="FLOR-153">	The shrine of our Saint Florodora.</l>
</lg><lg xml:id="FLOR-154">	
<l xml:id="FLOR-155">	So dance once again</l>
<l xml:id="FLOR-156">		The gay Caballero</l>
<l xml:id="FLOR-157">	And sing a bolero refrain</l>
<l xml:id="FLOR-158">	And sing a bolero, bolero refrain.</l>
<l xml:id="FLOR-159">	Dance Caballero again,</l>
<l xml:id="FLOR-160">		Gay castanetting</l>
<l xml:id="FLOR-161">		To lovers coquetting</l>
<l xml:id="FLOR-162">	So sing a bolero and dance caballero again</l>
	</lg>
	<lg xml:id="FLOR-163">
<l xml:id="FLOR-164">	So should we maidens too,</l>
<l xml:id="FLOR-165">		Heed the hours that fly away,</l>
<l xml:id="FLOR-166">	For a flower or maid 'tis true,</l>
<l xml:id="FLOR-167">		That life alas is but a day,</l>
<l xml:id="FLOR-168">	Florodora, Florodora.</l>
<l xml:id="FLOR-169">		With a gay castanet dance before her,</l>
<l xml:id="FLOR-170">	Flora, Dora, Flora, Dora,</l>
<l xml:id="FLOR-171">		As a Goddess or a Queen we adore her,</l>
<l xml:id="FLOR-172">			Cabellero.</l>
<l xml:id="FLOR-173">		Sing Bolero, sing bolero,</l>
<l xml:id="FLOR-174">			Sing a bolero, dance Caballero again.</l>
		</lg>
		</sp>	
		<stage xml:id="FLOR-175">
			(Chorus finishes, enter LEANDRO, L.U.E. Spanish 
			Girls come forward and chorus)</stage>
			<pb xml:id="FLOR-176"/>
			<sp xml:id="FLOR-177"><speaker xml:id="FLOR-178">Leandro</speaker>
		<stage xml:id="FLOR-179">(C.)</stage>
	<p xml:id="FLOR-180">You're very troublesome, you girls.  Just the very day that 
	Mr. Gilfain's arriving from his trip to England you're all
	late.  What's the excuse for this?</p></sp>
		<stage xml:id="FLOR-181">(Girls laugh)</stage>
			<sp xml:id="FLOR-182"><speaker xml:id="FLOR-183">Inez</speaker><p xml:id="FLOR-184">We take longer when we expect such a distinguished visitor.</p></sp>
			<sp xml:id="FLOR-185"><speaker xml:id="FLOR-186">Valleda</speaker><p xml:id="FLOR-187">I had a couple inches off my skirt.  Late time Mr. Gilfain
	was here he told me he liked to see my pretty ankles.</p></sp>
			<sp xml:id="FLOR-188"><speaker xml:id="FLOR-189">Leandro</speaker>
		<stage xml:id="FLOR-190">(Smokes cigarette)</stage>
	<p xml:id="FLOR-191">I guess you like to please him that way, in any extent.  But
	he's not coming to an anatomical museum.  The world, is waiting
	 for this season's supply of Florodora, our great perfume.
	 We must see that they get it.  Don't chatter to the clerks - 
	 but get to business.</p></sp>
	 	<stage xml:id="FLOR-192">(Goes right during the following number)</stage>	 	
	 	<stage xml:id="FLOR-193">(Enter PYM, LANG, SIMS, AEPFEL, SCOTT, and GROGAN
	 	R.3.E.)</stage>
	 		 <sp xml:id="FLOR-194"><speaker xml:id="FLOR-195">Pym</speaker>
	 	<stage xml:id="FLOR-196">(To Leandro)</stage>
	<p xml:id="FLOR-197">Well, Leandro, is everything in order for Mr. Gilfain?</p></sp> 	
	 		 <sp xml:id="FLOR-198"><speaker xml:id="FLOR-199">Leandro</speaker>
	 	<stage xml:id="FLOR-200">(Xes R. to C.)</stage>
	<p xml:id="FLOR-201">Everything in my department.  I can't answer for the office
	 work.</p></sp>	 
	 		<sp xml:id="FLOR-202"><speaker xml:id="FLOR-203">Pym</speaker><p xml:id="FLOR-204">Who asked you to?  We attend to that.</p></sp>
	 		<sp xml:id="FLOR-205"><speaker xml:id="FLOR-206">Leandro</speaker><p xml:id="FLOR-207">You?  You mean Mr. Abercoed attends to it.</p></sp>
	 		<sp xml:id="FLOR-208"><speaker xml:id="FLOR-209">Pym</speaker>
	 	<stage xml:id="FLOR-210">(Good humoredly)</stage>
	 <p xml:id="FLOR-211">Well he represents Mr. Gilfain, so we do our duty to our
	 employer when we obey Abercoed.</p></sp>
	 	<stage xml:id="FLOR-212">(Turns a little up stage L.)</stage>
	 	<stage xml:id="FLOR-213">(Enter ABERCOED L.U.E)</stage>
	 	<pb xml:id="FLOR-214"/>
		<sp xml:id="FLOR-215">	<speaker xml:id="FLOR-216">Abercoed</speaker>
		<stage xml:id="FLOR-217">(Goes C.)</stage>
	<p xml:id="FLOR-218">Well, boys, is everything all right in the office?</p></sp>
			<sp xml:id="FLOR-219"><speaker xml:id="FLOR-220">Pym</speaker><p xml:id="FLOR-221">Yes sir.  There's a splendid crop of blossoms and a capital
	crop of orders too.</p></sp>
			<sp xml:id="FLOR-222"><speaker xml:id="FLOR-223">Abercoed</speaker><p xml:id="FLOR-224">And Mr. Gilfain will find everything ready for him.  He can 
	prepare the essence of Florodora the minute he arrives.</p></sp>
			<sp xml:id="FLOR-225"><speaker xml:id="FLOR-226">Clerks</speaker><p xml:id="FLOR-227">Can we go now --</p></sp>
			<sp xml:id="FLOR-228"><speaker xml:id="FLOR-229">Abercoed</speaker><p xml:id="FLOR-230">You may go now...</p></sp>
		<stage xml:id="FLOR-231">(Pym, Sims, Lang and Aelfel and clerks exit R. in 
		office)</stage>
			<sp xml:id="FLOR-232"><speaker xml:id="FLOR-233">Leandro</speaker>
		<stage xml:id="FLOR-234">(Xing to L.)</stage>
	<p xml:id="FLOR-235">I wish I could find out how he makes Florodora.</p></sp>
			<sp xml:id="FLOR-236"><speaker xml:id="FLOR-237">Abercoed</speaker><p xml:id="FLOR-238">None of that.  The secret of preparing Florodora is Mr.
	Gilfain's own.  To try to find out is to try to rob him.
	Have you anything to say to me --</p></sp>
			<sp xml:id="FLOR-239"><speaker xml:id="FLOR-240">Leandro</speaker><p xml:id="FLOR-241">Yes I have.  One of the farm girls neglects her work.</p></sp>
			<sp xml:id="FLOR-242"><speaker xml:id="FLOR-243">Abercoed</speaker>
		<stage xml:id="FLOR-244">(Watching him carefully)</stage>	
	<p xml:id="FLOR-245">Which one?</p></sp>
			<sp xml:id="FLOR-246"><speaker xml:id="FLOR-247">Leandro</speaker><p xml:id="FLOR-248">The one all of you spoil of course.</p></sp>
			<sp xml:id="FLOR-249"><speaker xml:id="FLOR-250">Abercoed</speaker>
		<stage xml:id="FLOR-251">(Aside)</stage>
	<p xml:id="FLOR-252">Dolores.</p></sp>
			<sp xml:id="FLOR-253"><speaker xml:id="FLOR-254">Leandro</speaker><p xml:id="FLOR-255">First of all Mr. Gilfain says she is not to do more work than 
	she likes.  Then she does none at all and he doubles her wages.
	There's some mystery about that girl.</p></sp>
			<sp xml:id="FLOR-256"><speaker xml:id="FLOR-257">Abercoed</speaker><p xml:id="FLOR-258">Mystery, nonsense.  Mr. Gilfain likes her as we all do, and
	wants to be kind to her, besides what is it you anyway?</p></sp>
			<sp xml:id="FLOR-259"><speaker xml:id="FLOR-260">Leandro</speaker><p xml:id="FLOR-261">Everything.  She is idle and careless, she sets a bad example.
	I can't maintain discipline.</p></sp>
		<stage xml:id="FLOR-262">(Symphony of Dolores' Song commences)</stage>
			<sp xml:id="FLOR-263"><speaker xml:id="FLOR-264">Abercoed</speaker><p xml:id="FLOR-265">Send the girl to me, I'll talk to her.</p>
		<stage xml:id="FLOR-266">(Leandro exits R.U.E)</stage>
	<p xml:id="FLOR-267">I can't allow Leandro to lord it over her.</p></sp>
		<stage xml:id="FLOR-268">(DOLORES voice is heard off stage -- singing)</stage>
		<stage xml:id="FLOR-269">(Abercoed exits R.2.E.)</stage>
		<stage xml:id="FLOR-270">(After song, Dolores goes up L.C.  ABERCOED enters 
		from R.2.)</stage>
			<sp xml:id="FLOR-271"><speaker xml:id="FLOR-272">Abercoed</speaker><p xml:id="FLOR-273">Ah Dolores come here.
		<stage xml:id="FLOR-274">(E.C.)</stage>
	Leandro has been complaining about you.  He says that you
	don't attend to your work.</p></sp>
			<sp xml:id="FLOR-275"><speaker xml:id="FLOR-276">Dolores</speaker>
		<stage xml:id="FLOR-277">(L.C.)</stage>
	<p xml:id="FLOR-278">Of course I don't - I hate work.  But don't you be angry with 
	me.  Mr. Gilfain never is.</p></sp>
			<sp xml:id="FLOR-279"><speaker xml:id="FLOR-280">Abercoed</speaker><p xml:id="FLOR-281">And he's the master.  So we must all spoil you like he does, 
	I suppose, and follow his lead.</p></sp>
			<sp xml:id="FLOR-282"><speaker xml:id="FLOR-283">Dolores</speaker>
		<stage xml:id="FLOR-284">(Xes to L. toying with a flower and drops it)</stage>
	<p xml:id="FLOR-285">Is it difficult to follow that lead?</p></sp>
			<sp xml:id="FLOR-286"><speaker xml:id="FLOR-287">Abercoed</speaker>
		<stage xml:id="FLOR-288">(Following her a little)</stage>
	<p xml:id="FLOR-289">It is difficult not to follow it.</p></sp>
		<stage xml:id="FLOR-290">(Picks up flower)</stage>
			<sp xml:id="FLOR-291"><speaker xml:id="FLOR-292">Dolores</speaker><p xml:id="FLOR-293">
	A man can always get over a little difficulty like that, if 
	he wants to.
	</p>
	</sp><pb xml:id="FLOR-294"/>
			<sp xml:id="FLOR-295"><speaker xml:id="FLOR-296">Abercoed</speaker><p xml:id="FLOR-297">No, not always  -- there may be reasons why he must not - why
	he dare not.
	</p></sp>
			<sp xml:id="FLOR-298"><speaker xml:id="FLOR-299">Dolores</speaker>
		<stage xml:id="FLOR-300">(Goes to him)</stage>
	<p xml:id="FLOR-301">And have you any such reasons.</p></sp>
			<sp xml:id="FLOR-302"><speaker xml:id="FLOR-303">Abercoed</speaker><p xml:id="FLOR-304">Yes -- one.</p></sp>
			<sp xml:id="FLOR-305"><speaker xml:id="FLOR-306">Dolores</speaker><p xml:id="FLOR-307">I guess it.  You've married already.</p>
		<stage xml:id="FLOR-308">(Goes L.C.)</stage>
	<p xml:id="FLOR-309">Most foreigners have wives in their own country.  That's why
	they come abroad.</p></sp>
		<stage xml:id="FLOR-310">(Xes R.)</stage>
	<sp xml:id="FLOR-311"><speaker xml:id="FLOR-312">Abercoed</speaker><p xml:id="FLOR-313">No, you are wrong, Dolores.  I left my country, quarreled with
	my own people, because I wouldn't marry.</p></sp>
		<sp xml:id="FLOR-314"><speaker xml:id="FLOR-315">Dolores</speaker>
		<stage xml:id="FLOR-316">(Xes to)</stage>
	<p xml:id="FLOR-317">Yes, you.
		<stage xml:id="FLOR-318">(Comes down)</stage>
			</p></sp><sp xml:id="FLOR-319"><speaker xml:id="FLOR-320">Abercoed</speaker><p xml:id="FLOR-321">
	Because I wouldn't marry a woman I didn't love.
		<stage xml:id="FLOR-322">(Xes to L.C.)</stage>
			</p></sp>
			<sp xml:id="FLOR-323"><speaker xml:id="FLOR-324">Dolores</speaker>
		<stage xml:id="FLOR-325">(Xes to R.C.)</stage>
	<p xml:id="FLOR-326">I like you for that.  And you will only marry a woman you 
	really love?
			</p></sp><sp xml:id="FLOR-327"><speaker xml:id="FLOR-328">Abercoed</speaker><p xml:id="FLOR-329">
	Marry?  I mustn't marry - at least, not yet.
			</p></sp><sp xml:id="FLOR-330"><speaker xml:id="FLOR-331">Dolores</speaker><p xml:id="FLOR-332">
	Well, if you mustn't marry, that needn't prevent you being 
	in love.
			</p></sp><sp xml:id="FLOR-333"><speaker xml:id="FLOR-334">Abercoed</speaker><p xml:id="FLOR-335">
	No, and Dolores, perhaps I'm in love.
			</p></sp><sp xml:id="FLOR-336"><speaker xml:id="FLOR-337">Dolores</speaker><p xml:id="FLOR-338">
		<stage xml:id="FLOR-339">(Expectantly)</stage>
	With me -- are you in love with me.
	<pb xml:id="FLOR-340"/>
			</p></sp><sp xml:id="FLOR-341"><speaker xml:id="FLOR-342">Abercoed</speaker><p xml:id="FLOR-343">
	Well I mustn't say with whom, but I am in love with somebody.
	Some day I may be free, and I promise to tell you all about 
	it then.
			</p></sp><sp xml:id="FLOR-344"><speaker xml:id="FLOR-345">Dolores</speaker><p xml:id="FLOR-346">
	I shall remember that promise.
			</p></sp><sp xml:id="FLOR-347"><speaker xml:id="FLOR-348">Abercoed</speaker><p xml:id="FLOR-349">
	And I will seal it.</p>
		<stage xml:id="FLOR-350">(Kisses her)</stage>
		</sp>
			<stage xml:id="FLOR-351">DUET -- DOLORES AND ABERCOED</stage>
					<stage xml:id="FLOR-352">"SOMEBODY"</stage>
					<sp xml:id="FLOR-353"><speaker xml:id="FLOR-354">Dolores</speaker><lg xml:id="FLOR-355">
<l xml:id="FLOR-356">	If you're in love with somebody,</l>
<l xml:id="FLOR-357">	Happy and lucky somebody,</l>
<l xml:id="FLOR-358">	Tell me, I pray, her name and say,</l>
<l xml:id="FLOR-359">	Where did you meet her?  What was the day,</l>
<l xml:id="FLOR-360">	When you met this somebody.</l>
					</lg></sp><sp xml:id="FLOR-361"><speaker xml:id="FLOR-362">Abercoed</speaker><lg xml:id="FLOR-363">
<l xml:id="FLOR-364">	To somebody, why should I tell the day?</l>
<l xml:id="FLOR-365">	Well, give this kiss to somebody,</l>
<l xml:id="FLOR-366">	There's none in the [world like she]</l>
<l xml:id="FLOR-367">	On land, and sea, where'er I be,</l>
<l xml:id="FLOR-368">	My heart will be here, just here,</l>
<l xml:id="FLOR-369">	With somebody?</l>
	</lg>
					</sp><sp xml:id="FLOR-370"><speaker xml:id="FLOR-371">Dolores</speaker><p xml:id="FLOR-372">
	Ah! -- with somebody
					</p></sp><sp xml:id="FLOR-373"><speaker xml:id="FLOR-374">Abercoed</speaker><lg xml:id="FLOR-375">
<l xml:id="FLOR-376">	Ah!</l></lg><lg xml:id="FLOR-377">
<l xml:id="FLOR-378">			It is for you to tell, my lady,</l>
<l xml:id="FLOR-379">			And since you know her well, my lady,</l>
<l xml:id="FLOR-380">			You are the image of somebody,</l>
<l xml:id="FLOR-381">	Yes you are the image of somebody, somebody,</l>
<l xml:id="FLOR-382">	Ah! -- my lady, ah! - my lady,</l>
<l xml:id="FLOR-383">	You're the image of somebody, of somebody,</l>
<l xml:id="FLOR-384">	Yes of somebody, somebody!</l>
	</lg>
					</sp><sp xml:id="FLOR-385"><speaker xml:id="FLOR-386">Dolores</speaker>
<lg xml:id="FLOR-387">
<l xml:id="FLOR-388">	It is for me to tell this lady,</l>
<l xml:id="FLOR-389">	And since I know her well this lady</l>
<l xml:id="FLOR-390">	I am the image of somebody, of somebody,</l>
<l xml:id="FLOR-391">	I am the image of somebody.</l>
	</lg>
	</sp><pb xml:id="FLOR-392"/>
					<sp xml:id="FLOR-393"><speaker xml:id="FLOR-394">Abercoed</speaker><lg xml:id="FLOR-395">
<l xml:id="FLOR-396">	Who'd be king.  Not, I, not I.</l>
<l xml:id="FLOR-397">	If I must part with somebody.</l>
<l xml:id="FLOR-398">	Pleasure and pride on a throne, goodbye.</l>
<l xml:id="FLOR-399">	 To pleasure and pride I'd say goodbye,</l>
<l xml:id="FLOR-400">	To remain with somebody.</l>
					</lg></sp><sp xml:id="FLOR-401"><speaker xml:id="FLOR-402">Dolores</speaker><lg xml:id="FLOR-403">
<l xml:id="FLOR-404">	To somebody why should you say goodbye,</l>
<l xml:id="FLOR-405">	If you should fly away, away</l>
<l xml:id="FLOR-406">	Then what would become of somebody?</l>
<l xml:id="FLOR-407">	While you can stay, come then what may,</l>
<l xml:id="FLOR-408">	Yes, heaven to somebody.</l></lg>
					</sp><sp xml:id="FLOR-409"><speaker xml:id="FLOR-410">Dolores</speaker>
	<l xml:id="FLOR-411">Ah --</l>
					</sp><sp xml:id="FLOR-412"><speaker xml:id="FLOR-413">Abercoed</speaker>
	<l xml:id="FLOR-414">Ah ---- to somebody.</l>
	<lg xml:id="FLOR-415"> 
<l xml:id="FLOR-416">	It is for you to tell, my lady,</l>
<l xml:id="FLOR-417">	And since you know her well my lady,</l>
<l xml:id="FLOR-418">	You are the image of somebody,</l>
<l xml:id="FLOR-419">	Ah -- my lady -- ah my lady,</l>
<l xml:id="FLOR-420">	You are the image od somebody, of somebody,</l>
<l xml:id="FLOR-421">	Yes of somebody, somebody,</l>
<l xml:id="FLOR-422">	I love somebody, somebody.</l>
<l xml:id="FLOR-423">	On land, or sea, where'er I be --</l>
<l xml:id="FLOR-424">	I love this somebody, and,</l>
	<l xml:id="FLOR-425">This somebody loves me well.</l>
	</lg>
					</sp><sp xml:id="FLOR-426"><speaker xml:id="FLOR-427">Dolores</speaker><lg xml:id="FLOR-428">
<l xml:id="FLOR-429">	It is for me to tell this lady,</l>
<l xml:id="FLOR-430">	And since I know her well, this lady,</l>
<l xml:id="FLOR-431">	I am the image of somebody, of somebody,</l>
<l xml:id="FLOR-432">	I am the image of somebody,</l>
<l xml:id="FLOR-433">	Ah -- ah, ah, you love this somebody,</l>
<l xml:id="FLOR-434">	And this somebody loves you well --</l>
	</lg>
		<stage xml:id="FLOR-435">(Abercoed kisses her.  Dolores runs off L.1.E.
		Abercoed runs off R.2.E. after picking up flower)</stage>
		<stage xml:id="FLOR-436">(At end of Duet enter Spanish Girls R.U.E. Come
		down L.C.)</stage>
		<stage xml:id="FLOR-437">(Noise heard off L.U.E.  Enter TWEEDLEPUNCH down C.
		and others up on stand.  Hurry music and murmurs off -
		and from R.U.E.)</stage>
		<pb xml:id="FLOR-438"/>
		<stage xml:id="FLOR-439">(Tweedlepunch followed by LEANDRO who has knife.
		Tweedlepunch has bags, and phrenological chart and
		dummy head.  Tweedlepunch runs on and finally climbs
		up on shed R. after looking off L.I.E)</stage>
		<stage xml:id="FLOR-440"> (The idea to be conveyed being that he has been 
		chased by Leandro, and is in fear of violence)</stage>
					</sp><sp xml:id="FLOR-441"><speaker xml:id="FLOR-442">Leandro</speaker><p xml:id="FLOR-443">
		Ah Caramba.
			<stage xml:id="FLOR-444">(Knife Bus.)</stage>
		Come down from there.
					</p></sp><sp xml:id="FLOR-445"><speaker xml:id="FLOR-446">Tweedlepunch</speaker><p xml:id="FLOR-447">
		Is there anything about my appearance that suggests that I
		am a damned fool?
			<stage xml:id="FLOR-448">(Leandro rushes at him - knife bus.)</stage>
		If you come any nearer I'll scream.
					</p></sp><sp xml:id="FLOR-449"><speaker xml:id="FLOR-450">Leandro</speaker><p xml:id="FLOR-451">
		What are you doing on this island?
					</p></sp><sp xml:id="FLOR-452"><speaker xml:id="FLOR-453">Tweedlepunch</speaker><p xml:id="FLOR-454">
		Trying to avoid being punctured.
			<stage xml:id="FLOR-455">(Leandro picks up phrenological dummy head and after
			looking at it throws it down saying disgustedly)</stage>
		Bah, Oh I say don't throw anything about like that.
					</p></sp><sp xml:id="FLOR-456"><speaker xml:id="FLOR-457">Leandro</speaker><p xml:id="FLOR-458">
		I will.  I'll fix it!
			<stage xml:id="FLOR-459">(Kicks the head and hurts his foot)</stage>
					</p></sp><sp xml:id="FLOR-460"><speaker xml:id="FLOR-461">Tweedlepunch</speaker><p xml:id="FLOR-462">
		Serves you right - that's my head you're kicking.
					</p></sp><sp xml:id="FLOR-463"><speaker xml:id="FLOR-464">Leandro</speaker><p xml:id="FLOR-465">
		Your head?
					</p></sp><sp xml:id="FLOR-466"><speaker xml:id="FLOR-467">Tweedlepunch</speaker><p xml:id="FLOR-468">
		Yes - I lost it in the excitement when you were giving me 
		such a warm - welcome to your dinky old island.
					</p></sp><sp xml:id="FLOR-469"><speaker xml:id="FLOR-470">Leandro</speaker><p xml:id="FLOR-471">
		Ah.  I'll give you a warmer one.
				<stage xml:id="FLOR-472">(with knife bus.)</stage>
					</p></sp><sp xml:id="FLOR-473"><speaker xml:id="FLOR-474">Tweedlepunch</speaker><p xml:id="FLOR-475">
		Look out, look out.
				<stage xml:id="FLOR-476">(After climbing still further up on shed)</stage>
					</p></sp><sp xml:id="FLOR-477"><speaker xml:id="FLOR-478">Tweedlepunch</speaker><p xml:id="FLOR-479">
		I have a revolver.
			<stage xml:id="FLOR-480">(Threateningly)</stage>
					</p></sp><sp xml:id="FLOR-481"><speaker xml:id="FLOR-482">Leandro</speaker><p xml:id="FLOR-483">
		No.
			<stage xml:id="FLOR-484">(Making another pass at him with knife)</stage>
					</p></sp><sp xml:id="FLOR-485"><speaker xml:id="FLOR-486">Tweedlepunch</speaker><p xml:id="FLOR-487">
		In my satchel.
			<stage xml:id="FLOR-488">(Pointing to satchel)</stage>
		Hand up my satchel.
					</p></sp><sp xml:id="FLOR-489"><speaker xml:id="FLOR-490">Leandro</speaker><p xml:id="FLOR-491">
		Who are you and what are you doing here?
					</p></sp><sp xml:id="FLOR-492"><speaker xml:id="FLOR-493">Tweedlepunch</speaker><p xml:id="FLOR-494">
		I am Anthony Tweedlepunch, phrenologist, palmist, and wholesale
		Scientist from the Royal Aquarium, London.  My photograph-
			<stage xml:id="FLOR-495">(Throws it to him)</stage>
					</p></sp><sp xml:id="FLOR-496"><speaker xml:id="FLOR-497">Leandro</speaker><p xml:id="FLOR-498">
		No strangers are allowed on the Island of Florodora.
					</p></sp><sp xml:id="FLOR-499"><speaker xml:id="FLOR-500">Tweedlepunch</speaker><p xml:id="FLOR-501">
		I was not aware of that.  If you will kindly send some gentlemanly 
		person to talk to me, I will be charmed to dispense 
		with your society.
					</p></sp><sp xml:id="FLOR-502"><speaker xml:id="FLOR-503">Leandro</speaker><p xml:id="FLOR-504">
				<stage xml:id="FLOR-505">(Kicks bag)</stage>
		Ah Caramba.
				<stage xml:id="FLOR-506">(Bus. with knife)</stage>
		I'll go and find Mr. Abercoed.  He'll attend to you in short
		order.  Ah.
				<stage xml:id="FLOR-507">(Bus. with knife and exit Leandro R. through shed)</stage>
					</p></sp><sp xml:id="FLOR-508"><speaker xml:id="FLOR-509">Tweedlepunch</speaker><p xml:id="FLOR-510">
		Isn't he abrupt.</p>
				<stage xml:id="FLOR-511">(Bus. of trying to look off under shed from his perch
				on roof.)</stage>
		<p xml:id="FLOR-512">I hope Abercoed isn't another ruffian with a carver.</p></sp>
				<stage xml:id="FLOR-513">(Starts to clamber down from shed and upon hearing girls
				laugh, clambers back again)</stage>
				<stage xml:id="FLOR-514">(Enter JUANITA, INEZ, VALLEDA, etc. L.U.E.)</stage>
					<sp xml:id="FLOR-515"><speaker xml:id="FLOR-516">Tweedlepunch</speaker><p xml:id="FLOR-517">
		Ah ladies ---
				<stage xml:id="FLOR-518">(Girls seeing him, scream)</stage>
				<pb xml:id="FLOR-519"/>
		Don't do that, I'm not a bogy man.
				<stage xml:id="FLOR-520">(Climbing down from shed and pausing to look off
				under shed where Leandro went off before dropping 
				to stage.)</stage>
					</p></sp><sp xml:id="FLOR-521"><speaker xml:id="FLOR-522">Inez</speaker><p xml:id="FLOR-523">
		Perhaps he's a burgelaar.
					</p></sp><sp xml:id="FLOR-524"><speaker xml:id="FLOR-525">Valleda</speaker><p xml:id="FLOR-526">
		Let us go and call Leandro.
					</p></sp><sp xml:id="FLOR-527"><speaker xml:id="FLOR-528">Tweedlepunch</speaker><p xml:id="FLOR-529">
		If Leandro is the gentleman with the knife, I have met him
		and he endeavored to cut me.
					</p></sp><sp xml:id="FLOR-530"><speaker xml:id="FLOR-531">Inez</speaker><p xml:id="FLOR-532">
		Who might you be.
					</p></sp><sp xml:id="FLOR-533"><speaker xml:id="FLOR-534">Tweedlepunch</speaker><p xml:id="FLOR-535">
		I am Anthony Tweedlepunch, phrenologist, etcetra, etcetra.
		My photograph.
			<stage xml:id="FLOR-536">(Hand card.)</stage>
			<stage xml:id="FLOR-537">(Pick up damaged dummy head.  Recovers baggage and 
			place it with dummy head R.)</stage>
					</p></sp><sp xml:id="FLOR-538"><speaker xml:id="FLOR-539">Valleda</speaker><p xml:id="FLOR-540">
		You are a palmist also, the card says - 
					</p></sp><sp xml:id="FLOR-541"><speaker xml:id="FLOR-542">Tweedlepunch</speaker><p xml:id="FLOR-543">
		Yes, - I can read your palm, and tell you anything you 
		wish to know for a shilling - for two shillings I tell you 
		a great deal that never happened.  Let me see your palm.
			<stage xml:id="FLOR-544">(Bus. of reading palm)</stage>
		You don't use pearl's soap?  Your mother was a married
		woman.  You are a flirt and are inclined to transfer your 
		affections at the slightest provocation.
					</p></sp><sp xml:id="FLOR-545"><speaker xml:id="FLOR-546">Valleda</speaker><p xml:id="FLOR-547">
		Transfer my affections - how do you know?
					</p></sp><sp xml:id="FLOR-548"><speaker xml:id="FLOR-549">Tweedlepunch</speaker><p xml:id="FLOR-550">
		By the number of cross lines running off your main line.
		You are rather careless of your clothes - your clothes 
		line is full of knots.
					</p></sp><sp xml:id="FLOR-551"><speaker xml:id="FLOR-552">Valleda</speaker><p xml:id="FLOR-553">
		I think you are a fraud.
			<stage xml:id="FLOR-554">(Girls walk up stage -- laugh)</stage>
				</p></sp><sp xml:id="FLOR-555"><speaker xml:id="FLOR-556">Tweedlepunch</speaker><p xml:id="FLOR-557">
		If I am - it is my business.</p>
			<stage xml:id="FLOR-558">(To Calista)</stage>
		<p xml:id="FLOR-559">Here just one moment, please.  Do you know I have taken
		quite a fancy to you?</p></sp>
				<sp xml:id="FLOR-560"><speaker xml:id="FLOR-561">Calista</speaker><p xml:id="FLOR-562">Have you?
				</p></sp><sp xml:id="FLOR-563"><speaker xml:id="FLOR-564">Tweedlepunch</speaker><p xml:id="FLOR-565">
		Yes.  I should like to cement our friendship with some little
		token.  If you will permit me.  Let me see --
			<stage xml:id="FLOR-566">(Hands in pocket)</stage>
		What have I.  Ah, my pocket knife.  Do you know I have carried 
		that knife for ten years?  Will you accept it?
				</p></sp>	<sp xml:id="FLOR-567"><speaker xml:id="FLOR-568">Calista</speaker><p xml:id="FLOR-569">
		Oh thank you very much.
				</p></sp><sp xml:id="FLOR-570"><speaker xml:id="FLOR-571">Tweedlepunch</speaker><p xml:id="FLOR-572">
		You are not superstitious if you are we won't make it a 
		present just give me some little thing in exchange.  Anything 
		will do, it does not matter the amount.
				</p></sp>	<sp xml:id="FLOR-573"><speaker xml:id="FLOR-574">Calista</speaker><p xml:id="FLOR-575">
		Yes but I haven't anything less than a dollar.
				</p></sp><sp xml:id="FLOR-576"><speaker xml:id="FLOR-577">Tweedlepunch</speaker><p xml:id="FLOR-578">
			<stage xml:id="FLOR-579">(Takes it quickly)</stage>
		That will do.  A dollar will break the hoodoo
			<stage xml:id="FLOR-580">(Aside)</stage>
		That's pretty good.  They only cost me fifty cents a dozen.
				</p></sp><sp xml:id="FLOR-581"><speaker xml:id="FLOR-582">Inez</speaker><p xml:id="FLOR-583">
		Here comes Mr. Abercoed and Leandro.
			<stage xml:id="FLOR-584">(Tweedlepunch goes R.  Enter ABERCOED and LEANDRO
			R.3.E.)</stage>
				</p></sp><sp xml:id="FLOR-585"><speaker xml:id="FLOR-586">Abercoed</speaker><p xml:id="FLOR-587">
		Where is this stranger.
			<stage xml:id="FLOR-588">(Sees Tweedlepunch)</stage>
		Are you aware sir that Str-Angers are not allowed on this island?
				</p></sp><sp xml:id="FLOR-589"><speaker xml:id="FLOR-590">Tweedlepunch</speaker><p xml:id="FLOR-591">
		Quite so, but my mission here is private.  Can you tell me 
		if there is upon this island a lady named Quisara?
		</p>
		</sp><pb xml:id="FLOR-592"/>
				<sp xml:id="FLOR-593"><speaker xml:id="FLOR-594">Abercoed</speaker><p xml:id="FLOR-595">
		No such person known here.  We are expecting the owner of the 
		island, Mr. Gilfain, whose yacht has been sighted.  Perhaps
		he can inform you.  Are you acquainted with Mr. Gilfain?
				</p></sp><sp xml:id="FLOR-596"><speaker xml:id="FLOR-597">Tweedlepunch</speaker><p xml:id="FLOR-598">
		Yes, that is - I have never met him.
			<stage xml:id="FLOR-599">(Aside)</stage>
		The villain - it was he who robbed my old friend Quisara
		of the secret of Florodora.
				</p></sp><sp xml:id="FLOR-600"><speaker xml:id="FLOR-601">Abercoed</speaker><p xml:id="FLOR-602">
		Mr. Gilfain is the Supreme authority here.  I must detain you
		until he arrives and leave the disposition of your fate to 
		him.
				</p></sp><sp xml:id="FLOR-603"><speaker xml:id="FLOR-604">Tweedlepunch</speaker><p xml:id="FLOR-605">
		Fate?  My word... There'll be something doing here.
				</p></sp><sp xml:id="FLOR-606"><speaker xml:id="FLOR-607">Leandro</speaker><p xml:id="FLOR-608">
		Hadn't I better stab him and throw him into the sea at once.
		What's the use of bothering Mr. Gilfain.
				</p></sp><sp xml:id="FLOR-609"><speaker xml:id="FLOR-610">Tweedlepunch</speaker><p xml:id="FLOR-611">
		That young man is too nervous to be trusted with a knife.
				</p></sp><sp xml:id="FLOR-612"><speaker xml:id="FLOR-613">Abercoed</speaker><p xml:id="FLOR-614">
		No - take him away and confine him in the flower shed until
		Mr. Gilfain has landed.
			<stage xml:id="FLOR-615">(Goes up C. on bank)</stage>
				</p></sp><sp xml:id="FLOR-616"><speaker xml:id="FLOR-617">Leandro</speaker><p xml:id="FLOR-618">
			<stage xml:id="FLOR-619">(To Tweedle)</stage>
		Come...
				</p></sp><sp xml:id="FLOR-620"><speaker xml:id="FLOR-621">Tweedle</speaker><p xml:id="FLOR-622">
		Not with you --
			<stage xml:id="FLOR-623">(Bus. with knife)</stage>
		Just as you say - charmed, I'm sure.
			<stage xml:id="FLOR-624">(Picking up luggage)</stage>
		Would you mind carrying my head?  I fear it is slightly
		cracked.
			<stage xml:id="FLOR-625">(Leandro takes dummy head angrily - punches it)</stage>
		My dear sir can't we be friends!!
			<stage xml:id="FLOR-626">(Pulls flask)</stage>
		<stage xml:id="FLOR-627">(Abercoed goes up C. and looks off R.)</stage>
				</p></sp><sp xml:id="FLOR-628"><speaker xml:id="FLOR-629">Leandro</speaker><p xml:id="FLOR-630">
		Amigos.
</p></sp><pb xml:id="FLOR-631"/>
				<sp xml:id="FLOR-632"><speaker xml:id="FLOR-633">Tweedlepunch</speaker><p xml:id="FLOR-634">
		No, Hennessy three star but Amigos, if you like that better.				
				</p></sp><sp xml:id="FLOR-635"><speaker xml:id="FLOR-636">Leandro</speaker><p xml:id="FLOR-637">
		Bah, Adolante - caramba.
			</p></sp><stage xml:id="FLOR-638">(Bus. with knife)</stage>
			<sp xml:id="FLOR-639"><speaker xml:id="FLOR-640">Tweedle</speaker><p xml:id="FLOR-641">
		Quite so.  I'll bet this fellow will stick me for the drinks.
			<stage xml:id="FLOR-642">(Exit Tweedle. and Leandro R. through shed)</stage>
			<stage xml:id="FLOR-643">(Gun off)</stage>
				</p></sp><sp xml:id="FLOR-644"><speaker xml:id="FLOR-645">Abercoed</speaker><p xml:id="FLOR-646">
		Here he comes.  Here's Mr. Gilfain.	</p></sp>
			<stage xml:id="FLOR-647">(Exits R.3.E.)</stage>
			<stage xml:id="FLOR-648">(Enter Chorus Spanish ladies and clerks)</stage>
			<sp xml:id="FLOR-649"><speaker xml:id="FLOR-650">Chorus of Welcome</speaker>
			<lg xml:id="FLOR-651">
<l xml:id="FLOR-652">		Hail from the storm and sea and wind,</l>
<l xml:id="FLOR-653">		Hail the master indulgent and kind,</l>
<l xml:id="FLOR-654">			Lord of our Isle,</l>
<l xml:id="FLOR-655">			He is returning,</l>
<l xml:id="FLOR-656">			A shout and a smile,</l>
<l xml:id="FLOR-657">		And cheek that is burning,</l>
<l xml:id="FLOR-658">		For with power not less than Kings,</l>
<l xml:id="FLOR-659">		Neath his rule and his sheltering wings,</l>
<l xml:id="FLOR-660">			We can alloy</l>
<l xml:id="FLOR-661">			Our toil with jollity,</l>
<l xml:id="FLOR-662">			So life we enjoy,</l>
<l xml:id="FLOR-663">			Of Utopian quality.</l>
<l xml:id="FLOR-664">		So trip, trip, trip to meet him,</l>
<l xml:id="FLOR-665">			And then to greet him,</l>
<l xml:id="FLOR-666">			From off the ship,</l>
<l xml:id="FLOR-667">		Huzza, huzza, huzza,</l>
<l xml:id="FLOR-668">		Our bright delight of displaying,</l>
<l xml:id="FLOR-669">		My wild hurraying,</l>
<l xml:id="FLOR-670">		With might and main,</l>
<l xml:id="FLOR-671">		Huzza, Huzza, huzza,</l>
<l xml:id="FLOR-672">		We say good day to you, we say good day to you.</l>
<l xml:id="FLOR-673">		With them vie,</l>
<l xml:id="FLOR-674">		With a shy and downcast eye,</l>
<l xml:id="FLOR-675">		And try to convey you,</l>
<l xml:id="FLOR-676">		By a merry good day today,</l>
<l xml:id="FLOR-677">		Hail we with merry frivolity,</l>
<l xml:id="FLOR-678">		Song dance and jollity,</l>
<l xml:id="FLOR-679">		O'er our home and our isle he'll reign,</l>
		<pb xml:id="FLOR-680"/>
<l xml:id="FLOR-681">		For he returns to us again,</l>
<l xml:id="FLOR-682">		So trip, trip, trip, to meet him,</l>
<l xml:id="FLOR-683">			And then to greet him,</l>
<l xml:id="FLOR-684">			From off the ship,</l>
<l xml:id="FLOR-685">		Huzza, huzza, huzza,</l>
<l xml:id="FLOR-686">		Our bright delight displaying,</l>
<l xml:id="FLOR-687">		With wild hurraying,</l>
<l xml:id="FLOR-688">		With might and main,</l>
<l xml:id="FLOR-689">		Huzza, huzza, huzza,</l>
<l xml:id="FLOR-690">		Our king is returning,</l>
<l xml:id="FLOR-691">		A welcome returning,</l>
<l xml:id="FLOR-692">		Hail the master, king and master,</l>
<l xml:id="FLOR-693">		We hail you sir, from storm and sea,</l>
<l xml:id="FLOR-694">		We hail, hail, huzza.</l></lg></sp>
			<stage xml:id="FLOR-695">(Enter GILFAIN R.U.E. straw hat, light spaca [opera?] coat,
			white vest, and trousers, he is a good natured
			smiling old fool, -- Gilfain eyes Ines, Juanita,
			Valleda, and Violanthe, insinuatingly)</stage>
			<stage xml:id="FLOR-696">(Enter six English ladies and Leandro)</stage>
				<sp xml:id="FLOR-697"><speaker xml:id="FLOR-698">Gilfain</speaker><p xml:id="FLOR-699">
		Thanks, friends thanks.  Wonderful what a hearty welcome they
		give you, when you're sole proprietor of them all
				</p></sp>
				<sp xml:id="FLOR-700"><speaker xml:id="FLOR-701">All</speaker><p xml:id="FLOR-702">
		We're glad to see you back again, sir.
				</p></sp><sp xml:id="FLOR-703"><speaker xml:id="FLOR-704">Gilfain</speaker><p xml:id="FLOR-705">
		You're glad to see the prodigal returned, eh?  I see you
		have brought out the fatted calves - I'm very glad to be
		back.
				</p></sp><sp xml:id="FLOR-706"><speaker xml:id="FLOR-707">Pym</speaker><p xml:id="FLOR-708">
		I hope you liked England.
				</p></sp><sp xml:id="FLOR-709"><speaker xml:id="FLOR-710">Gilfain</speaker><p xml:id="FLOR-711">
		Liked England.  Why I'm going to become a denaturalized
		Englishman.   I think that's what they call it -- I know it 
		means an unnatural American.  I've bought a castle in Wales,
		a beautiful romantic spot about four miles from Gylnnyddle.
		Waddlefad on the banks, of the Jimmyerickingnyflynn river.
				</p></sp><sp xml:id="FLOR-712"><speaker xml:id="FLOR-713">Pym</speaker><p xml:id="FLOR-714">
		How poetical
				</p></sp><sp xml:id="FLOR-715"><speaker xml:id="FLOR-716">Gilfain</speaker><p xml:id="FLOR-717">
		Isn't it?  But Wales is no place for poetry.  England's the
		place for poetry.  Why, there's a feller over there named
		Austin - I think he comes from Texas, they call him the 
		<pb xml:id="FLOR-718"/>
		poet lariat.  He's got a contract by the year with the Government
		for all the poetry he turns out.  And from what I heard
		it is only machine goods at that.  England is a wonderful
		country.  And the girls - the English girls.
				</p></sp><sp xml:id="FLOR-719"><speaker xml:id="FLOR-720">Inez</speaker><p xml:id="FLOR-721">
		Are they prettier than we are.
			<stage xml:id="FLOR-722">(Xing to C.)</stage>
				</p></sp><sp xml:id="FLOR-723"><speaker xml:id="FLOR-724">Gilfain</speaker><p xml:id="FLOR-725">
			<stage xml:id="FLOR-726">(C.)</stage>
		A different style of beauty, my dear.  But you shall judge
		for yourself.  I have brought some of Angela'a friends over 
		with me to see the Island.  Here they are all lined up.
			<stage xml:id="FLOR-727">(Pointing to the English girls R.)</stage>
		Remnants left over from the matrimonial stock of our latest
		London season, ladies, my clerks.
			<stage xml:id="FLOR-728">(Clerks X to R. to English girls)</stage>
		Now boys and girls you know that my one subject in life after 
		Florodora is to see you all happy.  I am going to take you all 
		over to Wales.  How will travelling suit you eh?
				</p></sp><sp xml:id="FLOR-729"><speaker xml:id="FLOR-730">Inez</speaker><p xml:id="FLOR-731">
			<stage xml:id="FLOR-732">(Xing C. to Gilfain)</stage>
		Oh we shouldn't like that at all.  There was a traveller here
		this morning and he seemed far from happy.
				</p></sp><sp xml:id="FLOR-733"><speaker xml:id="FLOR-734">Gilfain</speaker><p xml:id="FLOR-735">
		A traveller?  Who is he - what's his name.
				</p></sp><sp xml:id="FLOR-736"><speaker xml:id="FLOR-737">Valleda</speaker><p xml:id="FLOR-738">
			<stage xml:id="FLOR-739">(Xes C. to Gil)</stage>
		Professor Tweedlepunch, from the Royal Aquarium, London.
		Here's his photograph.
				</p></sp><sp xml:id="FLOR-740"><speaker xml:id="FLOR-741">Gilfain</speaker><p xml:id="FLOR-742">
		No strangers allowed here.  Leandro, where is this interloper,
		Prof. Tweedlepunch.
				</p></sp><sp xml:id="FLOR-743"><speaker xml:id="FLOR-744">Leandro</speaker><p xml:id="FLOR-745">
			<stage xml:id="FLOR-746">(Xes C. to Gil.)</stage>
		I left him asleep on the shed.
				</p></sp><sp xml:id="FLOR-747"><speaker xml:id="FLOR-748">Gilfain</speaker><p xml:id="FLOR-749">
		Asleep on my premises - how dare he?  I'll wake him up - the 
		idea here boys - Pym, Sir, show our friends around the island.
		Come Leandro.
			<stage xml:id="FLOR-750">(Exit Gilfain, followed by Leandro R.2.E.)</stage>
			<stage xml:id="FLOR-751">(All exit)</stage>
		<pb xml:id="FLOR-752"/>
		<stage xml:id="FLOR-753">(Enter Lady HOLYROOD R.U.E.)</stage>
				</p></sp><sp xml:id="FLOR-754"><speaker xml:id="FLOR-755">Lady Holyrood</speaker><p xml:id="FLOR-756">
			<stage xml:id="FLOR-757">(Call off stage)</stage>
		Angela. Angela. I've lost Angela Gilfain and I've lost my
		way.  Oh here is someone - will you please tell me --
			<stage xml:id="FLOR-758">(Enter ABERCOED R.U.E.)</stage>
				</p></sp><sp xml:id="FLOR-759"><speaker xml:id="FLOR-760">Abercoed</speaker><p xml:id="FLOR-761">
			<stage xml:id="FLOR-762">(Taking off his hat bows, and recognizes her)</stage>
		Good gracious, Lady Holyrood.
				</p></sp><sp xml:id="FLOR-763"><speaker xml:id="FLOR-764">Lady H.</speaker><p xml:id="FLOR-765">
		Good gracious Frank Abercoed.  You here.
			<stage xml:id="FLOR-766">(They shake hands)</stage>
				</p></sp><sp xml:id="FLOR-767"><speaker xml:id="FLOR-768">Abercoed</speaker><p xml:id="FLOR-769">
		Yes -- where I hoped that none of my acquaintances in England 
		should ever find me.
				</p></sp><sp xml:id="FLOR-770"><speaker xml:id="FLOR-771">Lady H.</speaker><p xml:id="FLOR-772">
		Oh you are very polite -- of course, we know that you had 
		disappeared.  We read it in the Daily Telegraph -- but no
		one know why you went or where you'd gone.  Some said you had
		run away, with a French Ballet girl - others, that you were 
		in a lunatic asylum.
				</p></sp><sp xml:id="FLOR-773"><speaker xml:id="FLOR-774">Abercoed</speaker><p xml:id="FLOR-775">
			<stage xml:id="FLOR-776">(C.)</stage>
		No, neither.  I left England because I'd a promise I couldn't
		perform.
				</p></sp><sp xml:id="FLOR-777"><speaker xml:id="FLOR-778">Lady H.</speaker><p xml:id="FLOR-779">
		How noble.  Who was the promise to -- a woman, or a money 
		lender?
				</p></sp><sp xml:id="FLOR-780"><speaker xml:id="FLOR-781">Abercoed</speaker><p xml:id="FLOR-782">
		Didn't you know I was engaged to marry?
			<stage xml:id="FLOR-783">(Whispers to her)</stage>
				</p></sp><sp xml:id="FLOR-784"><speaker xml:id="FLOR-785">Lady H.</speaker><p xml:id="FLOR-786">
		Yes, I remember.  Well, why didn't you marry her?
				</p></sp><sp xml:id="FLOR-787"><speaker xml:id="FLOR-788">Abercoed</speaker><p xml:id="FLOR-789">
		Well I didn't love her and like a coward I ran away.
				</p></sp><sp xml:id="FLOR-790"><speaker xml:id="FLOR-791">Lady H.</speaker><p xml:id="FLOR-792">
		A coward -- to run away from a woman with $10,000 a year!
		I call it pluck or folly, the same thing.  But she consoled 
		herself.
				</p></sp><sp xml:id="FLOR-793"><speaker xml:id="FLOR-794">Abercoed</speaker><p xml:id="FLOR-795">
		How?
				</p></sp><sp xml:id="FLOR-796"><speaker xml:id="FLOR-797">Lady H.</speaker><p xml:id="FLOR-798">
		Married soon afterward.
				</p></sp><sp xml:id="FLOR-799"><speaker xml:id="FLOR-800">Abercoed</speaker><p xml:id="FLOR-801">
			<stage xml:id="FLOR-802">(Eagerly)</stage>
		Married.
				</p></sp><sp xml:id="FLOR-803"><speaker xml:id="FLOR-804">Lady H.</speaker><p xml:id="FLOR-805">
		Oh I daresay, they're separated now.  They've been married
		more than a year.
				</p></sp><sp xml:id="FLOR-806"><speaker xml:id="FLOR-807">Abercoed</speaker><p xml:id="FLOR-808">
		Then I'm free -
			<stage xml:id="FLOR-809">(Xes)</stage>
				</p></sp><sp xml:id="FLOR-810"><speaker xml:id="FLOR-811">Lady H.</speaker><p xml:id="FLOR-812">
		Quite right to be grateful -- so few unmarried men are free.
		They all have ties they can't shake off.  Married women are 
		the only people that seem to be really free.
			<stage xml:id="FLOR-813">(Taps him -- goes to him)</stage>
		But what have you been doing with yourself all this time.
				</p></sp><sp xml:id="FLOR-814"><speaker xml:id="FLOR-815">Abercoed</speaker><p xml:id="FLOR-816">
		I went to America to earn my living.  I called at Mr. Gilfain's
		office and told him I wanted a position - he asked 
		me what I could do.
				</p></sp><sp xml:id="FLOR-817"><speaker xml:id="FLOR-818">Lady H.</speaker><p xml:id="FLOR-819">
		I suppose you told him you could play bridge.
				</p></sp><sp xml:id="FLOR-820"><speaker xml:id="FLOR-821">Abercoed</speaker><p xml:id="FLOR-822">
		No I told him I could read, write, and add up figures.
				</p></sp><sp xml:id="FLOR-823"><speaker xml:id="FLOR-824">Lady H.</speaker><p xml:id="FLOR-825">
		Unusual accomplishment for an English gentleman.  Wasn't he 
		surprised.
				</p></sp><sp xml:id="FLOR-826"><speaker xml:id="FLOR-827">Abercoed</speaker><p xml:id="FLOR-828">
		Now he told me to sit on a high stool - I sat there a year 
		and then he sent me here as his representative, and here I am.
		<pb xml:id="FLOR-829"/>
				</p></sp><sp xml:id="FLOR-830"><speaker xml:id="FLOR-831">Lady H.</speaker><p xml:id="FLOR-832">
		Yes here you are right enough, but you can't stop here forever 
		now that you're Lord Abercoed.
				</p></sp><sp xml:id="FLOR-833"><speaker xml:id="FLOR-834">Abercoed</speaker><p xml:id="FLOR-835">
		Lord Abercoed.
				</p></sp><sp xml:id="FLOR-836"><speaker xml:id="FLOR-837">Lady H.</speaker><p xml:id="FLOR-838">
		Don't you know?  Your uncle's been dead ever so long.
				</p></sp><sp xml:id="FLOR-839"><speaker xml:id="FLOR-840">Abercoed</speaker><p xml:id="FLOR-841">
		Dead?  My uncle dead -- are you certain?
			<stage xml:id="FLOR-842">(Xes to L.C.)</stage>
				</p></sp><sp xml:id="FLOR-843"><speaker xml:id="FLOR-844">Lady H.</speaker><p xml:id="FLOR-845">
			<stage xml:id="FLOR-846">(Xes R.)</stage>
		Well reasonably so -- I attended his funeral.
				</p></sp><sp xml:id="FLOR-847"><speaker xml:id="FLOR-848">Abercoed</speaker><p xml:id="FLOR-849">
		Then I am Lord Abercoed.
				</p></sp><sp xml:id="FLOR-850"><speaker xml:id="FLOR-851">Lady H.</speaker><p xml:id="FLOR-852">
		Yes, and you're wanted in England at once.
				</p></sp><sp xml:id="FLOR-853"><speaker xml:id="FLOR-854">Abercoed</speaker><p xml:id="FLOR-855">
		I shan't go.  I can be happy enough here.
				</p></sp><sp xml:id="FLOR-856"><speaker xml:id="FLOR-857">Lady H.</speaker><p xml:id="FLOR-858">
		What stay here?
			<stage xml:id="FLOR-859">(Up stage)</stage>
		In this outlandish hole?  Ah there must be some special
		attraction.
				</p></sp><sp xml:id="FLOR-860"><speaker xml:id="FLOR-861">Abercoed</speaker><p xml:id="FLOR-862">
		Well, I'm free now - and there is -
				</p></sp><sp xml:id="FLOR-863"><speaker xml:id="FLOR-864">Lady H.</speaker><p xml:id="FLOR-865">
		In love, eh?
				</p></sp><sp xml:id="FLOR-866"><speaker xml:id="FLOR-867">Abercoed</speaker><p xml:id="FLOR-868">
		Yes --
				</p></sp><sp xml:id="FLOR-869"><speaker xml:id="FLOR-870">Lady H.</speaker><p xml:id="FLOR-871">
			<stage xml:id="FLOR-872">(R.)</stage>
		How nice, oh do tell me about it.  Are you in love like a 
		common person with a nice girl -- or like a fashionable man 
		with a friend's wife?
				</p></sp><sp xml:id="FLOR-873"><speaker xml:id="FLOR-874">Abercoed</speaker><p xml:id="FLOR-875">
		But what brought you here.
		<pb xml:id="FLOR-876"/>
				</p></sp><sp xml:id="FLOR-877"><speaker xml:id="FLOR-878">Lady H.</speaker><p xml:id="FLOR-879">
		Oh, I came with Mr. Gilfain on business.
				</p></sp><sp xml:id="FLOR-880"><speaker xml:id="FLOR-881">Abercoed</speaker><p xml:id="FLOR-882">
		Business.
				</p></sp><sp xml:id="FLOR-883"><speaker xml:id="FLOR-884">Lady H.</speaker><p xml:id="FLOR-885">
		Yes, you see, in the first place, I am looking for a suitable
		match for my brother Arthur - now - Angela Gilfain will do 
		splendidly, and then as Mr. Gilfain is so very rich, - why I
		might be persuaded to - to - to --
				</p></sp><sp xml:id="FLOR-886"><speaker xml:id="FLOR-887">Abercoed</speaker><p xml:id="FLOR-888">
		Oh I see.
				</p></sp><sp xml:id="FLOR-889"><speaker xml:id="FLOR-890">Lady H.</speaker><p xml:id="FLOR-891">
		I am so glad you see.
				</p></sp><sp xml:id="FLOR-892"><speaker xml:id="FLOR-893">Abercoed</speaker><p xml:id="FLOR-894">
		You want to be the second Mrs. Gilfain?
				</p></sp><sp xml:id="FLOR-895"><speaker xml:id="FLOR-896">Lady H.</speaker><p xml:id="FLOR-897">
		Hush, hush.  Nothing is arranged.  Up to now I am faithful 
		to the memory of my first husband.
			<stage xml:id="FLOR-898">(Aside)</stage>
		It is so easy to be faithful to a man who isn't alive.
			<stage xml:id="FLOR-899">(Xes L.)</stage>
				</p></sp><sp xml:id="FLOR-900"><speaker xml:id="FLOR-901">Abercoed</speaker><p xml:id="FLOR-902">
		Well, I know you must have had some strong motive for leaving 
		town.  Why London must be like a deserted village without
		Lady Holyrood.
			<stage xml:id="FLOR-903">(Takes off hat, bows graciously)</stage>
				</p></sp><sp xml:id="FLOR-904"><speaker xml:id="FLOR-905">Lady H.</speaker><p xml:id="FLOR-906">
		Oh I suppose they're perfectly wretched without me.  They 
		always are when I leave town.
			<stage xml:id="FLOR-907">(Abercoed stands, one foot on stool during verse.
			Sits for second R. corner)</stage>
				SONG -- LADY HOLYROOD
				"When I Leave Town"
		I'm a lady, don't forget,
		With a sense of etiquette,
		And all I say,
		Is in the Daily Mail next day,
		Dances, Music Hall and plays
		Drawing rooms and smart soirees
		Or Henley, Goodwood and Paree,
		Owe their great success to me.
		<pb xml:id="FLOR-908"/>
				Refrain
		I'm known everywhere
		From Bayswater to Berkeley Square,
		I have a sort of air that positively knocks you down,
		I'm so gay you know,
		On the go, to and fro,
		There's nothing anywhere about,
		When I leave town when I leave town.
				-2-
		If I go to sup or dine,
		I know where to crew the line,
		A smart black frock,
		And always home by 12 o'clock
		I don't pay anything at all,
		Bar a dreadful Sunday call,
		And when my funds are singing low,
		Someone sees to that, you know.
				<stage xml:id="FLOR-909">(Refrain.  Exit Lady Holyrood L.1.E. after dance.
				Abercoed rises and Xes to R.C. Enter DOLORES after 
				song L.U.E.)</stage>
				</p></sp><sp xml:id="FLOR-910"><speaker xml:id="FLOR-911">Dolores</speaker><p xml:id="FLOR-912">
		Who was that woman?
				</p></sp><sp xml:id="FLOR-913"><speaker xml:id="FLOR-914">Abercoed</speaker><p xml:id="FLOR-915">
		A lady from England.
				</p></sp><sp xml:id="FLOR-916"><speaker xml:id="FLOR-917">Dolores</speaker><p xml:id="FLOR-918"> 
			<stage xml:id="FLOR-919">(Angry)</stage>
		The lady - the lady who wants to marry you?  I see.  She's 
		come to find 
				</p></sp><sp xml:id="FLOR-920"><speaker xml:id="FLOR-921">Abercoed</speaker><p xml:id="FLOR-922">
		No, no, Dolores, she's a friend of Mr. Gilfain's.
				</p></sp><sp xml:id="FLOR-923"><speaker xml:id="FLOR-924">Dolores</speaker><p xml:id="FLOR-925">
		And a friend of yours too.
				</p></sp><sp xml:id="FLOR-926"><speaker xml:id="FLOR-927">Abercoed</speaker><p xml:id="FLOR-928">
		Yes and a good friend since she has brought me good news.
				</p></sp><sp xml:id="FLOR-929"><speaker xml:id="FLOR-930">Dolores</speaker><p xml:id="FLOR-931">
		She was a long time telling you.  I don't like her at 
		all.
		</p>
		</sp><pb xml:id="FLOR-932"/>
				<sp xml:id="FLOR-933"><speaker xml:id="FLOR-934">Abercoed</speaker><p xml:id="FLOR-935">
		Why, don't be unreasonable, Dolores, she was only looking 
		for Mr. Gilfain.
				</p></sp><sp xml:id="FLOR-936"><speaker xml:id="FLOR-937">Dolores</speaker><p xml:id="FLOR-938">
		Yes, but she found you.  After what you told me this morning,
		I can't bear to see you speak to another woman.
			<stage xml:id="FLOR-939">(Exits R. 1 to behind the warehouse)</stage>
				</p></sp><sp xml:id="FLOR-940"><speaker xml:id="FLOR-941">Abercoed</speaker><p xml:id="FLOR-942">
		Jealous!  Well, that shows she's in earnest.
			<stage xml:id="FLOR-943">(Enters LADY M. L.U.E.)</stage>
				</p></sp><sp xml:id="FLOR-944"><speaker xml:id="FLOR-945">Lady H.</speaker><p xml:id="FLOR-946">
		Oh, Lord Abercoed, I forgot to tell you I've lost Angela
		Gilfain.
				</p></sp><sp xml:id="FLOR-947"><speaker xml:id="FLOR-948">Abercoed</speaker><p xml:id="FLOR-949">	
		Oh, we'll soon find her.  It's a very little island.
				</p></sp><sp xml:id="FLOR-950"><speaker xml:id="FLOR-951">Lady H.</speaker><p xml:id="FLOR-952">
		Yes, but she's a very little girl.
			<stage xml:id="FLOR-953">(Enter THREE MEN carrying a large basket of flowers.
			ANGELA is in it L.U.E. when they get to C. Lady H.
			speaks)</stage>
		My, what beautiful flowers.
				</p></sp><sp xml:id="FLOR-954"><speaker xml:id="FLOR-955">Abercoed</speaker><p xml:id="FLOR-956">
		Yes -- that's what we make this perfume of.  Take it into 
		the warehouse boys.
			<stage xml:id="FLOR-957">(Angela bobs up from flowers and men put basket 
			down on stage C)</stage>
				</p></sp><sp xml:id="FLOR-958"><speaker xml:id="FLOR-959">Angela</speaker><p xml:id="FLOR-960">
		Please don't have me put in the warehouse, Mr. Abercoed.
				</p></sp><sp xml:id="FLOR-961"><speaker xml:id="FLOR-962">Abercoed</speaker><p xml:id="FLOR-963">
		Why, Miss Gilfain, come out of that.
				</p></sp><sp xml:id="FLOR-964"><speaker xml:id="FLOR-965">Lady H.</speaker><p xml:id="FLOR-966">
		What are you doing there?
			<stage xml:id="FLOR-967">(Angela gets out, helped by others)</stage>
				</p></sp><sp xml:id="FLOR-968"><speaker xml:id="FLOR-969">Angela</speaker><p xml:id="FLOR-970">
		It was to surprise you and Arthur and because I was so 
		afraid of papa.  He's changed his mind again.
				</p></sp><sp xml:id="FLOR-971"><speaker xml:id="FLOR-972">Abercoed</speaker><p xml:id="FLOR-973">
		Changed his mind -- about what?
		<pb xml:id="FLOR-974"/>
				</p></sp><sp xml:id="FLOR-975"><speaker xml:id="FLOR-976">Angela</speaker><p xml:id="FLOR-977">
		Well, he promised I should marry Arthur and then on our trip
		across, he said I mustn't.  He's found someone else more suitable 
		and -- oh, I can't tell you -- you tell him, Lady Holyrood.
				</p></sp><sp xml:id="FLOR-978"><speaker xml:id="FLOR-979">Lady H.</speaker><p xml:id="FLOR-980">
		Certainly.
			<stage xml:id="FLOR-981">(Turns to Abercoed)</stage>
		You are to be the happy man, Mr. Gilfain wants you to marry
		Angela.
				</p></sp><sp xml:id="FLOR-982"><speaker xml:id="FLOR-983">Abercoed</speaker><p xml:id="FLOR-984">
		Impossible.
				</p></sp><sp xml:id="FLOR-985"><speaker xml:id="FLOR-986">Angela</speaker><p xml:id="FLOR-987">
		Why, of course it is --
				</p></sp><sp xml:id="FLOR-988"><speaker xml:id="FLOR-989">Lady H.</speaker><p xml:id="FLOR-990">
		My dear.
				</p></sp><sp xml:id="FLOR-991"><speaker xml:id="FLOR-992">Angela</speaker><p xml:id="FLOR-993">
		I mean I am so very fond of Arthur.
				</p></sp><sp xml:id="FLOR-994"><speaker xml:id="FLOR-995">Lady H.</speaker><p xml:id="FLOR-996">
		You see, I told the story of the lost Lord Abercoed on the
		yacht.  Mr. Gilfain guessed it was you and he wants to make 
		his daughter an English Peeress like all other American 
		millionaires.
			<stage xml:id="FLOR-997">(Xes R)</stage>
			<stage xml:id="FLOR-998">(Enter DONEGAL L.U.E.)</stage>
				</p></sp><sp xml:id="FLOR-999"><speaker xml:id="FLOR-1000">Donegal</speaker><p xml:id="FLOR-1001">
			<stage xml:id="FLOR-1002">(Coming down C. to Angela)</stage>
		Oh, there you are, I have been looking all over the place for 
		you.
			<stage xml:id="FLOR-1003">(Turns R. and sees Abercoed)</stage>
		Why, Frank Abercoed, upon my word -- I beg your pardon, Lord 
		Abercoed.
				</p></sp><sp xml:id="FLOR-1004"><speaker xml:id="FLOR-1005">Angela</speaker><p xml:id="FLOR-1006">
		Lord Abercoed?
				</p></sp><sp xml:id="FLOR-1007"><speaker xml:id="FLOR-1008">Donegal</speaker><p xml:id="FLOR-1009">
		Yes, he's a lord now with a seat in the House of Peers and 
		with all the privileges of a true born British brewer.
			<stage xml:id="FLOR-1010">(Xes R.C)</stage>
		<pb xml:id="FLOR-1011"/>
				</p></sp><sp xml:id="FLOR-1012"><speaker xml:id="FLOR-1013">Angela</speaker><p xml:id="FLOR-1014">
		Lord Abercoed, you of Abercoed Castle?
				</p></sp><sp xml:id="FLOR-1015"><speaker xml:id="FLOR-1016">Abercoed</speaker><p xml:id="FLOR-1017">
		Yes, that's the family place.
				</p></sp><sp xml:id="FLOR-1018"><speaker xml:id="FLOR-1019">Angela</speaker><p xml:id="FLOR-1020">
		Why, that's the place papa has bought and he's going to turn
		it into a warehouse.
				</p></sp><sp xml:id="FLOR-1021"><speaker xml:id="FLOR-1022">Abercoed</speaker><p xml:id="FLOR-1023">
		My old home, a warehouse?
				</p></sp><sp xml:id="FLOR-1024"><speaker xml:id="FLOR-1025">Lady H.</speaker><p xml:id="FLOR-1026">
			<stage xml:id="FLOR-1027">(Bus. indicates Abercoed)</stage>
			<stage xml:id="FLOR-1028">(Xes L.C.)</stage>
		And he wants the title to go with the estate to his daughter.
			<stage xml:id="FLOR-1029">(Turns R)</stage>
		Arthur, you must look sharp.  You can't find an heiress
		every day.
				</p></sp><sp xml:id="FLOR-1030"><speaker xml:id="FLOR-1031">Donegal</speaker><p xml:id="FLOR-1032">
		Oh bother your heiress.  I hate money.
				</p></sp><sp xml:id="FLOR-1033"><speaker xml:id="FLOR-1034">Lady H.</speaker><p xml:id="FLOR-1035">
		Hate money?  What blasphemy.
				</p></sp><sp xml:id="FLOR-1036"><speaker xml:id="FLOR-1037">Donegal</speaker><p xml:id="FLOR-1038">
		Well, that is.  I hate anything I know so little about!  Ah!
			<stage xml:id="FLOR-1039">(Xes L)</stage>
		But I love Angela for her own sweet little self.
				</p></sp><sp xml:id="FLOR-1040"><speaker xml:id="FLOR-1041">Angela</speaker><p xml:id="FLOR-1042">
		And we're not going to give each other up, are we?
				</p></sp><sp xml:id="FLOR-1043"><speaker xml:id="FLOR-1044">Donegal</speaker><p xml:id="FLOR-1045">
		I should say not.
				</p></sp><sp xml:id="FLOR-1046"><speaker xml:id="FLOR-1047">Abercoed</speaker><p xml:id="FLOR-1048">
			<stage xml:id="FLOR-1049">(Coming down C)</stage>
		Oh, your father will give his consent when he sees how fond
		you are of each other.  Everybody should marry for love.
		Don't you think so, Lady Holyrood.
				</p></sp><sp xml:id="FLOR-1050"><speaker xml:id="FLOR-1051">Lady H.</speaker><p xml:id="FLOR-1052">
			<stage xml:id="FLOR-1053">(R. startled)</stage>
		Yes - oh yes - if they can afford it.  For poor people love 
		is madness.
		<pb xml:id="FLOR-1054"/>
				</p></sp><sp xml:id="FLOR-1055"><speaker xml:id="FLOR-1056">Angela</speaker><p xml:id="FLOR-1057">
			<stage xml:id="FLOR-1058">(Xes R.C. to Abercoed)</stage>
		Then you will tell papa that you won't marry me on any 
		account?
				</p></sp><sp xml:id="FLOR-1059"><speaker xml:id="FLOR-1060">Abercoed</speaker><p xml:id="FLOR-1061">
		You may depend upon it.
			<stage xml:id="FLOR-1062">(To Donegal)</stage>
		I shan't be your rival.
			<stage xml:id="FLOR-1063">(Goes up C)</stage>
			<stage xml:id="FLOR-1064">(Donegal and Angela go up L.C. arm in arm)</stage>
				</p></sp><sp xml:id="FLOR-1065"><speaker xml:id="FLOR-1066">Lady H.</speaker><p xml:id="FLOR-1067">
		Wait for me, Lord Abercoed.
			<stage xml:id="FLOR-1068">(To Donegal)</stage>
		Brother, come here a moment.
			<stage xml:id="FLOR-1069">(Donegal excuses himself and comes to Lady H)</stage>
		Now, I don't want my plans upset.  If you don't marry Angela,
		I don't know who you will get to keep race horses for you.
		I can't, you know.
				</p></sp><sp xml:id="FLOR-1070"><speaker xml:id="FLOR-1071">Donegal</speaker><p xml:id="FLOR-1072">
		Keep horse races -- I can't afford to keep chickens.
			<stage xml:id="FLOR-1073">(Xes C to Angela - Lady H. goes up R.C. and takes 
			Abercoed's arm)</stage>
				</p></sp><sp xml:id="FLOR-1074"><speaker xml:id="FLOR-1075">Lady H.</speaker><p xml:id="FLOR-1076">
		I say, Arthur, why not try white mice -- they are very inexpensive.
			<stage xml:id="FLOR-1077">(Exit R. with Abercoed into warehouse)</stage>
				</p></sp><sp xml:id="FLOR-1078"><speaker xml:id="FLOR-1079">Angela</speaker><p xml:id="FLOR-1080">
		Well, you see you needn't be afraid.  The rival says he 
		would not have me for a gift.
				</p></sp><sp xml:id="FLOR-1081"><speaker xml:id="FLOR-1082">Donegal</speaker><p xml:id="FLOR-1083">
			<stage xml:id="FLOR-1084">(L)</stage>
		He's a fool.  I think you are a very tempting investment.
		Although Frank is a lord, he's as poor as a church mouse.
				</p></sp><sp xml:id="FLOR-1085"><speaker xml:id="FLOR-1086">Angela</speaker><p xml:id="FLOR-1087">
		Aren't all lords poor?
				</p></sp><sp xml:id="FLOR-1088"><speaker xml:id="FLOR-1089">Donegal</speaker><p xml:id="FLOR-1090">
		Well, most of them are -- until they are married.
				</p></sp><sp xml:id="FLOR-1091"><speaker xml:id="FLOR-1092">Angela</speaker><p xml:id="FLOR-1093">
		I only care for money as a means to an end.
		<pb xml:id="FLOR-1094"/>
				</p></sp><sp xml:id="FLOR-1095"><speaker xml:id="FLOR-1096">Donegal</speaker><p xml:id="FLOR-1097">
			<stage xml:id="FLOR-1098">(Down C)</stage>
		Well, don't worry, you won't have any difficulty in finding 
		a man willing to be that end.
				</p></sp><sp xml:id="FLOR-1099"><speaker xml:id="FLOR-1100">Angela</speaker><p xml:id="FLOR-1101">
		Yes, but the man I love doesn't seem to love me.
				</p></sp><sp xml:id="FLOR-1102"><speaker xml:id="FLOR-1103">Donegal</speaker><p xml:id="FLOR-1104">
			<stage xml:id="FLOR-1105">(Takes her in his arms)</stage>
		You see there's one great obstacle in our marriage.
				</p></sp><sp xml:id="FLOR-1106"><speaker xml:id="FLOR-1107">Angela</speaker><p xml:id="FLOR-1108">
		What is it?
				</p></sp><sp xml:id="FLOR-1109"><speaker xml:id="FLOR-1110">Donegal</speaker><p xml:id="FLOR-1111">
		Why, your father.
				</p></sp><sp xml:id="FLOR-1112"><speaker xml:id="FLOR-1113">Angela</speaker><p xml:id="FLOR-1114">
		But you're not going to marry my father?
				</p></sp><sp xml:id="FLOR-1115"><speaker xml:id="FLOR-1116">Donegal</speaker><p xml:id="FLOR-1117">
		No, but I fear it would be a very unhappy marriage for both 
		of us.
				</p></sp><sp xml:id="FLOR-1118"><speaker xml:id="FLOR-1119">Angela</speaker><p xml:id="FLOR-1120">
		What would you say if I told you I couldn't live without 
		you?
				</p></sp><sp xml:id="FLOR-1121"><speaker xml:id="FLOR-1122">Donegal</speaker><p xml:id="FLOR-1123">
		I'd say you are the dearest, the sweetest little woman 
		in the world and as soon as we get back to England, we get 
		the whole thing over with in a hurry.
				</p></sp><sp xml:id="FLOR-1124"><speaker xml:id="FLOR-1125">Angela</speaker><p xml:id="FLOR-1126">
		So we shall, in spite of papa.
				</p></sp><sp xml:id="FLOR-1127"><speaker xml:id="FLOR-1128">Donegal</speaker><p xml:id="FLOR-1129">
		That's the way to talk.
				</p></sp><sp xml:id="FLOR-1130"><speaker xml:id="FLOR-1131">Angela</speaker><p xml:id="FLOR-1132">
		I shan't wish to have you take pity on an old maid.  Youth 
		is the time for love.
				</p></sp><sp xml:id="FLOR-1133"><speaker xml:id="FLOR-1134">Donegal</speaker><p xml:id="FLOR-1135">
		Well, the earliest time is the time for me -- and I'm in 
		a deuce of a hurry, I must confess.</p></sp>
				<sp xml:id="FLOR-1136"><speaker xml:id="FLOR-1137">DUET - "GALLOPING"</speaker>
				<lg xml:id="FLOR-1138">
<l xml:id="FLOR-1139">		Love is a fiery steed.</l>
<l xml:id="FLOR-1140">			Galloping, galloping gaily,</l>
<l xml:id="FLOR-1141">		Needing no spur as he'll wildly speed, wildly speed,</l>
<l xml:id="FLOR-1142">			Over new pastures daily, daily, daily,</l>
<l xml:id="FLOR-1143">		Taking the bit his teeth between</l>
<l xml:id="FLOR-1144">			Faster and faster,</l>
<l xml:id="FLOR-1145">			Brooking no master,</l>
<l xml:id="FLOR-1146">		Over the ditches and hedges so green,</l>
<l xml:id="FLOR-1147">			Over the green,</l>
<l xml:id="FLOR-1148">			Over the green,</l>
<l xml:id="FLOR-1149">		Blind to the future, and threatened to disaster,</l>
<l xml:id="FLOR-1150">			Galloping, galloping, galloping, gaily.</l>
				</lg></sp>
				<stage xml:id="FLOR-1151">REFRAIN</stage>
				<sp xml:id="FLOR-1152"><lg xml:id="FLOR-1153">
<l xml:id="FLOR-1154">		Woman's the driver and love's the steed</l>
<l xml:id="FLOR-1155">		That carried the burdens daily, oh.</l>
<l xml:id="FLOR-1156">		So keep him in training then life indeed,</l>
<l xml:id="FLOR-1157">		Goes galloping, galloping, gaily, Oh.</l>
		</lg>
			<l xml:id="FLOR-1158">	Ah.</l>
		<lg xml:id="FLOR-1159">
<l xml:id="FLOR-1160">		So keep him in training the life indeed,</l>
<l xml:id="FLOR-1161">			Goes galloping, galloping, galloping on.</l>
<l xml:id="FLOR-1162">				Goes galloping gaily on.</l>
<l xml:id="FLOR-1163">				Ah! Ah!</l>
<l xml:id="FLOR-1164">				Galloping, galloping. Oh.</l>
<l xml:id="FLOR-1165">				Gaily, gaily, gaily.</l>
		</lg></sp>
					<stage xml:id="FLOR-1166">2</stage>
<sp xml:id="FLOR-1167"><lg xml:id="FLOR-1168">
<l xml:id="FLOR-1169">		Love, when he cometh in middle age,</l>
<l xml:id="FLOR-1170">			Different horses altogether</l>
<l xml:id="FLOR-1171">		Willing to trot with his equipage, equipage,</l>
<l xml:id="FLOR-1172">			Learning the length of his tether, tether.</l>
<l xml:id="FLOR-1173">		Jog-trot's the pace, though it is the truth,</l>
<l xml:id="FLOR-1174">			Fraught with less danger,</l>
<l xml:id="FLOR-1175">			Thoughts of the manger,</l>
<l xml:id="FLOR-1176">		Shorten the wind for the flights of youth,</l>
<l xml:id="FLOR-1177">			Flights of youth,</l>
<l xml:id="FLOR-1178">			Flights of youth,</l>
<l xml:id="FLOR-1179">		Never is likely to bolt with a stranger</l>
<l xml:id="FLOR-1180">			Galloping, galloping, gaily, gaily.</l></lg>
</sp>
				<stage xml:id="FLOR-1181">REFRAIN</stage><sp xml:id="FLOR-1182">
<l xml:id="FLOR-1183">		Woman's the -- driver and love's the steed, etc.</l></sp>
			<stage xml:id="FLOR-1184">(Dance and exeunt L.1. E)</stage>
			<stage xml:id="FLOR-1185">(After song, enter from R. 2. E. GILFAIN and TWEEDLEPUNCH
			carrying head on stand)</stage>
		<pb xml:id="FLOR-1186"/>
				<sp xml:id="FLOR-1187"><speaker xml:id="FLOR-1188">Gilfain</speaker><p xml:id="FLOR-1189">	
		It is a fortunate thing for you sir, that your knowledge 
		of phrenology can be of use to me or you would have been 
		thrown off the island, sir - Mr. Tweedle.
				</p></sp><sp xml:id="FLOR-1190"><speaker xml:id="FLOR-1191">Tweedle</speaker><p xml:id="FLOR-1192">
		Punch - Tweedlepunch - my photograph.
			<stage xml:id="FLOR-1193">(Handing card to Gilfain)</stage>
				</p></sp><sp xml:id="FLOR-1194"><speaker xml:id="FLOR-1195">Gilfain</speaker><p xml:id="FLOR-1196">
		That's the fourth photograph you've given me.  Do you 
		take me for an album.
			<stage xml:id="FLOR-1197">(Throws down picture)</stage>
				</p></sp><sp xml:id="FLOR-1198"><speaker xml:id="FLOR-1199">Tweedle</speaker><p xml:id="FLOR-1200">
		Oh I say - don't throw them about like that.
			<stage xml:id="FLOR-1201">(Picking up picture)</stage>
		They cost me a cent and a half a piece.
				</p></sp><sp xml:id="FLOR-1202"><speaker xml:id="FLOR-1203">Gilfain</speaker><p xml:id="FLOR-1204">
		Do you mean to tell me that by the bumps on the head you 
		can tell which person should marry.
				</p></sp><sp xml:id="FLOR-1205"><speaker xml:id="FLOR-1206">Tweedle</speaker><p xml:id="FLOR-1207">
			<stage xml:id="FLOR-1208">(Xing R)</stage>
		I do - unless its subject has been married before, in 
		which case some of the bumps may not be natural.
			<stage xml:id="FLOR-1209">(GILFAIN Xes L. gets stool comes C)</stage>
		Now it is my theory, that for every woman is born a 
		man is born to match her.
			<stage xml:id="FLOR-1210">(Xing C. with stool, sits)</stage>
				</p></sp><sp xml:id="FLOR-1211"><speaker xml:id="FLOR-1212">Gilfain</speaker><p xml:id="FLOR-1213"> 
		I know a lot of women who are looking for that man.
				</p></sp><sp xml:id="FLOR-1214"><speaker xml:id="FLOR-1215">Tweedle</speaker><p xml:id="FLOR-1216">
		My science saves them the trouble.  Now, for instance, if 
		the count Dr. Castellane has consulted me, I would have 
		married him to Betty Green.
				</p></sp><sp xml:id="FLOR-1217"><speaker xml:id="FLOR-1218">Gilfain</speaker><p xml:id="FLOR-1219">
		What a combination!  If you can do all you say, you are
		quite a remarkable man.
				</p></sp><sp xml:id="FLOR-1220"><speaker xml:id="FLOR-1221">Tweedle</speaker><p xml:id="FLOR-1222">
			<stage xml:id="FLOR-1223">(Handle photograph to Gilfain)</stage>
		My dear sir, I should say so --
		<pb xml:id="FLOR-1224"/>
			<stage xml:id="FLOR-1225">(Gilfain refuses picture with anger)</stage>
		Excuse me my mistake.
				</p></sp><sp xml:id="FLOR-1226"><speaker xml:id="FLOR-1227">Gilfain</speaker><p xml:id="FLOR-1228">
		Now I have a daughter - and I want her to marry if you 
		could find her affinity.
			<stage xml:id="FLOR-1229">(Doubtful)</stage>
		I'd give the world if I could trust you.
				</p></sp><sp xml:id="FLOR-1230"><speaker xml:id="FLOR-1231">Tweedle</speaker><p xml:id="FLOR-1232">
		Give me <emph rend="underline" xml:id="FLOR-1233">half</emph> the world and I'll give you gilt edged security.
				</p></sp><sp xml:id="FLOR-1234"><speaker xml:id="FLOR-1235">Gilfain</speaker><p xml:id="FLOR-1236">
		If this scheme of yours is any good I can let you in on a 
		good thing.
				</p></sp><sp xml:id="FLOR-1237"><speaker xml:id="FLOR-1238">Tweedle</speaker><p xml:id="FLOR-1239">
		Good for you or good for me.
				</p></sp><sp xml:id="FLOR-1240"><speaker xml:id="FLOR-1241">Gilfain</speaker><p xml:id="FLOR-1242">
		Good for you, if you succeed.   Now being an American, I
		naturally want my daughter to marry an English Lord.
				</p></sp><sp xml:id="FLOR-1243"><speaker xml:id="FLOR-1244">Tweedle</speaker><p xml:id="FLOR-1245">
		Quite so.  But where to find a lord in this island, the Lord
		only knows, eh?
				</p></sp><sp xml:id="FLOR-1246"><speaker xml:id="FLOR-1247">Gilfain</speaker><p xml:id="FLOR-1248">
		Ah, but there is a Lord?  My head clerk, Abercoed, is really 
		Lord Abercoed.
				</p></sp><sp xml:id="FLOR-1249"><speaker xml:id="FLOR-1250">Tweedlepunch</speaker><p xml:id="FLOR-1251">
		No?
				</p></sp><sp xml:id="FLOR-1252"><speaker xml:id="FLOR-1253">Gilfain</speaker><p xml:id="FLOR-1254">
		Yes, he doesn't know that I know it.  Now if science could 
		arrange that my daughter Angela should marry Lord Abercoed,
		I would be very grateful to science.
				</p></sp><sp xml:id="FLOR-1255"><speaker xml:id="FLOR-1256">Tweedle</speaker><p xml:id="FLOR-1257">
		And mark your gratitude in a substantial manner.
				</p></sp><sp xml:id="FLOR-1258"><speaker xml:id="FLOR-1259">Gilfain</speaker><p xml:id="FLOR-1260">
		Of course.  I'm a man of business.  And science might be 
		induced to do something else.
				</p></sp><sp xml:id="FLOR-1261"><speaker xml:id="FLOR-1262">Tweedle</speaker><p xml:id="FLOR-1263">
		Science is always open to reason - if there's enough of it.
		Science is golden.
		<pb xml:id="FLOR-1264"/>
				</p></sp><sp xml:id="FLOR-1265"><speaker xml:id="FLOR-1266">Gilfain</speaker><p xml:id="FLOR-1267">
		I'll give you a chance to make yours 18 K.
			<stage xml:id="FLOR-1268">(Confidentially)</stage>
		Now I have a favorite among my farm girls--
			<stage xml:id="FLOR-1269">(Tweedle bursts out laughing)</stage>
		Are you laughing or crying?  What is the matter with this 
		jackass.
				</p></sp><sp xml:id="FLOR-1270"><speaker xml:id="FLOR-1271">Tweedle</speaker><p xml:id="FLOR-1272">
		Oh you flirt--
				</p></sp><sp xml:id="FLOR-1273"><speaker xml:id="FLOR-1274">Gilfain</speaker><p xml:id="FLOR-1275">
		First, what do you mean, sir -- she's nothing particular.
				</p></sp><sp xml:id="FLOR-1276"><speaker xml:id="FLOR-1277">Tweedle</speaker><p xml:id="FLOR-1278">
			<stage xml:id="FLOR-1279">(Giggling)</stage>
		Oh of course not.  This is no place for the son of a 
		clergyman.
				</p></sp><sp xml:id="FLOR-1280"><speaker xml:id="FLOR-1281">Gilfain</speaker><p xml:id="FLOR-1282">
		And of course a man in my position couldn't marry her of his 
		own accord.
				</p></sp><sp xml:id="FLOR-1283"><speaker xml:id="FLOR-1284">Tweedle</speaker><p xml:id="FLOR-1285">
		Of course not.  But, if nature had selected her for you,
		you would yield.
				</p></sp><sp xml:id="FLOR-1286"><speaker xml:id="FLOR-1287">Gilfain</speaker><p xml:id="FLOR-1288">
		I suppose the terms will be the same in my case as in my 
		daughter's.
				</p></sp><sp xml:id="FLOR-1289"><speaker xml:id="FLOR-1290">Tweedle</speaker><p xml:id="FLOR-1291">
		Tell me - you see in your case science will have to work 
		over time.  100 for coupling the two couples.
				</p></sp><sp xml:id="FLOR-1292"><speaker xml:id="FLOR-1293">Gilfain</speaker><p xml:id="FLOR-1294">
		100 nothing.  I'll give you $10 a head.
				</p></sp><sp xml:id="FLOR-1295"><speaker xml:id="FLOR-1296">Tweedle</speaker><p xml:id="FLOR-1297">
		Oh no, ten dollars a bump.
				</p></sp><sp xml:id="FLOR-1298"><speaker xml:id="FLOR-1299">Gilfain</speaker><p xml:id="FLOR-1300">
		I'll give you fifty dollars a head - take it or leave it?
				</p></sp><sp xml:id="FLOR-1301"><speaker xml:id="FLOR-1302">Tweedle</speaker><p xml:id="FLOR-1303">
		Well then I'll take it.  But can you make the young people 
		believe in me?  Very few do --
				</p></sp><sp xml:id="FLOR-1304"><speaker xml:id="FLOR-1305">Gilfain</speaker><p xml:id="FLOR-1306">
		They'll do anything I order them - I'm master here.
			<stage xml:id="FLOR-1307">(Broad)</stage>
				</p></sp><sp xml:id="FLOR-1308"><speaker xml:id="FLOR-1309">Tweedle</speaker><p xml:id="FLOR-1310">
			<stage xml:id="FLOR-1311">(Aside)</stage>
		Then every girl on the island will pass through my hands
		and I shall surely find the little Quisara.
				</p></sp><sp xml:id="FLOR-1312"><speaker xml:id="FLOR-1313">Gilfain</speaker><p xml:id="FLOR-1314">
		Well then is it a go?
				</p></sp><sp xml:id="FLOR-1315"><speaker xml:id="FLOR-1316">Tweedle</speaker><p xml:id="FLOR-1317">
			<stage xml:id="FLOR-1318">(Shaking hands)</stage>
		It is - the saddest thing in life is forming friendships.
		We meet today and part tomorrow.
				</p></sp><sp xml:id="FLOR-1319"><speaker xml:id="FLOR-1320">Gilfain</speaker><p xml:id="FLOR-1321">
		I hope so.
				</p></sp><sp xml:id="FLOR-1322"><speaker xml:id="FLOR-1323">Tweedle</speaker><p xml:id="FLOR-1324">
		I beg pardon -- 
				</p></sp><sp xml:id="FLOR-1325"><speaker xml:id="FLOR-1326">Gilfain</speaker><p xml:id="FLOR-1327">
		You heard what I said.
				</p></sp><sp xml:id="FLOR-1328"><speaker xml:id="FLOR-1329">Tweedle</speaker><p xml:id="FLOR-1330">
		My mistake, but I should like to cement our friendship 
		before parting, by some little token if you will permit me
		let me see.
			<stage xml:id="FLOR-1331">(Fumbling in pocket)</stage>
		What have I?
			<stage xml:id="FLOR-1332">(Brings out knife)</stage>
		Oh, my pocket knife - now I have carried that knife for 
		ten years - will you accept it?
				</p></sp><sp xml:id="FLOR-1333"><speaker xml:id="FLOR-1334">Gilfain</speaker><p xml:id="FLOR-1335">
		Certainly not.  I wouldn't deprive you of it for the world.
				</p></sp><sp xml:id="FLOR-1336"><speaker xml:id="FLOR-1337">Tweedle</speaker><p xml:id="FLOR-1338">
		Ah, I see, superstitious.
			<stage xml:id="FLOR-1339">(Coughing)</stage>
				</p></sp><sp xml:id="FLOR-1340"><speaker xml:id="FLOR-1341">Gilfain</speaker><p xml:id="FLOR-1342">
		Well yes, I am - a little.
				</p></sp><sp xml:id="FLOR-1343"><speaker xml:id="FLOR-1344">Tweedle</speaker><p xml:id="FLOR-1345">
		Then we won't make it a present.  Just give me something 
		in exchange.  Anything will do.
				</p></sp><sp xml:id="FLOR-1346"><speaker xml:id="FLOR-1347">Gilfain</speaker><p xml:id="FLOR-1348">
		I haven't any change.
			<stage xml:id="FLOR-1349">(Hand in pocket bring out bills)</stage>
		Nothing smaller than a $2.00 bill.
				</p></sp><sp xml:id="FLOR-1350"><speaker xml:id="FLOR-1351">Tweedle</speaker><p xml:id="FLOR-1352">
			<stage xml:id="FLOR-1353">(Taking it quickly)</stage>
		That will do - two dollars will break the hoodoo.
			<stage xml:id="FLOR-1354">(Xing R. turning upstage)</stage>
				</p></sp><sp xml:id="FLOR-1355"><speaker xml:id="FLOR-1356">Gilfain</speaker><p xml:id="FLOR-1357">
		Well I'll be d-----
			<stage xml:id="FLOR-1358">(Xing L)</stage>
			<stage xml:id="FLOR-1359">(Enter LADY HOLYROOD R.U.E)</stage>
				</p></sp><sp xml:id="FLOR-1360"><speaker xml:id="FLOR-1361">Tweedlepunch</speaker><p xml:id="FLOR-1362">
			<stage xml:id="FLOR-1363">(R. sniffs)</stage>
		What a lovely odor.
				</p></sp><sp xml:id="FLOR-1364"><speaker xml:id="FLOR-1365">Gilfain</speaker><p xml:id="FLOR-1366">
			<stage xml:id="FLOR-1367">(L)</stage>
		Oh yes -- Florodora.
				</p></sp><sp xml:id="FLOR-1368"><speaker xml:id="FLOR-1369">Gilfain</speaker><p xml:id="FLOR-1370">
		Ah Lady Holyrood, permit me - Prof Tweedlepunch, the 
		phrenologist.
				</p></sp><sp xml:id="FLOR-1371"><speaker xml:id="FLOR-1372">Tweedlepunch</speaker><p xml:id="FLOR-1373">
			<stage xml:id="FLOR-1374">(Advancing to her)</stage>
		Charmed, I'm sure.  My dear Madame, will you permit me.
		My photograph.
			<stage xml:id="FLOR-1375">(Hand her photograph, After handing photograph he 
			comes R.C. to stool, slowly)</stage>
			<stage xml:id="FLOR-1376">(Puts hat pin in his hat)</stage>
				</p></sp><sp xml:id="FLOR-1377"><speaker xml:id="FLOR-1378">Gilfain</speaker><p xml:id="FLOR-1379">
		We were discussing the science of marriage.
				</p></sp><sp xml:id="FLOR-1380"><speaker xml:id="FLOR-1381">Lady Holyrood</speaker><p xml:id="FLOR-1382">
			<stage xml:id="FLOR-1383">(C)</stage>
		Marriage isn't a science it's an art.
				</p></sp><sp xml:id="FLOR-1384"><speaker xml:id="FLOR-1385">Gilfain</speaker><p xml:id="FLOR-1386">
			<stage xml:id="FLOR-1387">(L.C)</stage>
		Prof. Tweedlepunch has a system of marriage that makes 
		everybody happy!
				</p></sp><sp xml:id="FLOR-1388"><speaker xml:id="FLOR-1389">Tweedlepunch</speaker><p xml:id="FLOR-1390">
			<stage xml:id="FLOR-1391">(R.C)</stage>
		Everybody but me, I have never married.
			<stage xml:id="FLOR-1392">(Sighs)</stage>
				</p></sp><sp xml:id="FLOR-1393"><speaker xml:id="FLOR-1394">Lady Holyrood</speaker><p xml:id="FLOR-1395">
		Disappointed in love?
				</p></sp><sp xml:id="FLOR-1396"><speaker xml:id="FLOR-1397">Tweedle</speaker><p xml:id="FLOR-1398">
			<stage xml:id="FLOR-1399">(Picks up stool and head)</stage>
		I should say so.  I advertised for a girl with a million
		dollars and didn't get a single reply.
				</p></sp><sp xml:id="FLOR-1400"><speaker xml:id="FLOR-1401">Lady Holyrood</speaker><p xml:id="FLOR-1402">
			<stage xml:id="FLOR-1403">(To Tweedle)</stage>
		Does your system of marriage apply to second marriage, 
		Mr. Tweedlepunch?
				</p></sp><sp xml:id="FLOR-1404"><speaker xml:id="FLOR-1405">Tweedle</speaker><p xml:id="FLOR-1406">
		To any number.
			<stage xml:id="FLOR-1407">(Xes R. takes stool and head and puts them in R. 
			corner)</stage>
				</p></sp><sp xml:id="FLOR-1408"><speaker xml:id="FLOR-1409">Lady Holyrood</speaker><p xml:id="FLOR-1410">
		What a pity you didn't live in Bluebeard's time.
			<stage xml:id="FLOR-1411">(Tweedle. and Gilfain giggle)</stage>
		Are you thinking of marrying again?
				</p></sp><sp xml:id="FLOR-1412"><speaker xml:id="FLOR-1413">Gilfain</speaker><p xml:id="FLOR-1414">
		Are you, Lady Holyrood?
				</p></sp><sp xml:id="FLOR-1415"><speaker xml:id="FLOR-1416">Tweedle</speaker><p xml:id="FLOR-1417">
			<stage xml:id="FLOR-1418">(R. C., aside)</stage>
		She's got her eye on the millionaire.
				</p></sp><sp xml:id="FLOR-1419"><speaker xml:id="FLOR-1420">Lady Holyrood</speaker><p xml:id="FLOR-1421">
		But I must find the right one this time.  What's the good 
		of being a widow if you don't profit by your experience.</p></sp>
			<stage xml:id="FLOR-1422">(Hands Gilfain the photo.  He throws it away in disgust)</stage>
		<stage xml:id="FLOR-1423">TRIO -- "I WANT TO MARRY A MAN, I DO"</stage>
				<sp xml:id="FLOR-1424"><speaker xml:id="FLOR-1425">Lady Holyrood</speaker><l xml:id="FLOR-1426">
		I want to marry a man, I do, I do.
				</l></sp><sp xml:id="FLOR-1427"><speaker xml:id="FLOR-1428">Gilfain</speaker><l xml:id="FLOR-1429">
		She does,
				</l></sp><sp xml:id="FLOR-1430"><speaker xml:id="FLOR-1431">Tweedle</speaker><l xml:id="FLOR-1432">
		She do.
				</l></sp><sp xml:id="FLOR-1433"><speaker xml:id="FLOR-1434">Lady Holyrood</speaker><l xml:id="FLOR-1435">
		I want to tell you my plan, I do, I do.
				</l></sp><sp xml:id="FLOR-1436"><speaker xml:id="FLOR-1437">Gilfain</speaker><l xml:id="FLOR-1438">
		She does,
				</l></sp><sp xml:id="FLOR-1439"><speaker xml:id="FLOR-1440">Tweedle</speaker><l xml:id="FLOR-1441">
		She do.
				</l></sp><sp xml:id="FLOR-1442"><speaker xml:id="FLOR-1443">Lady Holyrood</speaker><l xml:id="FLOR-1444">
		I want to marry a man, I do, I do.
				</l></sp><sp xml:id="FLOR-1445"><speaker xml:id="FLOR-1446">Gilfain</speaker><l xml:id="FLOR-1447">
		She does,
				</l></sp><sp xml:id="FLOR-1448"><speaker xml:id="FLOR-1449">Tweedle</speaker><l xml:id="FLOR-1450">
		She do.
				</l></sp><sp xml:id="FLOR-1451"><speaker xml:id="FLOR-1452">Lady Holyrood</speaker>
<lg xml:id="FLOR-1453"><l xml:id="FLOR-1454">			There's no use in looking about each day,
</l>
<l xml:id="FLOR-1455">		For husbands will either be dull or gay,
</l>
<l xml:id="FLOR-1456">		I've got to get one whose built my way
</l>
<l xml:id="FLOR-1457">		If I want to get one that will do, will do
</l>
<l xml:id="FLOR-1458">				I do.
</l></lg>
			</sp><sp xml:id="FLOR-1459"><speaker xml:id="FLOR-1460">Gilfain</speaker>
		<l xml:id="FLOR-1461">She does,</l>
				</sp><sp xml:id="FLOR-1462"><speaker xml:id="FLOR-1463">Tweedle</speaker>
		<l xml:id="FLOR-1464">She do.</l></sp>
				<sp xml:id="FLOR-1465"><speaker xml:id="FLOR-1466">REFRAIN</speaker><lg xml:id="FLOR-1467">
<l xml:id="FLOR-1468">		You've got to get hold of the right one,
</l>
<l xml:id="FLOR-1469">			and all will be right as can be,
</l>
<l xml:id="FLOR-1470">		The task isn't really a light one,
</l>
<l xml:id="FLOR-1471">			And it can't be performed for a fee.
</l>
<l xml:id="FLOR-1472">		You don't want a stay-out-all night one,
</l>
<l xml:id="FLOR-1473">			Or one who indulges in afternoon tea,
</l>
<l xml:id="FLOR-1474">		If you only get hold of the right one,
</l>
<l xml:id="FLOR-1475">			It's as easy as A.B.C.
</l>
				</lg></sp><sp xml:id="FLOR-1476"><speaker xml:id="FLOR-1477">Gilfain</speaker><l xml:id="FLOR-1478">
		As A, B, C.
				</l></sp><sp xml:id="FLOR-1479"><speaker xml:id="FLOR-1480">All</speaker><l xml:id="FLOR-1481">
		It's as easy as A, B, C.
				</l></sp><sp xml:id="FLOR-1482"><speaker xml:id="FLOR-1483">Lady Holyrood</speaker><l xml:id="FLOR-1484">
		A husband I want to adore, I do, I do.
				</l></sp><sp xml:id="FLOR-1485"><speaker xml:id="FLOR-1486">Gilfain</speaker><l xml:id="FLOR-1487">
		She does,
				</l></sp><sp xml:id="FLOR-1488"><speaker xml:id="FLOR-1489">Tweedle</speaker><l xml:id="FLOR-1490">
		She do.
				</l></sp><sp xml:id="FLOR-1491"><speaker xml:id="FLOR-1492">Lady Holyrood</speaker><l xml:id="FLOR-1493">
		I won't have a husband who wears a low hat,
		Or goes out to dinner in somebody's flat.
				</l></sp><sp xml:id="FLOR-1494"><speaker xml:id="FLOR-1495">Gilfain</speaker><l xml:id="FLOR-1496">
		Or one who's addicted to sleep on the mat.
				</l></sp><sp xml:id="FLOR-1497"><speaker xml:id="FLOR-1498">Lady Holyrood</speaker><l xml:id="FLOR-1499">
		Oh I think I should know what to do, to do, to do.
				</l></sp><sp xml:id="FLOR-1500"><speaker xml:id="FLOR-1501">Gilfain</speaker><l xml:id="FLOR-1502">
		She does,
				</l></sp><sp xml:id="FLOR-1503"><speaker xml:id="FLOR-1504">Tweedle</speaker><l xml:id="FLOR-1505">
		She do.</l></sp>
		<sp xml:id="FLOR-1506">
				<speaker xml:id="FLOR-1507">REFRAIN</speaker>
		<l xml:id="FLOR-1508">You've got to get hold of the right one, etc.</l></sp>
			<stage xml:id="FLOR-1509">(Dance and exeunt TWEEDLEPUNCH R. 2 E and LADY HOLYROOD
			L. 1 leaving GILFAIN on stage C)</stage>
				<sp xml:id="FLOR-1510"><speaker xml:id="FLOR-1511">Gilfain</speaker><p xml:id="FLOR-1512">
		If this Prof. Tweedlepunch can do all he claims he can he's 
		a wonder.  I think I'll call all my people here, and let 
		him test his ability at once.</p>
			<stage xml:id="FLOR-1513">(Enter LEANDRO R. 2 E)</stage>
		<p xml:id="FLOR-1514">Call all my people here at once.</p>
			<stage xml:id="FLOR-1515">(LEANDRO beckons people on R. and L)</stage><stage xml:id="FLOR-1516"> (CHORUS)</stage>
		<p xml:id="FLOR-1517">Now then, Prof. Tweedlepunch, can arrange it so that I marry
		Dolores, I need no longer fear the exposure of the secret 
		of Florodora, and with my daughter Angela married to Lord 
		Abercoed I will be able to get into the best society in both 
		England and America.</p></sp>
			<sp xml:id="FLOR-1518"><speaker xml:id="FLOR-1519">SONG AND CHORUS "PHRENOLOGY"</speaker>
		<lg xml:id="FLOR-1520">
<l xml:id="FLOR-1521">		There is nothing I disparage</l>
<l xml:id="FLOR-1522">		Like an ill-assorted marriage,</l>
<l xml:id="FLOR-1523">		You must choose your wife with phrenological care,</l>
<l xml:id="FLOR-1524">		For the resin beneath her bonnet,</l>
<l xml:id="FLOR-1525">		Has your future mapped upon it,</l>
<l xml:id="FLOR-1526">		So when you're engaged take down her hair.</l>
				</lg></sp><sp xml:id="FLOR-1527"><speaker xml:id="FLOR-1528">Chorus</speaker><lg xml:id="FLOR-1529">
		<l xml:id="FLOR-1530">So when you're engaged take down her hair</l>
				</lg></sp>		<pb xml:id="FLOR-1531"/><sp xml:id="FLOR-1532"><speaker xml:id="FLOR-1533">Gilfain</speaker><lg xml:id="FLOR-1534">
<l xml:id="FLOR-1535">		Though she may declare it fidgets,</l>
<l xml:id="FLOR-1536">		As you fumble with your digits,</l>
<l xml:id="FLOR-1537">		You reveal a well developed bump of crime - </l>
<l xml:id="FLOR-1538">		You may one day find her thickening</l>
<l xml:id="FLOR-1539">		Up your turtle soup with strychnine,</l>
<l xml:id="FLOR-1540">		Be advised and shake her while there's time.</l>
				</lg></sp><sp xml:id="FLOR-1541"><speaker xml:id="FLOR-1542">Chorus</speaker><l xml:id="FLOR-1543">
		Be advised and shake her while there's time.
				</l></sp><sp xml:id="FLOR-1544"><speaker xml:id="FLOR-1545">Gilfain</speaker><lg xml:id="FLOR-1546">
<l xml:id="FLOR-1547">		Then you no wedding need be dreading,</l>
<l xml:id="FLOR-1548">		Once phrenology defined,</l>
<l xml:id="FLOR-1549">			What is the virtue that will hurt you,</l>
<l xml:id="FLOR-1550">			And the vice you needn't mind,</l>
<l xml:id="FLOR-1551">			But science at defiance and to grief you're</l>
<l xml:id="FLOR-1552">					sure to come,</l>
<l xml:id="FLOR-1553">			If you're scorning every warning of the cra-ni-um.</l></lg></sp>
					<sp xml:id="FLOR-1554"><speaker xml:id="FLOR-1555">2.</speaker><lg xml:id="FLOR-1556">
<l xml:id="FLOR-1557">		If her temper bumps unsightly don't miss the matter lightly</l>
<l xml:id="FLOR-1558">		If you do beware there's trouble in the air,</l>
<l xml:id="FLOR-1559">		For in manner most pathetic, she'll put gables on your attic</l>
<l xml:id="FLOR-1560">			With a rolling pin or else a chair.</l>
				</lg></sp><sp xml:id="FLOR-1561"><speaker xml:id="FLOR-1562">Chorus</speaker><lg xml:id="FLOR-1563">
<l xml:id="FLOR-1564">		With a rolling pin or else a chair.</l>
				</lg></sp><sp xml:id="FLOR-1565"><speaker xml:id="FLOR-1566">Gilfain</speaker><lg xml:id="FLOR-1567">
<l xml:id="FLOR-1568">		Should she reach your solar plexus, you will wish you were </l>
<l xml:id="FLOR-1569">				in Texas</l>
<l xml:id="FLOR-1570">		Or in some place else that's always hot and dry,</l>
<l xml:id="FLOR-1571">		So before the new row commences, you should build up your </l>
<l xml:id="FLOR-1572">				defences,</l>
<l xml:id="FLOR-1573">			If you're wise you'll prove an alibi,</l>
<l xml:id="FLOR-1574">			If you're wise you'll prove an alibi.</l>
				</lg></sp><sp xml:id="FLOR-1575"><speaker xml:id="FLOR-1576">Chorus</speaker><lg xml:id="FLOR-1577">
<l xml:id="FLOR-1578">		For the marriage, I disparage is the usual blind affair,</l>
<l xml:id="FLOR-1579">		Just a scramble at a gamble with the prizes very rare,</l>
<l xml:id="FLOR-1580">		Ere the crisis my advice is - with your finger and your </l>
<l xml:id="FLOR-1581">			thumb,</l>
<l xml:id="FLOR-1582">		Explore the mountain and the molehills on her cra-ni-um.</l>
		<pb xml:id="FLOR-1583"/>
				</lg></sp><sp xml:id="FLOR-1584"><speaker xml:id="FLOR-1585">Gilfain</speaker><lg xml:id="FLOR-1586">
<l xml:id="FLOR-1587">		If her bumps of conversation, should arouse your consternation</l>
<l xml:id="FLOR-1588">		You had better not stay out too late at night,</l>
<l xml:id="FLOR-1589">		For she'll ask for explanation, causing many combinations,</l>
<l xml:id="FLOR-1590">		Leading to a fight till broad daylight.</l>
<l xml:id="FLOR-1591">		Into a fight till broad daylight yes he's right.</l>
<l xml:id="FLOR-1592">		You will learn that matrimony, is a matter for your money,</l>
<l xml:id="FLOR-1593">		For if such a girl you marry you will wish that you were dead.</l>
<l xml:id="FLOR-1594">		When she had procured an absolute divorce,</l>
<l xml:id="FLOR-1595">		For you'll find it isn't funny trying to pay alimony,</l>
<l xml:id="FLOR-1596">		That it's not a case of horse, and horse.</l>
<l xml:id="FLOR-1597">		That it's not a case of horse and horse.</l>
				</lg></sp><sp xml:id="FLOR-1598"><speaker xml:id="FLOR-1599">Chorus</speaker><lg xml:id="FLOR-1600">
<l xml:id="FLOR-1601">		That is why you'd better tarry ere you do decide to wed,</l>
<l xml:id="FLOR-1602">		 For if such a girl you marry you will wish that you were dead.</l>
<l xml:id="FLOR-1603">		So science at defiance, and to grief you're sure to come,</l>
<l xml:id="FLOR-1604">		If you're scorning every warning of the cra-ni-um.</l>
				</lg></sp><sp xml:id="FLOR-1605"><speaker xml:id="FLOR-1606">Gilfain</speaker><p xml:id="FLOR-1607">
			<stage xml:id="FLOR-1608">(L.C.)</stage>
		Ah here comes the Professor.  Science shall begin work at 
		once.
			<stage xml:id="FLOR-1609">(ENTER TWEEDLEPUNCH R.2.E- with paraphernalia.
			Crowd rushes toward him.  He goes to R. corner
			and gets head and stand)</stage>
				</p></sp><sp xml:id="FLOR-1610"><speaker xml:id="FLOR-1611">Tweedle</speaker><p xml:id="FLOR-1612">
			<stage xml:id="FLOR-1613">(Alarmed)</stage>
		One at a time, please.  One at a time.  Heavens do you all
		want to get married?
			<stage xml:id="FLOR-1614">(6 chairs L. for English ladies place R.C)</stage>
				Girls
		Of course we do.
			<stage xml:id="FLOR-1615">(Men bring on platform and chair from R)</stage>
				</p></sp><sp xml:id="FLOR-1616"><speaker xml:id="FLOR-1617">Tweedle</speaker><p xml:id="FLOR-1618">
		Of course they do, girls will be girls.  LAdies and gentlemen
		before dealing out universal happiness I wish to mention that 
		I am at the head of my profession.
			<stage xml:id="FLOR-1619">(Takes hat pin out of hat.  Hat off, closes hat and 
			puts it under chair at platform)</stage>
		I have felt the bumps of all the crowned heads of Europe, 
		all the fat heads of Asia, all the swelled heads of America
		not forgetting the black heads of Africa.
			<stage xml:id="FLOR-1620">(Plate and coin bus.)</stage>
		We will now proceed to business.
			<stage xml:id="FLOR-1621">(Enter ANGELA and DONEGAL L.U.E. comes down C)</stage>
				</p></sp><sp xml:id="FLOR-1622"><speaker xml:id="FLOR-1623">Gilfain</speaker><p xml:id="FLOR-1624">
			<stage xml:id="FLOR-1625">(L. C)</stage>
		To show my confidence in the system I've inaugurated for 
		the happiness of others - I am prepared --
			<stage xml:id="FLOR-1626">(Steps on platform)</stage>
				</p></sp><sp xml:id="FLOR-1627"><speaker xml:id="FLOR-1628">Tweedle</speaker><p xml:id="FLOR-1629">
			<stage xml:id="FLOR-1630">(To Gilfain)</stage>
		Be seated, sir.
				</p></sp><sp xml:id="FLOR-1631"><speaker xml:id="FLOR-1632">Gilfain</speaker><p xml:id="FLOR-1633">
			<stage xml:id="FLOR-1634">(Turns -- seeing Angela)</stage>
		At least, my daughter is prepared to submit herself to 
		Mr. Tweedlepunch's scientific investigations.
			<stage xml:id="FLOR-1635">(X L.C)</stage>
				</p></sp><sp xml:id="FLOR-1636"><speaker xml:id="FLOR-1637">Angela</speaker><p xml:id="FLOR-1638">
			<stage xml:id="FLOR-1639">(C)</stage>
		Why Papa - who is he?
				</p></sp><sp xml:id="FLOR-1640"><speaker xml:id="FLOR-1641">Gilfain</speaker><p xml:id="FLOR-1642">
			<stage xml:id="FLOR-1643">(Turns)</stage>
		Oh he'll tell you all about himself.
				</p></sp><sp xml:id="FLOR-1644"><speaker xml:id="FLOR-1645">Tweedle</speaker><p xml:id="FLOR-1646">
			<stage xml:id="FLOR-1647">(R.C)</stage>
		Allow me - my photograph.
			<stage xml:id="FLOR-1648">(Gives Angela his photograph)</stage>
		Taken with my little dog.  The one on the right is the dog.
		Miss Gilfain will you kindly place your head here.
			<stage xml:id="FLOR-1649">(Indicating chair in stand)</stage>
				</p></sp><sp xml:id="FLOR-1650"><speaker xml:id="FLOR-1651">Angela</speaker><p xml:id="FLOR-1652">
			<stage xml:id="FLOR-1653">(To Donegal)</stage>
		Shall I, Arthur?
				</p></sp><sp xml:id="FLOR-1654"><speaker xml:id="FLOR-1655">Donegal</speaker><p xml:id="FLOR-1656">
			<stage xml:id="FLOR-1657">(Shrugging his shoulders, Xes to R)</stage>
		Oh certainly do whatever papa wishes, like a good girl.
			<stage xml:id="FLOR-1658">(Angela hands hat to Tweedle - he puts hat on figure)</stage>
				</p></sp><sp xml:id="FLOR-1659"><speaker xml:id="FLOR-1660">Angela</speaker><p xml:id="FLOR-1661">
			<stage xml:id="FLOR-1662">(Goes to chair and stops)</stage>
		Oh, no, I don't think I will.
		<pb xml:id="FLOR-1663"/>
				</p></sp><sp xml:id="FLOR-1664"><speaker xml:id="FLOR-1665">Gilfain</speaker><p xml:id="FLOR-1666">
		Never fear, my dear.  Papa is here.
				Tweed
		No danger.
			<stage xml:id="FLOR-1667">(Angela goes to chair)</stage>
		Pray be seated.
			<stage xml:id="FLOR-1668">(She sits, head back, chin up - snaps collar--bus.)</stage>
		You will pardon my securing you to the chair - my investigations 
		have at times submitted me to personal violence.
			<stage xml:id="FLOR-1669">(Places hand on Angela's head - looks at it - pause, 
			very serious and almost crying)</stage>
		Mr. Gilfain I find on your daughter's head--
				</p></sp><sp xml:id="FLOR-1670"><speaker xml:id="FLOR-1671">Gilfain</speaker><p xml:id="FLOR-1672">
		What.
				</p></sp><sp xml:id="FLOR-1673"><speaker xml:id="FLOR-1674">Tweedle</speaker><p xml:id="FLOR-1675">
		Bumps.  Of truthfulness and simplicity - amiability -- good 
		nature and obedience strongly developed - bump of affection 
		sticks out like a water-melon!
			<stage xml:id="FLOR-1676">(Unfastens collar of chair, Angela gets down)</stage>
				</p></sp><sp xml:id="FLOR-1677"><speaker xml:id="FLOR-1678">Angela</speaker><p xml:id="FLOR-1679">
		Good gracious.
			<stage xml:id="FLOR-1680">(Gets down to Donegal)</stage>
		He's pretty good judge of character.
			<stage xml:id="FLOR-1681">(Enter ABERCOED R.2.E comes to C, looks at head,
			until spoken to_
			(To Tweedle)</stage>
		I shall keep your photograph.
			<stage xml:id="FLOR-1682">(Tweedle. gives Angela her hat)</stage>
				</p></sp><sp xml:id="FLOR-1683"><speaker xml:id="FLOR-1684">Tweedle</speaker><p xml:id="FLOR-1685">
		Thank you Miss.</p>
			<stage xml:id="FLOR-1686">(Aside)</stage>
		<p xml:id="FLOR-1687">Very few do.</p>
			<stage xml:id="FLOR-1688">(Bus. coin and plate)</stage>
			<stage xml:id="FLOR-1689"> (To Gilfain)</stage>
		<p xml:id="FLOR-1690">Nothing doing; nothing doing.  Mr. Gilfain I find that your 
		daughter is scientifically fitted to marry a man of good 
		business habits.</p>
			<stage xml:id="FLOR-1691">(Gilfain calls Tweedle's attention to Abercoed - 
			whistling business aside)</stage>
		<p xml:id="FLOR-1692">I'm on the chief clerk.</p>
			<stage xml:id="FLOR-1693">(To Abercoed)</stage>
		<p xml:id="FLOR-1694">Allow me, sir.  Would you kindly place your head here?</p>
		</sp><sp xml:id="FLOR-1695"><speaker xml:id="FLOR-1696">Abercoed</speaker>
			<stage xml:id="FLOR-1697">(C)</stage>
		<p xml:id="FLOR-1698">Certainly not.  No science on earth could force me to 
		marry where I didn't love.</p></sp>
		<pb xml:id="FLOR-1699"/>
		<sp xml:id="FLOR-1700"><speaker xml:id="FLOR-1701">Angela</speaker>
			<stage xml:id="FLOR-1702">(R)</stage>
	<p xml:id="FLOR-1703">
		Oh do try it, Mr. Abercoed it doesn't hurt a bit.
				</p></sp><sp xml:id="FLOR-1704"><speaker xml:id="FLOR-1705">Gilfain</speaker>
			<stage xml:id="FLOR-1706">(L)</stage>
		<p xml:id="FLOR-1707">Go on - get in the game - have a dash, have a dash.
				</p></sp><sp xml:id="FLOR-1708"><speaker xml:id="FLOR-1709">Tweedle</speaker><p xml:id="FLOR-1710">
		I don't mind if I do.
			<stage xml:id="FLOR-1711">(Smacks his lips)</stage>
				</p></sp><sp xml:id="FLOR-1712"><speaker xml:id="FLOR-1713">Abercoed</speaker><p xml:id="FLOR-1714">
			<stage xml:id="FLOR-1715">(R. foot on edge of platform)</stage>
		Oh very well.
			<stage xml:id="FLOR-1716">(Goes to Tweed)</stage>
		Your decision won't affect me.
			<stage xml:id="FLOR-1717">(Bus. sits in chair.  Tweedle feels head, raps it hard 
			twice.  Abercoed takes hat off head - one of the men 
			who stands R. of platform puts it on.  Hat has large 
			knob on top)</stage>
				</p></sp><sp xml:id="FLOR-1718"><speaker xml:id="FLOR-1719">Tweedle</speaker><p xml:id="FLOR-1720">
			<stage xml:id="FLOR-1721">(Feels head)</stage>
		This is a remarkable head
			<stage xml:id="FLOR-1722">(Taps it)</stage>
		Listen to that sound.
			<stage xml:id="FLOR-1723">(Taps it again.  Abercoed takes hat and puts it on)</stage>
		This young man's head is so wonderfully developed.
			<stage xml:id="FLOR-1724">(Puts hand around edge of hat all way)</stage>
		Size enormous.
			<stage xml:id="FLOR-1725">(Hand on front)</stage>
		Frontal development above the average.
			<stage xml:id="FLOR-1726">(Hand on R. side)</stage>
		Bump of good business habits splendid.
			<stage xml:id="FLOR-1727">(Hand on knob top)</stage>
		Bump - of - of - of - Agra - Niagara - Niagaranenishness.
			<stage xml:id="FLOR-1728">(Looks at it)</stage>
		Oh ----
			<stage xml:id="FLOR-1729">(Laughs)</stage>
		You see sir, to what limit my science can go when this young 
		man's bumps can talk through his hat.
			<stage xml:id="FLOR-1730">(Abercoed gives hat back to man R. gets down. X L - 
			of Tweedle)</stage>
		Mr. Gilfain, allow me to present you with the son-in-law 
		science has selected for you.
		<pb xml:id="FLOR-1731"/>
				</p></sp><sp xml:id="FLOR-1732"><speaker xml:id="FLOR-1733">All</speaker><p xml:id="FLOR-1734">
		Son-in-law.
				</p></sp><sp xml:id="FLOR-1735"><speaker xml:id="FLOR-1736">Tweedle</speaker><p xml:id="FLOR-1737">
		They are made to take each other - like the ace and the king 
		of trumps.
			<stage xml:id="FLOR-1738">(He takes the hands of Abercoed and Angela and is 
			about to join them when they snatch them away, 
			angrily)</stage>
				</p></sp><sp xml:id="FLOR-1739"><speaker xml:id="FLOR-1740">Gilfain</speaker><p xml:id="FLOR-1741">
			<stage xml:id="FLOR-1742">(L. of C)</stage>
		Wonderful.  I had hoped that Angela would do better 
		but I submit.
				</p></sp><sp xml:id="FLOR-1743"><speaker xml:id="FLOR-1744">Angela</speaker><p xml:id="FLOR-1745">
			<stage xml:id="FLOR-1746">(X L. C.)</stage>
		You may submit - I won't.
				</p></sp><sp xml:id="FLOR-1747"><speaker xml:id="FLOR-1748">Donegal</speaker><p xml:id="FLOR-1749">
			<stage xml:id="FLOR-1750">(Following her to C)</stage>
		Look here, Mr. Gilfain, I'm not going to stand this.  I want 
		to marry Angela and Abercoed doesn't.
				</p></sp><sp xml:id="FLOR-1751"><speaker xml:id="FLOR-1752">Abercoed</speaker><p xml:id="FLOR-1753">
		No, I don't mean to, either, in spite of this meddling 
		trickster.
			<stage xml:id="FLOR-1754">(ABERCOED exits R. 2)</stage>
				</p></sp><sp xml:id="FLOR-1755"><speaker xml:id="FLOR-1756">Chorus</speaker><p xml:id="FLOR-1757">
		Quite right!
			<stage xml:id="FLOR-1758">(DONEGAL and ANGELA X back of platform to R. - 
			Enter Dolores, L.U.E. smoking comes down C)</stage>
				</p></sp><sp xml:id="FLOR-1759"><speaker xml:id="FLOR-1760">Tweedle</speaker><p xml:id="FLOR-1761">
			<stage xml:id="FLOR-1762">(Bus. coin and plate)</stage>
		Well, who is next.
				</p></sp><sp xml:id="FLOR-1763"><speaker xml:id="FLOR-1764">Dolores</speaker><p xml:id="FLOR-1765">
			<stage xml:id="FLOR-1766">(Bus. C)</stage>
		What's going on?
				</p></sp><sp xml:id="FLOR-1767"><speaker xml:id="FLOR-1768">Gilfain</speaker><p xml:id="FLOR-1769">
			<stage xml:id="FLOR-1770">(L. going C. to Dolores)</stage>
		We're all going to be married.
				</p></sp><sp xml:id="FLOR-1771"><speaker xml:id="FLOR-1772">Dolores</speaker><p xml:id="FLOR-1773">
		By machinery.
		<pb xml:id="FLOR-1774"/>
				</p></sp><sp xml:id="FLOR-1775"><speaker xml:id="FLOR-1776">Gilfain</speaker><p xml:id="FLOR-1777">
		Professor Tweedlepunch, this is Dolores--</p>
			<stage xml:id="FLOR-1778">(Significantly)</stage>
		<p xml:id="FLOR-1779">My favorite farm girl;</p></sp>
				<sp xml:id="FLOR-1780"><speaker xml:id="FLOR-1781">Tweedle</speaker>
			<stage xml:id="FLOR-1782">(Aside)</stage>
		<p xml:id="FLOR-1783">I'm on.</p>
			<stage xml:id="FLOR-1784">(Xes to Dolores)</stage>
		<p xml:id="FLOR-1785">Will you allow me?  My photograph.</p>
			<stage xml:id="FLOR-1786">(He offers Dolores the photograph - she knocks it 
			out of his hand, blows smoke in his face)</stage>
		<p xml:id="FLOR-1787">I can't stand these, no tobacco cigarettes.</p></sp>
			<stage xml:id="FLOR-1788">(Dolores Xes L. and blows smoke in Gilfain's face,
			then kneels down and talks to Spanish girls)</stage>
		<stage xml:id="FLOR-1789">(Enter LADY HOLYROOD L.U.E comes down C)</stage>
			<sp xml:id="FLOR-1790"><speaker xml:id="FLOR-1791">Lady Holyrood</speaker><p xml:id="FLOR-1792">
		What's this?  A mass meeting?  What glorious institution 
		are they trying to destroy now, I wonder.
				</p></sp><sp xml:id="FLOR-1793"><speaker xml:id="FLOR-1794">Gilfain</speaker>
			<stage xml:id="FLOR-1795">(L.C)</stage>
		<p xml:id="FLOR-1796">We're about to try marriage by natural selection.</p>
				</sp><sp xml:id="FLOR-1797"><speaker xml:id="FLOR-1798">Lady Holyrood</speaker><p xml:id="FLOR-1799">
		Shall we all try it Mr. Gilfain.
				</p></sp><sp xml:id="FLOR-1800"><speaker xml:id="FLOR-1801">Gilfain</speaker><p xml:id="FLOR-1802">
		Don't you think that I'm too old to marry.
				</p></sp><sp xml:id="FLOR-1803"><speaker xml:id="FLOR-1804">Lady Holyrood</speaker><p xml:id="FLOR-1805">
		A man is never too old to marry - if he's very rich.
				</p></sp><sp xml:id="FLOR-1806"><speaker xml:id="FLOR-1807">Gilfain</speaker><p xml:id="FLOR-1808">
		Do you think so Lady Holyrood, then I'll try it for your 
		sake.
			<stage xml:id="FLOR-1809">(Xes R.C. to platform)</stage>
		Mr. Tweedlepunch, may I--
				</p></sp><sp xml:id="FLOR-1810"><speaker xml:id="FLOR-1811">Tweedle</speaker><p xml:id="FLOR-1812">
			<stage xml:id="FLOR-1813">(To Gilfain)</stage>
		Would you kindly place your head there.
			<stage xml:id="FLOR-1814">(Gilfain goes to machine followed by Lady Holyrood
			 L.C)</stage>
			 	</p></sp><sp xml:id="FLOR-1815"><speaker xml:id="FLOR-1816">Angela</speaker><p xml:id="FLOR-1817">
			 <stage xml:id="FLOR-1818">(R. to Donegal)</stage>
		I hope he gets an extravagant woman with a nasty temper.
		<pb xml:id="FLOR-1819"/>
			<stage xml:id="FLOR-1820">(Xes L. to platform)</stage>
				</p></sp><sp xml:id="FLOR-1821"><speaker xml:id="FLOR-1822">Tweedle</speaker><p xml:id="FLOR-1823">
		Mr. Gilfain, will you be seated?</p>
			<stage xml:id="FLOR-1824">(Bus. of lifting him up by coat and dropping him
			back into seat)</stage>
			<stage xml:id="FLOR-1825">(Gilfain protesting, head back, chin up - snaps 
			collar around his neck as with others)</stage>
			</sp><sp xml:id="FLOR-1826"><speaker xml:id="FLOR-1827">Gilfain</speaker><p xml:id="FLOR-1828">
		Oh, has he pinched my diamond?</p>
			<stage xml:id="FLOR-1829">(Bus:  hand up to tie Tweedlepunch pulls it down - 
			repeated three times.  Tweedlepunch finally puts 
			his knee on Gilfain's hand, which is on Gilfain's knee)</stage>
				</sp><sp xml:id="FLOR-1830"><speaker xml:id="FLOR-1831">Tweedlepunch</speaker><p xml:id="FLOR-1832">
		You have a fine head, sir.
			<stage xml:id="FLOR-1833">(Slaps head)</stage>
		A big head -
			<stage xml:id="FLOR-1834">(Slaps head)</stage>
		I may say a fat head.
			<stage xml:id="FLOR-1835">(Feels Gilfain's bumps)</stage>
		Oh, What's this?  What have we here --
			<stage xml:id="FLOR-1836">(L)</stage>
		- and here -- 
			<stage xml:id="FLOR-1837">(R)</stage>
		and here?
			<stage xml:id="FLOR-1838">(Bus)</stage>
		tut, tut, remarkable.
		</p></sp>
				<sp xml:id="FLOR-1839"><speaker xml:id="FLOR-1840">Angela &amp; Lady Holyrood</speaker>
		<p xml:id="FLOR-1841">What is it?</p>
			<stage xml:id="FLOR-1842">(DOLORES Xes behind platform R)</stage>
				</sp><sp xml:id="FLOR-1843"><speaker xml:id="FLOR-1844">Tweedle</speaker><p xml:id="FLOR-1845">
		Ah you don't know.  He doesn't know.
			<stage xml:id="FLOR-1846">(To Lady Holyrood)</stage>
		I don't know.  Bumps, bumps of robbery largely developed - 
		bumps of false pretences enormous - habitual criminality
		like a cannon ball.
			<stage xml:id="FLOR-1847">(Go back to Gil)</stage>
			<stage xml:id="FLOR-1848">(Bus. Tweedlepunch pulls handkerchief out of Gilfain's 
			pocket)</stage>
			<pb xml:id="FLOR-1849"/>
				</p></sp><sp xml:id="FLOR-1850"><speaker xml:id="FLOR-1851">Gilfain</speaker><p xml:id="FLOR-1852">
		Well, you'll not carry that out.
			<stage xml:id="FLOR-1853">(Bus. grabs handkerchief from Tweedle)</stage>
				</p></sp><sp xml:id="FLOR-1854"><speaker xml:id="FLOR-1855">Tweedle</speaker><p xml:id="FLOR-1856">
		My mistake.  To carry out my system to perfection, you 
		should marry a girl of sound common sense, strength of 
		purpose - courage and ambition.
				</p></sp><sp xml:id="FLOR-1857"><speaker xml:id="FLOR-1858">Gilfain</speaker><p xml:id="FLOR-1859">
		Let me out of this.
			<stage xml:id="FLOR-1860">(Tweedle releases him)</stage>
		You made it very unpleasant for me, sir.
				</p></sp><sp xml:id="FLOR-1861"><speaker xml:id="FLOR-1862">Tweedle</speaker><p xml:id="FLOR-1863">
		Oh, no, no I, bumps;
				</p></sp><sp xml:id="FLOR-1864"><speaker xml:id="FLOR-1865">Gilfain</speaker><p xml:id="FLOR-1866">
		Thumps, I call it.
			<stage xml:id="FLOR-1867">(Gilfain Xes L.C.)</stage>
				</p></sp><sp xml:id="FLOR-1868"><speaker xml:id="FLOR-1869">Tweedle</speaker><p xml:id="FLOR-1870">
		I will now proceed to find the girl.
			<stage xml:id="FLOR-1871">(Girls all jump up)</stage>
				</p></sp><sp xml:id="FLOR-1872"><speaker xml:id="FLOR-1873">Angela</speaker><p xml:id="FLOR-1874">
		I pity the poor girl who gets Papa.
			<stage xml:id="FLOR-1875">(Bus. Tweedlepunch and Lady Holyrood)</stage>
				</p></sp><sp xml:id="FLOR-1876"><speaker xml:id="FLOR-1877">Lady Holyrood</speaker><p xml:id="FLOR-1878">
			<stage xml:id="FLOR-1879">(Xes R.C. to Tweedlepunch, who is standing on platform)</stage>
		Mr. Tweedlepunch, will you please feel my bumps.
				</p></sp><sp xml:id="FLOR-1880"><speaker xml:id="FLOR-1881">Tweedle</speaker><p xml:id="FLOR-1882">
		Will I?  Won't I?
			<stage xml:id="FLOR-1883">(Feels bumps, Gilfain whistles to him, pantomimes a 
			"I'm on")</stage>
		Pardon me dear Madame.  Quite impossible.
				</p></sp><sp xml:id="FLOR-1884"><speaker xml:id="FLOR-1885">Lady Holyrood</speaker><p xml:id="FLOR-1886">
		I'm not impossible.
				</p></sp><sp xml:id="FLOR-1887"><speaker xml:id="FLOR-1888">Tweedle</speaker><p xml:id="FLOR-1889">
		No, no.  You have no bumps.
				</p></sp><sp xml:id="FLOR-1890"><speaker xml:id="FLOR-1891">Lady Holyrood</speaker><p xml:id="FLOR-1892">
		I have bumps.  You don't know your business.
		<pb xml:id="FLOR-1893"/>
				</p></sp><sp xml:id="FLOR-1894"><speaker xml:id="FLOR-1895">Tweedle</speaker><p xml:id="FLOR-1896">
		Hugh.  Don't give it away.
			<stage xml:id="FLOR-1897">(Down C)</stage>
		Lady Holyrood up C. then around to R. corner)
			<stage xml:id="FLOR-1898">(Approaches Dolores and taps her on the shoulder twice)</stage>
		The favorite farm girl?
				</p></sp><sp xml:id="FLOR-1899"><speaker xml:id="FLOR-1900">Dolores</speaker><p xml:id="FLOR-1901">
		What is the trouble, sir?
				</p></sp><sp xml:id="FLOR-1902"><speaker xml:id="FLOR-1903">Tweedle</speaker><p xml:id="FLOR-1904">
		I have no trouble.  Permit me -
			<stage xml:id="FLOR-1905">(He leads her forward and she reluctantly sits
			in chair)</stage>
		May I take a little bit off the top.
				</p></sp><sp xml:id="FLOR-1906"><speaker xml:id="FLOR-1907">Dolores</speaker><p xml:id="FLOR-1908">
		What do you mean, off the top?
				</p></sp><sp xml:id="FLOR-1909"><speaker xml:id="FLOR-1910">Tweedle</speaker><p xml:id="FLOR-1911">
		You know.
			<stage xml:id="FLOR-1912">(Bus. kiss)</stage>
				</p></sp><sp xml:id="FLOR-1913"><speaker xml:id="FLOR-1914">Dolores</speaker><p xml:id="FLOR-1915">
		How dare you, sir?
			<stage xml:id="FLOR-1916">(Throws Tweedle. off L.C)</stage>
				</p></sp><sp xml:id="FLOR-1917"><speaker xml:id="FLOR-1918">Gilfain</speaker><p xml:id="FLOR-1919">
		Cut that out.  Go on with the business.  Do you know what 
		you are doing sir?
				</p></sp><sp xml:id="FLOR-1920"><speaker xml:id="FLOR-1921">Tweedle</speaker><p xml:id="FLOR-1922">
		Yes - taking a little bit off the top.  But it's so refreshing.
		Be seated.  Common sense as big as a turkey's egg.  Courage - 
		you could hange a hat on it.
				</p></sp><sp xml:id="FLOR-1923"><speaker xml:id="FLOR-1924">Dolores</speaker><p xml:id="FLOR-1925">
		That's not a bump.  That's my ear.  And besides you are 
		mussing my hair.
				</p></sp><sp xml:id="FLOR-1926"><speaker xml:id="FLOR-1927">Tweedle</speaker><p xml:id="FLOR-1928">
		Strength of purpose
			<stage xml:id="FLOR-1929">(To Gilfain)</stage>
		Mr. Gilfain, nature has graciously designed your favorite 
		farm girl for your wife.
			<stage xml:id="FLOR-1930">(Passes her - X to L.C. she goes up C)</stage>
				</p></sp><sp xml:id="FLOR-1931"><speaker xml:id="FLOR-1932">All</speaker><p xml:id="FLOR-1933">
		His wife?
			<stage xml:id="FLOR-1934">(Angela Xes C. tearing up picture of Tweedle and 
			throws it in his face, then Xes to Gilfain - 
			Tweedle - C Xes and sits in chair of platform)</stage>
				</p></sp><sp xml:id="FLOR-1935"><speaker xml:id="FLOR-1936">Lady Holyrood</speaker><p xml:id="FLOR-1937">
			<stage xml:id="FLOR-1938">(R. aside)</stage>
		Not if I can help it.
				</p></sp><sp xml:id="FLOR-1939"><speaker xml:id="FLOR-1940">Gilfain</speaker><p xml:id="FLOR-1941">
		Good, if I marry Dolores, my secret is safe forever.  It's 
		all right.
				</p></sp><sp xml:id="FLOR-1942"><speaker xml:id="FLOR-1943">Angela</speaker><p xml:id="FLOR-1944">
		It's not all right, pap.  I won't have Dolores for my mother.
				</p></sp><sp xml:id="FLOR-1945"><speaker xml:id="FLOR-1946">Gilfain</speaker><p xml:id="FLOR-1947">
			<stage xml:id="FLOR-1948">(Passing her over to L)</stage>
		You attend to your own business my dear.
			<stage xml:id="FLOR-1949">(Turns to Dolores who is C)</stage>
		Come my darling kiss your husband.
			<stage xml:id="FLOR-1950">(Enter ABERCOED R - 2 E Xes to C)</stage>
		<stage xml:id="FLOR-1951">(GILFAIN tries to kiss Dolores - bus. all get up)</stage>
				</p></sp><sp xml:id="FLOR-1952"><speaker xml:id="FLOR-1953">Dolores</speaker><p xml:id="FLOR-1954">
		No, no, I won't.
			<stage xml:id="FLOR-1955">(Runs upstage and meets Abercoed)</stage>
				</p></sp><sp xml:id="FLOR-1956"><speaker xml:id="FLOR-1957">Abercoed</speaker><p xml:id="FLOR-1958">
		What's this?  What's the matter?
			<stage xml:id="FLOR-1959">(Bus - takes Dolores in his arms, and passes her over 
			to R, she still clings to him, during the next speech)</stage>
				</p></sp><sp xml:id="FLOR-1960"><speaker xml:id="FLOR-1961">Dolores</speaker><p xml:id="FLOR-1962">
			<stage xml:id="FLOR-1963">(R.C)</stage>
		Mr. Gilfain wants to marry me and kiss me.  Don't let him.
				</p></sp><sp xml:id="FLOR-1964"><speaker xml:id="FLOR-1965">Abercoed</speaker><p xml:id="FLOR-1966">
			<stage xml:id="FLOR-1967">(C - soothingly)</stage>
		Don't be afraid.  Mr. Gilfain I protest against this.  Give 
		up this sham science and let us marry where our hearts 
		direct.
		<pb xml:id="FLOR-1968"/>
				</p></sp><sp xml:id="FLOR-1969"><speaker xml:id="FLOR-1970">All</speaker><p xml:id="FLOR-1971">
		Quite right.
				</p></sp><sp xml:id="FLOR-1972"><speaker xml:id="FLOR-1973">Gilfain</speaker><p xml:id="FLOR-1974">
		Don't you dare to disobey me, sir.  I'm not going to be 
		dictated to by a mere clerk.  Do as I order you.  Marry 
		my daughter Angela.
				</p></sp><sp xml:id="FLOR-1975"><speaker xml:id="FLOR-1976">Abercoed</speaker><p xml:id="FLOR-1977"> 
		I will not.
				</p></sp><sp xml:id="FLOR-1978"><speaker xml:id="FLOR-1979">Dolores</speaker><p xml:id="FLOR-1980">
			<stage xml:id="FLOR-1981">(Xes down R. C)</stage>
		That's something like a man.
				</p></sp><sp xml:id="FLOR-1982"><speaker xml:id="FLOR-1983">Gilfain</speaker><p xml:id="FLOR-1984">
		Then I dismiss you from my service.  Leave this Island 
		at once.
				</p></sp><sp xml:id="FLOR-1985"><speaker xml:id="FLOR-1986">Abercoed</speaker><p xml:id="FLOR-1987">
		As you wish.  But I'll be no party to the schemes of this 
		mountebank, Mr. Gilfain, I leave your service at once.
			<stage xml:id="FLOR-1988">(Exit L.U.E.)</stage>
				</p></sp><sp xml:id="FLOR-1989"><speaker xml:id="FLOR-1990">All</speaker><p xml:id="FLOR-1991">
		Quite right.
				</p></sp><sp xml:id="FLOR-1992"><speaker xml:id="FLOR-1993">Dolores</speaker><p xml:id="FLOR-1994">
			<stage xml:id="FLOR-1995">(Xes to Gilfain L.C)</stage>
		I'll never marry you.
				</p></sp><sp xml:id="FLOR-1996"><speaker xml:id="FLOR-1997">Gilfain</speaker><p xml:id="FLOR-1998">
		You won't.
				</p></sp><sp xml:id="FLOR-1999"><speaker xml:id="FLOR-2000">Dolores</speaker><p xml:id="FLOR-2001">
		No, never, no never, never.
			<stage xml:id="FLOR-2002">(Exits L.U.E)</stage>
		Angela and Donegal go to Gilfain.
				</p></sp><sp xml:id="FLOR-2003"><speaker xml:id="FLOR-2004">Gilfain</speaker><p xml:id="FLOR-2005">
		I call this base ingratitude.
				</p></sp><sp xml:id="FLOR-2006"><speaker xml:id="FLOR-2007">Angela</speaker><p xml:id="FLOR-2008">
		Oh papa.
				</p></sp><sp xml:id="FLOR-2009"><speaker xml:id="FLOR-2010">Gilfain</speaker><p xml:id="FLOR-2011">
		Don't speak to me for another century.
			<stage xml:id="FLOR-2012">(Exit L.U.E)</stage>
			<pb xml:id="FLOR-2013"/>
				</p></sp><sp xml:id="FLOR-2014"><speaker xml:id="FLOR-2015">Lady Holyrood</speaker><p xml:id="FLOR-2016">
			<stage xml:id="FLOR-2017">(R)</stage>
		Well, Mr. Tweedlepunch, a pretty mess you've made of it.
				</p></sp><sp xml:id="FLOR-2018"><speaker xml:id="FLOR-2019">Tweedle</speaker><p xml:id="FLOR-2020">
			<stage xml:id="FLOR-2021">(Sits in chair on platform)</stage>
		I don't seem to have given entire satisfaction.
				</p></sp><sp xml:id="FLOR-2022"><speaker xml:id="FLOR-2023">Lady Holyrood</speaker><p xml:id="FLOR-2024">
		I should think not; now come here you silly old gentleman.
				</p></sp><sp xml:id="FLOR-2025"><speaker xml:id="FLOR-2026">Tweedle</speaker><p xml:id="FLOR-2027">
		Pardon me, I should like to cement our friendship.  If you 
		will allow me -- let me see, what have I?
			<stage xml:id="FLOR-2028">(Looks in pocket)</stage>
		Ah, my pocket knife.  I have carried that knife for ten 
		years.  Will you adopt it.
				</p></sp><sp xml:id="FLOR-2029"><speaker xml:id="FLOR-2030">Lady Holyrood</speaker><p xml:id="FLOR-2031">
		My dear sir, I don't want your knife.
				</p></sp><sp xml:id="FLOR-2032"><speaker xml:id="FLOR-2033">Tweedle</speaker><p xml:id="FLOR-2034">
		Ah, I see superstitious.
				Lady 
		Well, I will admit that I am.
				</p></sp><sp xml:id="FLOR-2035"><speaker xml:id="FLOR-2036">Tweedle</speaker><p xml:id="FLOR-2037">
		Well then, we won't make it a present.  Give me some little 
		thing in exchange.  Anything will do.  It don't matter 
		about the amount.
				</p></sp><sp xml:id="FLOR-2038"><speaker xml:id="FLOR-2039">Lady Holyrood</speaker><p xml:id="FLOR-2040">
		My, but you are a nuisance.
			<stage xml:id="FLOR-2041">(Gets coin out of purse)</stage>
		Well there's a penny.
			<stage xml:id="FLOR-2042">(Tweedle nearly falls in a faint)</stage>
		<stage xml:id="FLOR-2043">(Lady Holyrood catches him by the coat)</stage>
		Now listen to me.  I have my check book with me.
				</p></sp><sp xml:id="FLOR-2044"><speaker xml:id="FLOR-2045">Lady Holyrood</speaker><p xml:id="FLOR-2046">
		Now I am going to give you $500.
			<stage xml:id="FLOR-2047">(Bus)</stage>
		If you arrange that, Mr. Gilfain chooses another wife.
				</p></sp><sp xml:id="FLOR-2048"><speaker xml:id="FLOR-2049">Tweedle</speaker><p xml:id="FLOR-2050">
		Science is a mere baby in the hands of a banker.
			<stage xml:id="FLOR-2051">(Goes to platform and stands - there)</stage>
				<pb xml:id="FLOR-2052"/>
				</p></sp><sp xml:id="FLOR-2053"><speaker xml:id="FLOR-2054">Lady Holyrood</speaker><p xml:id="FLOR-2055">
			<stage xml:id="FLOR-2056">(L.C. aside to Angela)</stage>
		Yes and we'll attend to Tweedlepunch
			<stage xml:id="FLOR-2057">(Girls and men crowd around Tweedlepunch, saying 
			"Me next" - - "I WANT TO GET MARRIED" - etc.)</stage>
				</p></sp><sp xml:id="FLOR-2058"><speaker xml:id="FLOR-2059">Tweedle</speaker><p xml:id="FLOR-2060">
		Please, steady.  You shall all be married if you'll only 
		wait.
			<stage xml:id="FLOR-2061">(Tweedle - back the chorus off L.U.E.)</stage>
		Donegal has worked up C - stops his exit up L)
		    <stage xml:id="FLOR-2062">( After the exit of the Chorus, LADY HOLYROOD and 
		     ANGELA pull TWEEDLE back, in doing so they rip
		     his coat up the back)</stage>
		Oh I'm undone.
			<stage xml:id="FLOR-2063">(Going up C and turns)</stage>
			<stage xml:id="FLOR-2064">(After Tweedlepunch speaks his lines, Lady Holyrood
			R. and Angela L rush to him and catch hold of an 
			end of his necktie, which is made of elastic.  At 
			the end of this line, they pull it out and let it go 
			suddenly, it snaps against his neck.  Is of being 
			hurt, etc.)</stage>
				</p></sp><sp xml:id="FLOR-2065"><speaker xml:id="FLOR-2066">Lady Holyrood</speaker><p xml:id="FLOR-2067">
			<stage xml:id="FLOR-2068">(R)</stage>
		But why did you interfere with us?
				</p></sp><sp xml:id="FLOR-2069"><speaker xml:id="FLOR-2070">Angela</speaker><p xml:id="FLOR-2071"> 
			<stage xml:id="FLOR-2072">(L)</stage>
		Why should I marry a man I don't love?
				</p></sp><sp xml:id="FLOR-2073"><speaker xml:id="FLOR-2074">Tweedle</speaker><p xml:id="FLOR-2075">
			<stage xml:id="FLOR-2076">(C)</stage>
		You don't know - 
			<stage xml:id="FLOR-2077">(Indicating Lady Holyrood)</stage>
		She doesn't know, I don't know - bumps.
			<stage xml:id="FLOR-2078">(Runs around Lady L. and exits L.I.E. followed by 
			Angela and Lady Holyrood and Donegal)</stage>
				</p></sp><sp xml:id="FLOR-2079"><speaker xml:id="FLOR-2080">Donegal</speaker><p xml:id="FLOR-2081">
		If I catch him, I'll give him a bump that he'll never 
		forget.
			<stage xml:id="FLOR-2082">(Exit)</stage>
			<stage xml:id="FLOR-2083">(Enter L.U.E., ABERCOED and DOLORES)</stage>
				</p></sp><sp xml:id="FLOR-2084"><speaker xml:id="FLOR-2085">Dolores</speaker><p xml:id="FLOR-2086">
			<stage xml:id="FLOR-2087">(L.C)</stage>
		And are you really going?
		<pb xml:id="FLOR-2088"/>
				</p></sp><sp xml:id="FLOR-2089"><speaker xml:id="FLOR-2090">Abercoed</speaker><p xml:id="FLOR-2091">
			<stage xml:id="FLOR-2092">(R. C)</stage>
		Yes, dear, I must.  After what Mr. Gilfain said - 
		how can I remain?
				</p></sp><sp xml:id="FLOR-2093"><speaker xml:id="FLOR-2094">Dolores</speaker><p xml:id="FLOR-2095">
		I'll return soon and claim you.  Can't you trust me?
		Yes, but I could trust you just as well if I went with 
		you.
				</p></sp><sp xml:id="FLOR-2096"><speaker xml:id="FLOR-2097">Abercoed</speaker><p xml:id="FLOR-2098">
		Never fear, dear, I won't be long parted from you - and
		whenever I am, you will always be in my thoughts, waiting 
		for me under the shadows of the beautiful palms.</p>
			<stage xml:id="FLOR-2099">(Seats her R)</stage>
			<stage xml:id="FLOR-2100">(SINGS)</stage>
				<stage xml:id="FLOR-2101">"THE SHADE OF THE PALM."</stage><lg xml:id="FLOR-2102">
<l xml:id="FLOR-2103">		There is a garden fair, set in an eastern sea,</l>
<l xml:id="FLOR-2104">		There is a maid keeping trust with me,</l>
<l xml:id="FLOR-2105">		In the shade of the palm,</l>
<l xml:id="FLOR-2106">		With a lover's delight,</l>
<l xml:id="FLOR-2107">		Where 'tis ever the golden day, or silvery night,</l>
<l xml:id="FLOR-2108">		How can I leave her in this dream of sweet Arcadia,</l>
<l xml:id="FLOR-2109">		How can I part with her for lands away?</l>
<l xml:id="FLOR-2110">		In this land of Eden fairest of the sea</l>
<l xml:id="FLOR-2111">		Oh my beloved bid me stay, in this fair land of Eden,</l>
<l xml:id="FLOR-2112">		Bid me, beloved, to stay - oh my Dolores</l>
		</lg>
				<stage xml:id="FLOR-2113">REFRAIN</stage><lg xml:id="FLOR-2114">
<l xml:id="FLOR-2115">		Oh my Dolores queen of the Eastern sea,</l>
<l xml:id="FLOR-2116">			Fair one of Eden, look to the West for me,</l>
<l xml:id="FLOR-2117">			My star will be shining, love,</l>
<l xml:id="FLOR-2118">		When you're in the moonlight calm,</l>
<l xml:id="FLOR-2119">		So be waiting for me by the Eastern sea,</l>
<l xml:id="FLOR-2120">		In the shade of the sheltering palm.</l></lg>
			<stage xml:id="FLOR-2121">(At the end of the first refrain, Dolores rises, 
			Xes to C, very slowly, turns at opening of second
			verse)</stage>
				<stage xml:id="FLOR-2122">2.</stage>
				<lg xml:id="FLOR-2123">
<l xml:id="FLOR-2124">		There is an island fair, girt by the Western Sea,</l>
<l xml:id="FLOR-2125">		Dearest, 'tis there one day thou'lt go with me,</l>
<l xml:id="FLOR-2126">		'Neath the glorious moon hand in hand we'll roam,</l>
<l xml:id="FLOR-2127">		Hear the nightingale song of June, in young dear land of home.</l>
<l xml:id="FLOR-2128">		There dearest heart will the past but seem an idle vision,</l>
<l xml:id="FLOR-2129">		Nought but a dream that fadeth fast away,</l>
<l xml:id="FLOR-2130">		And the songs we were singing in, in Elysian vales,</l>
<l xml:id="FLOR-2131">		Seem but a carol of yesterday, happy songs we were singing,</l>
<l xml:id="FLOR-2132">			Songs of a by-gone day.</l></lg></sp>
			<stage xml:id="FLOR-2133">(At the finish of song, ABERCOED takes her in his 
			arms and picture - until Orchestra finishes.  Then 
			exit ABERCOED L.2.E - Dolores follows him almost 
			to entrance, slowly)</stage>
				<sp xml:id="FLOR-2134"><speaker xml:id="FLOR-2135">Tweedle</speaker><p xml:id="FLOR-2136">
			<stage xml:id="FLOR-2137">(Enters L.U.E. - xing to ")</stage>
		They all seem very angry.
			<stage xml:id="FLOR-2138">(Sits R. corner - lights gradually change to a 
			salmon.  Dolores goes to Tweedle - angrily)</stage>
			<pb xml:id="FLOR-2139"/>
				</p></sp><sp xml:id="FLOR-2140"><speaker xml:id="FLOR-2141">Dolores</speaker><p xml:id="FLOR-2142">
		Now what have you got to say for yourself.
				</p></sp><sp xml:id="FLOR-2143"><speaker xml:id="FLOR-2144">Tweedle</speaker><p xml:id="FLOR-2145">
		I'm not saying a word.
				</p></sp><sp xml:id="FLOR-2146"><speaker xml:id="FLOR-2147">Dolores</speaker><p xml:id="FLOR-2148">
			<stage xml:id="FLOR-2149">(Shakes him - tears his coat)</stage>
		Oh maybe they've done with you, but I'm not.
			<stage xml:id="FLOR-2150">(after Dolores tears Tweedlepunch's coat into two
			pieces, he buttons it up in front and then changes it 
			from back to front vice versa, bus. to finish before 
			end of speech)</stage>
		Is that all right in the back?
			<stage xml:id="FLOR-2151">(Business Dolores:  stamps foot)</stage>
				</p></sp><sp xml:id="FLOR-2152"><speaker xml:id="FLOR-2153">Tweedle</speaker><p xml:id="FLOR-2154">
		Don't be angry.
				Del.
		I'm not angry.  Don't you dare say I'm angry.
				</p></sp><sp xml:id="FLOR-2155"><speaker xml:id="FLOR-2156">Tweedle</speaker><p xml:id="FLOR-2157">
		I didn't say you were angry.  I say, don't be angry.  You 
		are all right you'll soon be married.
				Del.
		I know it.  But I'm going to marry Mr. Abercoed, not Mr. 
		Gilfain.  Do you understand that?
				</p></sp><sp xml:id="FLOR-2158"><speaker xml:id="FLOR-2159">Tweedle</speaker><p xml:id="FLOR-2160">
		Marry the discharged clerk, when you can get the master?
		Nonsense, besides that'll hurt Mr. Gilfain's feelings.
				</p></sp><sp xml:id="FLOR-2161"><speaker xml:id="FLOR-2162">Dolores</speaker><p xml:id="FLOR-2163">
		Wel I -- I --
				</p></sp><sp xml:id="FLOR-2164"><speaker xml:id="FLOR-2165">Tweedle</speaker><p xml:id="FLOR-2166">
		Have you known him a long time?
				</p></sp><sp xml:id="FLOR-2167"><speaker xml:id="FLOR-2168">Dolores</speaker><p xml:id="FLOR-2169">
		Ever since I was a baby.  I was born on this Island.
				</p></sp><sp xml:id="FLOR-2170"><speaker xml:id="FLOR-2171">Tweedle</speaker><p xml:id="FLOR-2172">
		What a chubby little thing you must have been.
			<stage xml:id="FLOR-2173">(Bus. with necktie after coat business, he begins to 
			tie necktie, after trying it he pulls the ends 
			and it snaps as before)</stage>
		Well then can you tell me --
				Delores
		It belonged to my father.  He went abroad and died - and 
		then Mr. Gilfain took care of me.
				</p></sp><sp xml:id="FLOR-2174"><speaker xml:id="FLOR-2175">Tweedle</speaker><p xml:id="FLOR-2176">
		Your father.  What was his name?
				</p></sp><sp xml:id="FLOR-2177"><speaker xml:id="FLOR-2178">Dolores</speaker><p xml:id="FLOR-2179">
		Fernando Quisara.
				</p></sp><sp xml:id="FLOR-2180"><speaker xml:id="FLOR-2181">Tweedle</speaker><p xml:id="FLOR-2182">
		Quisara?
			<stage xml:id="FLOR-2183">(Tweedle takes off his hat, quickly - hat pin 
			in right hand an left)</stage>
		And Gilfain took possession of the Island of Florodora,
		and of you.  I have found her.  I have found her.
			<stage xml:id="FLOR-2184">(Xing L)</stage>
			<stage xml:id="FLOR-2185">(Enter ABERCOED L. 2. E)</stage>
				</p></sp><sp xml:id="FLOR-2186"><speaker xml:id="FLOR-2187">Dolores</speaker><p xml:id="FLOR-2188">
		You silly old man I have been here all the while.
				</p></sp><sp xml:id="FLOR-2189"><speaker xml:id="FLOR-2190">Tweedle</speaker><p xml:id="FLOR-2191">
		But I didn't know you were Dolores Quisara.  He did, that's 
		why he wanted to marry you.
			<stage xml:id="FLOR-2192">(Drops down R.)</stage>
		Gilfain is a --
				</p></sp><sp xml:id="FLOR-2193"><speaker xml:id="FLOR-2194">Dolores</speaker><p xml:id="FLOR-2195">
		What?
				</p></sp><sp xml:id="FLOR-2196"><speaker xml:id="FLOR-2197">Tweedle</speaker><p xml:id="FLOR-2198">
		He's a reptile.  You will never marry him.  You can marry 
		Mr. Abercoed or me, or any other blackguard you like, but 
		Gilfain, never.  He's a worm - an ordinary cabbage worm
		and I'll crush.
			<stage xml:id="FLOR-2199">(He holds his foot up)</stage>
		That's my crushes - 
			<stage xml:id="FLOR-2200">(With indignation)</stage>
			<stage xml:id="FLOR-2201">(Bus. hat pin - puts hat on head, jabs pin in hat -
			sticks himself, exclamation of pain)</stage>
		He's a cobra di Capello.
				</p></sp><sp xml:id="FLOR-2202"><speaker xml:id="FLOR-2203">Gilfain</speaker><p xml:id="FLOR-2204">
			<stage xml:id="FLOR-2205">(Off stage, calls)</stage>
		Leandro.
		<pb xml:id="FLOR-2206"/>
				</p></sp><sp xml:id="FLOR-2207"><speaker xml:id="FLOR-2208">Tweedle</speaker><p xml:id="FLOR-2209">
		There he is.  Now you just watch me.
			<stage xml:id="FLOR-2210">(Goes upstage to meet Gilfain)</stage>
			<stage xml:id="FLOR-2211">(Abercoed and Dolores Xes to L.)</stage>
			<stage xml:id="FLOR-2212">(Enter GILFAIN and other principals L.U.E - 
			Tweedlepunch brings Gilfain down C angrily)</stage>
		Mr. Gilfain you know me.
				</p></sp><sp xml:id="FLOR-2213"><speaker xml:id="FLOR-2214">Gilfain</speaker><p xml:id="FLOR-2215">
			<stage xml:id="FLOR-2216">(Shakes hands with him)</stage>
		Know you - you are my best best friend.
				</p></sp><sp xml:id="FLOR-2217"><speaker xml:id="FLOR-2218">Tweedle</speaker><p xml:id="FLOR-2219">
		Now isn't that aggravating?
			<stage xml:id="FLOR-2220">(Goes R.)</stage>
				</p></sp><sp xml:id="FLOR-2221"><speaker xml:id="FLOR-2222">Gilfain</speaker><p xml:id="FLOR-2223">
			<stage xml:id="FLOR-2224">(C. to Abercoed)</stage>
		You still here?  I told you to be off.
				</p></sp><sp xml:id="FLOR-2225"><speaker xml:id="FLOR-2226">Abercoed</speaker><p xml:id="FLOR-2227">
		I don't need to be told again, sir.  I'm going.
				</p></sp><sp xml:id="FLOR-2228"><speaker xml:id="FLOR-2229">Dolores</speaker><p xml:id="FLOR-2230">
			<stage xml:id="FLOR-2231">(X 1 X)</stage>
		I'll go too.  I'll go with him.
			<stage xml:id="FLOR-2232">(Arms around Abercoed)</stage>
				</p></sp><sp xml:id="FLOR-2233"><speaker xml:id="FLOR-2234">Gilfain</speaker><p xml:id="FLOR-2235">
			<stage xml:id="FLOR-2236">(Catches her by the hand and Xes her to R.C.)</stage>
		No you don't; you stay here.  You're mind.
				</p></sp><sp xml:id="FLOR-2237"><speaker xml:id="FLOR-2238">Tweedle</speaker><p xml:id="FLOR-2239">
			<stage xml:id="FLOR-2240">(R.)</stage>
		And mine.</p></sp>
			<stage xml:id="FLOR-2241">(Exits slowly L U E)</stage>
				<stage xml:id="FLOR-2242">FINALE</stage><sp xml:id="FLOR-2243">
				<speaker xml:id="FLOR-2244">Girls</speaker><lg xml:id="FLOR-2245">
<l xml:id="FLOR-2246">			Hey, hey, lackaday</l>
<l xml:id="FLOR-2247">				Our loving hearts asunder, he has riven</l>
<l xml:id="FLOR-2248">			With tears, tears we cannot stay</l>
<l xml:id="FLOR-2249">				We see our boys to others given.</l>
				</lg></sp>
		<pb xml:id="FLOR-2250"/>
				<sp xml:id="FLOR-2251"><speaker xml:id="FLOR-2252">Tenors and Basses</speaker><lg xml:id="FLOR-2253">
<l xml:id="FLOR-2254">			Of scientific fraud.</l>
<l xml:id="FLOR-2255">			The worst of all phrenology</l>
<l xml:id="FLOR-2256">			The maids we hold in hate are given us to wed.</l>
<l xml:id="FLOR-2257">				While girls that we've adored,</l>
<l xml:id="FLOR-2258">				Without the least apology,</l>
<l xml:id="FLOR-2259">			Are now assigned to mate with men,</l>
<l xml:id="FLOR-2260">			Who've other girls instead.</l></lg></sp>
		<stage xml:id="FLOR-2261">(Boat comes on C - Abercoed comes down from R U E)</stage>
				<sp xml:id="FLOR-2262"><speaker xml:id="FLOR-2263">DUST - Abercoed and Dolores</speaker>
<lg xml:id="FLOR-2264">
<l xml:id="FLOR-2265">			This is not sorrow</l>
<l xml:id="FLOR-2266">			This is not parting,</l>
<l xml:id="FLOR-2267">		This is the hour when two hearts unite</l>
<l xml:id="FLOR-2268">			Seas may divide us,</l>
<l xml:id="FLOR-2269">			Years keep in longing</l>
<l xml:id="FLOR-2270">		This is the dawn that knows no night,</l>
<l xml:id="FLOR-2271">			Time will not sever</l>
<l xml:id="FLOR-2272">			We vow for ever</l>
<l xml:id="FLOR-2273">		This bond we will never betray.</l></lg></sp>
				<sp xml:id="FLOR-2274"><speaker xml:id="FLOR-2275">Abercoed</speaker><lg xml:id="FLOR-2276">
<l xml:id="FLOR-2277">			Farewell, my own,</l>
<l xml:id="FLOR-2278">			You are the dearest at parting</l>
<l xml:id="FLOR-2279">			To thee ever alone, dear love.</l>
<l xml:id="FLOR-2280">			I will vow I will ever be true.</l>
				</lg></sp><sp xml:id="FLOR-2281"><speaker xml:id="FLOR-2282">Dolores</speaker><lg xml:id="FLOR-2283">
<l xml:id="FLOR-2284">		Farewell, though seas may divide us,</l>
<l xml:id="FLOR-2285">		Farewell, though fate may divide us,</l>
<l xml:id="FLOR-2286">			Farewell, farewell.</l>
<l xml:id="FLOR-2287">			I love you forever and ever.</l>
<l xml:id="FLOR-2288">			Where'er I roam, where I roam</l>
<l xml:id="FLOR-2289">				Abercoed and Donegal</l>
<l xml:id="FLOR-2290">			Stay we implore you</l>
				</lg></sp><sp xml:id="FLOR-2291"><speaker xml:id="FLOR-2292">Chorus</speaker><lg xml:id="FLOR-2293">
<l xml:id="FLOR-2294">			See, hand in hand they kneel,</l>
<l xml:id="FLOR-2295">			They may, you may repent, hear --</l></lg>
			<stage xml:id="FLOR-2296">(Abercoed exits L to R in boat)</stage>
				<pb xml:id="FLOR-2297"/>
					</sp><sp xml:id="FLOR-2298"><speaker xml:id="FLOR-2299">All</speaker>
			<stage xml:id="FLOR-2300">(Kneeling to Gilfain)</stage><lg xml:id="FLOR-2301">
<l xml:id="FLOR-2302">				Hand in hand we kneel imploring</l>
<l xml:id="FLOR-2303">					Of your harshness you'll repent</l>
<l xml:id="FLOR-2304">				Do not part two hearts adoring,</l>
<l xml:id="FLOR-2305">					By withholding your consent,</l>
<l xml:id="FLOR-2306">				We kneel, We kneel</l>
<l xml:id="FLOR-2307">					We implore you - </l>
<l xml:id="FLOR-2308">				We pray you repent,</l>
<l xml:id="FLOR-2309">					We pray you, do you part us</l>
<l xml:id="FLOR-2310">				By withholding your consent, your consent.</l>
<l xml:id="FLOR-2311">					Of scientific fraud</l>
<l xml:id="FLOR-2312">				The worst of all phrenology</l>
<l xml:id="FLOR-2313">					The men we hold in hate</l>
<l xml:id="FLOR-2314">				Are given us to wed.</l>
<l xml:id="FLOR-2315">					While men that we've adored,</l>
<l xml:id="FLOR-2316">					Without the least apology,</l>
<l xml:id="FLOR-2317">				Are now assigned to other girls instead.</l>
					</lg></sp><sp xml:id="FLOR-2318"><speaker xml:id="FLOR-2319">Gilfain</speaker><lg xml:id="FLOR-2320">
<l xml:id="FLOR-2321">				Though your lover has departed,</l>
<l xml:id="FLOR-2322">				Be no longer brokenhearted,</l>
<l xml:id="FLOR-2323">					For you now are free,</l>
<l xml:id="FLOR-2324">					To love and marry me.</l></lg>
			<stage xml:id="FLOR-2325">(LADY HOLYROOD enters L. I. E and drops down R.C.)</stage>
<lg xml:id="FLOR-2326">
<l xml:id="FLOR-2327">				He will not return to claim you.</l>
<l xml:id="FLOR-2328">				You're deserted, none shall blame you - </l>
<l xml:id="FLOR-2329">					If you marry me.</l>
<l xml:id="FLOR-2330">					Yes, marry me.</l>
						</lg></sp><sp xml:id="FLOR-2331"><speaker xml:id="FLOR-2332">Lady H.</speaker><lg xml:id="FLOR-2333">
<l xml:id="FLOR-2334">					Why marry in this hurry.</l>
<l xml:id="FLOR-2335">					Surely you've no need to worry,</l>
<l xml:id="FLOR-2336">					There are good fish waiting, waiting</l>
<l xml:id="FLOR-2337">							in the sea.</l>
<l xml:id="FLOR-2338">						For a millionaire colonial,</l>
<l xml:id="FLOR-2339">					In such matters matrimonial,</l>
<l xml:id="FLOR-2340">						You might do worse than wait for me,</l>
<l xml:id="FLOR-2341">					Do worse than wait for me.</l>
						</lg></sp><sp xml:id="FLOR-2342"><speaker xml:id="FLOR-2343">Chorus</speaker>
					<stage xml:id="FLOR-2344">(To Dolores)</stage><lg xml:id="FLOR-2345">
<l xml:id="FLOR-2346">						Be no longer broken hearted,</l>
<l xml:id="FLOR-2347">						For he now has set you free,</l>
<l xml:id="FLOR-2348">						You're deserted, none can blame you,</l>
<l xml:id="FLOR-2349">						If his bride you mean to be.</l></lg>
						<pb xml:id="FLOR-2350"/>
					<stage xml:id="FLOR-2351">(To Gilfain)</stage>
<lg xml:id="FLOR-2352"><l xml:id="FLOR-2353">					But despite your worst endeavor</l>
<l xml:id="FLOR-2354">					She'll be true to him forever,</l>
<l xml:id="FLOR-2355">					She'll be true to him forever,</l>
<l xml:id="FLOR-2356">						Or her love returns.</l></lg>
					<stage xml:id="FLOR-2357">(Gil. walks from R to L)</stage>
						</sp><sp xml:id="FLOR-2358"><speaker xml:id="FLOR-2359">Chorus</speaker><lg xml:id="FLOR-2360">
<l xml:id="FLOR-2361">					We will refuse you</l>
<l xml:id="FLOR-2362">					We will defy you,</l>
<l xml:id="FLOR-2363">					Though our resistance appears to you in vain</l>
<l xml:id="FLOR-2364">					We mean revolting,</l>
<l xml:id="FLOR-2365">					We won't obey you,</l>
<l xml:id="FLOR-2366">					We will deny you</l>
<l xml:id="FLOR-2367">					We won't be matched again</l>
						</lg></sp><sp xml:id="FLOR-2368"><speaker xml:id="FLOR-2369">Dolores</speaker><lg xml:id="FLOR-2370">
<l xml:id="FLOR-2371">					Ah come my defender, come now and protect me,</l>
<l xml:id="FLOR-2372">					Till no one proclaim that no hand will divide,</l>
<l xml:id="FLOR-2373">					That no hand will divide.</l>
					</lg>
					</sp>
					<sp xml:id="FLOR-2374">	<speaker xml:id="FLOR-2375">Abercoed</speaker><stage xml:id="FLOR-2376"> (Off stage)</stage><lg xml:id="FLOR-2377">
<l xml:id="FLOR-2378">					Oh my Dolores, Queen of the Eastern sea,</l>
<l xml:id="FLOR-2379">					Fair one Eden, look to the west for me,</l>
<l xml:id="FLOR-2380">					My star will be shining love,</l>
<l xml:id="FLOR-2381">					When you're in the moonlight calm,</l>
<l xml:id="FLOR-2382">					So be waiting for me by the Eastern sea,</l>
<l xml:id="FLOR-2383">					In the shade of the sheltering palm.</l></lg>
					</sp>
				<stage xml:id="FLOR-2384">(Enter TWEEDLE L U E)</stage>
						<sp xml:id="FLOR-2385"><speaker xml:id="FLOR-2386">Chorus</speaker><lg xml:id="FLOR-2387">
					<l xml:id="FLOR-2388">'Tis the star of love, (etc.)</l>
					</lg></sp>
					<pb xml:id="FLOR-2389"/>
				</div></div>
				<div type="act" n="2" xml:id="FLOR-2390">
				<div type="scene" n="1" xml:id="FLOR-2391">	
						<stage xml:id="FLOR-2392">FLORODORA</stage>
						<stage xml:id="FLOR-2393"><emph rend="underline" xml:id="FLOR-2394">ACT II</emph></stage>
		<stage xml:id="FLOR-2395">SCENE 1:  		A courtyard</stage>
						<stage xml:id="FLOR-2396">Exterior of Abercoed Castle, a fine
						old castle in Wales L.</stage>
						<stage xml:id="FLOR-2397">
						Over the Castle entrance is the 
						word "Florodora".</stage>
						<stage xml:id="FLOR-2398">A pretty garden lawn tent, with 
						flag flying.  Florodora, just off 
						stage R.I.E.)</stage>
		<stage xml:id="FLOR-2399">DISCOVERED:		Peasants in Welsh costume.</stage>
		<sp xml:id="FLOR-2400"><speaker xml:id="FLOR-2401">CHORUS OF PEASANTS</speaker><lg xml:id="FLOR-2402">
<l xml:id="FLOR-2403">				Rising from the loaded table,</l>
<l xml:id="FLOR-2404">				Where we feasted till unable</l>
<l xml:id="FLOR-2405">					To devour another sip or crumb,</l>
<l xml:id="FLOR-2406">				Thanks to ancient port and sherry,</l>
<l xml:id="FLOR-2407">				Most elated - gay and merry</l>
<l xml:id="FLOR-2408">					So much so, if truth be said</l>
<l xml:id="FLOR-2409">					We would best go home to bed.</l>
					</lg></sp>
					<sp xml:id="FLOR-2410"><speaker xml:id="FLOR-2411">GIRLS</speaker>
				<l xml:id="FLOR-2412">No, no, no, no, no.</l>
				</sp>
					<sp xml:id="FLOR-2413"><speaker xml:id="FLOR-2414">Tenor Sole</speaker><lg xml:id="FLOR-2415">
<l xml:id="FLOR-2416">				No despite our over-feeding,</l>
<l xml:id="FLOR-2417">				In defiance of good breeding,</l>
<l xml:id="FLOR-2418">				Let us wind up the proceeding,</l>
<l xml:id="FLOR-2419">					In the only way we know,</l>
<l xml:id="FLOR-2420">				Hearken to a wise suggestion,</l>
<l xml:id="FLOR-2421">				For there's not the slightest question,</l>
<l xml:id="FLOR-2422">				You can much assist digestion.</l>
<l xml:id="FLOR-2423">					We must show </l>
<l xml:id="FLOR-2424">					With the light fantastic tie </l>
<l xml:id="FLOR-2425">					So you show the toe</l>
				</lg></sp>
					<stage xml:id="FLOR-2426">REFRAIN AND DANCE</stage>
					<sp xml:id="FLOR-2427"><speaker xml:id="FLOR-2428">Six girls and Six Boys:</speaker>
					<lg xml:id="FLOR-2429">
<l xml:id="FLOR-2430">				Dainty ankles tripping lightly,</l>
<l xml:id="FLOR-2431">					Neath an unsuspected frill,</l>
<l xml:id="FLOR-2432">				Tiny waist encircled tightly,</l>
<l xml:id="FLOR-2433">					Causing manly heart a thrill,</l>
<l xml:id="FLOR-2434">				Merrily we romp and rollick,</l>
				<pb xml:id="FLOR-2435"/>
<l xml:id="FLOR-2436">					Pirouette and gaily prance</l>
<l xml:id="FLOR-2437">				With unmitigated frolic,</l>
<l xml:id="FLOR-2438">				In a manner quite bucolic,</l>
<l xml:id="FLOR-2439">					We'll embrace the welcome chance,</l>
<l xml:id="FLOR-2440">					Now to revel in the dance.</l>
				</lg></sp>
				<stage xml:id="FLOR-2441">(At the end of dance, chorus breaks up into groups,
				R. and L.)</stage>
				<stage xml:id="FLOR-2442">
				<stage xml:id="FLOR-2443">(Enter VALLEDA followed by LEANDRO C. she is now 
				Lady Holyrood, and dressed accordingly, She goes 
				to door L. and says to footmen inside)</stage>
				</stage>
						<sp xml:id="FLOR-2444"><speaker xml:id="FLOR-2445">Valleda</speaker><p xml:id="FLOR-2446">
					<stage xml:id="FLOR-2447">(R.C.)</stage>
				Will you tell Lady Holyrood that she's wanted at once?
						</p></sp><sp xml:id="FLOR-2448"><speaker xml:id="FLOR-2449">Leandro</speaker><p xml:id="FLOR-2450">
					<stage xml:id="FLOR-2451">(C. insinuating)</stage>
				And ain't I wanted, too?
						</p></sp><sp xml:id="FLOR-2452"><speaker xml:id="FLOR-2453">Valleda</speaker><p xml:id="FLOR-2454">
					<stage xml:id="FLOR-2455">(Xing him to L.C.)</stage>
				Not by me anyhow.  I didn't come to England to mix up with 
				a foreigner.
						</p></sp><sp xml:id="FLOR-2456"><speaker xml:id="FLOR-2457">Leandro</speaker><p xml:id="FLOR-2458">
					<stage xml:id="FLOR-2459">(Aside)</stage>
				She puts on as many airs as if she was the missus.
				</p></sp>
					<stage xml:id="FLOR-2460">(Goes up R.)</stage>
					<stage xml:id="FLOR-2461">(Enter Lady Holyrood, L.U.E. from castle)</stage>
						<sp xml:id="FLOR-2462"><speaker xml:id="FLOR-2463">Lady Holyrood</speaker><p xml:id="FLOR-2464">
					<stage xml:id="FLOR-2465">(Coming down C)</stage>
				Well, Valleda, what is it?
						</p></sp><sp xml:id="FLOR-2466"><speaker xml:id="FLOR-2467">Valleda</speaker><p xml:id="FLOR-2468">
					<stage xml:id="FLOR-2469">(R.C.)</stage>
				Your ladyship's brother, Capt. Donegal, has arrived.
						</p></sp><sp xml:id="FLOR-2470"><speaker xml:id="FLOR-2471">Lady Holyrood</speaker><p xml:id="FLOR-2472">
				Tell him to see me here.
					<stage xml:id="FLOR-2473">(Valleda goes up C. to steps)</stage>
				I've made Mr. Gilfain see that for the sake of propriety
				I must have my family with me.
					<stage xml:id="FLOR-2474">(Enter Donegal, C. comes down)</stage>
			<pb xml:id="FLOR-2475"/>
					</p></sp><sp xml:id="FLOR-2476"><speaker xml:id="FLOR-2477">Donegal</speaker><p xml:id="FLOR-2478">
			Ah there you are, sis!
				<stage xml:id="FLOR-2479">(Embraces her)</stage>
					</p></sp><sp xml:id="FLOR-2480"><speaker xml:id="FLOR-2481">Lady H.</speaker><p xml:id="FLOR-2482">
			Valleda, tell Miss Angela that Capt. Donegal is here.
				<stage xml:id="FLOR-2483">(exit Valleda into castle)</stage>
					</p></sp><sp xml:id="FLOR-2484"><speaker xml:id="FLOR-2485">Donegal</speaker><p xml:id="FLOR-2486">
				<stage xml:id="FLOR-2487">(R.)</stage>
			You are a wonderful woman, sis, I never thought you could 
			give me an invitation here.
					</p></sp><sp xml:id="FLOR-2488"><speaker xml:id="FLOR-2489">Lady H.</speaker><p xml:id="FLOR-2490">
			I insisted upon it, I told Mr. Gilfain that my reputation 
			would suffer if I remained here without my family.  Hither 
			you must come or I must go.
					</p></sp><sp xml:id="FLOR-2491"><speaker xml:id="FLOR-2492">Donegal</speaker><p xml:id="FLOR-2493">
			Quite right.  Oh, I say, sis, I'm just dying for a drink.
					</p></sp><sp xml:id="FLOR-2494"><speaker xml:id="FLOR-2495">Lady H.</speaker><p xml:id="FLOR-2496">
			Right over there.
				<stage xml:id="FLOR-2497">(Points to tent R)</stage>
			Refreshment tent.
					</p></sp><sp xml:id="FLOR-2498"><speaker xml:id="FLOR-2499">Donegal</speaker><p xml:id="FLOR-2500">
			Splendid.  Oh, by the way, have you arranged anything?
			Are you going to marry Gilfain?
					</p></sp><sp xml:id="FLOR-2501"><speaker xml:id="FLOR-2502">Lady H.</speaker><p xml:id="FLOR-2503">
			No, not yet.
					</p></sp><sp xml:id="FLOR-2504"><speaker xml:id="FLOR-2505">Donegal</speaker><p xml:id="FLOR-2506">
			Not yet.  Well, you are in a very peculiar position here,
			aren't you.
					</p></sp><sp xml:id="FLOR-2507"><speaker xml:id="FLOR-2508">Lady H.</speaker><p xml:id="FLOR-2509">
			Not at all.  I am society help and have charge of the 
			entire establishment.
					</p></sp><sp xml:id="FLOR-2510"><speaker xml:id="FLOR-2511">Donegal</speaker><p xml:id="FLOR-2512">
			Ah, I see -- a sort of lady housekeeper, with seven nights 
			a week out, and ---
				<stage xml:id="FLOR-2513">(Rest of speech interrupted)</stage>
					</p></sp><sp xml:id="FLOR-2514"><speaker xml:id="FLOR-2515">Lady H.</speaker><p xml:id="FLOR-2516">
			Don't be ridiculous, Arthur, every new millionaire requires
			a title to look after his social advancement.  Even a 
			millionaire is nothing but a baby in the hands of a woman
			with tact.</p></sp>
			<pb xml:id="FLOR-2517"/>
				<stage xml:id="FLOR-2518">(Donegal exits into tent R)</stage>
					<stage xml:id="FLOR-2519"><emph rend="underline" xml:id="FLOR-2520">SOLO:</emph></stage>
							<stage xml:id="FLOR-2521">"TACT:"</stage>
							<sp xml:id="FLOR-2522">
							<speaker xml:id="FLOR-2523">Lady Holyrood</speaker>						
							<lg xml:id="FLOR-2524">
<l xml:id="FLOR-2525">					There are people who have tried</l>
<l xml:id="FLOR-2526">					To be smart and dignified</l>
<l xml:id="FLOR-2527">					But there's just one little thing that they have lacked,</l>
<l xml:id="FLOR-2528">					They have cash enough maybe,</l>
<l xml:id="FLOR-2529">					And no end of pedigree,</l>
<l xml:id="FLOR-2530">					But they never have a penny's worth of tact,</l>
<l xml:id="FLOR-2531">					You wouldn't tell a lie </l>
<l xml:id="FLOR-2532">					Oh no, you'd rather die,</l>
<l xml:id="FLOR-2533">					For you'd surely be discovered before long,</l>
<l xml:id="FLOR-2534">					But if only tact you've got,</l>
<l xml:id="FLOR-2535">					You can do an awful lot,</l>
<l xml:id="FLOR-2536">					Which before you might have thought was very wrong.</l>
					</lg></sp>
							<stage xml:id="FLOR-2537">REFRAIN:</stage>
						<sp xml:id="FLOR-2538">	
					<lg xml:id="FLOR-2539">		
<l xml:id="FLOR-2540">					Tact, tact,</l>
<l xml:id="FLOR-2541">					Take it for a fact,</l>
<l xml:id="FLOR-2542">					Just try it; you will find it will invariably act,</l>
<l xml:id="FLOR-2543">					Perhaps they told you in your youth,</l>
<l xml:id="FLOR-2544">					That there's nothing like the truth,</l>
<l xml:id="FLOR-2545">					But it really can't compare at all with tact, tact, tact.</l>
<l xml:id="FLOR-2546">					No, it really can't compare at all with tact.</l>
					</lg></sp>
							<stage xml:id="FLOR-2547"><emph rend="underline" xml:id="FLOR-2548">2nd.</emph></stage>
					<sp xml:id="FLOR-2549">
					<lg xml:id="FLOR-2550">
<l xml:id="FLOR-2551">					In the morning you must drive.</l>
<l xml:id="FLOR-2552">					Into Bond Street, and you dive,</l>
<l xml:id="FLOR-2553">					Into all the stores as busy as a bee,</l>
<l xml:id="FLOR-2554">					At a jewellers shop you stop,</l>
<l xml:id="FLOR-2555">					And you pop inside the shop,</l>
<l xml:id="FLOR-2556">					Ah, good morning, something nice to show me,</l>
<l xml:id="FLOR-2557">					A tiara, ah what fun.</l>
<l xml:id="FLOR-2558">					I think I'll take that one,</l>
<l xml:id="FLOR-2559">					But dear, me, I do believe my brougham has gone,</l>
<l xml:id="FLOR-2560">						Never speak about the price,</l>
<l xml:id="FLOR-2561">						Just talk pretty and look nice,</l>
<l xml:id="FLOR-2562">					And ask him how his wife is getting on.</l>
					</lg>
					</sp>
						<stage xml:id="FLOR-2563">REFRAIN:</stage>
						<sp xml:id="FLOR-2564">	
					<lg xml:id="FLOR-2565">		
<l xml:id="FLOR-2566">					Tact, tact,</l>
<l xml:id="FLOR-2567">					Take it for a fact,</l>
<l xml:id="FLOR-2568">				Always kiss a tradesman's baby and you'll find that it'll act,</l>
<l xml:id="FLOR-2569">					When at last enough you owe</l>
<l xml:id="FLOR-2570">					Into bankruptcy you go</l>
					<pb xml:id="FLOR-2571"/>
<l xml:id="FLOR-2572">				You can save a lot of money if you've tact, tact, tact.</l>
<l xml:id="FLOR-2573">					Yes, you can save a lot of money if you've tact.</l>
					</lg>
					</sp>
					<stage xml:id="FLOR-2574">
							3rd.</stage>
						<sp xml:id="FLOR-2575">	<lg xml:id="FLOR-2576">
<l xml:id="FLOR-2577">					Then at the Goodwood you must stay,</l>
<l xml:id="FLOR-2578">					And roulette of course you play,</l>
<l xml:id="FLOR-2579">				For the evenings otherwise would be slow.</l>
<l xml:id="FLOR-2580">					But you needn't be upset,</l>
<l xml:id="FLOR-2581">					When you find yourself in debt,</l>
<l xml:id="FLOR-2582">				If you're not inclined to pay you simply owe,</l>
<l xml:id="FLOR-2583">					Well, next day you're on the course.</l>
			</lg><lg xml:id="FLOR-2584">
<l xml:id="FLOR-2585">				So a friend will put the money on for you,</l>
<l xml:id="FLOR-2586">					For a lady in the ring,</l>
<l xml:id="FLOR-2587">					Wouldn't be the proper thing,</l>
<l xml:id="FLOR-2588">				And besides you've lost your purse -- you always do.</l>
				</lg></sp>
					<stage xml:id="FLOR-2589">		Refrain</stage>
					<sp xml:id="FLOR-2590"><lg xml:id="FLOR-2591">
<l xml:id="FLOR-2592">						Tact, tact,</l>
<l xml:id="FLOR-2593">						Take it for a fact,</l>
<l xml:id="FLOR-2594">					The race is run, you cannot see the horse that you have backed</l>
<l xml:id="FLOR-2595">						Then you say, what have you done?</l>
<l xml:id="FLOR-2596">						I meant to back the one that won,</l>
<l xml:id="FLOR-2597">					Oh you can do a lot of betting if you've tact, tact, tact,</l>
<l xml:id="FLOR-2598">						You can do a lot of betting if you've tact.</l>
						</lg></sp>
						<stage xml:id="FLOR-2599">4th.</stage>
<sp xml:id="FLOR-2600"><lg xml:id="FLOR-2601"><l xml:id="FLOR-2602">						The academy you view,</l>
<l xml:id="FLOR-2603">						Or you've nothing else to do</l>
<l xml:id="FLOR-2604">					Or you're really fond of art of course you don't,</l>
<l xml:id="FLOR-2605">						Then a pianist you know,</l>
<l xml:id="FLOR-2606">						And a promise you will go,</l>
<l xml:id="FLOR-2607">					To his concerts --if you're musical you won't.</l>
<l xml:id="FLOR-2608">						Then a gorgeous gown you buy</l>
<l xml:id="FLOR-2609">						The price is cut too high,</l>
<l xml:id="FLOR-2610">					Considering that the gown is cut so low,</l>
<l xml:id="FLOR-2611">						For the lady of today,</l>
<l xml:id="FLOR-2612">						Doesn't have a heart they say,</l>
<l xml:id="FLOR-2613">					But she has a neck and that she means to show.</l>
					</lg></sp>
						<stage xml:id="FLOR-2614">REFRAIN</stage>
							<sp xml:id="FLOR-2615"><lg xml:id="FLOR-2616">
<l xml:id="FLOR-2617">						Tact, tact,</l>
<l xml:id="FLOR-2618">						Take it for a fact,</l>
<l xml:id="FLOR-2619">					Her dinner dress has no support and yet it seems to act,</l>
<l xml:id="FLOR-2620">						And her costume at the ball,</l>
<l xml:id="FLOR-2621">						It's not material at all,</l>
<l xml:id="FLOR-2622">					It's enough if she had diamonds and tact, tact, tact,</l>
<l xml:id="FLOR-2623">						It's enough if she has diamond and tact.</l></lg>
					</sp><pb xml:id="FLOR-2624"/>
						<stage xml:id="FLOR-2625">5th</stage>
						<sp xml:id="FLOR-2626">	<lg xml:id="FLOR-2627">
<l xml:id="FLOR-2628">					If you stage a moral play,</l>
<l xml:id="FLOR-2629">					And somehow it doesn't pay,</l>
<l xml:id="FLOR-2630">					Don't despair about the patronage you've lacked,</l>
<l xml:id="FLOR-2631">					Try to get the piece suppressed,</l>
<l xml:id="FLOR-2632">					Let the people do the rest,</l>
<l xml:id="FLOR-2633">					If they think it's bad, the house will soon be packed,</l>
<l xml:id="FLOR-2634">					But there's still a quicker way,</l>
<l xml:id="FLOR-2635">					To make a losing venture pay,</l>
<l xml:id="FLOR-2636">					Get a preacher to denounce the piece by name,</l>
<l xml:id="FLOR-2637">					Everyone must see the show,</l>
<l xml:id="FLOR-2638">					That has roused the pulpit so,</l>
<l xml:id="FLOR-2639">					Everyone must pay to do it just the same.</l>
					</lg></sp>
							<stage xml:id="FLOR-2640">Refrain</stage>
<sp xml:id="FLOR-2641"><lg xml:id="FLOR-2642">
<l xml:id="FLOR-2643">					Tact, tact,</l>
<l xml:id="FLOR-2644">					It never fails to act,</l>
<l xml:id="FLOR-2645">					Your treasurer'll be busy if your play has been attacked,</l>
<l xml:id="FLOR-2646">					Any clergyman who's wise,</l>
<l xml:id="FLOR-2647">					Knows it pays to advertise,</l>
<l xml:id="FLOR-2648">					And sometimes preachers do it for a fact, fact, fact,</l>
<l xml:id="FLOR-2649">					Sometimes preachers do it for a fact.</l>
					</lg></sp>
							<stage xml:id="FLOR-2650">6th</stage> 
							<sp xml:id="FLOR-2651">
<lg xml:id="FLOR-2652">
<l xml:id="FLOR-2653">					If your best young man is shy,</l>
<l xml:id="FLOR-2654">					And you really don't know why,</l>
<l xml:id="FLOR-2655">					Here's a plan you'll find works out of sight.</l>
<l xml:id="FLOR-2656">					Turn the gas down rather low,</l>
<l xml:id="FLOR-2657">					For gas hurts the eyes you know,</l>
<l xml:id="FLOR-2658">					And your eyesight might be ruined by the light,</l>
<l xml:id="FLOR-2659">					If he seems a bit perplexed,</l>
<l xml:id="FLOR-2660">					As to what he should do next,</l>
<l xml:id="FLOR-2661">					Gently nestle close against his manly breast,</l>
<l xml:id="FLOR-2662">					Say you're not afraid and swear,</l>
<l xml:id="FLOR-2663">					You would trust him anywhere.</l>
<l xml:id="FLOR-2664">					And a minister will have to do the rest.</l>
</lg>					</sp>
							<stage xml:id="FLOR-2665">Refrain</stage>
							<sp xml:id="FLOR-2666">
<lg xml:id="FLOR-2667">							
<l xml:id="FLOR-2668">					Tact, tact,</l>
<l xml:id="FLOR-2669">					For a matrimonial pact,</l>
<l xml:id="FLOR-2670">					Just turn the gas down lower, and see how it will act,</l>
<l xml:id="FLOR-2671">					Cupid I might hear remark,</l>
<l xml:id="FLOR-2672">					Always works best in the dark,</l>
<l xml:id="FLOR-2673">					You can help him quite a little if you've tact, tact, tact,</l>
<l xml:id="FLOR-2674">					You can help him quite a little if you've tact.</l>
					</lg></sp>
						<stage xml:id="FLOR-2675">(After Song, exit LADY HOLYROOD L.I.E. DONEGAL
						enters from tent R.  Enter VALLEDA and ANGELA
						from castle L)</stage>
						<sp xml:id="FLOR-2676"><speaker xml:id="FLOR-2677">Valleda</speaker><p xml:id="FLOR-2678">
						<stage xml:id="FLOR-2679">(L.C. to Donegal)</stage>
					Here's Nice Angela
							</p></sp><sp xml:id="FLOR-2680"><speaker xml:id="FLOR-2681">Angela</speaker><p xml:id="FLOR-2682">
					Oh, Arthur, I'm so glad to see you again.
							</p></sp><sp xml:id="FLOR-2683"><speaker xml:id="FLOR-2684">Donegal</speaker><p xml:id="FLOR-2685">
						<stage xml:id="FLOR-2686">(R.C.)</stage>
					And I'm precious glad to see you.  I was afraid your father 
					wouldn't let me in here.
							</p></sp><sp xml:id="FLOR-2687"><speaker xml:id="FLOR-2688">Angela</speaker><p xml:id="FLOR-2689">
					He wouldn't but for Lady Holyrood insisting upon it.
							</p></sp><sp xml:id="FLOR-2690"><speaker xml:id="FLOR-2691">Donegal</speaker><p xml:id="FLOR-2692">
					Well, I'm all right now, how does dear papa get on?
						<stage xml:id="FLOR-2693">(Re-enter LADY HOLYROOD L.I.E.)</stage>
							</p></sp><sp xml:id="FLOR-2694"><speaker xml:id="FLOR-2695">Angela</speaker><p xml:id="FLOR-2696">
						<stage xml:id="FLOR-2697">(C)</stage>
					Worse and worse, since he bought this castle and came to 
					live in England, he's more ridiculous than ever.
							</p></sp><sp xml:id="FLOR-2698"><speaker xml:id="FLOR-2699">Lady H.</speaker><p xml:id="FLOR-2700">
						<stage xml:id="FLOR-2701">(L.E.)</stage>
					A rich man is never ridiculous in England, or anywhere else.
							</p></sp><sp xml:id="FLOR-2702"><speaker xml:id="FLOR-2703">Angela</speaker><p xml:id="FLOR-2704">
					But pap overdoes it.
						<stage xml:id="FLOR-2705">(Lady H. goes up C)</stage>
					He goes about as if he were Barnum's circus, and his 
					carriages are all red and gold like Lord Mayor's.
							</p></sp><sp xml:id="FLOR-2706"><speaker xml:id="FLOR-2707">Lady Holyrood</speaker><p xml:id="FLOR-2708">
						<stage xml:id="FLOR-2709">(R.)</stage>
					Um, It looks like a patent medicine wagon.
							</p></sp><sp xml:id="FLOR-2710"><speaker xml:id="FLOR-2711">Angela</speaker><p xml:id="FLOR-2712">
					He call Leandro the captain of his body guard.  And those 
					who used to be his clerks he now calls his secretaries.
							</p></sp><sp xml:id="FLOR-2713"><speaker xml:id="FLOR-2714">Donegal</speaker><p xml:id="FLOR-2715">
					Ah, that reminds me, has anything been heard of his late
					clerk, Abercoed?</p></sp>
					<sp xml:id="FLOR-2716"><speaker xml:id="FLOR-2717">Angela</speaker>
							<stage xml:id="FLOR-2718">(L)</stage><p xml:id="FLOR-2719">
					No--nothing, since he left the Island, he seems to have disappeared
					altogether.
							</p></sp><sp xml:id="FLOR-2720"><speaker xml:id="FLOR-2721">Donegal</speaker><p xml:id="FLOR-2722">
					And that pretty spanish girl?
						<stage xml:id="FLOR-2723">(Turning to Lady H.)</stage>
					What was her name?
						<pb xml:id="FLOR-2724"/>
							</p></sp><sp xml:id="FLOR-2725"><speaker xml:id="FLOR-2726">Lady H.</speaker><p xml:id="FLOR-2727">
					I beg your pardon!
						<stage xml:id="FLOR-2728">(Goes up C)</stage>
							</p></sp><sp xml:id="FLOR-2729"><speaker xml:id="FLOR-2730">Angela</speaker><p xml:id="FLOR-2731">
					Dolores?  She vanished with professor Tweedlepunch right after 
					Abercoed left.  They haven't been heard from either.
							</p></sp><sp xml:id="FLOR-2732"><speaker xml:id="FLOR-2733">Donegal</speaker><p xml:id="FLOR-2734">
						<stage xml:id="FLOR-2735">(C. goes to Angela)</stage>
					Well, never mind them, how about our little bit of business?
					Are we to be married, with dear papa's consent, or do we 
					take French leave?
							</p></sp><sp xml:id="FLOR-2736"><speaker xml:id="FLOR-2737">Angela</speaker><p xml:id="FLOR-2738">
						<stage xml:id="FLOR-2739">(L)</stage>
					I don't care which, but pap- still believes Professor 
					Tweedlepunch's science.  He says nature cannot make mistakes.
						<stage xml:id="FLOR-2740">(During this speech, Lady Holyrood having gone up C.
						gets back to her position R.)</stage>
							</p></sp><sp xml:id="FLOR-2741"><speaker xml:id="FLOR-2742">Lady H.</speaker><p xml:id="FLOR-2743">
						<stage xml:id="FLOR-2744">(R)</stage>
					Nature not make mistakes?  Absurd!  Think of the original 
					color of my hair!
							</p></sp><sp xml:id="FLOR-2745"><speaker xml:id="FLOR-2746">Donegal</speaker><p xml:id="FLOR-2747">
					Don't say that, somebody may believe you.
							</p></sp><sp xml:id="FLOR-2748"><speaker xml:id="FLOR-2749">Angela</speaker><p xml:id="FLOR-2750">
					He insists that even if I don't marry Lord Abercoed I must 
					marry a nobleman.  He says the present harmony in the Anglo
					Saxon race is because of the marriage of American Heiresses 
					and English Peers.
							</p></sp><sp xml:id="FLOR-2751"><speaker xml:id="FLOR-2752">Lady H.</speaker><p xml:id="FLOR-2753">
					Nonsense!  That's where he's wrong again.  England and 
					America owe their present friendship to the success of the 
					Belle of New York.  We'll leave Arthur to interview the new 
					millionaire.
						<stage xml:id="FLOR-2754">(EXIT with ANGELA into castle R)</stage>
							</p></sp><sp xml:id="FLOR-2755"><speaker xml:id="FLOR-2756">Donegal</speaker><p xml:id="FLOR-2757">
					Not I!  I can't stand these millionaires with their new money 
					and their old castles.  I'm off with you.</p><stage xml:id="FLOR-2758">(Exits into castle)</stage></sp>
							<sp xml:id="FLOR-2759"><speaker xml:id="FLOR-2760">Leandro</speaker><stage xml:id="FLOR-2761">(On platform C)</stage><p xml:id="FLOR-2762">
					Mr. Gilfain the millionare!</p></sp>
						<stage xml:id="FLOR-2763">(MUSIC&gt;  Enter from C. SERVANTS in livery headed by 
						LEANDRO, they form lines, the chorus crowd round 
						GILFAIN C. in English clothes, frock coat, patent-
						leather boots, silk hat, etc., following him are the 
						CLERKS similarly dressed and all carrying despatch boxes)</stage>
						<pb xml:id="FLOR-2764"/>
							<sp xml:id="FLOR-2765"><speaker xml:id="FLOR-2766">SOLO...GILFAIN</speaker>
						<stage xml:id="FLOR-2767">"WHEN YOU'RE A MILLIONAIRE"</stage>
<lg xml:id="FLOR-2768">
<l xml:id="FLOR-2769">				When you're a millionaire, endeavor,</l>
<l xml:id="FLOR-2770">					To pose as one of such</l>
<l xml:id="FLOR-2771">				Throw your money in the air -- you'll never,</l>
<l xml:id="FLOR-2772">					Be told you throw too much,</l>
<l xml:id="FLOR-2773">				Take a castle of gorgeous splendor,</l>
<l xml:id="FLOR-2774">					For your daughters and your abode,</l>
<l xml:id="FLOR-2775">				Let a dozen footmen attend her,</l>
<l xml:id="FLOR-2776">					When she crosses the crowded road,</l>
<l xml:id="FLOR-2777">				Let your noble guests be bloated.</l>
<l xml:id="FLOR-2778">					With peas that cost a guinea each</l>
<l xml:id="FLOR-2779">				And in case it shouldn't be noted,</l>
<l xml:id="FLOR-2780">					Mention the price in every speech,</l>
<l xml:id="FLOR-2781">				Every hobby you must take up,</l>
<l xml:id="FLOR-2782">					Whether it's diamonds or a Yacht,</l>
<l xml:id="FLOR-2783">				And professional beauties make up,</l>
<l xml:id="FLOR-2784">					Even although you'd rather not.</l>
</lg>
							<stage xml:id="FLOR-2785">REFRAIN</stage> 
							<lg xml:id="FLOR-2786">
<l xml:id="FLOR-2787">				Just the nation will declare you are, </l>
<l xml:id="FLOR-2788">					When they see what a millionaire you are,</l>
<l xml:id="FLOR-2789">						A blessing and a boon,</l>
<l xml:id="FLOR-2790">						To the country which soon,</l>
<l xml:id="FLOR-2791">				Will grant you a peerage and there you are,</l>
<l xml:id="FLOR-2792">				The nation will declare you are,</l>
<l xml:id="FLOR-2793">				When they see what a millionaire you are,</l>
<l xml:id="FLOR-2794">						A blessing and a boon,</l>
<l xml:id="FLOR-2795">				To the country which will soon.</l>
<l xml:id="FLOR-2796">				By the way of requital,</l>
<l xml:id="FLOR-2797">				Will grant you a title,</l>
<l xml:id="FLOR-2798">						And there you are.</l>
</lg>
</sp>
				<stage xml:id="FLOR-2799">(Chorus repeats refrain)</stage>
				<stage xml:id="FLOR-2800">2nd</stage>
				<sp xml:id="FLOR-2801"><lg xml:id="FLOR-2802">
<l xml:id="FLOR-2803">				You must run an evening journal,</l>
<l xml:id="FLOR-2804">					Either of pink or yellow tint,</l>
<l xml:id="FLOR-2805">				In which your doing di-urnal,</l>
<l xml:id="FLOR-2806">					And will appear in largest print,</l>
<l xml:id="FLOR-2807">				Such as "We learned he bagged the keeper,</l>
<l xml:id="FLOR-2808">					When in the woods he shot today,</l>
<l xml:id="FLOR-2809">				But he finds his game comes cheaper,</l>
<l xml:id="FLOR-2810">					Bought in the ordinary way,</l>
<l xml:id="FLOR-2811">				Keep many a training stable,</l>
<l xml:id="FLOR-2812">					Although your horses never win,</l>
<l xml:id="FLOR-2813">				Join the very best club you're able,</l>
<l xml:id="FLOR-2814">					Members go out when you come in,</l>
<l xml:id="FLOR-2815">				Lease a theatre if entangles,</l>
<l xml:id="FLOR-2816">					You would get behind the scenes,</l>
<l xml:id="FLOR-2817">				Your bangles causing wrangles,</l>
<l xml:id="FLOR-2818">					Among the various footlight queens.</l>
</lg></sp>
					<stage xml:id="FLOR-2819">(Chorus repeats refrain)</stage>
					<stage xml:id="FLOR-2820">3rd</stage>
<sp xml:id="FLOR-2821"><lg xml:id="FLOR-2822">
<l xml:id="FLOR-2823">				When you're a millionaire, remember the earth belongs to</l>
<l xml:id="FLOR-2824">				If you're rich you needn't care the world will endorse</l>
<l xml:id="FLOR-2825">					Whatever you do,</l>
<l xml:id="FLOR-2826">				You must go to dear old London and engage a palace there,</l>
<l xml:id="FLOR-2827">				Then just make yourself a social clown and your name,</l>
<l xml:id="FLOR-2828">					will ring through the land</l>
<l xml:id="FLOR-2829">				To show that you're not proud to go in and snub a prince's </l>
<l xml:id="FLOR-2830">															friend,</l>
<l xml:id="FLOR-2831">				And to square yourself, just show that you've got money </l>
<l xml:id="FLOR-2832">					to burn and lend,</l>
<l xml:id="FLOR-2833">				You give an evening party, and invite all the swells you </l>
<l xml:id="FLOR-2834">															know,</l>
<l xml:id="FLOR-2835">				But you mustn't feel disappointed if to Devonshire House,</l>
<l xml:id="FLOR-2836">					they go.</l>
</lg></sp>
						<stage xml:id="FLOR-2837">Refrain</stage>
				<stage xml:id="FLOR-2838">(Chorus repeats)</stage>
				<stage xml:id="FLOR-2839">(Exit Chorus R. and L. SPANISH GIRLS L.I.E. The 
				CLERKS remain on stage in groups, one stands R. by 
				tent, talking to typewriter)</stage>
						<sp xml:id="FLOR-2840"><speaker xml:id="FLOR-2841">Gilfain</speaker><p xml:id="FLOR-2842"> 
				Before the festivities we must attend to business.  Here 
				goes.  Secretary for the Home Department.</p>
					<stage xml:id="FLOR-2843">(PYM steps forward)</stage>
				<p xml:id="FLOR-2844">Is our popularity increasing with our tenants.</p>
						</sp><sp xml:id="FLOR-2845"><speaker xml:id="FLOR-2846">Pym</speaker><p xml:id="FLOR-2847">
				Not as I should like, sir.  There are some agitators,
				among them who object to being entertained every day and are 
				finding fault with you.
						</p></sp><sp xml:id="FLOR-2848"><speaker xml:id="FLOR-2849">Gilfain</speaker><p xml:id="FLOR-2850">
				Dear, dear.  I give them salmon, game, caviar, pate de fois
				gras champagne.  What do they want?  I provide them with 
				conjurors, the biograph, and a band from Blue Hungary, and 
				still they aren't satisfied.  It's very disappointing.
				<pb xml:id="FLOR-2851"/>
						</p></sp><sp xml:id="FLOR-2852"><speaker xml:id="FLOR-2853">Pym</speaker><p xml:id="FLOR-2854">
				I can't make it out.
						</p></sp><sp xml:id="FLOR-2855"><speaker xml:id="FLOR-2856">Gilfain</speaker><p xml:id="FLOR-2857">
				They will do, go inside and see if you can make it out.</p>
					<stage xml:id="FLOR-2858">(Exit Pym L.2.)</stage>
				<p xml:id="FLOR-2859">Where's my typewriter?</p></sp>
						<sp xml:id="FLOR-2860"><speaker xml:id="FLOR-2861">Miss Belmont</speaker>
					<stage xml:id="FLOR-2862">(Talking to Leandro at tent)</stage>
				<p xml:id="FLOR-2863">Here, sir.
						</p></sp><sp xml:id="FLOR-2864"><speaker xml:id="FLOR-2865">Gilfain</speaker><p xml:id="FLOR-2866">
				Come here.  A tip flirting with that married man.</p></sp>
						<sp xml:id="FLOR-2867"><speaker xml:id="FLOR-2868">Miss Belmont</speaker><p xml:id="FLOR-2869">
				I'm not flirting and he's not a married man.
						</p></sp><sp xml:id="FLOR-2870"><speaker xml:id="FLOR-2871">Gilfain</speaker><p xml:id="FLOR-2872">
				Have you written my letters?
					</p></sp>
						<sp xml:id="FLOR-2873"><speaker xml:id="FLOR-2874">Miss Belmont</speaker><p xml:id="FLOR-2875">
				As many as I could.  It takes a long time to correct the 
				mistakes in your grammar.
						</p></sp><sp xml:id="FLOR-2876"><speaker xml:id="FLOR-2877">Gilfain</speaker><p xml:id="FLOR-2878">
				I won't have them corrected.  Leave them all in.  I want 
				to be taken for an English nobleman.
					</p></sp>
						<sp xml:id="FLOR-2879"><speaker xml:id="FLOR-2880">Miss Belmont</speaker><p xml:id="FLOR-2881">
				I'll do my way or not at all.  I am an experienced
				stenographer, and I won't let anyone dictate to me.
					<stage xml:id="FLOR-2882">(She exits R.U.E.)</stage>
						</p></sp><sp xml:id="FLOR-2883"><speaker xml:id="FLOR-2884">Gilfain</speaker><p xml:id="FLOR-2885">
				Phew, what a temper!</p>
					<stage xml:id="FLOR-2886">(Speaking after her)</stage>
				<p xml:id="FLOR-2887">You don't mind my being here, do you?</p>
					<stage xml:id="FLOR-2888">(Aepfelbaum exits into cast)</stage>
					<stage xml:id="FLOR-2889">(Aside)</stage>
				<p xml:id="FLOR-2890">While Dolores is roaming all over the world, with that schemer,
				Tweedlepunch, my secret is not safe for one moment.  And I'm 
				like the English dailies - I never get the earliest news of 
				anything.  Follow me Leandro - sneak -</p> </sp>
					<stage xml:id="FLOR-2891">(Exits R. followed by Leandro)</stage>
					<stage xml:id="FLOR-2892">(Enter CLERKS L.2., ENGLISH LADIES, R.2.)</stage>
					<pb xml:id="FLOR-2893"/>
					<stage xml:id="FLOR-2894">MUSICAL NUMBER "TELL ME PRETTY MAIDEN"</stage>
<sp xml:id="FLOR-2895"><speaker xml:id="FLOR-2896">Men</speaker><lg xml:id="FLOR-2897">
<l xml:id="FLOR-2898">				Tell me, pretty maiden</l>
<l xml:id="FLOR-2899">				Are there any more at home like you?</l></lg>
</sp><sp xml:id="FLOR-2900"><speaker xml:id="FLOR-2901">Girls</speaker><lg xml:id="FLOR-2902">
<l xml:id="FLOR-2903">				There are a few, kind sir,</l>
<l xml:id="FLOR-2904">				But simple girls, and proper too.</l></lg>
</sp><sp xml:id="FLOR-2905"><speaker xml:id="FLOR-2906">Men</speaker><lg xml:id="FLOR-2907">
<l xml:id="FLOR-2908">				Then tell me pretty maiden,</l>
<l xml:id="FLOR-2909">				What these simple girlies do?</l>
<l xml:id="FLOR-2910">				Then tell me pretty maiden what the girlies do.</l></lg>
</sp><sp xml:id="FLOR-2911"><speaker xml:id="FLOR-2912">Girls</speaker><lg xml:id="FLOR-2913">
<l xml:id="FLOR-2914">				Kind sir, their manners are perfection,</l>
<l xml:id="FLOR-2915">				And the opposite of mine.</l></lg>
</sp><sp xml:id="FLOR-2916"><speaker xml:id="FLOR-2917">Men</speaker><lg xml:id="FLOR-2918">
<l xml:id="FLOR-2919">				Then take a little walk with me,</l>
<l xml:id="FLOR-2920">				And then I can see,</l>
<l xml:id="FLOR-2921">				What a most particular girl should be.</l></lg>
</sp><sp xml:id="FLOR-2922"><speaker xml:id="FLOR-2923">Girls</speaker><lg xml:id="FLOR-2924">
<l xml:id="FLOR-2925">				I may love you too well, to let you go,</l>
<l xml:id="FLOR-2926">				And flirt with those at home, you know.</l></lg>
</sp><sp xml:id="FLOR-2927"><speaker xml:id="FLOR-2928">Men</speaker><lg xml:id="FLOR-2929">
<l xml:id="FLOR-2930">				Well, don't mind little girl.</l>
<l xml:id="FLOR-2931">				You'll see I'll only want but you.</l></lg>
</sp><sp xml:id="FLOR-2932"><speaker xml:id="FLOR-2933">Girls</speaker><lg xml:id="FLOR-2934">
<l xml:id="FLOR-2935">				It's not quite fair to them,</l>
<l xml:id="FLOR-2936">				If you told them that you were true.</l></lg>
</sp><sp xml:id="FLOR-2937"><speaker xml:id="FLOR-2938">Men</speaker><lg xml:id="FLOR-2939">
<l xml:id="FLOR-2940">				I don't care a pine for your sisters if you love me-</l></lg>
</sp><sp xml:id="FLOR-2941"><speaker xml:id="FLOR-2942">Girls</speaker><lg xml:id="FLOR-2943">
<l xml:id="FLOR-2944">				What would you say if I said I liked you well?</l></lg>
</sp><sp xml:id="FLOR-2945"><speaker xml:id="FLOR-2946">Men</speaker><lg xml:id="FLOR-2947">
<l xml:id="FLOR-2948">				I'd vow to you on bended knee.</l></lg>
</sp><sp xml:id="FLOR-2949"><speaker xml:id="FLOR-2950">Girls</speaker><lg xml:id="FLOR-2951">
<l xml:id="FLOR-2952">				On bended knee,</l>
<l xml:id="FLOR-2953">				If I loved you, would you tell me what I ought to do,</l>
<l xml:id="FLOR-2954">				To keep you all mine, alone, to always be true to me?</l>
<l xml:id="FLOR-2955">				If I loved you, would it be a silly thing to do?</l>
<pb xml:id="FLOR-2956"/>
<l xml:id="FLOR-2957">				for I must love someone.</l></lg>
</sp><sp xml:id="FLOR-2958"><speaker xml:id="FLOR-2959">Men</speaker><lg xml:id="FLOR-2960">
<l xml:id="FLOR-2961">				Then why not me?</l></lg>
</sp><sp xml:id="FLOR-2962"><speaker xml:id="FLOR-2963">Girls</speaker><lg xml:id="FLOR-2964">
<l xml:id="FLOR-2965">				Yes, I must love someone really</l>
<l xml:id="FLOR-2966">				And it might as well be you</l></lg></sp>
						<stage xml:id="FLOR-2967">2nd</stage>
<sp xml:id="FLOR-2968"><speaker xml:id="FLOR-2969">Girls</speaker><lg xml:id="FLOR-2970">
<l xml:id="FLOR-2971">				Tell me gentle stranger</l>
<l xml:id="FLOR-2972">				Are there any more at home like you.</l></lg>
</sp><sp xml:id="FLOR-2973"><speaker xml:id="FLOR-2974">Men</speaker><lg xml:id="FLOR-2975">
<l xml:id="FLOR-2976">				There are few, sweet maid,</l>
<l xml:id="FLOR-2977">				And better boys you never knew.</l></lg>
</sp><sp xml:id="FLOR-2978"><speaker xml:id="FLOR-2979">Girls</speaker><lg xml:id="FLOR-2980">
<l xml:id="FLOR-2981">				Then tell me gentle sir,</l>
<l xml:id="FLOR-2982">				The things these very rankish fellows do,</l>
<l xml:id="FLOR-2983">				Then tell me, tell me</l>
<l xml:id="FLOR-2984">				What these fellows do.</l></lg>
</sp><sp xml:id="FLOR-2985"><speaker xml:id="FLOR-2986">Men</speaker><lg xml:id="FLOR-2987">
<l xml:id="FLOR-2988">				Dear maid, they flirt with girls too freely,</l>
<l xml:id="FLOR-2989">				And it's not the same girl twice.</l></lg>
</sp><sp xml:id="FLOR-2990"><speaker xml:id="FLOR-2991">Girls</speaker><lg xml:id="FLOR-2992">
<l xml:id="FLOR-2993">				Then let me round and let me show,</l>
<l xml:id="FLOR-2994">				For an hour or so,</l>
<l xml:id="FLOR-2995">				How far such fellows can really go.</l></lg>
</sp><sp xml:id="FLOR-2996"><speaker xml:id="FLOR-2997">Men</speaker><lg xml:id="FLOR-2998">
<l xml:id="FLOR-2999">				I never introduce a girl, I intend.</l>
<l xml:id="FLOR-3000">				To be my most particular friend.</l></lg>
</sp><sp xml:id="FLOR-3001"><speaker xml:id="FLOR-3002">Girls</speaker><lg xml:id="FLOR-3003">
<l xml:id="FLOR-3004">				I won't mind what they do</l>
<l xml:id="FLOR-3005">				No man would ever flirt with me.</l></lg>
</sp><sp xml:id="FLOR-3006"><speaker xml:id="FLOR-3007">Men</speaker><lg xml:id="FLOR-3008">
<l xml:id="FLOR-3009">				It's not worth risking it - </l>
<l xml:id="FLOR-3010">				I know with them you won't agree</l></lg>
</sp><sp xml:id="FLOR-3011"><speaker xml:id="FLOR-3012">Girls</speaker><lg xml:id="FLOR-3013">
<l xml:id="FLOR-3014">				I don't want to know them</l>
<l xml:id="FLOR-3015">				If you will do the flirting.</l></lg>
</sp><sp xml:id="FLOR-3016"><speaker xml:id="FLOR-3017">Men</speaker><lg xml:id="FLOR-3018">
<l xml:id="FLOR-3019">				Of course I will try, for we're doing very well.</l></lg>
</sp><sp xml:id="FLOR-3020"><speaker xml:id="FLOR-3021">Girls</speaker><lg xml:id="FLOR-3022">
<l xml:id="FLOR-3023">				And vow to me - </l></lg>
</sp><sp xml:id="FLOR-3024"><speaker xml:id="FLOR-3025">Men</speaker><lg xml:id="FLOR-3026">
<l xml:id="FLOR-3027">				On bended knee --</l>
</lg></sp>
				<sp xml:id="FLOR-3028"><speaker xml:id="FLOR-3029">Girls</speaker><lg xml:id="FLOR-3030">		 
<l xml:id="FLOR-3031">				On bended knee.</l>
<l xml:id="FLOR-3032">				If I loved you,</l>
<l xml:id="FLOR-3033">				Would you tell me what I ought to do?</l>
<l xml:id="FLOR-3034">				To keep you all mine alone,</l>
<l xml:id="FLOR-3035">				To always be true to me,</l>
<l xml:id="FLOR-3036">				If I loved you,</l>
<l xml:id="FLOR-3037">				Would it be a silly thing to do,</l>
<l xml:id="FLOR-3038">				For I must love someone.</l></lg></sp>
<sp xml:id="FLOR-3039"><speaker xml:id="FLOR-3040">Men</speaker><lg xml:id="FLOR-3041">
<l xml:id="FLOR-3042">				Then why not me</l></lg>
</sp><sp xml:id="FLOR-3043"><speaker xml:id="FLOR-3044">Girls</speaker><lg xml:id="FLOR-3045">
<l xml:id="FLOR-3046">				Yes, I must love someone, really</l>
<l xml:id="FLOR-3047">				And it might as well be you.</l></lg></sp>
					<stage xml:id="FLOR-3048">(EXEUNT)</stage>
					<stage xml:id="FLOR-3049">(Enter ANGELA and DONEGAL C. from castle)</stage>
						<sp xml:id="FLOR-3050"><speaker xml:id="FLOR-3051">Donegal</speaker><p xml:id="FLOR-3052">
				And so all this grandeur doesn't suit you.
						</p></sp><sp xml:id="FLOR-3053"><speaker xml:id="FLOR-3054">Angela</speaker><p xml:id="FLOR-3055"> 
				No, I don't care for it.
						</p></sp><sp xml:id="FLOR-3056"><speaker xml:id="FLOR-3057">Donegal</speaker><p xml:id="FLOR-3058">
				Don't worry about it, you won't have it when you marry me.
						</p></sp><sp xml:id="FLOR-3059"><speaker xml:id="FLOR-3060">Angela</speaker><p xml:id="FLOR-3061">
				I shan't mind being poor, I should think it delightful
				for a change.
						</p></sp><sp xml:id="FLOR-3062"><speaker xml:id="FLOR-3063">Donegal</speaker><p xml:id="FLOR-3064">
				But you forget, when you are poor you have no change.
				You need it all for car fare.
						</p></sp><sp xml:id="FLOR-3065"><speaker xml:id="FLOR-3066">Angela</speaker><p xml:id="FLOR-3067">
				No elaborate toilettes for dinner.
					<stage xml:id="FLOR-3068">(Xing L.)</stage>
						</p></sp><sp xml:id="FLOR-3069"><speaker xml:id="FLOR-3070">Donegal</speaker><p xml:id="FLOR-3071">
				No.  Quite necessary.
				<pb xml:id="FLOR-3072"/>
						</p></sp><sp xml:id="FLOR-3073"><speaker xml:id="FLOR-3074">Angela</speaker><p xml:id="FLOR-3075">
				You are young and strong.  I don't believe we'll need 
				to keep a servant.  I can get the breakfast.
						</p></sp><sp xml:id="FLOR-3076"><speaker xml:id="FLOR-3077">Donegal</speaker><p xml:id="FLOR-3078">
				Oh no.
					<stage xml:id="FLOR-3079">(Aside)</stage>
				I know those breakfasts
					<stage xml:id="FLOR-3080">(Aloud)</stage>
				No I'll get the breakfasts
						</p></sp><sp xml:id="FLOR-3081"><speaker xml:id="FLOR-3082">Angela</speaker><p xml:id="FLOR-3083">
				No, I'll get the breakfast!  Dear you can build the fire.
						</p></sp><sp xml:id="FLOR-3084"><speaker xml:id="FLOR-3085">Donegal</speaker><p xml:id="FLOR-3086">
				No I couldn't think of imposing upon your generosity to
				that extent.  No I'll get the breakfast and you shall 
				build the fire.  What do you say?
						</p></sp><sp xml:id="FLOR-3087"><speaker xml:id="FLOR-3088">Angela</speaker><p xml:id="FLOR-3089">
				But why have a fire at all?
						</p></sp><sp xml:id="FLOR-3090"><speaker xml:id="FLOR-3091">Donegal</speaker><p xml:id="FLOR-3092">
				Yes, why - well when the fire is out.  Why have any 
				breakfast?  We are young and strong, we don't need any 
				breakfast.
						</p></sp><sp xml:id="FLOR-3093"><speaker xml:id="FLOR-3094">Angela</speaker><p xml:id="FLOR-3095">
				How about the dinner?
						</p></sp><sp xml:id="FLOR-3096"><speaker xml:id="FLOR-3097">Donegal</speaker><p xml:id="FLOR-3098">
				Oh we'll be invited out to dinner.
						</p></sp><sp xml:id="FLOR-3099"><speaker xml:id="FLOR-3100">Angela</speaker><p xml:id="FLOR-3101"> 
				And those delightful Bohemian suppers.
						</p></sp><sp xml:id="FLOR-3102"><speaker xml:id="FLOR-3103">Donegal</speaker><p xml:id="FLOR-3104">
				Yes, everything in cans.
						</p></sp><sp xml:id="FLOR-3105"><speaker xml:id="FLOR-3106">Angela</speaker><p xml:id="FLOR-3107">
				Who will answer the door bell?
						</p></sp><sp xml:id="FLOR-3108"><speaker xml:id="FLOR-3109">Donegal</speaker><p xml:id="FLOR-3110">
				Oh, you don't need anyone to answer the door bells, when 
				you live in flats.  The doors open mysteriously of 
				themselves.
						</p></sp><sp xml:id="FLOR-3111"><speaker xml:id="FLOR-3112">Angela</speaker><p xml:id="FLOR-3113">
				Oh Flats.  Heavenly!  When we want anything, there'll be 
				something to touch.
						<pb xml:id="FLOR-3114"/>
						</p></sp><sp xml:id="FLOR-3115"><speaker xml:id="FLOR-3116">Donegal</speaker><p xml:id="FLOR-3117">
				Touch.  Oh I see, you mean your father, don't you?
						</p></sp><sp xml:id="FLOR-3118"><speaker xml:id="FLOR-3119">Angela</speaker><p xml:id="FLOR-3120">
				No, I don't.  Now then, go and tell your sister all 
				about it.
						</p></sp><sp xml:id="FLOR-3121"><speaker xml:id="FLOR-3122">Donegal</speaker><p xml:id="FLOR-3123">
				All right.  I'll obey you now, but just wait till we 
				are married.
					<stage xml:id="FLOR-3124">(Exits into castle)</stage>
						</p></sp><sp xml:id="FLOR-3125"><speaker xml:id="FLOR-3126">Angela</speaker><p xml:id="FLOR-3127">
					<stage xml:id="FLOR-3128">(Xing C.)</stage>
				I do hope he won't be gone long, if he is, I can call him 
				back again.  No girl ever goes through her school days 
				without learning that trick.</p></sp>
				<stage xml:id="FLOR-3129">SONG ANGELA - "WILLIE WAS A GAY BOY"</stage>
				<stage xml:id="FLOR-3130">(Exit into castle)</stage>
				<stage xml:id="FLOR-3131">(After song - enter ABERCOED C. disguised as an 
				old Welsh harper with a gray beard, commotion and 
				shouts, outside "There he goes", "you've got him"
				etc., etc. Abercoed runs on followed by LEANDRO who 
				catches him.  He is out of breath and struggles)</stage>
						<sp xml:id="FLOR-3132"><speaker xml:id="FLOR-3133">Leandro</speaker><p xml:id="FLOR-3134">
				The Governor said no strangers here.  This fellow is up to 
				some game.
					<stage xml:id="FLOR-3135">(To Aber)</stage>
				Honest men, don't need to disguise themselves.
					<stage xml:id="FLOR-3136">(He tears off Abercoed's disguise)</stage>
					<stage xml:id="FLOR-3137">(Enter DONEGAL R.2. and ANGELA L.1.E.)</stage>
						</p></sp><sp xml:id="FLOR-3138"><speaker xml:id="FLOR-3139">Donegal</speaker><p xml:id="FLOR-3140">
				Why, what's the matter?
						</p></sp><sp xml:id="FLOR-3141"><speaker xml:id="FLOR-3142">Leandro</speaker><p xml:id="FLOR-3143">
				A burglar.  Or a highwayman.
						</p></sp><sp xml:id="FLOR-3144"><speaker xml:id="FLOR-3145">Abercoed</speaker><p xml:id="FLOR-3146">
					<stage xml:id="FLOR-3147">(Breaks away - men go up C)</stage>
				No it's neither.  It's only an honest friend who wants to 
				have a look at his old home.
						</p></sp><sp xml:id="FLOR-3148"><speaker xml:id="FLOR-3149">Donegal</speaker>
					<stage xml:id="FLOR-3150">(Surprised)</stage>
				<p xml:id="FLOR-3151">Abercoed!</p></sp>
					<stage xml:id="FLOR-3152">(Shakes hands - goes up to men)</stage>
					<pb xml:id="FLOR-3153"/>
						<sp xml:id="FLOR-3154"><speaker xml:id="FLOR-3155">Angela</speaker><p xml:id="FLOR-3156">
				Lord Abercoed.  Oh I'm delighted to see you.</p>
					<stage xml:id="FLOR-3157">(Donegal comes down R.  To Chorus men up C)</stage>
				<p xml:id="FLOR-3158">You've made a mistake here - you'll get into serious 
				trouble when papa hears of this. 
						</p></sp><sp xml:id="FLOR-3159"><speaker xml:id="FLOR-3160">Leandro</speaker><p xml:id="FLOR-3161">
				I'd better make myself scarce.</p>
					<stage xml:id="FLOR-3162">(Exeunt Leandro up steps hack.  Angela comes 
					down L.C.)</stage>
						</sp><sp xml:id="FLOR-3163"><speaker xml:id="FLOR-3164">Abercoed</speaker>
					<stage xml:id="FLOR-3165">(C)</stage>
				<p xml:id="FLOR-3166">Don't blame them.  They didn't know me a gray beard.
				You must forget my abrupt visit, Miss Gilfain, but I wanted 
				to get a last look at the old castle, and as I didn't care 
				to be known, I put these things on.</p></sp>
					<stage xml:id="FLOR-3167">(Enter LADY M. from Castle L.)</stage>
						<sp xml:id="FLOR-3168"><speaker xml:id="FLOR-3169">Lady M.</speaker>
					<stage xml:id="FLOR-3170">(Shaking hands)</stage>
				<p xml:id="FLOR-3171">Oh Lord Abercoed, I have just heard.  I'm so sorry, the 
				tenant didn't expect to find any of the British aristocracy 
				at home just now.
						</p></sp><sp xml:id="FLOR-3172"><speaker xml:id="FLOR-3173">Abercoed</speaker><p xml:id="FLOR-3174">
				You see, when I got back to England I found there was 
				nothing left but my title.
						</p></sp><sp xml:id="FLOR-3175"><speaker xml:id="FLOR-3176">Lady H.</speaker><p xml:id="FLOR-3177">
				Well that's worth something if you take it to Cincinnati.
						</p></sp><sp xml:id="FLOR-3178"><speaker xml:id="FLOR-3179">Abercoed</speaker><p xml:id="FLOR-3180">
				I don't intend to.
					<stage xml:id="FLOR-3181">(Looking around)</stage>
				I'm going back to the Island of Florodora.
						</p></sp><sp xml:id="FLOR-3182"><speaker xml:id="FLOR-3183">Donegal</speaker><p xml:id="FLOR-3184">
				What for?
						</p></sp><sp xml:id="FLOR-3185"><speaker xml:id="FLOR-3186">Abercoed</speaker><p xml:id="FLOR-3187">
				I have been utterly miserable about Dolores.
						</p></sp><sp xml:id="FLOR-3188"><speaker xml:id="FLOR-3189">Lady H.</speaker><p xml:id="FLOR-3190">
				It's curious -- but I never met a man who isn't miserable
				about some woman or other.
					<stage xml:id="FLOR-3191">(Enter VALLEDA C. Angela, Abercoed and Donegal
					retire up stage to seat L.)</stage>
					<pb xml:id="FLOR-3192"/>
						</p></sp><sp xml:id="FLOR-3193"><speaker xml:id="FLOR-3194">Valleda</speaker><p xml:id="FLOR-3195">
					<stage xml:id="FLOR-3196">(Comes down R)</stage>
				My lady, my lady.
						</p></sp><sp xml:id="FLOR-3197"><speaker xml:id="FLOR-3198">Lady H.</speaker><p xml:id="FLOR-3199">
					<stage xml:id="FLOR-3200">(C)</stage>
				What is it?
						</p></sp><sp xml:id="FLOR-3201"><speaker xml:id="FLOR-3202">Valleda</speaker><p xml:id="FLOR-3203">
				I couldn't help it, my lady.  We can't get rid of those 
				people who come to the Kitchen door.
						</p></sp><sp xml:id="FLOR-3204"><speaker xml:id="FLOR-3205">Lady H.</speaker><p xml:id="FLOR-3206">
				Who are they?  What are they like?
						</p></sp><sp xml:id="FLOR-3207"><speaker xml:id="FLOR-3208">Valleda</speaker><p xml:id="FLOR-3209"> 
				The man is a very queer looking person.  He wanted to 
				give me his photograph.
						</p></sp><sp xml:id="FLOR-3210"><speaker xml:id="FLOR-3211">Lady H.</speaker><p xml:id="FLOR-3212">
					<stage xml:id="FLOR-3213">(Xing L.)</stage>
				His photograph.  Did he want to give you a knife 
				as well?
						</p></sp><sp xml:id="FLOR-3214"><speaker xml:id="FLOR-3215">Valleda</speaker><p xml:id="FLOR-3216">
				Yes, my lady.
						</p></sp><sp xml:id="FLOR-3217"><speaker xml:id="FLOR-3218">Lady H.</speaker><p xml:id="FLOR-3219">
					<stage xml:id="FLOR-3220">(Aside)</stage>
				Tweedlepunch.
					<stage xml:id="FLOR-3221">(Aloud)</stage>
				Is there a lady, also?
						</p></sp><sp xml:id="FLOR-3222"><speaker xml:id="FLOR-3223">Valleda</speaker><p xml:id="FLOR-3224">
				There is a female, my lady.
						</p></sp><sp xml:id="FLOR-3225"><speaker xml:id="FLOR-3226">Lady H.</speaker><p xml:id="FLOR-3227">
				Well, it's the same thing in these days of generates.
				I'll see them, Valleda.  SHow them to my apartments at 
				once and don't tell anyone they're here.  And be ready to 
				bring them here when I tell you.
						</p></sp><sp xml:id="FLOR-3228"><speaker xml:id="FLOR-3229">Valleda</speaker><p xml:id="FLOR-3230">
				Yes my lady.
					<stage xml:id="FLOR-3231">(Exits R. C.)</stage>
						</p></sp>
				<sp xml:id="FLOR-3232"><speaker xml:id="FLOR-3233">Lady H.</speaker>
					<stage xml:id="FLOR-3234">(Aside)</stage><p xml:id="FLOR-3235">Tweedlepunch might help my plans.  But I'm sorry he 
				brought Dolores.  She might upset them.  Ah, no, there's 
				no fear of her marrying Gilfain, while <emph rend="underline" xml:id="FLOR-3236">this</emph> is on the 
				premises.</p></sp>
					<stage xml:id="FLOR-3237">(Turns up stage)</stage>
					<pb xml:id="FLOR-3238"/>
					<sp xml:id="FLOR-3239">
				<speaker xml:id="FLOR-3240">Donegal</speaker><p xml:id="FLOR-3241">
					<stage xml:id="FLOR-3242">(To Abercoed)</stage>
				I say old chap, you'll stay to luncheon, won't you?
						</p></sp><sp xml:id="FLOR-3243"><speaker xml:id="FLOR-3244">Abercoed</speaker><p xml:id="FLOR-3245">
				Thank you.
						</p></sp><sp xml:id="FLOR-3246"><speaker xml:id="FLOR-3247">Donegal</speaker><p xml:id="FLOR-3248">
				Oh, don't mention it.  It shouldn't cost me anything you 
				know.
					<stage xml:id="FLOR-3249">(Exit Angela and Donegal into castle)</stage>
					<stage xml:id="FLOR-3250">(Abercoed resumes disguise and exit R.U.E.
					Enter Gilfain from tent R. Gilfain speaks 
					into tent)</stage>
						</p></sp><sp xml:id="FLOR-3251"><speaker xml:id="FLOR-3252">Gilfain</speaker><p xml:id="FLOR-3253">
				Now you waiters, what do you mean by putting mayonnaise 
				dressing on the ice-cream.
					<stage xml:id="FLOR-3254">(Enter Lady H.)</stage>
						</p></sp><sp xml:id="FLOR-3255"><speaker xml:id="FLOR-3256">Lady H.</speaker><p xml:id="FLOR-3257">
				I quite forgot to tell you I have a surprise for you.
						</p></sp><sp xml:id="FLOR-3258"><speaker xml:id="FLOR-3259">Gilfain</speaker><p xml:id="FLOR-3260">
					<stage xml:id="FLOR-3261">(L.)</stage>
				Ah, indeed what is it?
						</p></sp><sp xml:id="FLOR-3262"><speaker xml:id="FLOR-3263">Lady H.</speaker><p xml:id="FLOR-3264">
				I have engaged two most celebrated artists, from Paris,
				who simply went wild over them.
						</p></sp><sp xml:id="FLOR-3265"><speaker xml:id="FLOR-3266">Gilfain</speaker><p xml:id="FLOR-3267">
				Eh?  Ah beautiful Paris - gay Paree - where morning begins 
				at noon and night never begins.  The city of angels 
				without wings, where you can live a year in a minute,
				and forget where you live while you're doing it.
						</p></sp><sp xml:id="FLOR-3268"><speaker xml:id="FLOR-3269">Lady H.</speaker><p xml:id="FLOR-3270">
				You know Paris, of course.
						</p></sp><sp xml:id="FLOR-3271"><speaker xml:id="FLOR-3272">Gilfain</speaker><p xml:id="FLOR-3273">
				Know it, who doesn't know it.
					<stage xml:id="FLOR-3274">(Aside)</stage>
				Never was there in my life.
					<stage xml:id="FLOR-3275">(Aloud)</stage>
				Bring them in.  Bring them in.
						</p></sp><sp xml:id="FLOR-3276"><speaker xml:id="FLOR-3277">Lady H.</speaker><p xml:id="FLOR-3278">
					<stage xml:id="FLOR-3279">(C)</stage>
				THIS is the first time they have ever appeared in private.
				<pb xml:id="FLOR-3280"/>
						</p></sp><sp xml:id="FLOR-3281"><speaker xml:id="FLOR-3282">Gilfain</speaker><p xml:id="FLOR-3283">
					<stage xml:id="FLOR-3284">(Turning to chorus)</stage>
				You hear that, my friends, there is nothing too good for 
				us, no matter, what it costs.
					<stage xml:id="FLOR-3285">(To Lady H.)</stage>
				What do they do?
						</p></sp><sp xml:id="FLOR-3286"><speaker xml:id="FLOR-3287">Lady H.</speaker><p xml:id="FLOR-3288">
					<stage xml:id="FLOR-3289">(Aside)</stage>
				Oh dear, I don't know.
					<stage xml:id="FLOR-3290">(Aloud)</stage>
				Do?  Why they can do everything.  Do everything but they 
				don't speak English.
						</p></sp><sp xml:id="FLOR-3291"><speaker xml:id="FLOR-3292">Gilfain</speaker><p xml:id="FLOR-3293">
				Um - I'll speak French.
					<stage xml:id="FLOR-3294">(Aside)</stage>
				Don't know a word of it - but no matter.
						</p></sp><sp xml:id="FLOR-3295"><speaker xml:id="FLOR-3296">Lady H.</speaker><p xml:id="FLOR-3297">
				Admit our distinguished entertainers.
					<stage xml:id="FLOR-3298">(Aside)</stage>
				I'm not afraid of Dolores, but I hope Tweedlepunch doesn't
				give it away.
					<stage xml:id="FLOR-3299">(Music, enter TWEEDLEPUNCH and DOLORES C.)</stage>
						</p></sp><sp xml:id="FLOR-3300"><speaker xml:id="FLOR-3301">Tweedle</speaker><p xml:id="FLOR-3302">
				We're in at last.
						</p></sp><sp xml:id="FLOR-3303"><speaker xml:id="FLOR-3304">Dolores</speaker><p xml:id="FLOR-3305">
					<stage xml:id="FLOR-3306">(R.)</stage>
				Hush, remember you are French.
						</p></sp><sp xml:id="FLOR-3307"><speaker xml:id="FLOR-3308">Lady H.</speaker><p xml:id="FLOR-3309">
					<stage xml:id="FLOR-3310">(Comes between them to Dolores)</stage>
				You look after him, Dolores.  See that he doesn't make
				any bad breaks.
						</p></sp><sp xml:id="FLOR-3311"><speaker xml:id="FLOR-3312">Dolores</speaker><p xml:id="FLOR-3313">
					<stage xml:id="FLOR-3314">(To Lady H.)</stage>
				I feel so funny without my skirts.  It's so draughty.
						</p></sp><sp xml:id="FLOR-3315"><speaker xml:id="FLOR-3316">Lady H.</speaker><p xml:id="FLOR-3317">
					<stage xml:id="FLOR-3318">(C)</stage>
				Oh brace up - be a man.
						</p></sp><sp xml:id="FLOR-3319"><speaker xml:id="FLOR-3320">Dolores</speaker><p xml:id="FLOR-3321">
				I can't.
						</p></sp><sp xml:id="FLOR-3322"><speaker xml:id="FLOR-3323">Tweedle</speaker><p xml:id="FLOR-3324">
				Do you think he'll know me?
						</p></sp><sp xml:id="FLOR-3325"><speaker xml:id="FLOR-3326">Lady H.</speaker><p xml:id="FLOR-3327">
				Not if you'll keep your mouth shut.
				<pb xml:id="FLOR-3328"/>
						</p></sp><sp xml:id="FLOR-3329"><speaker xml:id="FLOR-3330">Tweedle</speaker><p xml:id="FLOR-3331">
				I've a good mind to expose the fraud right here before 
				his own people.
						</p></sp><sp xml:id="FLOR-3332"><speaker xml:id="FLOR-3333">Lady H.</speaker><p xml:id="FLOR-3334">
				That man'd spoil our plans.
						</p></sp><sp xml:id="FLOR-3335"><speaker xml:id="FLOR-3336">Tweedle</speaker><p xml:id="FLOR-3337">
				Do I look all right?  I feel like a cow.
						Lady M.
				Well, you look like an undertaker.
					<stage xml:id="FLOR-3338">(Xing L. to Gilfain)</stage>
				I'm sure you will find them very entertaining.
					<stage xml:id="FLOR-3339">(Exit Lady H. into Castle)</stage>
						</p></sp><sp xml:id="FLOR-3340"><speaker xml:id="FLOR-3341">Dolores</speaker><p xml:id="FLOR-3342">
					<stage xml:id="FLOR-3343">(R. to Tweedle. C.)</stage>
				Now keep quiet, don't say anything.  If you must speak say 
				oui, oui.
					<stage xml:id="FLOR-3344">(Xes L to Gilfain)</stage>
				Lord Gilfain, oh Lord not yet, not quite yet.  Will you commence
				begin -- go on.  You there - in the stove pipe, what can you do?
						</p></sp><sp xml:id="FLOR-3345"><speaker xml:id="FLOR-3346">Tweedle</speaker><p xml:id="FLOR-3347">
					<stage xml:id="FLOR-3348">(Xes to L. to Gilfain)</stage>
				Me?
						</p></sp><sp xml:id="FLOR-3349"><speaker xml:id="FLOR-3350">Gilfain</speaker><p xml:id="FLOR-3351">
				Oui.
						</p></sp><sp xml:id="FLOR-3352"><speaker xml:id="FLOR-3353">Tweedle</speaker><p xml:id="FLOR-3354">
					<stage xml:id="FLOR-3355">(Interrupting)</stage>
				We?  Us? Oh, oui, oui, oui.
						</p></sp><sp xml:id="FLOR-3356"><speaker xml:id="FLOR-3357">Gilfain</speaker><p xml:id="FLOR-3358">
				Marvelous.  He understands my French perfectly.  What's 
				your name?
						</p></sp><sp xml:id="FLOR-3359"><speaker xml:id="FLOR-3360">Tweedle</speaker><p xml:id="FLOR-3361">
				Tweedle - - 
						</p></sp><sp xml:id="FLOR-3362"><speaker xml:id="FLOR-3363">Gilfain</speaker><p xml:id="FLOR-3364">
				Tweedle --?
						</p></sp><sp xml:id="FLOR-3365"><speaker xml:id="FLOR-3366">Dolores</speaker><p xml:id="FLOR-3367">
					<stage xml:id="FLOR-3368">(Pulls Tweedle, Xes to R. C.)</stage>
				Dee -- dee -- Tweedle dee de ou - 
						</p></sp><sp xml:id="FLOR-3369"><speaker xml:id="FLOR-3370">Tweedle</speaker><p xml:id="FLOR-3371"> 
				Tweedle de - oui- oui.
						</p></sp><sp xml:id="FLOR-3372"><speaker xml:id="FLOR-3373">Gilfain</speaker><p xml:id="FLOR-3374">
				Oh I see.  Well, what can you do?
				<pb xml:id="FLOR-3375"/>
						</p></sp><sp xml:id="FLOR-3376"><speaker xml:id="FLOR-3377">Dolores</speaker><p xml:id="FLOR-3378">
					<stage xml:id="FLOR-3379">(C. Advancing)</stage>
				My lord, we have sing before all ze crowned heads of Europe.
				The Queen of Sibera she patronize us - when we sing ze king 
				of France he throw up --
						</p></sp><sp xml:id="FLOR-3380"><speaker xml:id="FLOR-3381">Gilfain</speaker><p xml:id="FLOR-3382"> 
					<stage xml:id="FLOR-3383">(L)</stage>
				What.  The sponge.
						</p></sp><sp xml:id="FLOR-3384"><speaker xml:id="FLOR-3385">Tweedle</speaker><p xml:id="FLOR-3386">
				Oui.  Oui.
						</p></sp><sp xml:id="FLOR-3387"><speaker xml:id="FLOR-3388">Dolores</speaker><p xml:id="FLOR-3389">
					<stage xml:id="FLOR-3390">(C.)</stage>
				Ne ze big bouquet, no.
					<stage xml:id="FLOR-3391">(Indicating wine)</stage>
						</p></sp><sp xml:id="FLOR-3392"><speaker xml:id="FLOR-3393">Gilfain</speaker><p xml:id="FLOR-3394">
				You don't tell me.  Well if you are good enough for the King 
				of France you are good enough for us.
					<stage xml:id="FLOR-3395">(To Dolores)</stage>
				Go ahead.  Do whatever you can.
						</p></sp><sp xml:id="FLOR-3396"><speaker xml:id="FLOR-3397">Tweedle</speaker><p xml:id="FLOR-3398">
				Can? Can.
						</p></sp><sp xml:id="FLOR-3399"><speaker xml:id="FLOR-3400">Gilfain</speaker><p xml:id="FLOR-3401">
				Yes - can - can.
					<stage xml:id="FLOR-3402">(Dance can can -- all laugh)</stage>
						</p></sp><sp xml:id="FLOR-3403"><speaker xml:id="FLOR-3404">Tweedle</speaker><p xml:id="FLOR-3405">
				Can?  Can?
					<stage xml:id="FLOR-3406">(Xing C to Gilfain)</stage>
				You stupid old man.
						</p></sp><sp xml:id="FLOR-3407"><speaker xml:id="FLOR-3408">Gilfain</speaker><p xml:id="FLOR-3409">
				What's that?
						</p></sp><sp xml:id="FLOR-3410"><speaker xml:id="FLOR-3411">Tweedle</speaker><p xml:id="FLOR-3412">
				Oh, oui, oui.  Je ne sais pas.  He doesn't say pas N'est?
				Oui - oui - comme ce - 5 francs 50 - swindle - la, la.
						</p></sp><sp xml:id="FLOR-3413"><speaker xml:id="FLOR-3414">Dolores</speaker><p xml:id="FLOR-3415">
				Il ne comprend pas de tout - de tout - de tout.
						</p></sp><sp xml:id="FLOR-3416"><speaker xml:id="FLOR-3417">Tweedle</speaker><p xml:id="FLOR-3418">
				What are you doing, swearing at him.
						</p></sp><sp xml:id="FLOR-3419"><speaker xml:id="FLOR-3420">Gilfain</speaker><p xml:id="FLOR-3421">
					<stage xml:id="FLOR-3422">(To Clerks L.)</stage>
				Oh I see, he wants some tutti fruitti.  Oh yes, Taisy - 
				vous - yes - yah.   Je comprend.  Tout senit, tout senit,
				I don't know what I am talking about.  Oh I don't understand 
				a word of this.
						</p></sp><sp xml:id="FLOR-3423"><speaker xml:id="FLOR-3424">Tweedle</speaker><p xml:id="FLOR-3425">
				You have no bump of language.
					<stage xml:id="FLOR-3426">(Dolores catches tweedle by R arm and swings him 
					 X to R.C.)</stage>
					 	</p></sp><sp xml:id="FLOR-3427"><speaker xml:id="FLOR-3428">Gilfain</speaker><p xml:id="FLOR-3429">
					 <stage xml:id="FLOR-3430">(L. startled)</stage>
				Bump?  Ye Gods.  that sounds like Tweedlepunch.
						</p></sp><sp xml:id="FLOR-3431"><speaker xml:id="FLOR-3432">Tweedle</speaker><p xml:id="FLOR-3433">
				Boemp.  Boemp.  n'est oui, oui.
						</p></sp><sp xml:id="FLOR-3434"><speaker xml:id="FLOR-3435">Gilfain</speaker><p xml:id="FLOR-3436">
				Oh, boemp.  I see - well, what can you do?
						</p></sp><sp xml:id="FLOR-3437"><speaker xml:id="FLOR-3438">Tweedle</speaker><p xml:id="FLOR-3439">
				Jug.
					<stage xml:id="FLOR-3440">(Bus.)</stage>
				I'll bet two dollars it is a jag.  What is it?
						</p></sp><sp xml:id="FLOR-3441"><speaker xml:id="FLOR-3442">Dolores</speaker><p xml:id="FLOR-3443">
				He make ze rabbit and ze fried egg to come out of ze hat.
						</p></sp><sp xml:id="FLOR-3444"><speaker xml:id="FLOR-3445">Gilfain</speaker><p xml:id="FLOR-3446">
				Ah.  I see he's a juggler, one of those fellows who turns 
				water into wine and wine into himself.  I don't want any 
				juggling.  Give us something else.  What else can you do?
						</p></sp><sp xml:id="FLOR-3447"><speaker xml:id="FLOR-3448">Dolores</speaker><p xml:id="FLOR-3449">
				Alone we sing - 
						</p></sp><sp xml:id="FLOR-3450"><speaker xml:id="FLOR-3451">Gilfain</speaker><p xml:id="FLOR-3452">
				That's right sing us a song.</p></sp>
					<stage xml:id="FLOR-3453">(Goes up L.C. and sits)</stage>
					<stage xml:id="FLOR-3454">(Tweedlepunch takes bet on and starts song - imitation 
					of leading orchestra)</stage>
					<sp xml:id="FLOR-3455">
						<speaker xml:id="FLOR-3456">DUET -- DOLORES AND TWEEDLEPUNCH</speaker>
							<stage xml:id="FLOR-3457">"WHEN WE'RE ON THE STAGE"</stage>
							<lg xml:id="FLOR-3458">
<l xml:id="FLOR-3459">						We both on the stage, we two,</l>
<l xml:id="FLOR-3460">						There's nothing that we can't do.</l>
<l xml:id="FLOR-3461">						We're remarkably fine in a Gaiety line</l>
<l xml:id="FLOR-3462">						But we revel in Shakespeare too,</l>
<l xml:id="FLOR-3463">						My Juliet's great, I know,</l>
<l xml:id="FLOR-3464">						As I presently mean to show,</l>
<l xml:id="FLOR-3465">						While my friend on the right,</l>
<l xml:id="FLOR-3466">						Tho he's rather a sight</l>
<l xml:id="FLOR-3467">						Will portray Romeo.</l>
								</lg>
								<stage xml:id="FLOR-3468">Refrain</stage> 
						<lg xml:id="FLOR-3469">
<l xml:id="FLOR-3470">						Sing a song of sweet flirtation, for our </l>
<l xml:id="FLOR-3471">							style is versatile.</l>
<l xml:id="FLOR-3472">						Everything we do is sure to be the rage.</l>
<l xml:id="FLOR-3473">							Mendelssohn or Coon plantation,</l>
<l xml:id="FLOR-3474">							Any sort of imitation,</l>
<l xml:id="FLOR-3475">							We'll show what we can do,</l>
<l xml:id="FLOR-3476">							When we're on the stage.</l>
						</lg>
							<stage xml:id="FLOR-3477">2</stage>
							<lg xml:id="FLOR-3478">		
<l xml:id="FLOR-3479">						In Opera we excel </l>
<l xml:id="FLOR-3480">						Whether Faust or William Tell</l>
<l xml:id="FLOR-3481">							For I look so sweet </l>
<l xml:id="FLOR-3482">							When I play Maguerite</l>
<l xml:id="FLOR-3483">						And he plays the devil quite well.</l>
<l xml:id="FLOR-3484">							Covent garden is crowned, of course,</l>
<l xml:id="FLOR-3485">							And encores they invariably force,</l>
<l xml:id="FLOR-3486">						We return every year,</l>
<l xml:id="FLOR-3487">						And we always appear,</l>
<l xml:id="FLOR-3488">							If we're ever so hoarse.</l>
								</lg>
								</sp><sp xml:id="FLOR-3489"><speaker xml:id="FLOR-3490">Chorus</speaker>
									<stage xml:id="FLOR-3491">3</stage>
									<lg xml:id="FLOR-3492">
<l xml:id="FLOR-3493">						If you should think that's all.</l>
<l xml:id="FLOR-3494">						Just go to St. James Hall.</l>
<l xml:id="FLOR-3495">							You'll be taken by a storm</l>
<l xml:id="FLOR-3496">							When you hear me perform</l>
<l xml:id="FLOR-3497">						And you won't mind buying your stall.</l>
<l xml:id="FLOR-3498">							Madame Patti's outclassed I'm afraid.</l>
<l xml:id="FLOR-3499">							Sarasate's quite put in the shade.</l>
<l xml:id="FLOR-3500">						When I Sing people cry,</l>
<l xml:id="FLOR-3501">						And some of them die,</l>
<l xml:id="FLOR-3502">							When the violin's played.</l></lg>
						<stage xml:id="FLOR-3503">(During this verse FOOTMEN bring down and place 
						prop piano up C.)</stage>
							</sp><sp xml:id="FLOR-3504"><speaker xml:id="FLOR-3505">Chorus</speaker><lg xml:id="FLOR-3506">
<l xml:id="FLOR-3507">						We are awfully good as a coon,</l>
<l xml:id="FLOR-3508">						With a sugary sort of a tune,</l>
<l xml:id="FLOR-3509">							And we don't care one jot,</l>
<l xml:id="FLOR-3510">							If the words are all rot,</l>
<l xml:id="FLOR-3511">						If they just take a turn on the moon.</l>
<l xml:id="FLOR-3512">							A cake walk then we'll do,</l>
<l xml:id="FLOR-3513">							And we'll sing about Dinah or Sue,</l>
							<pb xml:id="FLOR-3514"/>
<l xml:id="FLOR-3515">							For we really don't know,</l>
<l xml:id="FLOR-3516">							What we're singing and so,</l>
<l xml:id="FLOR-3517">								We just leave it to you.</l>
								</lg></sp>
						<stage xml:id="FLOR-3518">(After song, Dolores and Tweedlepunch exit into 
						tent.  Footmen pick up scraps of paper and broken 
						Violin, etc.  Chorus men take stools off as they 
						exit)</stage>
						<sp xml:id="FLOR-3519"><speaker xml:id="FLOR-3520">Gilfain</speaker><p xml:id="FLOR-3521">
				He certainly is a funny man.
					<stage xml:id="FLOR-3522">(Taking C.)</stage>
						</p></sp><sp xml:id="FLOR-3523"><speaker xml:id="FLOR-3524">Lady H.</speaker><p xml:id="FLOR-3525">
					<stage xml:id="FLOR-3526">(L.)</stage>
				Well how did the entertainment go off?
						</p></sp><sp xml:id="FLOR-3527"><speaker xml:id="FLOR-3528">Gilfain</speaker><p xml:id="FLOR-3529">
				Charmant, magnifique....I'm getting along nicely with my 
				French don't you think.  You're a wonderful manager.
						</p></sp><sp xml:id="FLOR-3530"><speaker xml:id="FLOR-3531">Lady H.</speaker><p xml:id="FLOR-3532">
				It's very easy to manage things if you have other peoples
				money to do it with.
					<stage xml:id="FLOR-3533">(Xes R.)</stage>
				You ought to take a fancy to a woman of high social position.
						</p></sp><sp xml:id="FLOR-3534"><speaker xml:id="FLOR-3535">Gilfain</speaker><p xml:id="FLOR-3536">
				I have.  I have. 
						</p></sp><sp xml:id="FLOR-3537"><speaker xml:id="FLOR-3538">Lady H.</speaker><p xml:id="FLOR-3539">
				A smart woman - who knows her way about.
						</p></sp><sp xml:id="FLOR-3540"><speaker xml:id="FLOR-3541">Gilfain</speaker><p xml:id="FLOR-3542">
				That's it that's what I want.  That's what I'm looking for,
				a woman like you, you dainty little bit of Dresden majolica.
					<stage xml:id="FLOR-3543">(Bus. Xes L.C.)</stage>
					<stage xml:id="FLOR-3544">(He is about to put his arms around Lady Holyrood, she 
					stands, facing audience.  He behind her.  She gets his 
					hands inside her arms, which are slightly extended, her 
					hands resting on the sun shade.  As his hands come 
					forward, she sees this, and says he's mine.  Gilfain 
					draws his hand away.  No he isn't.)</stage>
						</p></sp><sp xml:id="FLOR-3545"><speaker xml:id="FLOR-3546">Lady H.</speaker><p xml:id="FLOR-3547">
				How funny.  I really believe he means it.</p>
					<stage xml:id="FLOR-3548">(Aside)</stage>
				<p xml:id="FLOR-3549">At last, a second marriage. The triumph of hope over experience.
						</p></sp><sp xml:id="FLOR-3550"><speaker xml:id="FLOR-3551">Gilfain</speaker><p xml:id="FLOR-3552">
				I must go and see if there's any news of Dolores.  I'm 
				wavering between love on one side and business on the other.
				<pb xml:id="FLOR-3553"/>
				I'm bound to marry Dolores.  Business, my dear, strictly 
				business.  I'll be back in a moment.</p></sp>
					<stage xml:id="FLOR-3554">(Exits L.U.E.)</stage>
						<sp xml:id="FLOR-3555"><speaker xml:id="FLOR-3556">Lady H.</speaker><p xml:id="FLOR-3557">
				I've an inkling that he won't like the news when he gets 
				it.</p></sp>
					<stage xml:id="FLOR-3558">(Exits)</stage>
							<stage xml:id="FLOR-3559">SONG FOR DOLORES</stage>
						<stage xml:id="FLOR-3560">"THE QUEEN OF THE PHILIPPINE ISLANDS"</stage><sp xml:id="FLOR-3561">
						<lg xml:id="FLOR-3562">
<l xml:id="FLOR-3563">					In the Philippines lived a maiden fair</l>
<l xml:id="FLOR-3564">					With her wondrous hair and her eyes so fair,</l>
<l xml:id="FLOR-3565">					That men were all inclined to swear,</l>
<l xml:id="FLOR-3566">						By this girl of the Philippine Island.</l>
<l xml:id="FLOR-3567">					Now stranger came on the days of old.</l>
<l xml:id="FLOR-3568">					To this land of sunset and of scent gold.</l>
<l xml:id="FLOR-3569">					And his story of love he demurely told,</l>
<l xml:id="FLOR-3570">						To this maid of the Philippine Island.</l>
</lg>
							<stage xml:id="FLOR-3571">Refrain</stage>
							<lg xml:id="FLOR-3572">
<l xml:id="FLOR-3573">					Yes, he told her that she was his only love,</l>
<l xml:id="FLOR-3574">						Quite his only love,</l>
<l xml:id="FLOR-3575">						His one and only love.</l>
<l xml:id="FLOR-3576">					And he vowed he'd be true as he bade her adieu</l>
<l xml:id="FLOR-3577">						E'er he roamed o'er the sea far away.</l></lg>
							<stage xml:id="FLOR-3578">2</stage>
							<lg xml:id="FLOR-3579">
<l xml:id="FLOR-3580">					Now this lover bold - once cupid's heart dart.</l>
<l xml:id="FLOR-3581">					Had pierced his heart, began to smart.</l></lg></sp>
							<stage xml:id="FLOR-3582">Refrain</stage>
						<stage xml:id="FLOR-3583">(Exit Dolores.  After song.  Enter DONEGAL L. 2.
						XING to tent R. 2)</stage>
							<sp xml:id="FLOR-3584"><speaker xml:id="FLOR-3585">Donegal</speaker><p xml:id="FLOR-3586">
					Well, my love affair seems to be going very slowly.  I must 
					try to hurry this up.</p></sp>
						<stage xml:id="FLOR-3587">(Crash in tent -- Enter SERVANT from tent)</stage>
							<sp xml:id="FLOR-3588"><speaker xml:id="FLOR-3589">Leandro</speaker><p xml:id="FLOR-3590">
					It's that musician chap.  He's in a dreadful state.
							</p></sp><sp xml:id="FLOR-3591"><speaker xml:id="FLOR-3592">Donegal</speaker><p xml:id="FLOR-3593">
					Why?  What's wrong with him?
							</p></sp><sp xml:id="FLOR-3594"><speaker xml:id="FLOR-3595">Leandro</speaker><p xml:id="FLOR-3596">
					Why he's drunk all the wine on the table and then swept 
					everything off.</p></sp>
					<pb xml:id="FLOR-3597"/>
							<sp xml:id="FLOR-3598"><speaker xml:id="FLOR-3599">Donegel</speaker><p xml:id="FLOR-3600">
					Oh, intoxicated, well get rid of him, put him in the coal 
					cellar.</p></sp>
						<stage xml:id="FLOR-3601">(Tweedle screams and whoops things up in tent,
						enters Xes to C.)</stage>
							<sp xml:id="FLOR-3602"><speaker xml:id="FLOR-3603">Tweedle</speaker><p xml:id="FLOR-3604">
					Whoop - whoop.
							</p></sp><sp xml:id="FLOR-3605"><speaker xml:id="FLOR-3606">Donegal</speaker>
						<stage xml:id="FLOR-3607">(Catching him - both stop C.)</stage>
					<p xml:id="FLOR-3608">Here stop this row.</p>
						<stage xml:id="FLOR-3609">(Look at him)</stage>
					<p xml:id="FLOR-3610">Well, upon my word.  Tweedlepunch - why, where did you 
					get it?
							</p></sp><sp xml:id="FLOR-3611"><speaker xml:id="FLOR-3612">Tweedle</speaker><p xml:id="FLOR-3613">
					Mr. Donegal.  Mr. Captain Donegal.  Arthur.  You love 
					Angela, don't blame you.  Angela by name and Angela by 
					nature.  We'll all be angels later on -- higher up - my 
					preliminary interview with Angela -- 
							</p></sp><sp xml:id="FLOR-3614"><speaker xml:id="FLOR-3615">Donegal</speaker><p xml:id="FLOR-3616">
					Miss Gilfain, if you please.
							</p></sp><sp xml:id="FLOR-3617"><speaker xml:id="FLOR-3618">Tweedle</speaker><p xml:id="FLOR-3619">
					Arthur, you are right - always right.  Angela is -- 
							</p></sp><sp xml:id="FLOR-3620"><speaker xml:id="FLOR-3621">Donegal</speaker>
						<stage xml:id="FLOR-3622">(R)</stage>
					<p xml:id="FLOR-3623">Miss Gilfain.
							</p></sp><sp xml:id="FLOR-3624"><speaker xml:id="FLOR-3625">Tweedle</speaker><p xml:id="FLOR-3626">
					Don't interrupt.  While in the Philippines, resting 
					under the shades of the sheltering palms, in the precinct 
					of the perfume of that rotten perfumery, Florodora -- 
							</p></sp><sp xml:id="FLOR-3627"><speaker xml:id="FLOR-3628">Donegal</speaker><p xml:id="FLOR-3629">
					That will do.  What are you doing here.
							</p></sp><sp xml:id="FLOR-3630"><speaker xml:id="FLOR-3631">Tweedle</speaker><p xml:id="FLOR-3632">
					Business.
							</p></sp><sp xml:id="FLOR-3633"><speaker xml:id="FLOR-3634">Donegal</speaker><p xml:id="FLOR-3635">
					What?
							</p></sp><sp xml:id="FLOR-3636"><speaker xml:id="FLOR-3637">Tweedlepunch</speaker><p xml:id="FLOR-3638">
					Business of a most particularly private and personal 
					nature.
							</p></sp><sp xml:id="FLOR-3639"><speaker xml:id="FLOR-3640">Donegal</speaker><p xml:id="FLOR-3641">
					Oh indeed.
						<stage xml:id="FLOR-3642">(Looks him over)</stage>
					Why what have you got on?
							</p></sp><sp xml:id="FLOR-3643"><speaker xml:id="FLOR-3644">Tweedle</speaker><p xml:id="FLOR-3645">
					Clothes.
							</p></sp><sp xml:id="FLOR-3646"><speaker xml:id="FLOR-3647">Donegal</speaker><p xml:id="FLOR-3648">
					No - no - why - why- 
						<stage xml:id="FLOR-3649">(Bus. point at clothes)</stage>
							</p></sp><sp xml:id="FLOR-3650"><speaker xml:id="FLOR-3651">Tweedle</speaker><p xml:id="FLOR-3652">
					Oh.  It was the only way we could get in - Society demands 
					it and I don't want to wear the damn things.  I'd 
					just as soon -- 
							</p></sp><sp xml:id="FLOR-3653"><speaker xml:id="FLOR-3654">Donegal</speaker><p xml:id="FLOR-3655">
					What are you driving at.  I beg your pardon.
							</p></sp><sp xml:id="FLOR-3656"><speaker xml:id="FLOR-3657">Tweedle</speaker><p xml:id="FLOR-3658">
					It was the only way we could get in - sislishily
							</p></sp><sp xml:id="FLOR-3659"><speaker xml:id="FLOR-3660">Donegal</speaker><p xml:id="FLOR-3661">
					Now let us try that again.  Quietly.
							</p></sp><sp xml:id="FLOR-3662"><speaker xml:id="FLOR-3663">Tweedle</speaker><p xml:id="FLOR-3664">
						<stage xml:id="FLOR-3665">(Slowly)</stage>
					It was the only way we could get in --
							</p></sp><sp xml:id="FLOR-3666"><speaker xml:id="FLOR-3667">Donegal</speaker><p xml:id="FLOR-3668">
					Whoa.
							</p></sp><sp xml:id="FLOR-3669"><speaker xml:id="FLOR-3670">Tweedle</speaker><p xml:id="FLOR-3671">
						<stage xml:id="FLOR-3672">(Surreptitiously)</stage>
							</p></sp><sp xml:id="FLOR-3673"><speaker xml:id="FLOR-3674">Donegal</speaker><p xml:id="FLOR-3675">
						<stage xml:id="FLOR-3676">(Laughs, Xes to L. behind Tweedle)</stage>
					I see.
							</p></sp><sp xml:id="FLOR-3677"><speaker xml:id="FLOR-3678">Tweedle</speaker><p xml:id="FLOR-3679">
						<stage xml:id="FLOR-3680">(Looking R. for Donegal)</stage>
					Arthur, Arthur.
							</p></sp><sp xml:id="FLOR-3681"><speaker xml:id="FLOR-3682">Donegal</speaker><p xml:id="FLOR-3683">
					Here I am.
						<stage xml:id="FLOR-3684">(Tweedle turns L. backwards, looks at Donegal,
						smiles)</stage>
					Where is Dolores.
					<pb xml:id="FLOR-3685"/>
				</p></sp><sp xml:id="FLOR-3686"><speaker xml:id="FLOR-3687">Tweedle</speaker><p xml:id="FLOR-3688">
		She's here.
				</p></sp><sp xml:id="FLOR-3689"><speaker xml:id="FLOR-3690">Donegal</speaker><p xml:id="FLOR-3691">
		What?
				</p></sp><sp xml:id="FLOR-3692"><speaker xml:id="FLOR-3693">Tweedle</speaker><p xml:id="FLOR-3694">
		She's here.  She's here to claim her rights.  Most women have
		wrongs but Dolores has rights.  Once upon a time, I had a 
		bosom friend.  In the happy land beyond the seas, where the 
		lotus blooms and the busy bee bask and bask in the busy 
		sunshine.
				<stage xml:id="FLOR-3695">(Donegal goes up and comes down R.C.)</stage>
		Arthur, Arhur.
				</p></sp><sp xml:id="FLOR-3696"><speaker xml:id="FLOR-3697">Donegal</speaker><p xml:id="FLOR-3698">
		Here, here.
			<stage xml:id="FLOR-3699">(Same bus as before)</stage>
				</p></sp><sp xml:id="FLOR-3700"><speaker xml:id="FLOR-3701">Tweedle</speaker><p xml:id="FLOR-3702">
		Her father - my friend - we were bound together by bonds -
		by ties - that fade not neither do they spin - he died and 
		left me an orphan.
				</p></sp><sp xml:id="FLOR-3703"><speaker xml:id="FLOR-3704">Donegal</speaker><p xml:id="FLOR-3705">
		What?  He died and left you an orphan.
				</p></sp><sp xml:id="FLOR-3706"><speaker xml:id="FLOR-3707">Tweedle</speaker><p xml:id="FLOR-3708">
		No, no, Dolores died - same thing.
				</p></sp><sp xml:id="FLOR-3709"><speaker xml:id="FLOR-3710">Donegal</speaker><p xml:id="FLOR-3711">
		Dolores died.  Why you said she was here.
				</p></sp><sp xml:id="FLOR-3712"><speaker xml:id="FLOR-3713">Tweedle</speaker><p xml:id="FLOR-3714">
		No, no, she's the orphan.
			<stage xml:id="FLOR-3715">(His collar is unbuttoned)</stage>
		Excuse me I have lost my collar stud.
				</p></sp><sp xml:id="FLOR-3716"><speaker xml:id="FLOR-3717">Donegal</speaker><p xml:id="FLOR-3718">
		What?
				</p></sp><sp xml:id="FLOR-3719"><speaker xml:id="FLOR-3720">Tweedle</speaker><p xml:id="FLOR-3721">
		I have lost my collar stud.
			<stage xml:id="FLOR-3722">(Bus.  looks R and L then slaps both legs to 
			see if it has fallen down inside - then pulls 
			skirt from outside of vest)</stage>
				</p></sp><sp xml:id="FLOR-3723"><speaker xml:id="FLOR-3724">Donegal</speaker><p xml:id="FLOR-3725"> 
		Here, stop that.  You forget where you are.
				</p></sp><sp xml:id="FLOR-3726"><speaker xml:id="FLOR-3727">Tweedle</speaker><p xml:id="FLOR-3728">
		See it?  I haven't got eyes in my chin.
				</p></sp><sp xml:id="FLOR-3729"><speaker xml:id="FLOR-3730">Donegal</speaker><p xml:id="FLOR-3731">
		The trouble with you, my friend, is that you are drunk.
				</p></sp><sp xml:id="FLOR-3732"><speaker xml:id="FLOR-3733">Tweedle</speaker><p xml:id="FLOR-3734">
		Oh, Arthur - Artie
			<stage xml:id="FLOR-3735">(Smiles)</stage>
		Art.  No, not drunk, only excited.
			<stage xml:id="FLOR-3736">(Leans on Donegal's shoulder - Donegal moves away - 
			He falls.  Donegal picks him up.  He crosses his 
			legs and can't stand)</stage>
				</p></sp><sp xml:id="FLOR-3737"><speaker xml:id="FLOR-3738">Donegal</speaker><p xml:id="FLOR-3739">
		Get on your feet.
				</p></sp><sp xml:id="FLOR-3740"><speaker xml:id="FLOR-3741">Tweedle</speaker><p xml:id="FLOR-3742">
		Untwist me.
			<stage xml:id="FLOR-3743">(Donegal with his right foot puts Tweedle's left
			left off right and he stands up)</stage>
		Well - I pretty nearly fell.  
				</p></sp><sp xml:id="FLOR-3744"><speaker xml:id="FLOR-3745">Donegal</speaker><p xml:id="FLOR-3746">
		I should say you did.
				</p></sp><sp xml:id="FLOR-3747"><speaker xml:id="FLOR-3748">Tweedle</speaker><p xml:id="FLOR-3749">
		Arthur, I should like to cement our friendship with some 
		little token - 
			<stage xml:id="FLOR-3750">(Hand in pocket, takes out six knives, tried to put
			in Donegal's hand - they fall to ground.)</stage>
		I have carried that knife.
				</p></sp><sp xml:id="FLOR-3751"><speaker xml:id="FLOR-3752">Donegal</speaker><p xml:id="FLOR-3753">
<stage xml:id="FLOR-3754">
			(Picking up knives, laughing)</stage>
		I see you're stupid superstitious.  What are you doing 
		with these things.
				</p></sp><sp xml:id="FLOR-3755"><speaker xml:id="FLOR-3756">Tweedle</speaker><p xml:id="FLOR-3757">
			<stage xml:id="FLOR-3758">(Puts knives in pocket)</stage>
		I see you're stupid superstitious.
				</p></sp><sp xml:id="FLOR-3759"><speaker xml:id="FLOR-3760">Donegal</speaker><p xml:id="FLOR-3761">
		Now see here, I want you to understand that the ladies 
		must not see you while you are in this condition.
				</p></sp><sp xml:id="FLOR-3762"><speaker xml:id="FLOR-3763">Tweedle</speaker><p xml:id="FLOR-3764">
		The ladies.
			<stage xml:id="FLOR-3765">(Xes L.)</stage>
			<pb xml:id="FLOR-3766"/>
				</p></sp><sp xml:id="FLOR-3767"><speaker xml:id="FLOR-3768">Donegal</speaker><p xml:id="FLOR-3769">
		Brace you up, do you see that tent.
			<stage xml:id="FLOR-3770">(Points to tent R U E)</stage>
				</p></sp><sp xml:id="FLOR-3771"><speaker xml:id="FLOR-3772">Tweedle</speaker><p xml:id="FLOR-3773">
		I see several.
				</p></sp><sp xml:id="FLOR-3774"><speaker xml:id="FLOR-3775">Donegal</speaker><p xml:id="FLOR-3776">
		Well, go into the tent.
				</p></sp><sp xml:id="FLOR-3777"><speaker xml:id="FLOR-3778">Tweedle</speaker><p xml:id="FLOR-3779">
		Which one.
				</p></sp><sp xml:id="FLOR-3780"><speaker xml:id="FLOR-3781">Donegal</speaker><p xml:id="FLOR-3782">
		Go into all of them.  Come on, careful - step over that 
		stone.
			<stage xml:id="FLOR-3783">(Tweedle lifts foot high as if stepping over.  Xes 
			up R.C.)</stage>
		He is caught by Donegal and taken in front of tent.
				</p></sp><sp xml:id="FLOR-3784"><speaker xml:id="FLOR-3785">Tweedle</speaker><p xml:id="FLOR-3786">
		William.  William.  Bring me a glass of water.
				</p></sp><sp xml:id="FLOR-3787"><speaker xml:id="FLOR-3788">Donegal</speaker><p xml:id="FLOR-3789">
		What's that?
				</p></sp><sp xml:id="FLOR-3790"><speaker xml:id="FLOR-3791">Tweedle</speaker><p xml:id="FLOR-3792">
		A glass of water.
				</p></sp><sp xml:id="FLOR-3793"><speaker xml:id="FLOR-3794">Donegal</speaker><p xml:id="FLOR-3795">
		A glass of water.  YOu had better go and put your head 
		under the pump.
				</p></sp><sp xml:id="FLOR-3796"><speaker xml:id="FLOR-3797">Tweedle</speaker><p xml:id="FLOR-3798">
		No, thank you.  I don't want any more bumps.
				</p></sp><sp xml:id="FLOR-3799"><speaker xml:id="FLOR-3800">Donegal</speaker><p xml:id="FLOR-3801">
		Pump, Pump.
			<stage xml:id="FLOR-3802">(Servant brings small tray with glass from tent)</stage>
				</p></sp><sp xml:id="FLOR-3803"><speaker xml:id="FLOR-3804">Tweedle</speaker><p xml:id="FLOR-3805">
		Ah, I hate to part with that old Virginia cheroot.
			<stage xml:id="FLOR-3806">(Bus. kisses the butt of cigar, then puts it 
			on tray)</stage>
			<stage xml:id="FLOR-3807">(Takes small vial out of pocket to put some of 
			contents into glass)</stage>
			<pb xml:id="FLOR-3808"/>
				</p></sp><sp xml:id="FLOR-3809"><speaker xml:id="FLOR-3810">Donegal</speaker><p xml:id="FLOR-3811">
		Here, that won't do you any good.
				</p></sp><sp xml:id="FLOR-3812"><speaker xml:id="FLOR-3813">Tweedle</speaker><p xml:id="FLOR-3814">
		Pardon me, I know my constitution.
				</p></sp><sp xml:id="FLOR-3815"><speaker xml:id="FLOR-3816">Donegal</speaker><p xml:id="FLOR-3817">
		The trouble with you is that you know too much.
			<stage xml:id="FLOR-3818">(Tweedle takes glass in right hand and holds
			nose with left arm)</stage>
		I want you to understand that <emph rend="underline" xml:id="FLOR-3819">I</emph> know you are a fraud.
				</p></sp><sp xml:id="FLOR-3820"><speaker xml:id="FLOR-3821">Tweedle</speaker><p xml:id="FLOR-3822">
		No, No.  Gilfain't fraud and I can prove it.  Leandro,
		Leandro.
			<stage xml:id="FLOR-3823">(Enter SERVANT from tent)</stage>
		Your arm - walk me up and down)
			<stage xml:id="FLOR-3824">(Bus. of taking arm and walking around the stage twice 
			extravagantly - step in front of tent.  Donegal 
			follows around saying "Steady, steady, etc.)</stage>
				</p></sp><sp xml:id="FLOR-3825"><speaker xml:id="FLOR-3826">Angela</speaker><p xml:id="FLOR-3827">
			<stage xml:id="FLOR-3828">(Calling off)</stage>
		Arthur, Arthur.
			<stage xml:id="FLOR-3829">(Enter ANGELA L. 2)</stage>
		Dolores is here.  She's with papa, and they're flirting 
		madly.
			<stage xml:id="FLOR-3830">(Sees Tweedlepunch who is doing his walk)</stage>
		Why Arthur, what's the matter with Mr. Tweedlepunch.
				</p></sp><sp xml:id="FLOR-3831"><speaker xml:id="FLOR-3832">Donegal</speaker><p xml:id="FLOR-3833">
		It's a bad case of sunstroke.
				</p></sp><sp xml:id="FLOR-3834"><speaker xml:id="FLOR-3835">Angela</speaker><p xml:id="FLOR-3836">
		Sun stroke.
				</p></sp><sp xml:id="FLOR-3837"><speaker xml:id="FLOR-3838">Tweedle</speaker><p xml:id="FLOR-3839">
		Miss Gilfain, how did you recognize me with my moustache?
				</p></sp><sp xml:id="FLOR-3840"><speaker xml:id="FLOR-3841">Angela</speaker><p xml:id="FLOR-3842">
		Why you have only half a moustache.
		<pb xml:id="FLOR-3843"/>
				</p></sp><sp xml:id="FLOR-3844"><speaker xml:id="FLOR-3845">Tweedle</speaker><p xml:id="FLOR-3846">
			<stage xml:id="FLOR-3847">(Bus. feels lips - looks on floor)</stage>
	 	I must have swallowed the other half.
	 			</p></sp><sp xml:id="FLOR-3848"><speaker xml:id="FLOR-3849">Donegal</speaker><p xml:id="FLOR-3850">
	 	There is some mystery here.
	 			</p></sp><sp xml:id="FLOR-3851"><speaker xml:id="FLOR-3852">Tweedle</speaker><p xml:id="FLOR-3853">
	 	Miss Gilfain, I am sorry to say that your father is an unsuperable, 
	 	a double usurper.
	 			</p></sp><sp xml:id="FLOR-3854"><speaker xml:id="FLOR-3855">Angela</speaker><p xml:id="FLOR-3856">
	 	Oh, Mr. Tweedlepunch, you mustn't say that.
	 			</p></sp><sp xml:id="FLOR-3857"><speaker xml:id="FLOR-3858">Tweedle</speaker><p xml:id="FLOR-3859">
	 	Yes, I must say it.  His money isn't his - Florodora isn't 
	 	his, everything belongs to another.
	 			</p></sp><sp xml:id="FLOR-3860"><speaker xml:id="FLOR-3861">Donegal and Angela</speaker><p xml:id="FLOR-3862">
	 	To another?
	 			</p></sp><sp xml:id="FLOR-3863"><speaker xml:id="FLOR-3864">Tweedle</speaker><p xml:id="FLOR-3865">
	 	Dolores is the rightful owner of all his wealth.
	 			</p></sp><sp xml:id="FLOR-3866"><speaker xml:id="FLOR-3867">Angela</speaker><p xml:id="FLOR-3868">
	 	Dolores?
	 			</p></sp><sp xml:id="FLOR-3869"><speaker xml:id="FLOR-3870">Donegal</speaker><p xml:id="FLOR-3871">
	 	Oh, I see - then that's why he paid you to say that Dolores 
	 	ought to marry him.
	 			</p></sp><sp xml:id="FLOR-3872"><speaker xml:id="FLOR-3873">Tweedle</speaker><p xml:id="FLOR-3874">
	 	Of course.  Pardon me, but he didn't pay me.  He only promised.
	 		<stage xml:id="FLOR-3875">(Enter LADY H. and VALLEDA L. 2. Valleda is carrying 
	 		bard's disguise)</stage>
	 			</p></sp><sp xml:id="FLOR-3876"><speaker xml:id="FLOR-3877">Lady H.</speaker><p xml:id="FLOR-3878">
	 		<stage xml:id="FLOR-3879">(L)</stage>
	 	Now Valleda, put the things on.  Then you may go.
	 		<stage xml:id="FLOR-3880">(Valleda exits L.2)</stage>
	 		<stage xml:id="FLOR-3881">(Lady H Xes to Donegal)</stage>
	 	Arthur, will you please go into the house and help keep 
	 	the ball rolling?
	 			</p></sp><sp xml:id="FLOR-3882"><speaker xml:id="FLOR-3883">Donegal</speaker><p xml:id="FLOR-3884">
	 		<stage xml:id="FLOR-3885">(C)</stage>
	 	But I don't understand your little game.
	 			</p></sp><sp xml:id="FLOR-3886"><speaker xml:id="FLOR-3887">Tweedlepunch</speaker><p xml:id="FLOR-3888">
	 	Now do as your little sister wants.
	 	<pb xml:id="FLOR-3889"/>		
	 			</p></sp><sp xml:id="FLOR-3890"><speaker xml:id="FLOR-3891">Lady H.</speaker><p xml:id="FLOR-3892">
	 	If you don't, I won't consent to your marriage.
	 			</p></sp><sp xml:id="FLOR-3893"><speaker xml:id="FLOR-3894">Angela</speaker><p xml:id="FLOR-3895">
	 	Yes do, Arthur, or she won't consent to your mother and 
	 	my sister.
	 			</p></sp><sp xml:id="FLOR-3896"><speaker xml:id="FLOR-3897">Donegal</speaker><p xml:id="FLOR-3898">
	 	My mother and your sister, and your father is going to be 
	 	my brother and -- well, I am getting this thing beautifully 
	 	mixed.  I think I'd better go and --
	 			</p></sp><sp xml:id="FLOR-3899"><speaker xml:id="FLOR-3900">Tweedle</speaker><p xml:id="FLOR-3901">
	 		<stage xml:id="FLOR-3902">(Handing bottle)</stage>
	 	Take one drop of that and walk up and down.
	 		<stage xml:id="FLOR-3903">(Exit Donegal L. 2 E)</stage>
	 			</p></sp><sp xml:id="FLOR-3904"><speaker xml:id="FLOR-3905">Lady H.</speaker><p xml:id="FLOR-3906">
	 	Now tell us all about it.
	 			</p></sp><sp xml:id="FLOR-3907"><speaker xml:id="FLOR-3908">Tweedle</speaker><p xml:id="FLOR-3909">
	 	You see this thing?
	 		<stage xml:id="FLOR-3910">(Takes out wig)</stage>
	 	I had that on my head.
	 		<stage xml:id="FLOR-3911">(Put it on)</stage>
	 	I looked such a fool.  Then I played and smashed it -- and 
	 	in fact I smashed all the instruments.
	 		<stage xml:id="FLOR-3912">(Bus. holds head - pain from drunk, etc.)</stage>
	 			</p></sp><sp xml:id="FLOR-3913"><speaker xml:id="FLOR-3914">Lady H.</speaker><p xml:id="FLOR-3915">
	 	What is the matter?
	 			</p></sp><sp xml:id="FLOR-3916"><speaker xml:id="FLOR-3917">Angela</speaker><p xml:id="FLOR-3918">
	 	Sunstroke.
	 			</p></sp><sp xml:id="FLOR-3919"><speaker xml:id="FLOR-3920">Tweedle</speaker><p xml:id="FLOR-3921">
	 	Oh yes, sunstroke -- the sun is very hot.
	 			</p></sp><sp xml:id="FLOR-3922"><speaker xml:id="FLOR-3923">Angela</speaker><p xml:id="FLOR-3924">
	 	What are you going to do?
	 			</p></sp><sp xml:id="FLOR-3925"><speaker xml:id="FLOR-3926">Lady H</speaker><p xml:id="FLOR-3927">
	 		<stage xml:id="FLOR-3928">(Xes to Tweedle)</stage>
	 	Mr. Tweedlepunch and I have a deeply laid plot for Mr. Gilfain's 
	 	punishment.
	 			</p></sp><sp xml:id="FLOR-3929"><speaker xml:id="FLOR-3930">Tweedle</speaker><p xml:id="FLOR-3931">
	 	Quite so - he's going to marry a society widow -- that'll punish him.
	 			</p></sp><sp xml:id="FLOR-3932"><speaker xml:id="FLOR-3933">Lady H.</speaker><p xml:id="FLOR-3934">
	 		<stage xml:id="FLOR-3935">(Aside to Tweedle)</stage>
	 	Fix that for me and I'm going to give you 5000 pounds.
	 			</p></sp><sp xml:id="FLOR-3936"><speaker xml:id="FLOR-3937">Tweedle</speaker><p xml:id="FLOR-3938">
	 		<stage xml:id="FLOR-3939">(C. aside to Lady H)</stage>
	 	And I'm going to take it.
	 			</p></sp><sp xml:id="FLOR-3940"><speaker xml:id="FLOR-3941">Angela</speaker><p xml:id="FLOR-3942">
	 	But what are you going to do with papa?
	 			</p></sp><sp xml:id="FLOR-3943"><speaker xml:id="FLOR-3944">Tweedle</speaker><p xml:id="FLOR-3945">
	 	Ah, you don't know -- your father doesn't know -- I don't 
	 	know.</p>
	 		<stage xml:id="FLOR-3946">(Indicating Lady H)</stage>
	 	<p xml:id="FLOR-3947">She knows.
	 			</p></sp><sp xml:id="FLOR-3948"><speaker xml:id="FLOR-3949">Lady H.</speaker><p xml:id="FLOR-3950">
	 	And Mr. Gilfain will know pretty soon.  Now come along, put 
	 	this on.
	 		<stage xml:id="FLOR-3951">(Hands him disguise)</stage>
	 			</p></sp><sp xml:id="FLOR-3952"><speaker xml:id="FLOR-3953">Tweedle</speaker><p xml:id="FLOR-3954">
	 		<stage xml:id="FLOR-3955">(Puts on wig and hat - then beard bus.)</stage>
	 	What am I supposed to be?
	 			</p></sp><sp xml:id="FLOR-3956"><speaker xml:id="FLOR-3957">Lady H.</speaker><p xml:id="FLOR-3958">
	 	A harper.
	 			</p></sp><sp xml:id="FLOR-3959"><speaker xml:id="FLOR-3960">Angela</speaker><p xml:id="FLOR-3961">
	 	You play the harp.
	 			</p></sp><sp xml:id="FLOR-3962"><speaker xml:id="FLOR-3963">Tweedle</speaker><p xml:id="FLOR-3964">
	 	I can't play the harp.  I'm not an angel yet.
	 			</p></sp><sp xml:id="FLOR-3965"><speaker xml:id="FLOR-3966">Angela</speaker><p xml:id="FLOR-3967">
	 	Now you are eighty.
	 			</p></sp><sp xml:id="FLOR-3968"><speaker xml:id="FLOR-3969">Tweedle</speaker><p xml:id="FLOR-3970">
	 	Pardon me -- forty-two.
	 			</p></sp><sp xml:id="FLOR-3971"><speaker xml:id="FLOR-3972">Lady H.</speaker><p xml:id="FLOR-3973">
	 	You be eighty with these on.
	 			</p></sp><sp xml:id="FLOR-3974"><speaker xml:id="FLOR-3975">Tweedle</speaker><p xml:id="FLOR-3976">
	 	Then I won't put them on.
	 		<stage xml:id="FLOR-3977">(Bus. coat - they try to get him by the coat tails,
	 		as in Act I)</stage>
	 	No, you don't -- once is enough for me, I'd better prepare 
	 	for the attack in private.
	 		<stage xml:id="FLOR-3978">(He gathers up props)</stage>
	 	<pb xml:id="FLOR-3979"/>
	 			</p></sp><sp xml:id="FLOR-3980"><speaker xml:id="FLOR-3981">Angela</speaker><p xml:id="FLOR-3982">
	 	Papa will never be able to resist.
	 			</p></sp><sp xml:id="FLOR-3983"><speaker xml:id="FLOR-3984">All</speaker><p xml:id="FLOR-3985">
	 	Such glorious conspirators as we shall be.  Revenge.  Revenge, 
	 	Revenge.</p></sp>
	 		<stage xml:id="FLOR-3986">(Music.  They exeunt L. 1 E. mysteriously)</stage>
	 		<stage xml:id="FLOR-3987">(LIGHTS GO OUT)</stage>
	 				<stage xml:id="FLOR-3988">DARK CHANGE OF SCENE</stage>
	 	<pb xml:id="FLOR-3989"/>
	 	</div><div type="scene" n="2" xml:id="FLOR-3990">
	 	<stage xml:id="FLOR-3991">SCENE II:		Interior of Abercoed's Castle,
	 					showing a fine baronial hall.
	 					Curtain discloses guests dancing 
	 					to the music of a barn dance.
	 					After dance enter DONEGAL C. while 
	 					chorus is humming refrain of 
	 					"MILITARY MAN"</stage>
	 					
	 			<stage xml:id="FLOR-3992">SOLO AND CHORUS - "I WANT TO BE A MILITARY MAN"</stage>
	 				<sp xml:id="FLOR-3993"><speaker xml:id="FLOR-3994">Solo - Donegal</speaker><lg xml:id="FLOR-3995">
<l xml:id="FLOR-3996">	 	Oh, the man that's dressed as usual is out of it today,</l>
<l xml:id="FLOR-3997">	 		For the regular dandy man, no single woman cares,</l>
<l xml:id="FLOR-3998">	 	She won't look upon your suit or you I've heard the world say </l>
<l xml:id="FLOR-3999">	 		Till you've donned the garb that Tommy Atkins wears.</l>
	 		</lg></sp>
	 				<stage xml:id="FLOR-4000">Refrain - Chorus</stage>
	 				<sp xml:id="FLOR-4001"><speaker xml:id="FLOR-4002">Donegal</speaker><lg xml:id="FLOR-4003">
<l xml:id="FLOR-4004">	 	There came a cry to arms,</l>
<l xml:id="FLOR-4005">	 		The fresh coat lost its charms,</l>
<l xml:id="FLOR-4006">	 	And the topper came a cropper with a rat-a-plan,</l>
<l xml:id="FLOR-4007">	 		Oh, you lose a lot of chances,</l>
<l xml:id="FLOR-4008">	 		And you don't get asked to dances,</l>
<l xml:id="FLOR-4009">	 	If you're not dressed all in khaki like a military man.</l>
	 				</lg></sp><sp xml:id="FLOR-4010"><speaker xml:id="FLOR-4011">Chorus</speaker>
	 		<stage xml:id="FLOR-4012">(At back)</stage>
	 	<lg xml:id="FLOR-4013">
<l xml:id="FLOR-4014">	 	I want to join the milit-tary,</l>
<l xml:id="FLOR-4015">	 	I've got no chance with June, or Flo, or Mary,</l>
<l xml:id="FLOR-4016">	 	I want to hear the martial rat-a-plan,</l>
<l xml:id="FLOR-4017">	 	I want to be a military man,</l>
<l xml:id="FLOR-4018">	 	That is my plan - it is,</l>
<l xml:id="FLOR-4019">	 	I want to be a military man.</l>
	 	</lg>
	 	</sp>
	 				<sp xml:id="FLOR-4020"><speaker xml:id="FLOR-4021">2nd</speaker>
	 				<lg xml:id="FLOR-4022">
<l xml:id="FLOR-4023">	 	If you stroll down Piccadilly in the middle of the day,</l>
<l xml:id="FLOR-4024">	 		And a very smart gentleman in khaki comes along,</l>
<l xml:id="FLOR-4025">	 	You may think he's Lord Tomboddy, or Sir Algy, Poppinjay,</l>
<l xml:id="FLOR-4026">	 		But I think it's very likely you'll be wrong.</l>
</lg>
	 		</sp>
	 				<sp xml:id="FLOR-4027"><speaker xml:id="FLOR-4028">Refrain - Donegal</speaker><lg xml:id="FLOR-4029">
<l xml:id="FLOR-4030">	 			For you really must confess</l>
<l xml:id="FLOR-4031">	 			That in the latest martial dress,</l>
<l xml:id="FLOR-4032">	 		The classless and the masses look as like they can,</l>
<l xml:id="FLOR-4033">	 			While to gaze at him you tarry,</l>
<l xml:id="FLOR-4034">	 			So one says Hello there's Harry,</l>
<l xml:id="FLOR-4035">	 		Gone and dressed himself in Khaki like a military man.</l>
</lg>
	 		</sp>
	 		<pb xml:id="FLOR-4036"/>
	 				<sp xml:id="FLOR-4037">
	 				<speaker xml:id="FLOR-4038">(Chorus as before)</speaker>
	 				<lg xml:id="FLOR-4039">
<l xml:id="FLOR-4040">	 		Now as this is from the stable, why I hope you'll keep it dark</l>
<l xml:id="FLOR-4041">	 			For the straightest of the tips I've had from Tattersal today</l>
<l xml:id="FLOR-4042">	 		And I learn that all the race courses right down to Kempton Park</l>
<l xml:id="FLOR-4043">		Will be laid with khaki turf without delay.</l>	 	
	 			</lg>
	 			</sp>
	 				<sp xml:id="FLOR-4044"><speaker xml:id="FLOR-4045">Refrain - Donegal</speaker>
<lg xml:id="FLOR-4046">
<l xml:id="FLOR-4047">	 			And all the jockeys you will see,</l>
<l xml:id="FLOR-4048">	 			Will ride a khaki gee,</l>
<l xml:id="FLOR-4049">	 		And the starter will look smarter in the silver tan - </l>
<l xml:id="FLOR-4050">	 			While the vague impression's growing,</l>
<l xml:id="FLOR-4051">	 			That all the swells are going,</l>
<l xml:id="FLOR-4052">	 		To the races dressed in khaki like the military man.</l>
</lg>	 		
	 			<stage xml:id="FLOR-4053">(Chorus as before)</stage>
	 			<stage xml:id="FLOR-4054">(Donegal exits L. 1 e)</stage>
	 				</sp><sp xml:id="FLOR-4055"><speaker xml:id="FLOR-4056">Gilfain</speaker><p xml:id="FLOR-4057">
	 		I have to make an announcement that I am sure will give you 
	 		infinite satisfaction.  I am about to be married.
	 				</p></sp><sp xml:id="FLOR-4058"><speaker xml:id="FLOR-4059">All</speaker><p xml:id="FLOR-4060">
	 		We congratulate you.
	 				</p></sp><sp xml:id="FLOR-4061"><speaker xml:id="FLOR-4062">Gilfain</speaker><p xml:id="FLOR-4063">
	 		My beautiful bride was born on the Island of Florodora -- 
	 		her name is Dolores -- and -- 
	 			<stage xml:id="FLOR-4064">(Enter Dolores)</stage>
	 		Here she is.  My friends, my bride, my bride, my friends.
	 			<stage xml:id="FLOR-4065">(Bus. of bowing)</stage>
	 				</p></sp><sp xml:id="FLOR-4066"><speaker xml:id="FLOR-4067">Dolores</speaker><p xml:id="FLOR-4068">
	 		Mr. Gilfain thinks he has discovered by a scientific process
	 		that we are suited to each other.  After Mr. Gilfain is 
	 		married, he'll find out how much science has to do with it.
	 		If we marry, we shall be very happy among you all.  I am 
	 		sure.  That is if we --
	 				</p></sp><sp xml:id="FLOR-4069"><speaker xml:id="FLOR-4070">Gilfain</speaker><p xml:id="FLOR-4071">
	 		Not so many ifs please.
	 				</p></sp><sp xml:id="FLOR-4072"><speaker xml:id="FLOR-4073">Dolores</speaker><p xml:id="FLOR-4074">
	 		Well, we are not married yet.
	 				</p></sp><sp xml:id="FLOR-4075"><speaker xml:id="FLOR-4076">Leandro</speaker><p xml:id="FLOR-4077">
	 		Supper is served.
	 			<stage xml:id="FLOR-4078">(Exeunt to a few bars of barn dance)</stage>
	 			<pb xml:id="FLOR-4079"/>
	 				</p></sp><sp xml:id="FLOR-4080"><speaker xml:id="FLOR-4081">Gilfain</speaker><p xml:id="FLOR-4082">
	 		Come Dolores, you shall preside for the first time at your 
	 		own table.
	 			<stage xml:id="FLOR-4083">(Enter TWEEDLE L. 2, disguised as a harper, he 
	 			confronts and stops Gilfain)</stage>
	 				</p></sp><sp xml:id="FLOR-4084"><speaker xml:id="FLOR-4085">Tweedle</speaker><p xml:id="FLOR-4086">
	 		Stop!  Not so fast!  Spare a minute for the bard.  DIM LIGHTS
	 			<stage xml:id="FLOR-4087">(Chorus drift off)</stage>
	 				</p></sp><sp xml:id="FLOR-4088"><speaker xml:id="FLOR-4089">Gilfain</speaker><p xml:id="FLOR-4090">
	 			<stage xml:id="FLOR-4091">(Up C)</stage>
	 		But I don't want a bard.  I want my supper.  Besides, I don't 
	 		understand Welsh.
	 				</p></sp><sp xml:id="FLOR-4092"><speaker xml:id="FLOR-4093">Tweedle</speaker><p xml:id="FLOR-4094">
	 		You'll soon hear it.
	 			<stage xml:id="FLOR-4095">(He turns the lights out)</stage>
	 				</p></sp><sp xml:id="FLOR-4096"><speaker xml:id="FLOR-4097">Gilfain</speaker><p xml:id="FLOR-4098">
	 			<stage xml:id="FLOR-4099">(Comes down L.C)</stage>
	 		What do you mean by tinkering with my lights?  Well, if you 
	 		insist on it, bring me something soft.  Complimentary and 
	 		something.  But hurry up with it.
	 				</p></sp><sp xml:id="FLOR-4100"><speaker xml:id="FLOR-4101">Tweedle</speaker><p xml:id="FLOR-4102">
	 			<stage xml:id="FLOR-4103">(Sits on low stool R.C)</stage>
	 		Nothing can ever soothe you again.
	 			<stage xml:id="FLOR-4104">(Twangs the harp)</stage>
	 		Robber!
	 				</p></sp><sp xml:id="FLOR-4105"><speaker xml:id="FLOR-4106">Gilfain</speaker><p xml:id="FLOR-4107">
	 		What?  Who spoke?  Who said robber?
	 				</p></sp><sp xml:id="FLOR-4108"><speaker xml:id="FLOR-4109">Tweedle</speaker><p xml:id="FLOR-4110">
	 		A voice from the past remarked robber.
	 			<stage xml:id="FLOR-4111">(Twang)</stage>
	 				</p></sp><sp xml:id="FLOR-4112"><speaker xml:id="FLOR-4113">Gilfain</speaker><p xml:id="FLOR-4114">
	 		How dare a voice from the past remark anything of the sort?
	 				</p></sp><sp xml:id="FLOR-4115"><speaker xml:id="FLOR-4116">Tweedle</speaker><p xml:id="FLOR-4117">
	 		You're standing in other people's shoes.  Usurper!
	 				</p></sp><sp xml:id="FLOR-4118"><speaker xml:id="FLOR-4119">Gilfain</speaker><p xml:id="FLOR-4120">
	 		It isn't true -- the Abercoed's family squandered their 
	 		property.  Gambled it, threw it away -- I bought it.
	 		<pb xml:id="FLOR-4121"/>
	 				</p></sp><sp xml:id="FLOR-4122"><speaker xml:id="FLOR-4123">Tweedle</speaker><p xml:id="FLOR-4124">
	 		With whose money?
	 				</p></sp><sp xml:id="FLOR-4125"><speaker xml:id="FLOR-4126">Gilfain</speaker><p xml:id="FLOR-4127">
	 		With my own.  The money I made out of the secret of Florodora.
	 				</p></sp><sp xml:id="FLOR-4128"><speaker xml:id="FLOR-4129">Tweedle</speaker><p xml:id="FLOR-4130">
	 		Whose secret swindler?
	 			<stage xml:id="FLOR-4131">(Twang)</stage>
	 				</p></sp><sp xml:id="FLOR-4132"><speaker xml:id="FLOR-4133">Gilfain</speaker><p xml:id="FLOR-4134">
	 		Mine.  I registered the trade mark.  I'm not going to be 
	 		bullied by voices of the past.
	 				</p></sp><sp xml:id="FLOR-4135"><speaker xml:id="FLOR-4136">Tweedle</speaker><p xml:id="FLOR-4137">
	 		You'll have to submit.  You'll have to submit, you lobster --
	 		thief, unless you restore to them their own.
	 				</p></sp><sp xml:id="FLOR-4138"><speaker xml:id="FLOR-4139">Gilfain</speaker><p xml:id="FLOR-4140">
	 		What I have I mean to keep
	 				</p></sp><sp xml:id="FLOR-4141"><speaker xml:id="FLOR-4142">Tweedle</speaker><p xml:id="FLOR-4143">
	 		That's what the blood red Abercoed said.  But he altered his 
	 		tune.
	 				</p></sp><sp xml:id="FLOR-4144"><speaker xml:id="FLOR-4145">Gilfain</speaker><p xml:id="FLOR-4146">
	 		I wish you'd change yours.  Who was blood-red Abercoed?
	 				</p></sp><sp xml:id="FLOR-4147"><speaker xml:id="FLOR-4148">Tweedle</speaker><p xml:id="FLOR-4149">
	 		A robber in the middle ages.  The first of the Abercoeds --
	 			<stage xml:id="FLOR-4150">(Twang)</stage>
	 		He stole the money from a friendless girl whose guardian he 
	 		was.
	 				</p></sp><sp xml:id="FLOR-4151"><speaker xml:id="FLOR-4152">Gilfain</speaker><p xml:id="FLOR-4153">
	 		Well, what has that to do with you?  I don't like fairy stories.
	 				</p></sp><sp xml:id="FLOR-4154"><speaker xml:id="FLOR-4155">Tweedle</speaker><p xml:id="FLOR-4156">
	 		The friendless girl tells her own stories.  First of all she 
	 		sickened.
	 			<stage xml:id="FLOR-4157">(Twang)</stage>
	 		Then she died.
	 			<stage xml:id="FLOR-4158">(Twang)</stage>
	 				</p></sp><sp xml:id="FLOR-4159"><speaker xml:id="FLOR-4160">Gilfain</speaker><p xml:id="FLOR-4161">
	 		I'm glad of it -- there's an end of her.
	 				</p></sp><sp xml:id="FLOR-4162"><speaker xml:id="FLOR-4163">Tweedle</speaker><p xml:id="FLOR-4164">
	 		Oh, no, she rose up and haunted him with this legend.
	 			<stage xml:id="FLOR-4165">(Rises and comes nearer)</stage>
	 			<pb xml:id="FLOR-4166"/>
	 				</p></sp><sp xml:id="FLOR-4167"><speaker xml:id="FLOR-4168">Gilfain</speaker><p xml:id="FLOR-4169">
	 		I don't like legends.  Cut it out.
	 				</p></sp><sp xml:id="FLOR-4170"><speaker xml:id="FLOR-4171">Tweedle</speaker><p xml:id="FLOR-4172">
	 		Of mortal ere within this castle be,
	 		A man cursed of crime or treachery,
	 		A maid devoid of virtue or of truth,
	 		One who has tricked a maiden in her youth.
	 			<stage xml:id="FLOR-4173">(Twang)</stage>
	 		O'er him shall float the form of Ethelwynda -- 
	 			<stage xml:id="FLOR-4174">(Aside)</stage>
	 		That's a good name.
	 			<stage xml:id="FLOR-4175">(Aloud)</stage>
	 		To haunt his footsteps and his progress hinder -- cursed 
	 		by the cursed curse of Ethelwynda.
	 			<stage xml:id="FLOR-4176">(Twang)</stage>
	 				</p></sp><sp xml:id="FLOR-4177"><speaker xml:id="FLOR-4178">Gilfain</speaker><p xml:id="FLOR-4179">
	 			<stage xml:id="FLOR-4180">(Terrified)</stage>
	 		No, not that.  Mercy.  Mercy!  I'll confess all.
	 			<stage xml:id="FLOR-4181">(Enter LADY HOLYROOD L. 2)</stage>
	 				</p></sp><sp xml:id="FLOR-4182"><speaker xml:id="FLOR-4183">Tweedle</speaker><p xml:id="FLOR-4184">
	 		Did not the island of Florodora and the secret of Florodora 
	 		belong to my friend Quisara?
	 			<stage xml:id="FLOR-4185">(Xing R. to turn on lights)</stage><stage xml:id="FLOR-4186">LIGHTS UP</stage>
	 				</p></sp><sp xml:id="FLOR-4187"><speaker xml:id="FLOR-4188">Gilfain</speaker><p xml:id="FLOR-4189">
	 			<stage xml:id="FLOR-4190">(C)</stage>
	 		They did!  They did!
	 			<stage xml:id="FLOR-4191">(Lights up)</stage>
	 			<stage xml:id="FLOR-4192">(When lights are turned up, enter all the PRINCIPALS
	 			and the CHORUS R. and L. taking positions for finale.
	 			ABERCOED and DOLORES from C - ANGELA and DONEGAL from 
	 			L. 2)</stage>
	 				</p></sp><sp xml:id="FLOR-4193"><speaker xml:id="FLOR-4194">Lady H.</speaker><p xml:id="FLOR-4195">
	 		When he died, they belonged to his daughter Dolores.
	 				</p></sp><sp xml:id="FLOR-4196"><speaker xml:id="FLOR-4197">Gilfain</speaker><p xml:id="FLOR-4198">
	 		They did.  But I'll restore everything -- Ethelwynda has 
	 		been too much for me.  I'm a simple man of business but 
	 		I can't do business with spirits.
	 				</p></sp><sp xml:id="FLOR-4199"><speaker xml:id="FLOR-4200">Angela</speaker><p xml:id="FLOR-4201">
	 			<stage xml:id="FLOR-4202">(Down L.C)</stage>
	 		But there are no spirits here, papa.
	 		<pb xml:id="FLOR-4203"/>
	 				</p></sp><sp xml:id="FLOR-4204"><speaker xml:id="FLOR-4205">Gilfain</speaker><p xml:id="FLOR-4206">
	 			<stage xml:id="FLOR-4207">(C - looks around gingerly)</stage>
	 		Yes, there is -- there's one -- take that fellow away.  I 
	 		can't stand the bard.
	 				</p></sp><sp xml:id="FLOR-4208"><speaker xml:id="FLOR-4209">Tweedle</speaker><p xml:id="FLOR-4210">
	 			<stage xml:id="FLOR-4211">(R. removes disguise)</stage>
	 		My photograph.
	 				</p></sp><sp xml:id="FLOR-4212"><speaker xml:id="FLOR-4213">Gilfain</speaker><p xml:id="FLOR-4214">
	 		Tweedlepunch.
	 				</p></sp><sp xml:id="FLOR-4215"><speaker xml:id="FLOR-4216">Tweedle</speaker><p xml:id="FLOR-4217">
	 		Oui!  Oui!
	 			<stage xml:id="FLOR-4218">(Pulls off disguise)</stage>
	 				</p></sp><sp xml:id="FLOR-4219"><speaker xml:id="FLOR-4220">Lady H.</speaker><p xml:id="FLOR-4221">
	 			<stage xml:id="FLOR-4222">(Comes forward laughing)</stage>
	 		Me, me!</p></sp>
	 				<sp xml:id="FLOR-4223"><speaker xml:id="FLOR-4224">Gilgain</speaker><p xml:id="FLOR-4225">
	 		And Lady Holyrood too, you little rogue -- wait until we are 
	 		married.  Well, I'll restore everything.
	 				</p></sp><sp xml:id="FLOR-4226"><speaker xml:id="FLOR-4227">Dolores</speaker><p xml:id="FLOR-4228">
	 			<stage xml:id="FLOR-4229">(C)</stage>
	 		I don't want everything.  Give me the castle.
	 				</p></sp><sp xml:id="FLOR-4230"><speaker xml:id="FLOR-4231">Abercoed</speaker><p xml:id="FLOR-4232">
	 		And I have a little present for the bard.
	 			<stage xml:id="FLOR-4233">(She crosses to Tweedle and gives him check)</stage>
	 				</p></sp><sp xml:id="FLOR-4234"><speaker xml:id="FLOR-4235">Angela</speaker><p xml:id="FLOR-4236">
	 			<stage xml:id="FLOR-4237">(Indicating Dolores and Abercoed)</stage>
	 		Well, may I marry Arthur?
	 				</p></sp><sp xml:id="FLOR-4238"><speaker xml:id="FLOR-4239">Gilfain</speaker><p xml:id="FLOR-4240">
	 			<stage xml:id="FLOR-4241">(L)</stage>
	 		Yes.  We'll all be married.
	 			<stage xml:id="FLOR-4242">(Tweedle Xes. L. to Gil C)</stage>
	 		Pardon me, your photograph.
	 			<stage xml:id="FLOR-4243">(Hands Tweedle his photo)</stage>
	 				</p></sp><sp xml:id="FLOR-4244"><speaker xml:id="FLOR-4245">Tweedle</speaker><p xml:id="FLOR-4246">
	 			<stage xml:id="FLOR-4247">(Taking out knife)</stage>
	 		I would like to cement our friendship.
	 				</p></sp><sp xml:id="FLOR-4248"><speaker xml:id="FLOR-4249">Gilfain</speaker><p xml:id="FLOR-4250">
	 			<stage xml:id="FLOR-4251">(Holds up knife from Act 1)</stage>
	 		I'll match you for it.
	 			<stage xml:id="FLOR-4252">(Xes R.C. to Lady Holyrood for finale)</stage>
	 		<pb xml:id="FLOR-4253"/>
	 				</p></sp><sp xml:id="FLOR-4254"><speaker xml:id="FLOR-4255">Abercoed</speaker><p xml:id="FLOR-4256">
	 			<stage xml:id="FLOR-4257">(R.C)</stage>
	 		But we mustn't forget Mr. Tweedlepunch.
	 				</p></sp><sp xml:id="FLOR-4258"><speaker xml:id="FLOR-4259">Dolores</speaker><p xml:id="FLOR-4260">
	 			<stage xml:id="FLOR-4261">(C)</stage>
	 		No, he's been our best friend, henceforth, he shall be our sole 
	 		representative.
	 			<stage xml:id="FLOR-4262">(Tweedle pleased L.C)</stage>
	 		Abroad.
	 				</p></sp><sp xml:id="FLOR-4263"><speaker xml:id="FLOR-4264">Tweedle</speaker><p xml:id="FLOR-4265">
	 			<stage xml:id="FLOR-4266">(Disappointed)</stage>
	 		Oh!
	 				</p></sp><sp xml:id="FLOR-4267"><speaker xml:id="FLOR-4268">Dolores</speaker><p xml:id="FLOR-4269">
	 		And oversee the island of Florodora.
	 		</p></sp>
	 				<stage xml:id="FLOR-4270">FINALE</stage>
	 			<sp xml:id="FLOR-4271"><speaker xml:id="FLOR-4272">(CHORUS OF THE MILITARY MAN)</speaker><lg xml:id="FLOR-4273">
<l xml:id="FLOR-4274">	 		I want to join the military - tary,</l>
<l xml:id="FLOR-4275">	 		I've got no chance with Jane, or Flo or Mary.</l>
<l xml:id="FLOR-4276">	 		I want to hear the martial rat-a-plan,</l>
<l xml:id="FLOR-4277">	 		I want to be a military man.</l>
<l xml:id="FLOR-4278">	 		That is my plan - it is - </l>
<l xml:id="FLOR-4279">	 		I want to be a Military Man.</l>
	 		</lg>
	 		</sp>
	 		<stage xml:id="FLOR-4280">
	 				CURTAIN
	 				</stage>
	 	</div></div></body>
	 	</text></TEI>
